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Liturgia

Summary:

Thank God for her sneakers or else this would have looked more like she was pulling a dead body. Oh fuck. Did it look like she was carrying a dead body? Her pace increased out of pure fear. This literally could not be happening right now. She was done for. Ava’s fans would kill her. They wouldn’t even question her. They would tear her apart limb from limb in some sadistic medieval torture session while chanting along to one of their idol’s songs.

Ava is a global pop sensation, a household name known for her breathtaking vocals, captivating stage presence, and undeniable charisma. She’s at the height of her career, with sold-out world tours, chart-topping hits, and a fanbase that adores her every move. Beatrice, the enigmatic and vulnerable lead singer of The Cruciforms, is her opposite in every way. She doesn’t chase the spotlight, it finds her. As The Cruciforms carve their way into the mainstream with their honest lyrics and genre defying sound, Beatrice remains a mystery, a fragile storm drawing Ava and the world in with every word she sings.

Notes:

This story wouldn't leave me alone.

Here is the playlist and mood board.

I'll keep both updated as I add on to the story.

Chapter 1: La Corriente Que Nace De Esta Fuente

Notes:

(See the end of the chapter for notes.)

Chapter Text

Beatrice would swear upon her death bed that meeting Ava that day was not in any way shape or form a monumental deviation in her life plans.

Had this moment in time been a carefully calculated move? No. This had been simple dumb luck and it horrified her. One moment they were being ignored at dingy small gigs and suddenly they were performing at Lollapalooza. Beatrice couldn’t even begin to understand what 110,000 people looked like. Much less hearing them sing back their music, the songs that she had carefully written and slaved over for years. And here they were, expected to just pretend like that was normal. Like it was just a regular day. She was sure she needed therapy. And a new manager. Definitely a new manager. Lilith needed a haircut. Did they all need haircuts? 

Her mind spiraled. 

All in good time. 

The green room was stuffy and the air felt heavy with anxiety and pre-show jitters that shouldn’t still be happening or at least this intensely. Thoughts went back to that crowd and fear started to bubble again. She looked to her fellow bandmates, each going through their routines, and her lips curved with a small smile that she hoped would calm their nerves. 

They were set to appear as one of two musical guests, not something she recalls happening often, but unavoidable given a last minute scheduling conflict and countless apologies from The Graham Norton Show production team.

They were The Cruciforms, England’s biggest rock band since The Beatles, or she would tell her grandmother that if ever asked. Silly little hobby and all. Their EP had sold inexplicably well, well enough that eyes were on them, many eyes and they had been ill prepared. The amount of attention in itself was difficult to explain, it was as if overnight everything had fallen into place, but not. The music industry was messy, confusing and borderline psychotic. 

“Do you think she’ll be nice?” Camila’s voice cut through her thoughts.

“Who?” 

A unanimous groan stretched throughout the cramped room. 

Right. 

Ava. 

The other musical guest. 

“Do you think we’ll ever get a chance to print our vinyls at the rate she’s going?” Lilith spoke up, hair in her face. She definitely needed thera— wait no she needed a haircut, but also therapy. 

Mary rubbed her forehead knowing full well where the topic was heading. “Don’t start, you’ll just get Beatrice going on a rant again.”

“I don’t know how much longer I can put up with musical statistics and artistic integrity.” Lilith stood from the couch and walked to the heavily lit mirror in an attempt to tame her unruly hair.

Beatrice scoffed, feeling slightly validated by Lilith’s comment. “I mean honestly out of everyone that could have possibly come today and overshadow us it had to be her. Does she even have to do this anymore?”

“Careful, your inner brat is showing.”

(*)

“When you’re in the party bum-bum-bumping’ that beat!” Camila sprung up, triggered. 

“Oh God no.”

“That sewer sluts a vibe! 

Internationally recognised!

 I set the tone, it’s my design and it’s stuck in your—”

Beatrice moved as fast as she could. One squeal later and Camila was restrained. She stared up, breathing through her nose as Beatrice’s hands held her mouth shut. The couch underneath them protested with the sudden movement.

“It has been a great year for pop music. I've gone back several months and can safely say we’re finally out of the dark ages that were the early 2010’s.” Yasmine, who had been rather occupied with her phone, spoke up. She was nose deep tracking charts or plotting to take them down. One or the other. Or both. “It’s not all Ava’s fault. Though her tactics are a bit questionable and borderline exploitative.”

“See! Yasmine agrees. She has over-capitalised music and for what. Is it any good? Probably not, just some over-produced crap that will sound dated—aaaaahhh!” Camila bit her. Actually bit her. “You bit me!”

Camila had managed to squeeze her way out of Beatrice’s grasp. “How dare you speak about our lord and saviour like this.”

“She’s clearly only popular because of all the features she has managed to grab.” Beatrice continued her tirade, rubbing her hand in soothing patterns. “That and the radio won’t stop playing her.”

Mary stared at Beatrice, patience clearly gone. “Okay, you’re starting to sound like a Reddit basement dweller. I have heard her albums, they’re great, she’s talented.” Her eyes bore into hers like an older sibling would to a misbehaving little sister. “Is it my cup of tea? No. I don’t drink tea, but I can at least admit she works hard.”

“You said you wouldn’t.” Beatrice wasn’t petulant, but they had agreed not to listen to the top 100, which meant Ava was off limits. Or at least she thought they had all agreed. Clearly Camila was a filthy liar and now Mary too. 

“I’m quite partial to Malamente .” 

“No, Lilith, not you too.”

“What about Bagdad ?” Yasmine perked up, suddenly very interested in the conversation being had. “The interpolation of the choir and Justin Timberlake’s ‘ Cry Me A River ’ is brilliant.”

Beatrice sat defeated. The betrayal. They shared meals together.

She was already thinking of ways to make them suffer during practice. They were only listening to greats from now on or so help her God. They can’t squander it, this opportunity only comes once in a lifetime and they were going to focus. She would plan their listening schedule; Bob Dylan, Bowie, good old Simon & Garfunkel, aaaaaaand she was boring herself. Bananarama…what. Too much. 

Knock- knock knock- knock

“It’s probably Vincent.” Lilith had somehow constructed her hair into a braid, who thought she had it her.

“Useless,” Beatrice muttered, putting some distance between herself and the door. She knew whatever news he was bringing was going to age her in seconds. They truly needed a new manager.

It was Camila who stood to answer.

Hi

Camila slammed the door shut. The Earth spun just a little faster. 

The girls all stared as she stood perfectly still, back to the door in a state of complete panic. “It’s…it’s…” she stuttered, with full blown realisation. 

“Who is it?”

“Vincent?”

“No.”

“Graham?”

“No.”

“Ava?”

Camilla raised her hands to her mouth and nose nodding slowly, “…yes”.

Mary basically pried her bandmate off the door. “Woman, for crying out loud let your fellow countryperson in.”

The door opened and there she was. Hands behind her back, with a smile that could probably make someone trip on a busy city street. And they were all staring.

Thud

Yasmine’s phone hit the floor and all eyes followed the movement as she scrambled to pick it up. All except for Beatrice who had for a second forgotten herself. An indescribable force. Ava was or looked younger than she was expecting. She wore an oversized white t-shirt tucked into her jeans, hair in a messy bun and no makeup to speak of. Beatrice breathed in once and looked down as if struck, but couldn’t resist a second glance. Brown eyes met hers.

Ava moved forward, awkwardly doing a small wave, “Hi guys…what’s up?”

“The ceiling usually, I mean if there is one, sometimes it could be sky, but I guess…that can also depend on the weather because there’s rain and clouds and pollen and…solar wind patterns can disrupt the Earth’s magnetosphere in a phenomenon we refer to as an Aurora.” Oh no, Yasmine.

Mary nodded along only for a second. “Ava, right? I’m Mary.”

“Hello,” She smiled brightly again, outstretching her hand for Mary to shake. 

“I once had a weird dream after listening to ‘ De Aqui No Sales ’.” Beatrice could see Camilla’s mouth moving but could only hope that she had misheard. 

“Oh?” Ava chuckled, her voice turned oddly raspy with mischief. “What was it about?”

“I don’t know. It involved my dead dog Mauricio and buñuelos.”

“¿Buñuelos? Me encantan.”

“Si, a mi igual,” Camila chuckled with so much admiration.

“This is Camila, she apologises for slamming the door on your face,” Mary said gently, who apparently had taken it upon herself to be the only normal person in the room. And without any prompting began to go around introducing everyone. “That’s Yasmine and her now very broken phone.” Yasmine half smiled half winced. “The one with the sour face over there is Lilith.” A quick salute. “And this is Bea-”

Beatrice doesn’t know what possessed her to walk across the room, but she found herself in front of Ava with a tentative hand outstretched, “Beatrice.” And the indescribable force was back, negating her own will as their eyes met again. Brown. Kind. Cute laugh lines by her eyes when she smiles.

“Beatrice.” Ava repeated dumbly. “Ava.”

Lilith rolled her eyes, “Oh, we know.”

“Ohh! Oh that is lovely!” Graham Norton’s voice resonated over the boisterous studio audience as he made his entrance. He waved his hands, “Hello everyone, hello! Good evening. You’re all so welcome to the show. It is Friday night and like your overpowering mother-in-law, I’m back! We’ve got a great line up to finish up the week with not just one but two musical guests. If you look over there singing for us later we have The Cruciforms , Europe’s latest obsession.”

The crowd erupted into delighted cheers as the girls waved back. They were now all wearing matching form fitting black suits with paired high waisted pants. Thin ties adorned their white button ups. 

Yasmine sat behind her drums twirling one of her sticks flawlessly in her left hand, Camila on keys, Mary with a funky bass, Lilith and her guitar remained perfectly still and Beatrice smiled from the center, microphone nearby.

“They’ll be performing their latest single ‘ Stuck ’, but first who are we meeting on my sofa tonight!” Graham spoke enthusiastically as he diverted his attention to the entry leading backstage. “Well this actress has decided to return to familiar shores, and is currently starring in the West End revival of Macbeth, put your hands together for Academy Award winner Olivia Coleman!”

All big smiles as the actress emerged waving at the crowd and giving Graham a warm hug. She took a seat clapping along as the host continued.

“Next up you may know him from this year’s box office hit Dune 2 and upcoming Bob Dylan biopic A Complete Unknown , Mr. Timothée Chalamet!” 

Timothée walked through the opening, small moustache and all. He shook Graham's hand before joining Olivia on the sofa.

“And our final guest needs no introduction. She’s our two time Grammy award winning neighbour, back from her record breaking global tour! Ava!”

The cheers somehow got louder as the audience absolutely lost their minds. Ava practically materialised wearing a long sleeved black Schiaparelli ensemble that resembled a matador chaquetilla vest with gold embellishments. Her hair now in long draping curls framed her perfect face. She glowed as the attention consumed her. Graham walked to meet her halfway giving her a big hug before helping her to the sofa. 

The show went through its finely structured style for a bit as Graham took several moments discussing everyone’s upcoming projects and accomplishments. They joked and spoke, Timothée and Ava already familiar with each other and Olivia just entranced by the overall energy that had taken over the studio.

“Right! It’s time for music. This band had a great year, they’ve already been announced as The Brit Rising Star for next year. Here performing their current single ‘ Stuck ’ it’s The Cruciforms!”

The audience cheered. The lights dimmed. Lilith’s opening notes queued them in. Yasmine followed. And suddenly they were all bouncing along as the lights focused and vamped up the atmosphere. Beatrice kicked her black chucks along with the beat of the song and reached for the standing mic. 

(*)

We talk…

Talk ‘til we’re blue in face

The words…

The words don’t resonate

Seasons…

They always seem to stay the same

Holding…on to things we said we would change 

Beatrice sang, her voice coming flawlessly through the studio speakers. She glanced at Camila as she sang into the mic joining her for the chorus, keys bouncing up and down under her fingertips.

I’m stuck, babe 

Stuck with nowhere to go

Because, babe

We’re just taking it slow

It’s overdue oh oh uh oh oh

Make your move oh oh uh oh oh

Stuck, babe

Stuck with nowhere to go

Their song came to an end and the audience cheered.

“There we go!” Graham joined “The Cruciforms, everybody!”

They waved, smiles all around.

“Come on over girls! Leave those instruments there and join us on the sofa.” They followed his direction, Lilith and Mary handing over their instruments to nearby staff members. They walked the curve of the stage over to the interview area as the other guests stood to greet them. “That was fantastic, thank you so so much.” 

Beatrice, the ever stoic leader was first shaking hands with Ava, Timothée and Olivia as Graham introduced all the members by name. The girls followed her lead and quickly everyone was acquainted. 

“That is such an ear-worm, truly fantastic job ladies,” Graham took his seat and everyone else followed suit. 

“Thank you very much.” Beatrice hoped her voice wouldn’t crack and betray just how nervous she was. 

“That single is from your EP, and it’s out now and is a thing of beauty,” He continued the praise leaving all the members shy and bewildered. “How do you all feel after the incredible year you’ve had? ‘ Stuck ’ was the biggest British single of the year.”

Beatrice looked around to her band members as she spoke, “I think we’re all just in a state of shock still, to be perfectly honest. We couldn’t have imagined the amount of traction or how much the song resonated with people.”

The guests nodded along basking in the pure happiness each of the girls was giving off. 

Beatrice had just realised just who she sat next to. Ava’s smile was immense as she listened along. “How did it feel listening to the song on the radio for the first time?” She asked, eyes meeting hers.

“I know this is going to sound absurd because surely band members are with each other every second of every day,” Beatrice chuckled, “but we all heard it at different times.” 

“It was surreal!” Camila added and everyone nodded in agreement.

“I think you have this idea or this hope for so long… I’m sorry I’m not used to this. I’m nervous.” Beatrice hesitated while taking a breath, the audience laughed. 

Ava tapped her leg in encouragement, “No one is.”

Beatrice smiled at the encouragement and continued, “when we all finally heard it together we were in a cab on the way to get dumplings and we almost caused our driver to crash.” 

Everyone laughed again delighted. The show continued with more of the same atmosphere and fun banter between Graham and the guests. They spoke about their upcoming European tour and promotional endeavours for the upcoming album. 

When the show was ready to wrap, Ava stood from her spot next to Beatrice and walked towards the stage, where her guitarist and a percussionist with a cajon waited for her. She sat on the chair between them, her demeanour shifted to a more sullen tone appropriate one. 

The lights dimmed and the flamenco guitar began. 

(*)

Qué bien sé yo la fuente 

Que mana y corre

Aunque eeeeeees de noche

Aquella eterna fuente está escondida

Qué bien sé yo donde tiene su manida

Aunque eeeeeees de noche

En esta noche oscura de esta vida

Qué bien sé yo por fe la fuente fría

Aunque es de noche

Aunque es de noche

Aunque es de noche

Music, Beatrice found, always had a way of burying itself down to her bones. She didn’t need to speak the language, she understood the emotion perfectly. And Ava, what could she even be nitpicky about, Ava was delivering every line with so much care and love. In that instance she couldn’t help but chastise herself. She had devalued Ava, just as much as any other popular artist. And for what? To seem knowledgeable and alternative?

The song shifted. The tempo increased, but Ava’s falsettos had merged so perfectly that Beatrice would have just assumed it was the same song until it wasn’t. Ava stood, the light now reflecting the change of mood and the room mutated rather intensely. 

(*)

Taggea'o tu nombre en la pared, eh

O El Mal Querer en Times Square, ¿o qué?

Driving speed limit DGT, eh

O quemando rue'a sin carnet, ¿o qué?

Vas a lo suave a lo kitty cat, eh

O muerdes si tienes que morder, ¿o qué?

Muerdes si tienes que morder, eh

Muerdes si tienes que morder

Beatrice looked around to her bandmates, all enthralled with what had just occurred. Camila was practically levitating, and she knew she wouldn’t hear the end of this today. Was Olivia Coleman dancing? Mary’s eyes met hers, see , she could hear her.

A palé, a palé, a palé, a palé

A palé, a palé, a palé, a

A palé, a palé, a palé, a palé

A palé, a palé, a palé, a-a-a

Fuck the greats.

“What the fuck was that?” Ava winced, as she was all but pushed back against the wall. The show staff were far enough not to hear or see. Her manager stood in front of her. She was still taller than Ava even in heels. “I thought we had agreed, they’re not ready to hear that. It’s not the right time.”

Ava felt small, but the rage had been building inside her for years, eating away at her. She needed this. A change in her sound had been a long time coming and no amount of begging and hoping was going to accomplish it anymore. Keep your eyes up. She reminded herself. 

“The audience enjoyed it, didn’t they?” Ava squared her shoulders. 

A dry laugh. “A decision like this can derail your entire career.” Her manager ran her hands through her wavy hair, “Who encouraged you?”

Ava shook her head baffled. “You think I needed encouragement? If you truly believe that you clearly haven't been paying attention.”

“I need to call Fermin and get this sorted before it gains any traction.”

“Emilia.”

Emilia turned, phone to her ear. “Hell–”

“We’ll call you back.” Ava's eyes were so intense that she was sure she was about to cry and she knew Emilia knew.

Eyes bore into hers, “Let me make something exceedingly clear to you. You are where you are because of all the hours I’ve devoted to making it happen. Not only do you continue to act like a child every chance you get, you also make no effort to hide it.” This time the shove against the wall was physical. “Who do you think contacts the media to hide all your little “mistakes”. Not to mention the rampant alcoholism that everyone ignores and puts up with.” Tears were beginning to well in Ava’s eyes. “Do you think it’s cute what you’re doing? Do you think it’s funny?” Emilia spoke calmly, completely stone-faced.“How fucking dare you?”

Ava couldn’t bear to raise her gaze to meet Emilia’s.

“Let me predict with 100% certainty what’s about to happen after we leave this building.” Emilia lowered her mouth close to Ava’s left ear, “You’re going to sneak out of your hotel room and you’re going to drink until you black out, and I’m going to find you in your bathtub tomorrow morning feeling sorry for yourself. And then we’ll leave this God forsaken country and never speak about this again.”

A noise from down the hall alerted them immediately. Ava could feel Emilia extracting herself. She gave a small glance in the direction of the noise, but couldn't make out what it was. 

Emilia’s eyes were furious as her gaze returned to Ava. “I’ll let the driver know we’re ready to leave.”

Ava watched as her manager made her way down the hall and into one of the green rooms. The same noise resonated across the hall again. She wiped her face as best she could, turning the corner and without realising, smashing straight into something solid.

Beatrice. 

Vest pocket tangled on the handle of the janitor’s closet. She would laugh if the circumstances weren’t pointing to the fact that she was sure the woman had overheard the exchange. And she knows that face. She sees her assistant make that face all too often.

“Why are you coming out of the closet?” Ava was nothing without her humour after all. 

A beat. Beatrice hesitated, Ava could see her eyes frantically searching for the proper response. “Well…you see I was just trying to find the–”

“The?”

Beatrice made an attempt to form words, but gave up several times. She struggled with the handle again, somehow she had managed to make it go further into her pocket.

Ava chuckled. A full on throaty chuckle. “Here. Let me.” Ava placed her hand on her arm and gently twisted the handle enough that it slipped right out. 

The honey brown eyes danced awkwardly from wall to wall before meeting hers. 

There was a breath and Ava began to understand that this was probably something Beatrice did often before speaking. A learned response she knew all too well. “Are you alright?” Beatrice asked, arms coming to her side. 

She waited for Ava’s response. Strange . Most people would have already walked away from what had just happened. Pretending. Always pretending. “Do you know Claridge’s?” She hoped Beatrice wouldn’t push.

“Do I know Claridge’s?” An inflection on the ‘I’.

“Meet me outside at ten.”

“What? Like, tonight?”

“Ten. tonight.”

Ava turned to leave.

“Ten?”

“Tonight.”

Beatrice is not in the habit of meeting up with world famous pop stars outside of bougie hotels, but she was in fact a big fan of a mystery and that’s what Ava was. A person like Ava shouldn't exist. The raw emotion and vocal talent she had just witnessed could not have come out of a five foot tall person that looked like that. 

Like what? Like sunshine? 

She physically shook the thought from her head and glanced down at the watch on her wrist. 

10:14 pm

This had to have been a joke. Why would she have ever thought that something like this could happen to someone like her. The doormen knew it. And she knew it. She didn’t belong and they were definitely going to call the Bobbies. She swiped through her phone a couple of times looking for the train schedule. She had time. She could still walk away without being charged for trespassing.

“Hi.” Beatrice was sure she caught some air. “I’m sorry about the wait, I had to do a bit of Mission Impossible–ling,” Ave smiled way too happy about her own joke. 

“I see.”

She looked at Beatrice for a moment, long enough to be noticed, that is, “You look slick.”

And it wasn’t a usual thing for Beatrice to care about her appearance. Her eyes looked down, suddenly vulnerable. She was wearing houndstooth trousers, slip-on-sneakers, a white cotton shirt and a black coat. And then she looked at Ava who was wearing the same outfit from the green room plus an oversized coat and heels, hair still in curls.

“Thanks.”

Ava began to walk.

Beatrice hesitated for a moment but followed after her. “Wait. Where are we going?”

“Looking for some nightlife.” Ava was quick on her feet, comfortable in her heels as they made their way down the cobblestone street. A feat that Beatrice herself has never been able to maneuver that well.

“A nightlife here? In Mayfair?” The only kind of night life in Mayfair was over expensive single-grape wine from wherever the fuck in France. 

As they walked they passed high end shop windows and luxury vehicles parked on the street. There were a healthy amount of people wandering nearby restaurants and bars, which calmed Beatrice’s nerves. After passing The King’s Head, Ava made a right with no signs of slowing down.

“You seem to know where you’re going.”

Ava slowed, taking pity on her. “I come to London a lot, usually to record.”

“That makes sense.”

“Do you like it here?”

“London? I mean, I was raised here, can’t complain.” Beatrice continued, “What about you?”

“Can’t say I stick around long enough to form an opinion.”

“I can show you around if you’d like sometime.”

Ava giggled, but didn’t look at Beatrice. “Maybe next time I’m in town.”

Beatrice wasn’t sure what it was about Ava that caused her to lose all sense of self. If it were any other Friday night she would be in her flat reading or listening to her latest record find. Only leaving if her bandmates had plans together or to have dinners with her mum. Was it because of who she was? No. Beatrice had already met her fair share of celebrities so this wasn’t that. Plus, she was never one to be around people like Ava. People that shined easily.

They stopped in front of white steps. She looked up at a simple black door with the number 46.

“Are we visiting someone?”

Ava didn’t answer, choosing to climb instead.“When we go in, don't accept anything from anyone. Don’t wander far from me and definitely do not speak to the staff more than required. They will know.”

“Sorry?”
Ava knocked and after a few seconds the door was opened by a man in a tailored suit with an earpiece.

“Ms. Silva, good evening.”

“Good evening.” Ava grabbed her hand leading her inside.

 Past the entryway was a long hallway and a set of heavy doors. What the fuck was happening? 

“Good evening Ms. Silva, coats?”

Ava removed her coat, handing it over to a staff member behind the counter, then began to help Beatrice out of hers. 

“Thank you. Enjoy your evening ladies.”

Her hand was grabbed again as they passed through the solid doors. 

The building seemed to suddenly expand, the lights were dimmed and cigar smoke floated up towards strategically placed vents. Several men and women sat around chairs she was sure would cost more than her university education. The brown oak coffee tables held various drinks and if she looked close enough she could see old water marks left behind from years of use. As they made their way down the room she made out rows and rows of people chatting to one another or laughing. The music was jazzy and at a level where easy conversation could be had.

Ava didn’t pay much attention to their surroundings and was headed for the stairs. Her hand felt suddenly very clammy with uncertainty. And as they neared the steps she felt the bass of the music increase. 

Beatrice knew better than to get herself into a situation like this, so, why had a woman she had only met a few hours prior been so powerful. She was almost sure this was turning out to be some weird Ready or Not shit, where rich people kill for sport. And the funny thing was she knew this was how she went. All those years of repression and putting music first, all too be undone by a pretty girl with red lips. Her bandmates were going to kill her for this–well, she’d be dead, but they would definitely come to the wake and roast her.

They took two steps at a time and emerged into what was obviously a club. The lights bounced with the beat of the music as the people inside danced along, not acknowledging anything but the vibe and themselves. The bar stretched across the entire length of the left wall and several tables stood snuggly to the right, both hugging the dance floor. 

Ava walked straight to the bar, finally releasing her hand. Beatrice couldn’t see much apart from the pulsating lights hitting the walls due to how dark it was.

“What will you have?” Ava got close enough to speak into her ear.

“Huh? Sorry I was looking at the architecture.” 

Ava gave her a fond look then turned her attention to the bartender. “We’ll start with shots.”

“Oh, I don’t–I’m not—”

“Just try it. It’s a no pressure shot.”

Beatrice looked from the glass and to Ava. This was not a good idea.

By the time Beatrice had mustered a semblance of courage to even hold the shot Ava was already on her fourth. She watched her expectantly and the indescribable force was back. The liquor went down hard. She could feel it burning all the way down. 

“That was vile!”

“I bet!”

Ava looked at the crowd. The energy was feeding into her. “Dance?”

Beatrice wavered considering her options. “You go ahead. I’ll catch up.” She was hoping Ava wouldn’t question it. And when she didn’t Beatrice sent a small prayer to anyone who was listening. She watched as Ava made her way through the crowd needing no time to synchronise to everyone else.

“Anything else?” The bartender asked impatiently.

“Water, please.”

This was going to be a long night.

She had somehow made it through to Ava, who was now flushed red and perspiring, though it was not something that looked bad on her. She smiled the moment she spotted Beatrice and rushed to put her hands on her hips.

(*)

Oh, your gravity, your gravity

Your gravity, I will follow you

Oh, your gravity, your gravity

Your gravity, I will follow you

The bodies next to them bounced and swayed matching the rhythm. 

Head in the stars, I see you everywhere

I could never get away, get away (away)

In a hold, just take me anywhere

And I believe in what you say

Beatrice adjusted the body on her back again.

Yup, this had been a terrible idea.

She had only made it down two streets and her ankles were not complying. Ava was essentially dead weight at this point and she could feel a cool kind of liquid on the shoulder where her head rested. 

It was now 3 AM and she was having some major regrets. 

Beatrice wasn’t sure how much alcohol Ava had consumed, she had lost track at some point. She had begged her to have some water, peanuts, anything, but Ava had been hard headed and knew exactly what she was doing.

She bounced her butt up, catching Ava’s thighs again. At least it didn’t look out of place. Plenty of people had stumbled out and they had left a straggler a street behind who kept insisting he was Harry Styles.

Thank God for her sneakers or else this would have looked more like she was pulling a dead body. Oh fuck. Did it look like she was carrying a dead body? Her pace increased out of pure fear. This literally could not be happening right now. She was done for. Ava’s fans would kill her. They wouldn’t even question her. They would tear her apart limb from limb in some sadistic medieval torture session while chanting along to one of their idol’s songs.

She had by some miraculous stroke of luck made it back to Claridge’s. The two doormen from earlier watched her struggle the last few meters to the door.

“Hello there!” She sounded way too excited. 

“Evening,” one of the doormen greeted her unenthusiastically.

“Yes, hi. She–she’s a guest at this hotel and as you can–” she adjusted their bodies. The men looked between them, but showed no signs of letting her through. “As you can see, she is very much asleep.”

“What name is the room booked under?”

“Silva? Ava Silva?”

“There’s no such guest staying with us.”

Of course.

She readjusted Ava again. Hoping for some kind of pity. 

Ava’s hand appeared in front of her face holding a room key. “Oh! Well, there we go then. Excuse us.”

The door was held open long enough for Beatrice to slip inside. 

“You are…weird–weirdly strong,” Ava said a little slurred. 

Beatrice’s sneakers squeaked on the checkered marble flooring. The grand entryway was entirely too opulent for the amount of pain currently coursing through every inch of her body.

 She needed a lift. 

The night attendants watched them closely.

 She heard the distinctive ding and rushed to make it, but the doors closed.

She lowered her face to the console and pressed the up button with her nose. This had to be a new low even for her, which is saying a lot because she NEVER does anything like this. The most she would admit to is staying up all night during record store day and camping outside the vinyl store for hours. It took a few seconds and the other set of doors opened. She slipped inside taking a moment to balance Ava and herself against a wall.

There was a beep and the lift began to rise. 

“Did you just?”

Ava nodded against her shoulder.

When they arrived at the correct floor Beatrice mustered all the strength she had left. She readjusted Ava and in one smooth motion used the wall to push them forward.

“Room?!”

“The–the door on the left,” Ava pointed down the hall.

Her legs were shaking. She needed to run into that room. The door clicked open and she rushed in quickly finding the bed and throwing Ava on it, who bounced a couple of times giggling as if Beatrice hadn’t just carried her for what felt like kilometers. There was definitely going to be murder tonight, and she would accept her fate at the hands of her fanbase.

“How could you be laughing!” Beatrice began, eyebrows cast down, anger suddenly blooming after tonight's events. “How could you just let yourself drink to the point of passing out? What if I hadn’t been there? How would you have gotten back here? Do I need to take you to the hospital? Do you need your stomach pumped?!” Beatrice took a breath. Her face was hot and she was sure, no, she knew, she had pulled one of her calf muscles. 

Ava was sitting upright watching her closely, her face was red, small strands of hair stuck to her forehead. Suddenly, Ava stood with yet another impressive display of heel sportsmanship, discarding her coat in one go and running to the bathroom.

She managed to make it to the toilet before retching and vomiting into it.

“Oh my God–are you okay?” Beatrice wobbled her way into the bathroom. Ava nodded weakly, giving her a thumbs up.“Here, let me pull your hair back.” Beatrice took the hair tie on her wrist, somewhat picking up Ava’s sticky hair off her face. Yup, that was definitely a chunk of something tangled in her hair. Ava’s shoulder shook with a giggle.“You look a mess and you are laughing?!” Beatrice couldn't help it, her shoulder began to shake as well.

They both laughed wholeheartedly or in this case deliriously. And then Ava began to retch again.

“N—” Beatrice could feel it. The need to join. It was all dry, but enough for her body to gag and compulse a bit in solidarity.

Ava threw up again and Beatrice wobbled out needing to get out of there before dry turned into not so dry. She looked around the room looking for a small fridge with hopefully some water inside. It was a miracle at this point that she hadn’t tripped on the amount of clothing littering the floor. The room she found was as chaotic as its inhabitant. 

Score.

She grabbed the sealed bottle and basically hopped on one foot to the bathroom. She kneeled down to where Ava’s head was in the toilet, handing the bottle over. “Please rinse out your mouth. Stomach acid is not good for your teeth.”

Ava did as she was told. She sat back against the bathtub, everything finally catching up to her. 

Beatrice had wandered back into the room, she removed her coat and let herself rest against the bed. Her bandmates were never going to believe her if she ever brought this up. This could not happen again. She wasn’t built for this. She was built for late night doom scrolling and hot cups of tea. This had filled her social quota for the century and in a moment of weakness imagined her life right now in a different reality. She could be a nun, transcribing old texts and doing a bit of bookkeeping. Yup, that she was made for.

The toilet flushed and Ava slowly emerged from the bathroom. She leaned against the door frame, removing a heel at a time.“That was close.” She fiddled with the button of her jeans until she gave up and pulled them down without any warning.

Ava was a terrorist.

Beatrice made no attempt to look away. What would the point have been? Ava had managed to top whatever she did with something else. Silky black underwear. Pfft. “Right. So, I’m going to go now.” She pushed off the bed and shoved her hands in her pant pockets, “I would like to say that it has been great, but it has not.”

Ava pulled the covers and slipped inside without paying her any attention.

Beatrice waited for any kind of reply, but when none came concern took over once again. Ava was lying so still that she could have sworn she had a cardiac episode without any kind of preamble. She stepped closer, lowering her face enough to hear some kind of breath. Soft, hardly there. She could see Ava’s chest slowly rising and falling in rhythm. The person before her now felt so small and fragile, without the carefully crafted mask she had wielded the whole day.

She unconsciously ran a gentle hand down Ava’s cheek, the force pulling her to do it was so strong she didn’t have the strength to fight against it anymore. Ava was okay. She was asleep.

Beatrice grabbed the bottle from where Ava had left it on the bathroom counter and brought it to the night table closest to Ava. With one final look to satisfy her worry she turned to leave, carefully putting her weight on her foot, surprised to find that it felt much better already. She closed the room door lightly behind her and as she reached the lift doors. A noise from down the hall alerted her. The same woman from before, Emilia, emerged from the room opposite of Ava’s. She scanned a keycard against Ava’s door, but before stepping inside, her face turned, making eye contact with Beatrice.

Her face was unreadable and for just a moment Beatrice feared for her life. She looked away, smashing the lift button a couple of more times. She heard the door close down the hall and breathed a sigh of relief as the lift doors closed behind her.

Beatrice had hoped that a Sunday morning run followed by a cup of coffee would bring her some kind of peace. The chilly Autumn wind hit her cheeks, turning them pink. She sat outside her favourite coffee shop, which was just a few minutes walk from her flat. The run had filled her body with endorphins and she was currently riding the ‘ nothing is absolutely wrong ’ train. 

The last few days had been a roller coaster and dare she say a shit fest. Vincent was not answering her calls or any of their calls and had apparently disappeared from the face of the Earth. Her emails were out of control with managers, producers, sponsors and basically everyone in the industry that wanted a piece of them.

So this, a simple coffee, she could do for the moment. She wasn’t going to think about what had happened with Ava last night. And she was not going to think about murdering Vincent.

Several undisclosed and heavy shopping bags were deposited on the table in front of her. The sudden action caused her to blink rapidly several times.

A woman stood there observing her closely. She wore brown high waisted pants with a cream turtleneck and an olive coat, “Beatrice Young?”

“…Yes?” She was hesitant to confirm.

“Suzanne De Fanti,” She took a seat across from her.

Why did that name sound so familiar?

She waited for Beatrice to speak, but when no reply came she continued, “I hear that you are in need of a manager.”

“Oh well, that’s— does everyone know that?”

“Yes.” It was direct and Beatrice liked that in a person. “I have taken it upon myself to reach out to several brands that meet the bands general aesthetic or as you young kids call it now ‘vibes’.”

“I can see that.”

“It seems you are a difficult commodity to get a hold of and I am here to facilitate that.”

Realisation suddenly hit her. “You’re THE Suzanne De Fanti? You’re a legend. I thought you retired from management a couple of years ago.”

The woman shrugged. “If I’m being perfectly honest, the industry was a bit stagnant.”

“And you’re back?” 

“I believe so.” She answered, fingers picking at something on her nail. I have plenty of connections and old friends. I assume everything is still exploitative and disruptive.”

Beatrice watched her for a moment. This was probably too good to be true. How does something like this even happen? Also, how did Suzanne even find her? 

“Where are your bandmates? I’d like to meet them so we’re all acquainted.” Suzanne had a way about herself and Beatrice knew to keep a bit of skepticism. 

“That simple then?”

“It can be. I assume you don’t speak for them.”

“No, I do not.” A breath. “What’s in it for you? A return to your former glory?” 

“Don’t misunderstand my offer.” She began, “In my years of doing this I have rarely seen such a reaction towards a musician much less a band. You’ve done well, but that can only take you so far in this industry. You need proper connections and someone with the experience to help you navigate it all.” Suzanne searched her face. “You want to hear the most useful advice I can give you? Quit. Quit now before it hurts. Because it’s going to get a lot more difficult from here on out. Yes, getting attention in itself is a feat, but keeping it? That takes work, and not everyone is built for it. Trust me. I have seen it.”

Beatrice shifted her eyes. The words cut a little too close. “Is that all you think it is for us?”

“No, but the way I see it is, eventually, you forget to think about why you started in the first place. And then the hurt sets in.”

Beatrice doesn’t have a response. She lets the conversation sit between them and thinks. Always thinking. Her bandmates were beginning to show frustrations with Vincent’s lack of initiative, they had been busy and tired, so tired. Suzanne could be the person they needed.

“We have practice in thirty minutes. I can give you the address to the studio we’re renting, you can come see us then.”

“Nearby?”

“Just a few streets from here. I was about to change and head over before…” Beatrice waved her hand around not needing to communicate what had just happened.

“Alright, we go now.” Suzanne stood pointing at the bags, “How fashion savvy are you?”

“I have been trying very hard not to be giddy over the Alexander McQueen logo.”

She smiled in approval. “Well, what are we waiting for?” She grabbed a few bags and left the rest for Beatrice to help with. 

Beatrice thought she was a speedy walker on most days. Growing up in London had ingrained a mad scramble mentality to grab The Tube on busy work days, but this was on another level. Suzanne walked with so much haste that it was like she was running circles around Beatrice and still pulling in ahead and her legs could only take her so far.

“Bea! Beeeeaaaaaaa! BEATRICE!” Camila screamed across the street from them, somehow spotting them on her way to practice.

Suzanne stopped before she did and it took all her self control not to topple over her. 

Camila crossed the avenue, catching up to them. “I can spot those little pigeon ankles from anywhere.” She looked from Beatrice to the stranger, before her eyes caught sight of the bags.

“Camila Delcán”

“Oh…wow that’s scary.” She paused, “Do we know this…very well dressed woman?”

“Hi Camila,” Beatrice greeted her, a fond look on her face. “This is Suzanne De Fanti.”

“The Real Housewives of Napoli?”

“...I don’t…what?”

Suzanne laughed and it was genuine. “Potential new manager,” She extended her hand to Camila who shook it with both hers.

“I have been manifesting this.” She said, way too happy with the possibility. 

Suzanne handed the remaining bags to Camila, “Grab these will you, I need to make a phone call.” She pulled a phone from her purse and pressed the screen exactly once. “Lead the way ladies.”

And they were off again. Beatrice didn’t know what had possessed her, but somehow she was walking faster, eager to meet the rest of her bandmates. Camila kept pace next to her, she was hopping. They turned a corner and headed towards a three story building. Once inside they called for the lift and turned to look at Suzanne who had hung up and was taking in her sights.

“This won't do.”

“It was all we could afford and we’re still under contract.”

The lift arrived, doors grinded struggling to open.

“Stairs?”

“To our left but the lights have been out since August and the neighborhood teens hang out in there.” Camila offered, already stepping onto the lift alongside Beatrice. “I once found a boobless Barbie doll, it was so strange.”

“Hmm.”

They were all crammed in the small space as the sorry excuse for lift ascended. The metal rattled and further protested as the bass from the levels above amplified aggressive sounding drums and guitars. Beatrice and Camila looked at each other with concern as the lift’s door slowly opened to reveal the saddest looking loft imaginable. 

The three occupants inside continued their session. Lilith fiercely sing-screaming into the microphone while strumming her guitar. Mary casually just jamming with her bass and Yasmine too distracted on the drums to notice that anyone had arrived.

(*)

Wake up, wake up, wake up

We are appalling and we need to stop just watching shit in bed

And I know it sounds boring and we like things that are funny

But we need to get this in our fucking heads

The economy's a goner, republic's a banana, ignore it if you wanna

Suzanne looked around, slightly concerned with the safety of the loft as the walls shook and dust particles fell off the ceiling. The studio equipment was prehistoric and to be perfectly honest half of it didn’t even work anymore. There was a small couch by the wall behind the control booth and copious amounts of carpets. 

I don't like going outside, so bring me everything here

HEY! 

WOO!

YEA!

Mary was the first to notice their new guests, she gave Beatrice and Camila a small wave before walking towards the amps and shutting off their power. It took a few seconds for Lilith and Yasmine to realise what had occurred. 

“Guys! We have a new manager!” Camila shouted excitedly on her way to her bandmates.

“No…wait Camila,” Beatrice called out after her.

“New manager? I don’t remember us having a democratic vote about this? Beatrice?” Mary was always on top of everything.

“Suzanne De Fanti,” The older woman reached out for a handshake.

“Oh shit? It’s a pleasure to meet you. I’m Mary,” Mary shook her hand without hesitation.

“I know.”

Lilith and Yasmine now joined the rest.

“Yes.”

“Yes?” Beatrice raised her eyebrow towards Lilith.

“I vote yes.”

“We should think about this together.”

“No, I’m done waiting around,” Lilith answered back unfazed. “I’m well aware of who she is and what she is capable of.”

“And I’m well aware of who you are and what you’re capable of.” Suzanne smiled. “Your mother and I ran around the same circles years ago, I’m glad to see that she wasn’t wrong about you.”

The girls all stood in silence.

“Yes”

“YES!”

“Yea”

“I like her very much,” Yasmine spoke last.

“That settles it then.” Suzanne crossed her arms, looking at them a little too close for comfort. “Haircuts, clothes, studio, and Levy.”

“Levy?” Beatrice asked, confused.

“Yasmin, I require information of all that has happened this year and leading up to it.” Their new manager continued, not bothering to answer, “I’ve been following along but I need to know what the media doesn’t know.”

“I’m on it. I’ve kept a spreadsheet of all our exploits thus far.”

Camila’s eyes bulged. “What! What exploits?”

 The lift doors opened just as weakly as before.

“Uh, so I was just verbally assaulted by a very off-brand Billie Eilish outside.” The man walked towards them. He was impeccably dressed, coat outlining his shoulders perfectly. 

Suzanne smirked. “Girls, this is Levy.”

Camila bounced in place. “Can we keep him?”

One Month Later

“I thought I already told you to stop biting your cuticles, you look like a sneaky little rodent,” Levy leaned over and whispered-yelled rather roughly into her ear.

Beatrice was so close so so very close to ending his life. 

A model squeezed between them scrabbling towards her fitting assistant. 

Beatrice’s nails came back to her mouth. 

How Suzanne figured out she used to do ballet was a mystery to her. She had never referenced it in any interview, heck, her bandmates didn’t know. Well, except for Camila, but she wouldn’t. She wouldn’t, right? Why, Yes, Suzanne I love fashion. Please put me on a runway show, it’ll be great for the group's image and reachability. And sure, Suzanne had been skeptical about her abilities, but a few contacts later and a runway coach from hell had prepared her to do just one outfit. She could do this. It was just walking. She walked all the time in straight lines, and not so straight lines. Plus, she had great stamina. 

Levy swatted her hand away. 

She glanced around the massive room around her. Everyone was running around like a bunch of headless chickens. Photographers, hair stylists, makeup artists, assistants of assistants, models in various stages of undress and Levy. The lights were so bright that she was sure it would leave an impression in her corneas. Everyone was yelling and somehow it was the weirdest dance she had ever experienced. Everything was somehow going according to plan.

She found a bit of wall to lean on and it lasted exactly one second before Levy pulled her off it. “You’re going to crease it! And I am not about to be impaled by Sarah Burton.”

“You try standing on these!”

“I would willingly sell my left nipple to do so.”

Admittedly, the dress and heels she was wearing were beautiful, but she would not give him the satisfaction of enjoying this one bit. The embroidered black lace hugged her torso perfectly, which flowed until it hit silk that further became undone with fine brushed textures. She was about to politely scream like a banshee and truly personify the dress she was wearing. 

Levy walked off to answer his phone. Beatrice was certain it was Suzanne asking how she was doing. And by the look on his face, he was not being very kind. She would give him an earful once he came back.

Everyone around them burst into cheers suddenly, even the models engrossed in conversation stopped to look over. A few photographers rushed forward snapping pictures as the person walked to the enormous wall that was the entrance to the catwalk. The person must be the musical number that was meant to close the show. There was a break in the crowd and Beatrice could only stare a little slack jawed. 

Ava. 

It was Ava. 

Her hair had been cut straight across her shoulders in a clean bob. She had fierce eye makeup just like Beatrice’s and wore a dress that resembled one of the earlier looks. With cascading translucent white silk chiffon that stopped just a bit past her bottom with beautiful sunray pleats. She nodded a few times to the assistants nearby as they handed her a microphone and put in her in-ears. The music shifted and Ava stepped onto the runway.

“Beatrice!” Levy was urgently trying to get her attention.

She saw the closing looks coming together in order. The stage assistant ran frantically towards her. “Remember. Do it just like earlier during practice. Follow 41. Remember the cameras are mainly positioned at the front.” She wasn’t much younger than Beatrice. “Once you’re back, be ready to head back out to close the show with the rest of the models.”

Ava’s voice echoed inside.

She nodded, purely by instinct as she was pulled towards 41. 

(*)

Me da miedo cuando sales

Sonriendo pa' la calle

Porque todos pueden ver

Los hoyuelitos que te salen

She and 41 were about to become so intimate.

41 stepped through onto the runway and a hand was held in front of her. Once that hand was down it was go time. There was no more deliberation. She focused on Ava’s voice. The arm came down and she was off.

 She had practiced with the lights on before. She knew how intense they would be, but nothing could have prepared her for the amount of eyes that were currently on her. On either side of the runway were rows upon rows of the fashion elite. All taking notes in order to be the front page article the moment the show was over. The flash of photographers set her on edge momentarily as she navigated the now very foggy catwalk. She spotted Suzanne sitting to her left, who gave a quick nod, but nothing more.

Cuando sales por la puerta

Pienso que no vuelves nunca

Y si no te agarro fuerte

Siento que será mi culpa

Ava must have noticed her somehow because she made eye contact and stumbled with her words for a second. She walked past, head forward. She was almost there, almost finished. The photographer's flashes intensified as she made it to the end of the runway giving them a quick pose.

Pienso en tu mirá, tu mirá clavá es una bala en el pecho

Pienso en tu mirá, tu mirá clavá es una bala en el pecho

Pienso en tu mirá, tu mirá clavá es una bala en el pecho

Ava sang into her microphone, her powerful voice coming through perfectly. They made eye contact again. Beatrice’s stomach jumped. Huh . That was definitely new territory.

The walk backstage was even faster.

She made it, careful to stand out of the way for the final looks to come through. Levy waved frantically, his smile genuine. The models around her began to line up for the closing parade and she followed suit. 

Once they were all ready the stage assistant lowered her arm and they all walked out to the runway. The feeling was indescribable, she was riding on the world's weirdest high right now. She was equal parts delirious and beyond elated. 41 had saved her life and she was eternally grateful. 

As she made her way back from the photographers she gave Suzanne a huge smile and then it was over. Sarah Burton walked past her eager to take her bows as the audience clapped enthusiastically. 

Levy crushed her in a big hug. “I was rooting for you the whole time, didn’t doubt you for a second!” 

“I feel really really lightheaded right now.” She leaned back against a table, dress be damned. She needed something to ground her. All of that stress for maybe 5 minutes of having to do it.

Everyone around her was celebrating how great the show had turned out. Some models weren’t even fazed, already taking their makeup off and pulling at their hairs, the assistants around them helping them out of their outfits.

Without meaning to her eyes sought Ava in the crowd. Something that she should have been more careful about because as soon as she found her she saw more than she bargained for. And sure this was a fashion show and she had spent the majority of the day seeing the human anatomy in ways she hadn’t before. One of Ava’s assistants helped her out of her dress while the other one held another outfit. It was quick. She could have missed it if she looked away, but her heart began to palpitate. 

Ava’s eyes met hers and held her gaze. It was seconds, but it felt like an eternity and she had the audacity to wink in her direction.

The second assistant slid the dress on causing their gaze to shatter.

(*)

Oh God, can you make my heart stop?

Hit me with your kill shot, baby

I mean it so serious

God, can you make my heart stop?

Honey, with your kill shot, baby

I mean it so serious

Notes:

Halfway through the story I started to do chapter wrap-ups. Two at a time...
You can find the post on my Tumblr.

Chapter 2: Pour Une Fille Belle t’es Pas Si Bête

Notes:

Thank you so much for all the lovely comments! I really enjoyed reading through them and replying, you can also come yell at me on Tumblr where I have an arsenal of gifs to substitute emotions with.

Here is the playlist and mood board.

(See the end of the chapter for more notes.)

Chapter Text

Beatrice’s fight or flight response was going off.

L’Arc was not an environment that she would have ever willingly stepped into and upon further consideration, random club moments were starting to become a staple part of her life. And that simply would not do. 

“What was it that he said?” Levy shouted over the incessant club music.

Beatrice swiftly avoided an elbow to the face as they cut through the rambunctious crowd, “Who? Descartes!”

“Is that the one with the horrible curls?”

Yes, the one with the horrible curls. The most celebrated and influential French philosopher was being reduced to his curls. She was shoved again. Someone had popped open champagne and the cork flew across her face.

Cogito, ergo sum,” Beatrice rolled her eyes, but delivered the line in perfect Latin.

“In English.”

“I think, therefore I am.”

“Like the song?”

“No, not the song.” she chuckled, amused. Not that she would ever admit it. Her Oxfords might as well have been glued to the floor with how difficult it was to walk in this nightmare.

(*)

Lorsque je n'serais plus belle ou du moins au naturel

Arrête je sais que tu mens, il n'y a que Kate Moss qui est éternelle

They reached a surprisingly empty standing table and took in the establishment. Fashion week was over and everyone was celebrating. And L’Arc was the place to be. Everyone was some kind of celebrity or influencer around them. All too self absorbed with their own agendas to do any kind of networking. The music was loud and the space continued to shrink as more and more people entered the club. And to be perfectly honest all she wanted to do was latibulate in the dark somewhere and if pictures were taken then so be it.

Moche ou bête (c'est jamais bon)

Bête ou belle (c'est jamais bon)

Belle ou moi (c'est jamais bon)

Moi ou elle (c'est jamais bon)

“I just thought that maybe thinking about a stuffy old man from the 15th century would keep me from straying tonight,” He said, crossing his arms with exaggerated annoyance.

“We’re both meant to be working, Suzanne made that perfectly clear when she all but threw us out of the car.”

“I believe the word she used was ‘networking’, and I definitely want to do a lot of that.” His gaze drifted back to where they came from. “The French just hit that spot, you know, they could be saying ‘I want to fry you like a fish’ and I would think it’s the sexiest thing ever conjugated.”

Je ne veux pas te faire frire comme un poisson.

They stood in silence for a few seconds, Levy watched her closely. She was certain he was debating whether to tease her or not, which had become the new thing for them. In some strange and inexplicable way he was the sibling she always wanted, albeit a little annoying. Though he has been an immense help so far, she wouldn’t say that to him, lest it get to his head. 

Tous les mêmes, tous les mêmes, tous les mêmes et y'en a marre

Tous les mêmes, tous les mêmes, tous les mêmes

“Not so sexy when you say it. How do you keep doing that?”

“Private education.”

“Oh! Crazy Rich Asians .”

“I’m not THAT rich,” she retorted, shoving him lightly with her shoulder. He touched the spot scandalised. “You know, Decartes believed that the mind and the body are separate and independent from each other, so technically–”

“I shouldn’t feel guilty about leaving you for the hot chef?”

“In some convoluted way, yes.”

“Say less, Descartes.” Levy said and walked away with conviction.

Beatrice sighed. This was not her scene at all and now she had lost her buddy. Would Suzanne really know if she by some inexplicable chance found herself to the exit? And what if she wandered the Parisian streets for a few hours? Her photo had been taken, she had been part of the moment and after all, that was what this was all about. 

Without second guessing herself, Beatrice walked towards the cloak room. The attendant sighed, too interested in the festivities to even bother with her. She slid a small card across the counter to him, it contained her coat number. He took it without a second look and slipped inside the small room behind him. 

The last time she was in Paris she had been fifteen. Her parents had brought her along on a diplomatic trip, back then they always did. She was encouraged from a young age to be independent, which meant that once they had gone off to work she was free to do as she liked, within reason of course. 

She scrolled through her phone deciding which route to take.

“Come here often?”

Beatrice turned to her left, surprised to find how distinct this voice was becoming.

“I’m trying very hard to not make this a habit, but–.”

“It comes with the territory?” Ava finished for her. “I know what you mean.”

“Did you just arrive?” Beatrice took her in. Her coat was halfway off her shoulder, revealing thin shoulder straps and a cute black tulle cocktail dress. It was remarkable how pristine and unbothered she looked. They had both quite literally come off a runway just hours ago. And here was Ava looking radiant. Beatrice was sure she on the other hand was sporting deep eyebags and running on fumes.

“Yes, meeting some friends and blowing off some steam,” she replied, looking in the direction of the crowd. “What about you? Just got here?”

Beatrice shook her head. “No, grabbing my coat and slipping out before I’m caught.”

Ava’s eyebrows scrunched up, she was picking at something on the counter. “Are you hiding from someone?”

Beatrice took a moment to answer, also engrossed in whatever Ava was doing. “Levy.” Eyes met hers. “My manager's assistant, and I guess mine. Though he doesn’t share the sentiment.”

“Suzanne?”

“How–”

Ava shook her head. “How have you not realised that everybody knows everybody by now?” She smiled fondly at Beatrice, amused with how not in-the-know she was.

“I’m starting to.” Beatrice tore her eyes from Ava to look at the cloak room, the attendant was sure taking his sweet time.

Ava stepped closer, strangely Beatrice didn’t default to her usual rule of personal space. Camila was probably the only other person she allowed to be so close and that was because Camila was needy, and she got whiny when she was needy. “Where are you off to then?”

“It’s Paris. I was just going to pick a direction and walk.”

Ava was intrigued, she looked behind Beatrice to the door. “What? Like, wander the streets?”

“Something along those lines.”

The man returned with Beatrice’s coat, throwing it on the counter in front of them without much fanfare. He looked at Ava expectantly and annoyed.

She ignored him, eyes meeting Beatrice’s. “Actually, can I tag along?”

Okay, that was unexpected. Beatrice blinked a few times, the requests simmering for a few seconds before she answered with a small crack in her voice, “With…me?”

 “Sounds better than the expected.”

“I’m not opposed.”

“Yeah?” Ava inquired timidly, eyes shone with sudden perkiness.

The air outside changed Beatrice’s mood immediately. It was cold and crisp and exactly what she needed. She put her hands in her pockets, waiting for Ava to come outside. She needed a few minutes to greet her friends before breaking the news to them. She looked around spotting The Arc de Triomphe and a myriad of vehicles and scooters going around the plaza; how they managed to make it to any of the avenues was a mystery to her. The trees danced in the breeze, their leaves littering the streets while the warm city lights set up the perfect backdrop for an evening stroll.

Ava emerged from the club, her Louis Vuitton’s making contact with the concrete street. “So, where are we off to on this fine evening?”

“Up to you,” Beatrice responded, kicking a small rock with her shoe. The rock bounced a few times before coming to a stop by Ava.

“Hmm,” Ava considered for a moment, literally turning in every direction and without saying anything else, began to walk. Beatrice found herself yet again jogging to catch up, just like a few weeks ago.

They walked side by side as little puffs of warm air became visible with every step. It was strange, seeing Ava like this, out in the natural world. All that she had ever seen or heard of the artist was through Camila’s phone or some controversy that made it to the weekly news roundup. ‘Pop Star Yells At Photographer’, because how dare she be in her right to do so. She considered that maybe it is akin to spotting a capybara walking down the street, interesting and odd. And then as the shock vanished, concerned for its safety.

“I didn’t have you pegged as a fashionista,” Ava spoke as they made their way through a crossing.

“I seem to recall you calling me slick last time.” Beatrice’s hands were in her coat pocket. She was finding it difficult to be normal, so pretending to be casual was the next best thing. Ava was actively engaging in conversation, unlike last time. Beatrice wasn’t sure how much in common they had and it was making her nervous.

“I mean, yes, you have a sense of style, but I never would have thought you’d be walking down a runway during Paris Fashion Week, much less for McQueen.”

Beatrice feigned heart pain,“I’m a little hurt by your comment.”

Ava’s mouth curved into a smirk. “I just meant you seem to be fitting in remarkably well.”

“To be perfectly honest, I was kind of freaking out backstage the whole time, my nails can attest to that,” Beatrice said, wiggling her fingers in Ava’s direction. They were a great shame right now.

Ava held her hand for a few seconds gazing upon the massacre.“Oh wow. Yeah, that’s a lot of damage.”

They continued down the picturesque streets, passing by Parisians and tourists alike. The night seemed to slow down with every step they took. Beatrice found herself relating to Ava slightly even if it was just superficial at the moment. A strange kind of kinship was bubbling up. An understanding of sorts. “Does it get easier?” she found herself asking for some strange reason that she couldn’t quite explain. 

Ava took a few seconds to answer her question, but eventually did. “I think we’re all just faking it all the time, and that’s okay.” She looked ahead, “I think once you grow comfortable you lose your edge.”

Beatrice nodded in understanding.

By this point they had made it around to the other side of the monument, taking a right at des Champs-Élysées. This was a common walk for Beatrice having done it alone and also beside her parents many times throughout the years, but something about it at night brought out her inner art geek. It was as if she had entered a painting.

“I can see why Impressionists were obsessed with this avenue.” Ava said, as if reading her mind.

Beatrice physically stopped. “Now, that I wasn’t expecting to hear.”

“I’m a little hurt by your comment,” Ava mimicked her, hand on her heart as well.

Beatrice rolled her eyes jokingly. “Alright, you got me.”

“Who’s your favourite?”

They continued walking, they were entering the busier areas now. “I couldn’t possibly pick just one!” Beatrice broke their cadence to let a few people through. “Even asking me which art movement is my favourite would be a difficult question to answer.”

Ava deviated slightly, joining Beatrice again. “Come on, which ninja turtle?”

“Obviously Donatello, he can kick some serious ass with that staff.” She found herself enjoying Ava’s company, small cracks in the pop star image were beginning to show. She needed to know more. “Yours?”

“Goya.” Ava answered easily, as if the question wasn’t difficult at all. 

“Okay, that’s very on the nose.”

“Because I’m Spanish?” Ava said with a slight whine, and then her voice impossibly low, “I understand his paintings, or at least I hope I do,” and if the streets were any busier she would have missed it.

Beatrice’s gaze fell on Ava, the moment mutated into something unexpected. Though Ava appeared to be amicable and carefree on the outside, Beatrice knew that she was hiding something. Neither had spoken about what Beatrice had overheard that day and Goya was not exactly known for beautiful works of art, rather, how his works became progressively darker due to societal transformations around his time. He had a resounding bleak outlook on life and Ava just didn’t match that. She allowed her an out. “I like Caravaggio. He’s like magic when it comes to light. Always changing our perspectives.”

“A traditionalist then? Not surprising.”

“Hey! What’s that supposed to mean?”

Ava settled by a table in front of the small cafe. Through the shop window she could see Beatrice speaking amicably while placing their order. The night had somehow become cooler and hot chocolates were definitely in order. They had been walking for quite some time, long enough for the back of her ankles to start protesting. She had found that she enjoyed Beatrice’s company, though the woman was innocently haughty at times. 

She glanced around a couple of times, wary of the environment around her. Ava knew better than to entertain the idea that she wasn’t a celebrity, but the coast seemed clear and the night had turned out to be better than expected. At least until she looked at her phone and the amount of missed calls waiting for her. She would ignore it for now, not wanting to ruin the moment.

Beatrice was making her way back, hands occupied with desserts. She bounced on one foot while holding the door open with the other, squeezing between the small opening of the doorway.

She made her way to Ava, a smug grin adorning her features. “I didn’t know what you’d like so I picked a few things.” She deposited the three plates on the table with so much grace that Ava considered asking if it came from experience.

Ave leaned forward, taking in each dessert. “Wow, these look amazing. What are we looking at?”

“Apple galette, a strawberry mille-feuille with mascarpone and the French staple, a chocolate soufflé.” Beatrice replied in a perfect French accent that was definitely doing things to her head.

“Show off,” Ava chastised, grabbing one of the spoons and heading straight for the soufflé.

Beatrice picked up a spoon matching Ava’s lead.“Ugh! The galette is so warm and crunchy.” She sighed, her mouth still wrapped around the spoon. Beatrice went in for seconds.  And it was at this moment that Ava started to pay attention. She physically felt herself shift closer, wanting to get a better look. The uninhibited smile, the dusting of freckles across Beatrice’s nose, all culminating with her eyes turning into small crescents. 

Their hot chocolates arrived, giving Ava an excuse to look away. Beatrice was cute, in that dorky kind of way that always managed to be endearing. She watched Beatrice pull out what appeared to be a small notebook from her coat pocket, pen neatly tucked inside. She pulled the elastic holding everything together and set the book on the table. Ava watched with amusement as she scribbled a few words followed by a rough sketch of the desserts. Yeah, massive dork.

“Is that your song journal?” Ava leaned forward trying to catch a glimpse.

Beatrice nodded, while adding the finishing touches to the mille-feuille. 

“Can I see?”

The notebook closed so quickly that Ava thought she imagined the whole thing.“Oh, absolutely not.”

“Aww come on! You’ve got little drawings and everything is colour coded and you’ve even highlighted,” Ava sprung up suddenly sitting next to Beatrice who shook her head anticipating what was coming. “I’ll show you mine if you show me yours.”

She could tell Beatrice was beginning to get nervous, her hands played with the elastic of the journal, contemplating. Ava reached into her coat pocket procuring a notebook of her own. Unlike Beatrice’s hers was much more worn, the seam was coming undone, pages were missing and randomly stuffed in, with a single rubber band holding everything together.

Beatrice looked so aghast that you might as well have told her Elton John was retiring and there was no farewell tour. “That’s…your song journal?”

“In the flesh. This puppy has been with me for exactly one year,” Ava patted the poor thing.

“I would have thought more given the state of it.”

Ava held the journal down, afraid of it suddenly conjuring legs, “Don’t look at him like that, he gets offended and disappears.”

Beatrice tapped her journal, and Ava could tell she was thinking about her offer. 

“I’ll show you one page. Exactly one page…” Beatrice caught the mischief in her eyes and continued, “of my choosing.”

Ava stuck out her hand in agreement, and they shook, “Deal.” And without being prompted began to pass through the pages for her journal, not lingering on a page for very long. She could see the horrified look on Beatrice’s face with every scratched out sentence and terrible penmanship that passed. Most of it was in Spanish anyway, which she was sure Beatrice couldn’t read. 

“What the heck was that? Was that a drawing of a turkey in fishnets?”

Ava ignored her and stopped at a page, pushing the seam of the notebook down.

MOTOMAMI MOTOMAMI MOTOMAMI

MOTOMAMI MOTOMAMI MOTOMAMI

MOTOMAMI MOTOMAMI MOTOMAMI

TARARÁ, Tarará, ta-ta

Tarará, ta-tara 

MOTOMAMI MOTOMAMI MOTOMAMI

MOTOMAMI MOTOMAMI MOTOMAMI

MOTOMAMI MOTOMAMI MOTOMAMI

TARARÁ, Tarará, ta-ta

Tarará-tara -tara!!

“Okay, wow I don’t know what to say. I guess the state of the notebook should have clued me in.” Beatrice was still staring at the open page.

“It’s an art.”

She looked up, not sure what to say. Then looked down at the journal again, “Is this for a new album you’re writing?”

Ava nodded, closing the journal and wrapping the rubber band around the monstrosity, “I’m trying to be more playful this time around, less traditional.” She chose her words carefully. “Everyone has been giving me a hard time about it, but it’s turning into something special.”

“Do you have much freedom?” Beatrice asked, she was being naively genuine, probably due to how new she was to the industry.

Ava drummed her fingernails, the subject matter not something she enjoyed speaking about. “Not exactly. Between my company and manager breathing down my neck, it’s a miracle that I've been able to get some studio time booked.”

“I understand. We’re being pressured to write more palatable music. “ She sighed, “it has restricted my writing.”

Ava huffed, a little bothered. “What I wouldn’t give to write something stupid and relatable.”

She could tell Beatrice was surprised by what she had said, “What do you mean? Aren’t a lot of your songs popular?”

“Whenever I do features, yeah. And a few of my singles can be considered mainstream, but as a whole my albums are traditional flamenco with some pop elements.”

It was strange, conversations like this were not common, or she rarely entertained them, especially with her peers. She had followed the same methodology now for two albums, and it was beginning to disinterest her, but no one around her wanted to rock the boat. Changing her sound meant alienating her core audience, not to mention her country.

“Will you be recording in London?”

Ava was surprised by this. “You remembered? 

“I’ve been told the elephant is my spirit animal on more than one occasion.”

“How is that not surprising?” Ava said fondly. “Yes, London, there’s a producer I want to work with that understands the change I’m going for.” She looked at Beatrice curiously, “Maybe you can show me around, like you promised?”

Beatrice smiled again, crescents and all, and Ava was pretty sure she wanted to keep seeing that happen. 

“As long as I don’t end up having to piggyback you to your hotel.” Beatrice reached down rubbing her right leg, “I don’t think my calf has recovered.”

“I mean, you were very comfy.”

They both giggled. The moment lingered for just a few seconds. Then, Beatrice picked up her spoon, this time having a tiny corner of the souffle. Ava cast her eyes down to Beatrice’s journal, “Alright. You have to keep your side of the deal.”

Beatrice watched her skeptically. She brought her journal to her face, passing several pages until she set the book back down. This page was neat, lacking any of the drawings Ava had seen earlier. There was something about the way Beatrice watched her that told her this was important.

'Cause now that I'm your age

Not a secret, not a problem, not a secret, not a martyr

'Cause now that I'm your age

Not a mistake, not a weakness, not a failure, not a problem

'Cause now that I'm your age

I survived the social suicide, not a secret, not a problem

'Cause now that I'm your age

Yeah, I survived the social suicide, not a failure, not a martyr

Ava closed the notebook slowly, careful not to damage any of the pages. The lyrics were personal enough that she felt she was intruding. Of course she had heard the band's EP along with the rest of the world, but had just assumed the songs had been written for them. They were catchy and uncontroversial. But this? This was different. 

She hadn’t realised just how quiet she had been until Beatrice said, “What do you think?” 

There was a bit of vulnerability in the way she spoke, which wrapped itself around Ava’s heart. “Is there more like this?” She hoped she didn’t need to specify what she meant.

Beatrice nodded. “It’s therapeutic, writing it down, assigning it structure.” She had a far off look as she continued. “I had a difficult upbringing.”

“Me too.” Ava leaned back in her chair, “Music feels like a release.” She wrapped her arms around herself. “Will you show me once you finish it? I want to hear it.”

“Chances are the label will push against it.” Ava could tell the subject irritated Beatrice, but her face showed no signs of it. “They want soundbites, which are uncreative and end up overshadowing the entire song.”

One of the cafe employees walked over to retrieve some of their empty plates, Beatrice sprung up to help and while she was distracted Ava took the pen from the table, tore a piece of paper from her journal and scribbled a quick message. She slipped it into Beatrice’s journal as the woman walked back to the cafe with the employee, a mug in each hand. A few seconds later Beatrice returned, and Ava sat back relieved with what she accomplished.

“Beatrice.” She found that she enjoyed saying the name out loud, it rolled easily off her tongue with far too much affection for only truly knowing Beatrice a short time. “You and your bandmates have all the power on your side. The industry cannot keep their hands away from you all.” Ava wanted to will her into listening.

“That’s easy for someone like you to say, you’ve been doing this a long time.”

“It’s not about that, you know? You need to fight for what you want.”

Recognition sat between them. Beatrice’s eyes bore into her, “Will you?”

A small town car pulled to the side of the road opposite the cafe, Ava’s gaze fell upon it, already resigned to what it meant. Beatrice followed her eyes, shifting uncomfortably on her chair. Emilia stepped out from one of the backseats, clearly irritated. She crossed her arms watching the two of them. Ava stood, pocketing her journal. “Let’s do it then. Let’s fight for what we want.”she stretched out her hand and waited for Beatrice’s own.

The atmosphere inside the car was predictable. Angry manager, check. Elusive Ava, double check. She knew better than to speak first, and the way Emilia was looking at her solidified that. The rules had been broken and she was going to get an earful.

“I thought we had agreed on L’Arc,” Emila began. “I thought I had been generous.”

Ava kept her eyes on Beatrice, she was still sitting by the table, eyes on the town car. “You were.” Why hadn’t she left yet? “You’ll be happy to know I didn’t choose to get wasted tonight.”

Emilia rummaged through her purse. “I can see that.” She pulled her phone out, swiping a few times before nodding to the driver. The car shifted forward and Ava watched from her window as Beatrice became small behind them, it didn’t go unnoticed. “Have you prepared for tomorrow’s interview?”

“What, no yelling?” She should have kept her mouth shut, now she’s definitely going to get it.

Emilia sighed, she searched Ava’s eyes. “I don’t always have to be the enemy you know.” Well, this was new. Okay, not new, Emilia raised her, Ava knew that her adoptive aunt had her best interest in mind, but recently, she felt like she was being suffocated by everyone around her. “You surprised me, that's all. I’m happy you chose a quiet evening.”

“Me too.”

When Beatrice arrived back in London to their newly rented recording studio, it was to a room full of sullen faces. Camila and Yasmin were huddled together on the couch across the console tables, faces inches away from a phone. Lilith sat on a chair beside them, arms crossed in annoyance. It was eerily quiet, which alerted Beatrice at once, it was rarely this quiet when they were around each other.

She closed the door behind her, carefully making her way towards them. “What’s going on?”

It was Lilith who spoke up, voice slightly hostile, not something Beatrice experienced often, “They’ve been at it all morning…scrolling across our socials.” She ran her hands over the armrests. “I’ve told them to stop, it’s not going to just go away.”

Beatrice looked at Yasmin and Camila, they had barely even acknowledged her presence and that was concerning. “Is everything okay? Did something happen?”

Camila sighed, not moving her eyes from the phone as Yasmin continued to scroll. “There’s a lot of racist and sexist comments, more than usual.”

Beatrice nodded solemnly, lowering herself to sit on the floor in front of them. This wasn’t new to them, it has been a constant ever since their swift rise to fame. Between the racism and the industry plant comments, Beatrice couldn’t keep up and she wasn't one to endlessly self-flagellate by checking their feeds. She also knew that her capacity to take abuse was not everyones. “Camila, I know that it’s difficult to read these things about us, but lingering on it or giving it attention won't help.”

“I know that, don’t you think I know not to get hung up about this? We’ve been trained, I know the rules.” Her eyes were beginning to pool, “I just would like to interact with our fans without accidentally going through a rant about you or Yasmine or Mary. You don’t deserve it.”

Yasmine set her phone down and gently rubbed Camila’s back as a way of comfort. “We’re used to these things, Cam. Water off a duck's back.”

Something snapped in Beatrice after Yasmine’s comment. The dejected way the line was delivered as if it had been rehearsed time and time again. Why should they resort to just brushing it off? She stood, paced the room. They needed to fight back. Her journal felt heavy in her coat pocket. “Let’s do something about it then.” She felt something light within her, setting her ablaze with action. 

Lilith watched her, her brown eyes keeping pace with her angry strut. “What do you have in mind?”

Beatrice pulled her journal from her pocket, slamming it onto the console table. “The only thing we can do…” she smirked, “apart from murder.” The girls smiled as she rolled the other free chair close to her bandmates, opened the journal and leaned it on top of her crossed legs.

It must have been close to the one hour mark when Mary walked into the studio. Beatrice now behind the glass wall waved in her direction, one headphone off her ear. The recording sign was on and the only person by the controls was Camila. 

Mary set her bass down. “What have I missed?”

Camila spun to greet her with a mischievous glint in her eyes. “We are in the middle of a riposte to racism!” The call to action was masked by the bubbly delivery.

Mary’s eyebrows shot up. “I didn’t think that was in the cards for today, but I am glad to hear it.” She leaned over the console pressing the intercom button and speaking  into the microphone. “What are we cooking?”

Beatrice’s voice came through the speakers, “We’ve got a verse and a bit of the chorus. Drums and guitar are there, but we need you.” She had a music stand under the microphone in front of her, her journal lay open flat against it.

Once Mary was plugged in she directed her attention to Camila. “Let’s go through what we have and I’ll jump in once I figure out the structure.”

Without hesitation, Lilith began to play the aggressive cords, a blend of nu metal and heavy metal. And Mary must not have expected this because her eyes shot open. Then, Yasmine joined with her drums, thrashing along with Lilith’s headbanging beat.

“Okay! Yeah, I like it. Keep going!” She looked at Beatrice, “Words?

(*)

Patience, overrated

If you want it, come and get it

The feeling, need to mention

Rips me open, rips me open

I'm not being naturally negative, no

I don't wanna be that girl again, 'cause

I've been done and been through more friends

Than I can count on my fingertips

Beatrice sang with her eyes closed and with an annoyed inflection that added to the overall mood of the lyrics. The years of trauma were clearly coming out today. Mary raised her hand, the music came to a halt. 

“On ‘ I’m not being naturally negative ’ we need to tone it down, the message needs to be heard.” She did a quick progression on her bass to illustrate what she meant. “No guitar just this, so cool it Lilith.”

Yasmin nodded. “Like Korn?” 

“Exactly like Korn.”

“We should pick it up again after fingertips .” Lilith added.

Beatrice drank from her bottle, keeping track of what her bandmates were saying. She made a few notes on her journal before speaking up. “Am I staying the same?”

“Yeah, let's run it again from the first bar.”

The studio speakers turned on and Camila spoke, “Running it again from Patience .” Once they were all satisfied with the changes and Mary found her place they continued on with the rest of the verse.

How come you don't detest me?

I am your medicine

And your reality, why don't you just sit down and?

“For the chorus we were thinking something that kind of sounds like we’re mocking them.” Beatrice picked up her journal singing from it. “ Have you ever thought about taping your big mouth shut? 'Cause I have, many times, many times.” Her voice coming off childish and teasing.

Yasmine kept the beat lightly, “Camila made a cute jingle earlier for it!”

A few hours later once the instruments were all recorded and the song structure was almost complete, Beatrice was the only one left by her microphone. The rest of the girls gathered by the console table listening to her voice and giving instruction or advice as the recording session stretched on. 

“I really think you should laugh. We’re mocking them, you have to laugh.” Mary’s voice came through the speakers.

Beatrice was nodding along, there were ink blotches all over her hand and her journal was starting to look like Ava’s. That was a stretch, that’s impossible. “You want me to laugh?”

“Yeah, like maniacally, like you’ve had to put up with this bullshit for so long that you’re losing yourself in all the hate.”

Beatrice raised one of her eyebrows. “Fine…fine, just turn around or something, this is embarrassing.” Once the girls spun around on their chairs she did just that, she laughed except it was so weak that the girls burst out laughing.

“Beatrice, be the psychopath we all know you truly are. No one sane folds their underwear that meticulously.” Lilith was trying to elicit something from her. And on the second try she managed to sound so deranged that the entire studio was dead silent for a few seconds.

“Moving on to the end. The big scream. The BIG release.”

Like the first time 

Like the first time, yeah

Like the first time, Like the first time

Like the first timeeeeeeeeee

YEeeeeeeeeeeeeeeeeeeAAAAAAAAAAAAAAAAAH!!!!!!!!!!!!

Beatrice’s vocal cords were burning up by this point. She reached for her bottle, hoping for any kind of moisture to run down her throat. “Please, tell me you got it.”

She heard Camila say, “We got it!”

“ — something like ‘ shut the fuck up ’,” Yasmine was talking when she walked back into console room. “ Shut the fuck up, shut the fuck up, shut the fuck up –like you don’t want to hear it anymore.”

Camila nodded enthusiastically, taken aback by Yasmine’s addition, “I like it, I like it!”

Beatrice dropped onto the couch across from her bandmates. She was exhausted, mentally, physically, vocally and probably emotionally as well. Lilith stood and made her way back inside the recording space. “What’s going on?”

“Lilith wants to add a bit of growling and screaming in the end.”

“Oh, good yeah that sounds good.” She was pretty sure she was delirious at this point. “I’m just going to lay down.” But before she could even slide her shoes off her feet Lilith came close to the glass. She was holding a small piece of paper and face contorted to an angry sort of smirk.

“Why do you have Ava Silva’s number tucked into your journal?”

“Pardon?”

She held the paper up to the glass. And it was at this point that Beatrice regretted not getting lasik eye surgery. The girls turned to her, an explanation required. Where had the paper even come from? She hadn’t seen it herself. When did Ava even do this?

Mary’s face was neutral, clearly hoping that Beatrice had an answer to provide. “Is there something we should know?”

“Yeah, is there something we should know, Beatrice Young.” Camila joined in full naming her, she looked slightly betrayed, Beatrice knew exactly what was running through her mind. 

“You’ve been quite adamant about your distaste for Ava and her disservice to music.” Yasmin’s face was puzzled, and she should be, it’s not like Beatrice hid the way she felt about Ava or any mainstream artist.

“I didn’t even know that was in my journal.”

“She gave you her number?” Camila tiptoed closer with her chair. It would have been cute, except Camila wanted blood. “You? I thought she and I had a connection. We bonded over buñuelos!”

The silence on her part was not helping the situation. And she couldn’t even figure out why she was quiet, it’s not like she was trying to hide Ava. She felt unreasonably dirty, hiding this part of herself from them. “We’ve spoken a few times, industry stuff. I’ve asked for advice.” Well, that’s not all of it, but she had to start somewhere.

“Industry stuff?” Mary deadpanned, running a hand through her braids.

Lilith emerged from the other room and made her way to Beatrice. She regarded Beatrice for a second before extending the piece of paper to her. “Just how much time have you and Ava been spending together?”

Ava’s name was written on the small sheet of paper and underneath a set of numbers.

Beatrice knew she was blushing. Her heart felt like a kickdrum in her chest and the tops of her ears felt hot. She had thought of Ava, how could she not? Coming to terms with this small crush– no she wasn’t going to call it that. This wasn’t that. She hoped it wasn’t that. She was sure Ava probably treated her friends the same way, whatever connection Beatrice thought they shared was probably a normal occurrence to Ava anyway. So, she was going to push down whatever this was and think of Ava as a workmate. People shared their disdain and gossip with their workmates. And that was this and this wasn't anything else. 

Mary shook her head, amused. “I don’t think I’ve ever seen you blush before.”

Beatrice shook her head. “I’m not blushing.” 

“And I’m Adele.”

Lilith rolled her eyes and grabbed her coat from the hook nearby. “I’m going to go have a drink, I can’t deal with this right now,” She said, shaking her hand towards Beatrice before walking out the door.

The room fell silent after Lilith’s leave. She was sure her bandmates were considering just how much of a transgression this was. “You guys are putting me on the spot for absolutely no reason, I promise, no funny business.” Yasmine and Mary were listening, at least attempting to understand, which was good, but on the other hand Camila was staring daggers, which could be deadly.

“Yes, Camila?”

Camila pushed herself away dramatically, when the back of chair hit the consoles she spun, “Pray Ava and I aren’t alone together Beatrice, my lips might just reveal one of your anti rants.”

Yup. Deadly.

“Michael.” Ava called after her producer. She was sitting in front of a computer, an audio mixing software opened with cascading voice samples descending in different colours. She cleared her throat waiting for his reply.

“Yeah?’ 

She ran a hand across her mouth. “I think I like the shortened para . The flow goes with the next line a lot better.” With her right hand she wiggled her finger along as she sang, “ Rumba pa' matar, ¿dónde es que pa' romper? Yo firmé la cancha con broche de esmalte .” She clicked a few times not waiting for his reply and then the song bounced around the studio.

(*)

Rumba pa’ –

Space button, click

–Rumba pa’ matar

Ava continued to click,  messing with the structure of the song. She hummed along and as the changes started to take place.

¿dónde es que pa' –

Space button, click

 –romper?

Space button, click

 –romper?

Space button, click

 –romper?

Michael walked up to her side, checking on the progress. “Let’s hear it again.”

The chorus played through fully without being stopped. “Better?” Ava glanced up for confirmation.

He nodded. “Loads.”

“I’ll take the drive tonight, I want to keep working on it.” She pushed off from the desk, the wheels beneath spun her towards one of the many consoles in the studio. On top was her journal, the rubber band holding everything together was now sporting a knot. She pushed off after grabbing it, smashing back into the desk. After finding a pen she hastily scribbled a few notes and slammed the thing shut. 

Michael inhaled deeply as Ava tore the drive off the desktop. She didn’t even safely eject it. “You have to be more careful with that, you know?”

She pulled up the backpack that was on the floor, throwing a few things from around the desk into it, followed by the drive and her journal. “Yeah, yeah… it’ll be fine.” He kept staring in concern. “I promise I have like four of these and they're all backups of backups.” 

He nodded wearily conceding, then, walked around the studio turning various things off for the night. He spoke as he flipped a few switches, “I’m meeting a couple of friends for dinner if you want to tag along. They’re also producers…” Ava was looking down at the desk where her phone was. “…based here in London.”

“Hmm?” She lazily replied, the phone grabbing all her attention.

Unknown Number

[You never told me which turtle you are.]

“Dinner with friends?” He repeated himself, uncertain.

It was Beatrice. After two weeks of radio silence here she was. And Ava, well, Ava wasn’t sure what to think yet. She thought she had accidentally dropped the note in all the rush to get it into Beatrice’s journal, that or she had spooked her, but by the look of the text Beatrice didn’t spook easily. She typed in a reply, a small smile creeping onto her lips.

[Leonardo, all the way.]

“Ava?” Michael leaned against one of the consoles looking at her curiously. “Did I lose you somewhere? I asked if you wanted to come to dinner with some friends?”

“Oh!” She pocketed the phone and made a grab for her backpack. “I think I’ll pass. Like I said, editing session and all.” Technically it wasn’t a complete lie, she would work on the song. And if Beatrice texted, that was just a bonus. 

He grabbed his own bag, slinging it across his torso. “Alright, I’ll see you Thursday?”

“I might be able to come earlier depending on how long the photoshoot ends up taking.” The phone vibrated in her pocket and it was so automatic to pull it out again and look at the preview. 

[Oh, well, that answers it. I was beginning to wonder how you managed to slip your number without me noticing.]

Michael must have walked to the door, she could hear the handle as it twisted, “Just let me know of any changes you make.” 

“I will.” She sat back down, way too consumed with the phone in front of her to pay much more attention to Michael as he left. Would replying back to Beatrice so quickly be the right thing to do? Was she meant to reply at all? She wasn’t sure, it was all a bit open ended. After assigning Beatrice’s number to her contacts she once again stared at the text message.

[I’m sneaky, like a nun.]

Hand meet face.

Backspaceeeeeeeeeee. 

Actually, that was funny. And casual.

[I’m sneaky, like a nun.]

She stood, shut the screen and pocketed the device in one smooth motion. She physically had to distance herself from it. The anticipation for a reply was so overwhelming that she was sure her excitement was showing. Without giving the thought another second to make a cozy nest in her head, she grabbed her backpack and coat and walked out the door. Earphones went in and shuffle was pressed.

(*)

But you been so out of touch, touch, touch, touch, touch

Thought about you way too much, much, much, much, much

As she walked down the hallway towards the lift one of the doors to the offices opened. Emilia emerged from the small room, she seemed weary. Ava knew she had been dealing with studio heads all day. She hoped her small wave would be enough to divert a conversation, but the woman spoke.

She pulled one of her earphones out, cutting off the music. “What?”

Emilia crossed her arms, shaking her head fondly. “I said, ‘are you done for the night’?”

“Heading home.” She pulled on her backpack straps, always fiddling. Emilia always had a knack of making her tense. “How did the meetings go?”

“They went well. A lot of placating and promising.” Emilia removed the glasses she was wearing, gently rubbing her left eye.

Ava knows what she has asked of Emilia is difficult. This kind of bargaining takes time, there’s expectations. And trust, which has to go both ways. She’s jumping genres, she could lose her fanbase, and that’s deadly when there’s a lot of money at stake. “Thank you for doing this for me. I know it’s a lot to ask, but I promise that I’ll work hard.”

Emilia sighed, glancing at the floor, choosing her words. “I know you will. What I don’t know is the in between.” Emilia has her reservations, Ava has not played fair recently, she has been spiraling and taking everyone with her. And the way everyone has behaved around her, like she was falling apart, really changed the way Emilia and the rest of the team worked together. Babysitting was the correct term, they were babysitting her.

“I’ll text you once I’m home.” She anticipated the request before it came. 

Emilia nodded, slipping her glasses back on. “I might fly back to Barcelona tomorrow if everything goes well.”

That’s unexpected and it must show on her face because Emilia is running her nails across her arm, in an anxious manner. “Oh okay. That sounds good.” 

Emilia was apprehensive about leaving Ava. “Do you need me at the photoshoot?”

She wouldn’t squander this. This was freedom, or something that was close enough to it. “I just need the team. I’ll be good, more than good, I’ll be great. And I’ll keep you updated and send you flowers!” Ava found herself charging forward, enveloping Emilia in a hug,

“Okay, okay!” She patted Ava’s back affectionately. “I’m trusting you Ava. I want things to go back to normal. I’m doing what you’ve asked, so please behave.”

The night breeze ran through her the moment she stepped outside, she considered putting her coat on, but spotted the town car parked in front of the building. Once inside the driver greeted her, pulled the car from the curb and made his way to her rental, a small apartment in the city, with enough basic items to reheat takeout. 

She slipped her headphones back in, please to find a text message waiting for her.

Monday I was dreaming 'bout ya

Tuesday I was waiting near the phone

Two days, wasn't hearing from ya

Donatello

[I didn’t know nuns were sneaky. Also, hello. How are you?]

[I’m well, thank you.]

[When should I schedule a tour?]

[You’re in London?]

[As of three days ago.]

[Unfortunately, we’re in New York.]

[What are you guys up to?]

[About to record a Jimmy Fallon interview.]

[Jimmy is a blast! You’re going to have so much fun.]

[I hope so, everyone's really excited.]

[I kept my end of the deal.]

[We recorded some of the songs from my journal. The album is starting to take shape.]

[Yeah?]

[I’m glad to hear it. I’m also trying to.]

[I think I’ve earned some slack with good behaviour.]

[I should be back by the end of the week if you’d like to book a tour.]

[Pen me in!]

But you been so out of touch, touch, touch, touch, touch

Thought about you way too much, much, much, much, much

Over overthinking us, us, us, us, us

'Cause you been so out of touch

Beatrice was knackered, and that was putting it lightly. Their week in New York had been busy. They had all been pulled in different directions, at Suzanne’s request. Camila had been in piano and vocal training, Lilith and Mary much the same except in their case guitar and bass, and Yasmine had spent minimal time doing any kind of drumming, her time taken up instead by media training. And Beatrice had survived her final drama lesson. 

She had been dropped off at an apartment straight out of a 70’s bohemian magazine everyday at 8 am until 12pm with a woman that frightened the shit out of her. What would a singer need with drama training you may ask? She didn’t know, but she had made a fool of herself enough times to warrant a complete aversion to it for the rest of her life.

By the time they had even realised where they were, their team had packed up and shipped them straight back to London. They all sat in a van from the airport to meet Robert Wun, a new designer creating waves across the world. The girls were excited, having just been informed hours prior that they had been extended an invitation to next year's Met Gala. They were to have their measurements taken, along with a quick rundown of their likes and dislikes.

She had taken the window seat for entirely selfish reasons. There was definitely going to be a red indent on her forehead, but she was tired and she needed rest. Camila had found her shoulder comfortable, too far gone in her own sleep to notice the small pool of drool gathering by the side of her mouth. Yasmin, Lilith and Mary sat in front of them in various stages of disinterest, but knowing full well to not clash against Suzanne’s wishes.

(*)

Dirtmouth cut out for a few seconds as a text message came in.

Leonardo

[Good morning! I think you’ve touched down.]

[Good morning, Ava]

[Yes, we’re here, but have a last minute meeting to get to.]

[I think I’ll still make it to our appointment.]

[I’ll wear my most comfortable shoes!]

“Who are you texting?” Camila inquired, twisting her head towards the screen. 

“Uh…um,” She scrambled for a reply, noting the way Camila’s eyebrows scrunched up with her non answer. “Leo. Leo, he’s an old uni friend who wants to catch up.”

Camila considers her for a few seconds, no doubt going through their years of uni together. “I don’t remember a Leo?” She sits back against the car seat, “Was he the one that did that beautiful rendition of Enya’s Only Time with the bagpipes?”

Surely, this was a test. “…Yes…I think so?”

Camila’s mouth opened, and she could tell she was about to be reprimanded, but Levy turned around, his big eyebrows bulging off his forehead. “Now, ladies when we enter the consecrated grounds of the atelier I want everyone to be on their best behaviour!”

Mary and Lilith had learned to ignore him by now, while Yasmine nodded eagerly. 

Once inside the atelier they were taken into a large white room with parquet flooring and top to bottom windows that let the morning sun in. Various sketches of hooded figures aligned the walls, with several Polaroids of models before and after fittings. The attendants all stood waiting for them, a couple of teams had been put in place to handle all five of them. Levy spoke to the seamstresses for several minutes as they all dispersed taking in the expanse of the room and the various pictures and illustrations around.

The room quieted the moment Robert arrived. He gave them all a big wave before sitting on the desk set for him, laptop open and sketchpad plugged in. 

The measurements were quick, the attendants were all highly experienced among the chaos that was handling five rough around the edges band girls. Beatrice could see the designer working along, watching them closely. At some point he pulled out a charcoal pencil, drawing a flowing dress with an enormous veil. 

Beatrice was the last one out at foyer, her bandmates had gathered there excitedly speaking about the rough sketches they were allowed to see. She grabbed her coat from the coat rack, not bothering to do any of the buttons. “I’ll see you guys tomorrow, I’m exhausted.”

Mary raised her hand to stop her, making contact with her tummy. “Hold up a minute. Levy is dropping us off.” 

“That’s okay, I’m just going to take the Tube,” She pushed forward slightly, determined not to be questioned too closely.

Mary lowered her hand, she was suspicious but didn’t inquire further.

After twenty five minutes she arrived at Fenchurch street, cut through Talbort court and followed the road down to St Dunstan. The church was damaged during the Second World War and now was a public garden that invited the public to gather underneath its enormous canopies.

She crept along the ruins, as the yellow leaves rustled along her feet. English ivy covered the old walls, all in different states of decay. Ava sat along the boundary wall waiting for her. She wore a brown and white plaid pleated long skirt and a baggy crew neck sweater over a white collared shirt. The small snapback on top of her head was too big and endearing.

Ava must have felt her coming because when she looked up a smile radiated all through her face. “Donatello!” She regarded her for a few seconds then got up and met her halfway, before occupying her space with a big hug.

They pulled apart, carefully observing each other. “Hello, Leonardo.”

Ava reached for the ruff of her coat, tugging it playfully, “Why do you always look so cozy? 

“I dress for comfort, of course.”

“Of course! How could I be so foolish!”

They walked in silence for a few minutes taking in the way the light dispersed down from the remaining foliage. “How did you find the church? I apologise for running late, can’t hasten agitated seamstresses lest they poke you like a pin cushion.”

“The church is beautiful, I definitely did the touristy thing of taking way too many photos and reading the educational material.”

“And how did you find it?”

“Very interesting actually, I cannot believe it still stands after everything.” Ava leapt up onto one of the small barriers that lined the perimeter of the garden. She set one foot in front of the other, careful not to lose balance. “Do you come here often or something?”

(*)

Heaven, I'm in heaven

And my heart beats so that I can hardly speak

And I seem to find the happiness I seek

When we're out together dancing cheek to cheek

“Sometimes, it’s a nice place on a day like this.” Her stomach grumbled a tad loudly. Ava looked at her scandalised. “Sorry, we skipped breakfast and I didn’t have a chance to grab lunch.”

“Beatrice! That simply will not do. Look at you, you’re basically disintegrating in front of me.” She was too animated, forgetting to be careful with her steps. Beatrice would say it happened quickly, but the truth was she had anticipated this. As Ava lost her balance and leaned too much to her right she lost her footing. Her arms flailed aimlessly in every direction until down was the only way she was going. Beatrice stepped closer without any preamble and held her waist with both hands, stabilising her.

The moment stretched longer than it should have. “Are you alright?”

Ava held on to her shoulders, her chest rose up and down as she calmed her breathing. “Yes! Yeah, no yes I’m fine. Thanks for that!”

Beatrice held her hand as Ava jumped off the ledge, happy to be on solid ground. “Lunch?”

They walked a couple of minutes down to a small Cantonese restaurant where she often went. The last minute lunch stragglers sat on the available tables in the small establishment. At the far end there was an empty table, which Beatrice approached with menus in hand. 

Beatrice set her menu down already knowing what she wanted. Ava was next to her examining the menu timidly. “Do you want some help?”

Ava nodded, setting the menu down on the table. “Yes, please.”

“I’m going to order this one,” Beatrice pointed at the two meat + rice combinations. “With the duck and crispy pork. We can share that if you want. Is there anything you’d like to try?”

Ava scanned the menu hesitantly, “Spring rolls?”

She wanted to kind of snicker at how predictable that was, but held it in. “Spring rolls, anything else?” Ava was quiet. “I think you’ll like the sesame prawn toast and we can also get you some fried rice.”

Ava nodded along as Beatrice spoke. “That sounds great!”

The woman at the counter took her order, and for just one second she looked to the back of the restaurant where Ava was, she gazed up at Beatrice giving her a little wave. And the rush of affection that gripped her heart was so substantial that she had to cough on the spot and divert her eyes.

Yes, heaven, I'm in heaven

And the cares that hung around me through the week

Seem to vanish like a gambler's lucky streak

When we're out together dancing cheek to cheek

Their order arrived a few minutes later and they both dug in. Ava eagerly ate a bit of everything while inhaling her bowl of fried rice. Beatrice was much more diligent with the way she ate, a methodical ritual she had developed through the years. 

“I found out this morning that Hadestown is coming to London with the OBC.” Ava spoke up while dipping her spring rolls into soy sauce. “I’m super excited about finally getting to see them in person, the one time I tried they were all on vacation.”

Beatrice was unnerved by the amount of dunking that was taking place. “I actually haven’t the slightest idea of what you’ve just said.”

“The musical! With the original Broadway cast, they’re all coming here to do the show.”

“Oh, I can’t say I’ve watched many musicals.” Ava was looking at her like she had just swatted a child’s ice cream cone to the floor.

“No way! Phantom of the Opera?” A shake of the head. “The Lion King?” Another one. “You have to have seen Wicked at least, right?” Each time Beatrice shook her head Ava got closer, horrified by what she was witnessing.

“Is that the one with the witches on the poster? There’s a movie with Ariana Grande?” 

Ava groaned. “How in the world have you escaped musicals!”

“All too dramatic for my taste.”

Ava slapped her forearm, chastising her. “Take it back!”

“I think Yasmine likes musicals, but she doesn’t involve us. Probably for the best if I’m being honest.”

“I’m going to pretend I didn’t learn this about you and finish my meal,” Ava bit into her sesame toast in a show of power. “I mean how can you not like musicals! There’s so much jolliness and emotional turmoil, all in a two and half hour runtime.”

The rest of the late afternoon was spent walking along the River Thames with the Tower Bridge as their guide. Beatrice stifled what was probably her fourth yawn in a row as the sun began to set. They sat on a bench by the river, it was quiet in the way that there was nothing else to say, and whatever bubble they had constructed was warm and comfortable.

“Tired?”

Beatrice looked down at the watch on her wrist. “Yes, I think I’ve officially been up for a full twenty four hours.”

“Aww Beatrice, you could have said. We could have rescheduled.” Ava was panicked by the admission, pulling out her own phone to look at the time. “I should have been more considerate and offered.”

“It’s quite alright. I wanted to see you.” The way Ava was observing her caused her to backtrack a bit, to something more relaxed. “Plus, it’s better for the jetlag anyway.”

That charm about you

Will carry me through

Notes:

Insider tip! If you follow along with the playlist and mood board you'll find me randomly adding things at 3 am in the morning for upcoming chapters.

You can find the chapter wrap-up post on my Tumblr.

Chapter 3: It’s Become a Habit, a Way to Start the Day

Notes:

Thank you again for all the lovely comments!

Here is the playlist and mood board.

(See the end of the chapter for more notes.)

Chapter Text

The afternoon sun was coming through the studio’s bare windows, the rays of light casting shadows along the carpet. It wasn’t late by any means, but the tilt of the Earth was sure making it seem like it was. Ava sat on a stool with a microphone in front of her. She was in the middle of a recording session with Michael and a couple of other sound engineers. 

She didn’t know what kind of musical spirit had taken over her body, but everything was about this song was working out better than expected. It was surprising how quickly this album was taking shape, which spoke for itself, because it had never flowed so easily in the past. She listened to the playback, taken aback with how much her sound had changed. Even her vocal range had shifted to something lower, more powerful and commanding, she still had her trademark falsettos to fall back on, but this was a good different, something she hoped people would also enjoy.

Michael waved to catch her attention as the song ended, pointing at her phone. She slotted the headphones on top of the stand and stepped outside the recording area to retrieve it. 

“You’ve received a couple of messages, I didn’t want to interrupt.” Michael sat behind the console next to the other engineers, they were still adding some final mixes to the song.

Fuck, Beatrice. She had meant to reply to the lunch request, but had been too caught up with the song. “Thanks, I’ll just be a few minutes.” She stepped outside the studio, closing the door behind her.

Donatello

[Hey, sorry I didn’t hear back about lunch and just wanted to check that we were still doing that?]

[If not, that’s fine I’ll just grab something after vocal training.]

[I’m so sorry Bea!]

[I promise I didn’t forget about you. The creative juices were flowing and I lost track of time.]

[I’m also very sorry you had to read that. Please ignore the juices flowing.]

The dots appeared and reappeared a few times as Ava waited for a reply. Beatrice seemed to either be writing the world's largest text message or she couldn't decide what to respond. 

[That’s okay!]

[I hope everything has been going well at the studio.]

[More than!]

[Are you free now? I’m itching to show the song to someone other than my producer and his minions.]

[I can be persuaded, my couch is very comfortable though.]

[You get to meet Michael Salvius.]

[I’ll be there in twenty.]

Exactly twenty minutes later there was a knock on the studio door. Michael was on his feet first, sliding the door open. Ava watched from behind the glass as the two shook hands and introduced themselves, Michael extended the formality to the others. Beatrice caught her eyes moments later, giving her a small smile.

Ava bounced towards the group. “So, wanna hear it?”

They took a seat while Michael prepped the song for playback.

The song began with a scat on the drums, Ava’s voice sing-talking along. Heavy synthesizers took over the studio speakers, a sound that was strikingly similar to the noise a motorcycle makes when the engine is revved along with drums heavy with intention and rhythm. Beatrice must not have expected this because her eyes became large with astonishment after Ava’s first verse.

(*)

Yo soy muy mía, yo me transformo

Una mariposa, yo me transformo

Makeup de drag queen, yo me transformo

Lluvia de estrellas, yo me transformo

The technical engineers discussed amongst each other as the song went on, still mixing and mastering the sound. Beatrice’s mouth was partially open and Ava could tell she was enjoying it as her foot bounced along with the tempo.

Como un pavo real, bebé

La cerilla al quemar, bebé

Tu cara, tu mirá', bebé

Si te vuelvo a besar, bebé

They had reached the stretch of the song that was still unfinished, it was missing something that they still hadn’t quite figured out, but Ava knew to trust the process, it would come to them, there was no reason to rush it. “We’re still thinking about this part, something to get us to the bridge.”

Beatrice was quiet for a second, still taking in the synths and drums as the beat stretched. “The beginning with the scatting, it’s jazz influenced.” She spoke to Ava who nodded, “Why don’t you continue with something improvisational? Stylistic? Only for that section.”

Michael was listening along now too. “Like an entire change of tone?”

Before Beatrice could reply, Ava took her hand, leading her inside the recording area. “Show me.”

“Is the piano ready?” Beatrice pointed while walking to the instrument.

“Yes.”

Beatrice stood before it, her hand hovering above the keys, thinking. “Start from the second verse.” The verse played, and Beatrice played two notes, then a chord, then another two sets of ascending notes, another chord, both incohesive and discordant. Then, she sat and her hands moved across the keys as if it wasn’t the most impressive thing in the world that she had practically improvised a jazz standard with multiple chord changes and tones. 

(*)

“What the fuck!”

Beatrice was still focused, ignoring Ava’s outburst. “I would increase the frequency of the scatting if you were to do something like this.”

“We’re using exactly that. That’s it.” Ava leaned against the side of the upright piano, “That is if you’re okay with it of course. You’ll get writing credits as well.”

Beatrice was speechless, and her cheeks slightly pink. “I couldn’t. You guys have already done so much and that was like less than ten seconds of work.”

“Oh Beatrice, you beautiful, naive, sophisticated newborn baby, people have done far less for writing credits.” Ava could see Beatrice’s face go from utter confusion to amusement in a span of a second.

“Did you just Parks and Rec. me?”

“Indeed! Ava turned to Michael, “Let’s hear it.”

Once they were all satisfied with the end result and Beatrice’s writing credits were solidified, signed off, and metaphorically stamped, the two women lingered after Michael and his team left for the evening. They both shared the stool in front of the piano where Beatrice had been teaching Ava a few jazz chord progressions, something that had turned out to be more difficult than expected.

“I promise I can play this instrument, you’re just like a crazy piano prodigy,” Ava spoke while messing up the same four chords again.

Beatrice chuckled, raising her hand to hover over Ava’s. She pressed down on Ava’s fingers gently, dragging the hand along the four chords again. “Remember it’s all about spontaneity, even if you mess up just don’t show it, create something else. That’s the point.”

Ava tried again, coming to the same outcome. “You know what, I give up. Maybe jazz isn’t for me.” Beatrice was smirking in a way too smug kinda way and Ava was not having it. “Now, I feel like I need to play something just so you believe me. I can see it on your face. I'm a fraud.” 

Beatrice actually snickered at that. “I promise I don’t think you’re a fraud!”

Ava huffed, hands already on the keys. She was going to play something and she was going to play something so well that the stupid smug grin on Beatrice’s face was going to wish it hadn’t presented itself. 

(*) (*)

The song began softly, just a few notes, and a flourish here and there. Then, the melody slowly became known, the sound took over the dimly lit room. Beatrice listened silently, taking in the soothing tune. 

Ava stopped, somewhat shy with the shift in mood. Maybe she should have played something more lively.

“Don’t stop,” Beatrice’s voice was soft. “I love this song.”

Their eyes met briefly, enough for Ava to look down at the keys again, far too bashful. She continued from where she left off, the song reaching the chorus. Then, Beatrice’s calm voice joined harmonising along with the piano.

I go through all this before you wake up

So I can feel happier to be safe up here with you

I go through all this before you wake up

So I can feel happier to be safe up here with you

And somehow to Ava’s credit she kept going, even though all she wanted to do was listen to Beatrice sing. 

It's early morning, no one is awake

I'm back at my cliff, still throwing things off

I listen to the sounds they make on their way down

I follow with my eyes till they crash

She joined Beatrice, both singing together.

I imagine what my body would sound like

Slamming against those rocks

And when it lands

Will my eyes be closed or open?

They finished the song together, both their voices blending perfectly. Ava’s voice was slightly higher, contrasting impeccably with Beatrice’s deeper richer one. It was still, so still that they could hear the last of the faint vibrations of the piano’s strings.

Ava was the first to speak. “So, Björk.”

“Björk.” Beatrice’s head was bowed, her eyes shifting along the keys. “What beautiful morbidity.”

“You know, I never understood how people could misjudge that song. Always just lingering on the suicidal ideation.”

Beatrice‘s eyes were on her, “But it’s really about casting away your negativity, the fear of whatever comes next.”

“Well, yes there’s that but also not carrying everything on your own. It’s allowing yourself to be intimate with your emotions and inner demons and sharing them with the person you love.”

Beatrice’s eyebrows were downcast. “Wait, but she doesn’t say that at all.”

Ava swatted Beatrice’s arm, bouncing a little on the shared bench, “That’s the point! She’s not sharing her negative emotions out of fear that her relationship will be too fragile to endure it.”

It took a second, but eventually Beatrice nodded along taking in Ava’s words. “Hmm, I hadn’t considered that.” She looked down at her wrist, checking the time on her watch. “Great Scott! Is that the time? Camila is going to murder me.”

Ava had to double check if the person next to her was in fact a seventy year old grandmother. “What’s up?”

“I was meant to meet her at Harrods for some last minute Christmas shopping,” She stood from the stool already beelining for the production room. “I sort of forgot to get presents with everything that’s been happening.”

Ava lowered the piano’s lid, following closely behind.

They draped on their coats for the cold night air and made their way down the steps to the ground floor of the studio. It was early evening by this point. 

“So, what do you have going on for the rest of the night?” Beatrice held the door open for both of them, Ava slightly crouching underneath her arm to go through.

Ava adjusted the scarf around her neck. “Probably get some takeout and watch Derry Girls for like the third time.” She hoped the disappointment in their time being cut short wasn’t too obvious. “A little reward after today.”

Eyes looked at her curiously as if Beatrice could read her mind. “Do you want to tag along? We can get some kebabs on the way.” She added quickly, “And I kind of want to see Camila freak out.”

Ava breathed out, the temptation was strong. “I’m not sure, crowded confined places are not safe for me.”

“Oh. You mean because you’ll be–”

“Yeah, that small detail. I’ll be recognised.”

“How about this?” Beatrice pulled a navy beanie from her coat pocket, presenting it to Ava. “It’s not much, but I think you could get away with at least people not going in for the double take.”

Her eyes went from the beanie to Beatrice.

They grabbed kebabs and a large chips to share between them as they walked to the nearest train entrance. Beatrice had set up the pass system on her phone, then went first showing Ava what to do. They dug into the chips by the tracks and busily chewed, unable to form any kind of conversation. Everyone around them far too tired from the long work day to even lift their heads from their phones. The train arrived just as Beatrice threw the last of their consumables in the bin.

On the train they were able to find a small corner to fit into, barely avoiding the amount of people crammed into the cart. Ava was against the wall too far from any kind of handle to hold on to with Beatrice directly in front of her, shielding her from view. The train jolted forward causing her to lose her balance, but not before Beatrice with her free hand managed to right her back up. She then pressed her hand on the wall to Ava’s side so that she wouldn’t shift further. 

Ava looked up with a thankful smile and Beatrice took a second to carefully adjust the beanie on her head, pulling it down more. “Keep your head down.” She did as instructed and found that Beatrice’s Chucks surrounded her Vans, further holding her to the spot. 

The train ride went on without any fanfare, just the occasional glance up to check for their stop, which after the first few times turned into an excuse to look at Beatrice. Ava wasn’t sure what was commanding her to do it and she had never been the type to gawk, much less at a person. There was something about the way Beatrice held her neck when she was looking away, it was long, strong, and with the tiniest freckle on the left side. There was an aura about it as well, like she had been instructed her whole life to keep her head held high through proper posture. 

“Something on my face?”

“Wha–”

“You were staring.”

“Now arriving at Knightbridge station,” The automated voice echoed across the cart.

“That’s our stop isn’t it?” Beatrice craned her neck double checking. Then, without confirming, gripped Ava’s hand and began to push through the throngs of people. 

The crowds in the street were riddled with work commuters and visitors alike, and if you weren’t going home you were headed to Harrods. The building glowed against the backdrop of the cloudy night sky. The Christmas display was up in full swing as everyone around snapped photos. She had never been inside the building itself, but knew exactly what she was about to run into. The place was swanky, like they grew their own yarn, imported slabs of chocolate, and had in stock Gwyneth Paltrow’s Vibe Altering-Stickers, swanky.

They went through the double doors and Ava followed Beatrice to the lower ground where Camila said she would be. Christmas literally exploded, there were rows and rows of ornaments and decorations with gift wrapping available practically everywhere she looked. The atmosphere calmed her in the sense that she wouldn’t be recognised, but then filled her with fear for her safety for a completely different reason. People. So many people at various stages of stress frantically looking for gifts.

Ava felt her phone vibrating in her coat pocket. Emilia. She answered the call signaling to Beatrice that she’d be a moment. “Hello.”

“I know you told me you were going to be in the studio the whole day, but I figured you might want to hear me out.” Emilia’s voice came through. “Are you not in the studio? I can hear a lot on your end.”

“No, finished up. Getting groceries.” She regretted it the moment it came out of her mouth. She kept her eyes on Beatrice as she wandered off in search of Camila.

“You. Getting groceries?” As if it was the most ridiculous thing she had ever heard. “I do fear hell has frozen over, Ava.”

It annoyed Ava that she was somewhat right in mocking her. “What was it that you wanted to tell me?”

“The Grammy’s called just now, apparently they’re going to honour Max Martin this year with a Lifetime Achievement Award. They were wondering if you wanted to be part of the tribute given that you’ll already be there to present the Album of the Year Award.”

“What’s the tribute?”

“His music through the years, that sort of thing, with different performers. A medley of sorts.”

“When do they need an answer?” She fiddled with a snowflake ornament, needing something to do other than looking around nervously. She wanted to focus on the album that was her priority, anything else was going to take too much of her time. Agreeing to this meant agreeing to rehearsals. 

“Tomorrow at the latest, they want to start workshopping ideas with the talents as soon as possible.”

Beatrice was waving at her with Camila in tow. She waved back while giving Emilia a quick reply in the hopes that she could get off the call, “I’ll call tomorrow with an answer. Goodnight!” The other women joined her as she hung up. 

Camila had a huge smile as she greeted her, barely containing her excitement.“Well, this is unexpected!” 

“Hi, Camila.” Beatrice nudged her friend in a futile attempt to get her off her stupor. “I hear we’re going to do a bit of Christmas shopping.”

“We are! This is my first time inside Harrods, I mean, first time here to shop that is.” Her curly hair bounced behind her as she spoke.

And they were off. They looked through displays pointing out at all the decorations that caught their eyes while making ridiculous cute noises at the stuffed animals or endearing wood pieces. They squeezed through small openings, barely managing to not drop things in their path. At some point Ava spotted a pair of wearable antlers and begged Beatrice to wear them. Actually, there wasn’t a lot of begging because Beatrice tutted only once as a show of reluctance but then put them on without much fuss.

Camila rushed to grab a basket with hands already too full to keep going. As they passed a nature display she spoke up, “What have we got here? A £79 bird on a stick?” The thing looked like it was about the snap off.

Beatrice chuckled good naturally. “It goes perfectly with a £2500 nutcracker.”

“Who are they kidding with these prices?” Camila said all while continuing to add things to her basket.

Ava walked behind them accidentally making eye contact with a massively creepy felt reindeer that was too human for her own liking. “Hey, I’ve been meaning to ask,” She flicked the reindeer’s nose, “What happened that time I asked you guys to open for my London show?”

The speed in which Camila spun around gave her whiplash, “What?”

“Must have been three years ago I think while I was here doing the tour, my assistant contacted your manager at the time,” She explained shifting a few things around, avoiding Camila’s gaze was priority number one, “We were told the schedules conflicted.”

“Beatrice, did you know about this?” Camila’s voice had an accusatory tone, intriguing Ava because Beatrice was quiet, too quiet. The arms crossed stance was not usual for Beatrice as far as Ava was aware, which meant she had accidentally opened the floodgates to something. 

“I…I’m not– I don’t remember the specifics,” She began, choosing her words carefully, Camila was also crossing her arms now, “We were doing festivals around that time and Vincent …he wasn’t managing requests well.”

Camila looked Beatrice up and down, “Go on.” 

Oh yeah, she should not have asked.

“Vincent asked while I was between interviews, I thought he was joking, I obviously couldn’t believe it so I dismissed it.” Her gaze fell on Ava, she saw the guilt on Beatrice’s face. “I’m sorry. I should have been more careful around him.”

Ava came to stand between them, putting a soothing hand on each of them, “It’s okay guys, I know how difficult it can all be in the beginning. No harm done.” She winked at Camila, “Plus, now you owe me.”

Camila somewhat acquiesced with a tiny shrug, “Beatrice will pay in time.” Said person gave her friend a sheepish smile in return. 

In the middle of an ornament comparison session, Beatrice’s phone rang, she informed Camila that it was Suzanne before answering the call. “Suzanne? Hi.” Ava could tell Beatrice was struggling to hear with all the noise around them. “No, yes, she’s here with me, that's why she’s not answering her phone.”

Camila perked up, “Me?”

Beatrice spoke to Camila, “The others are on the line, Suzanne has news for us.” Her bandmate came closer standing on her tiptoes to reach where Beatrice held the phone and Beatrice must have realised because she lowered herself to meet Camila’s ear with the phone. 

Both women listened carefully, nodding silently along to whatever the conversation was about. Then, a couple of emotions went through their faces, shock, realisation and then joy. Camila was jumping, Beatrice was trying to keep herself balanced while being tugged along in every direction, the phone’s trajectory at some point was the floor, then, it started bouncing between Beatrice’s hands before she got a good grip again.

“Oh my God!” Camila rushed to Ava enveloping her in a big hug, completely forgetting that a conversation was being had. “We just got nominated for a Grammy!” 

“Woah!” Ava was jumping now too, just as high as Camila as they both held each other celebrating.

Beatrice looked at them amused, “Everyone is very happy!” She watched as the bouncing turned into a weird dance session along with unnecessary hip movements. “There’s more!”

“WHAT! WHAT!”

“We’re performing, some kind of tribute.” Beatrice turned in an attempt to hear the phone more clearly. “Okay, sounds good, I’ll let Camila know and then we can all get together and talk about this.” It wasn’t long until she rejoined Ava and Camila sporting a really cute smile and those small crescents again. And in that instance Ava decided all at once that she wanted to be the cause of one of those smiles, or definitely a few she was a highly motivated overachiever after all.

Camila rushed her friend in another world shifting hug, which Beatrice was now actually ready for. “BEAAAA! A fucking Grammy!”

Beatrice was practically holding Camila upright at this point. “Best new artist!”

“A GRAMMY!”

“Congratulations guys!”

“Bring it in, Ava,” And now she too was in a Camila headlock, as they all bounced in place. Everyone around them too caught up with whatever they were doing to pay them any mind.

“There's going to be a Max Martin tribute, we’ve been asked to take part in it, but we have to discuss it with the rest of the group.” Beatrice explained the bit Camila had missed during her celebration rampage.

“Oh please!” They began walking through the crowd again, Camila held her basket above her head, protecting the goods. “Where’s the register? I need to leave this place before I sign my life away again.”

As they stood in line for the register, Ava spoke up, “The call I received earlier was about that as well, they’re also asking me to be part of it.”

“No way! Will you? You’ve got to! It’s Max Martin, who can say no to that man.” Apparently, Ava could and was about to. 

Beatrice was observing her, no doubt waiting for her answer as well. “Will you forgive Beatrice if I say ‘yes’?

Camila couldn’t hold back the huge smile from taking over her features. “I will definitely forgive Beatrice. Clean slate!”

And Beatrice, she was smiling too, “Then, yes. I’ll do it! For Beatrice of course.” Ava nudged Beatrice, all too pliant in the way she swayed on the spot. 

They were in the home goods section now where a candle snuffer was the current hot topic. It was Beatrice who had found it, and by this point on her third explanation as to why her mother needed it. Ava was amused with the sibling dynamic, Camila no doubt younger kept insisting that Beatrice was losing her Goddamn mind right now.

“Beatrice, you cannot get your mother a £250 candle snuffer.” Beatrice was opening her mouth to protest, “If you say ‘she can’t just blow on it’ I will skin you with it.”

Ava wanted to add fuel to the fire, or in this case a candle. “What about this?” She held a white candle up for them, “It’s tuberose scented.”

“What in the world is tuberose?” Camila inquired, holding the object in her hand, “Am I poor?”

Agave amica, ” Beatrice said nonchalantly, “It’s a flower.”

That was definitely not going to help, but it did momentarily glitch Ava’s neurons in the best of ways.

“I’m poor.”

Beatrice held up a pair of wick trimmers, “Maybe I’ll get this as well? Make it a set.”

Ava wasn’t sure if Camila understood that Beatrice was messing with her now. “Are those fucking scissors £500?”

Ava went in for the jugular, “To be exact they’re £563.”

Camila threw her hands up in surrender and then pointed at Beatrice with all the wrath of a French peasant, “You’re the 1%.” She then turned to Ava, “Not you Ava, you’re the wind beneath my wings,” before she scurried away. 

They were taking the escalator down when it happened. There was a sudden flash coming from above them. Beatrice and Camila froze, not anticipating the unnatural intrusion of lights going off. Ava knew better, she pulled the beanie as far down as possible, exiting as quickly as she could. The women followed closely behind her, necks jumping for the photographers to Ava’s swift moving form. 

Beatrice jogged to her side. “How can I help? What can I do?” Her voice rushed out, panicked. 

Ava ducked behind one of the tables with a Christmas pudding display, Camila and Beatrice following her lead. “I need an emergency exit.”

Both of the women’s heads popped up, searching frantically. “Down the chocolate display cabinets to the left.” Beatrice ducked back down. “We’ll cut straight through it’ll be okay.” She watched as both Camila and Ava nodded in confirmation and then an idea came to her. “Ava, give the beanie to Camila.” Ava did as she was told, understanding immediately what was about to happen. 

Camila put it on without hesitation, “I volunteer as tribute.”

Ava made a noise between a snort and a laugh while looking between Beatrice and Camila affectionately. “Do you hear it, Cam?” She mimicked the iconic sound, making popping noises with her mouth, “ Live fast, die young, bad girls do it well.”

“Oh, I hear it.” She stood fixing the beanie more snuggly around her head, she directed her eyes towards the photographers who were sifting through every possible space searching for Ava. “ Live fast, die young, bad girls do it well.” She saluted them one last time then ran for her life, colourful shopping bags shaking from side to side. 

(*)

Live fast, die young, bad girls do it well

Live fast, die young, bad girls do it well

They watched her go, her small legs going so fast that metaphorically there was dust in her wake. A photographer pointed at her retreating form shouting at the others to follow. Beatrice grabbed her hand. “Don’t let go.” And honestly, she didn’t need to be told twice.

Get back, get down

Pull me closer if you think you can hang

Hands up, hands tied

Don't go screamin' if I blow you with a bang

They ran to the chocolate cabinets, pushing through as many people as they could. A child screamed bloody murder as their tray of chocolates hit the floor. Beatrice’s grip was solid, pulling her along through pure adrenaline alone. She kicked the emergency door open and proceeded to glide down the stairs, a feat that Ava was finding a lot more difficult to manage, but somehow she was still on her feet.

Going nought to bitch, I'll see four million

Accelerating fast, I can do this in a second

Lookin' in the rear view, swaggin' goin' swell

Leavin' boys behind ‘cause it’s illegal just to kill

They were outside before she even realised. Beatrice slowed, taking in her surroundings. “You okay?”

Ava was in fact not okay. She had gone down ten flights of stairs and her cardio was abysmal when in off season. It was a miracle that she even had enough breath to breathe, which should pretty much answer Beatrice. 

How was Beatrice managing to speak right now? How had those stupid antlers not fallen off!

“Fuck,” Her hand was gripped again and she was pulled forward, this time though their hands were clammy and Beatrice was losing her grip. Before they lost their momentum their fingers entwined and if Ava wasn’t so busy running for her life she would have lingered on it. 

Ava focus

The crowd behind was growing with noise and Ava could only assume the photographers had realised Camila was a distraction. 

“Your phone!” Beatrice yelled mid breath. “Get your phone ready!”

By the time she looked up from her phone they had made it to the underground. She scanned her face and slammed the thing to the receiver. They made it down the escalator and a train was there waiting. The announcement came through of the doors closing. Beatrice pulled her inside, and Ava slammed onto her chest as the doors shut behind them.

Shift gear, automatic, damned if I do

Who's gonna stop me when I'm coming through?

What we got left is just me and you

But if I go to bed, baby, can I take you?

Turns out just jumping into a random train wasn’t the best idea because they had to redirect themselves a couple of stations down, but thankfully no photographers to avoid just a teenager who absolutely lost their mind. 

The streets were quiet by the time they made it to Ava’s rental. They had survived mostly unscathed, except for Beatrice’s candle which had unfortunately shattered due to all the commotion. Ava was sure there would be pictures and she was already planning on giving Emilia a phone call tonight. 

“Ava, I am so sorry about putting you in that situation.” Beatrice had been eerily silent up to this point. Hearing her voice alleviated Ava’s concerns somewhat since she was already jumping onto the conclusion that it had all been too much. “I should have listened earlier instead of steamrolling you into it.” The way she was looking at Ava was devastating.

Ava was not upset in the least though, she had a great time with Beatrice and Camila. She couldn’t recall the last time she felt normal, just out and about with friends without the constant nagging feeling in her head. “Are you kidding? That was amazing!”

Beatrice watched her carefully, “Are you sure?”

Ava skipped forward, walking backwards in front of Beatrice. “Sure, I’m sure!”

“I completely understand if you never want a repeat of that.”

“You know, after a point things like that aren’t avoidable, you gotta make do with what you can.”

“Still, I should have been more careful, it wasn’t safe for you.” Beatrice was beating herself up for the night's events, her gaze downcast on the pavement. 

Ava stopped and placed her hand on Beatrice’s shoulder, “Hey, I’m fine. See?” She spun in place. “And I got free cardio out of it!” She gestured with her head towards an apartment flat on their right. “Here’s my stop.”

They walked down the small but well kept garden. The lights were all off except for the streetlamp a couple of homes away. “I’m glad you enjoyed yourself then.” Beatrice was starting to sound a little better though slightly conflicted. 

“Camila definitely enjoyed herself.” They both laughed. “I should probably thank her, it couldn’t have been easy.”

“I’m sure she’ll love it if I give you her number.”

“Please do! She’s my new partner in crime after all.”

Beatrice huffed in a playful outraged manner, her insanely cute stupid antlers still perfectly on her head. “Wow, I’ve been replaced already. I should have known!”

“I could never replace you.” It came out with too much sincerity to be offhanded.

Beatrice’s cheeks had become pinker suddenly, a small smile creeping by her eyes. “I’ll see you after the holidays?”

“Already counting the days.” She doesn’t know what possessed her, but she leaned forward giving Beatrice a kiss on the cheek. “Happy Holidays, Beatrice.”

Beatrice was stock-still, eyes shifting back and forth between Ava’s own. And after a few seconds she breathed in and said, “Happy Holidays, Ava.”

Ava closed the door behind her, but couldn’t bring herself to walk much further. She leaned on it for support with her head against the wood, and then slowly released a long breath. The tips of her ears felt hot and her hands buzzed on the door handle. Her heart was thudding rapidly inside her chest and she felt dizzy and completely still all at once. 

Hmm

[Did you just link me homework?]

[I sent you jazz scales, for practice while you’re away.]

[You sent me homework while on holiday. What kind of monster are you!?]

[Did you know that Twinkle Twinkle Little Star and ABC’s have the same melody!?]

[Yes, I did know that.]

[My mind is blown!]

[I just googled you. How are you younger than me?]

[Why are you googling me? Also, I don’t believe you.]

[I was bored and wanted insider knowledge. Google it!]

[Unbelievable. Do your scales!]

{hahahhoo.jpeg}

[Is that Camila tripping into one of the Christmas displays?]

[Yes! The beanie came off and everything, no wonder they figured it out so quickly.]

[I showed her, she said “I will treasure this ‘til my dying day”.]

[There’s a dopey one of you with the antlers, looks like you’re mid sneeze.]

{sneezyface.jpeg}

[How do I unaccept this?]

[Oh, it’s on the internet, there’s no unaccepting it.]

[I need to get in contact with our publicist.]

[It’s my chat background now, it’s too late.]

[How are your holidays going so far?]

[Great! I’ve been eating and sleeping like the lazy bum I am.] 

[Haven’t thought of the album at all. Not one bit.]

[You’re editing aren’t you?]

[Wouldn’t you like to know!?]

[That’s why I asked!]

[What about you? What have you been up to?]

[Mostly studio time. Everyone is free so we’ve been consistently putting work into the album.]

[We’re getting together tomorrow night for Christmas Eve dinner.]

[You got presents for everyone?]

[Yes, I managed to pick up Lilith’s this morning. I'm sure she’ll absolutely love a Madonna greatest hits compilation.]

[If I don’t hear from you I’ll assume you’re dead and begin to plot my revenge.]

[Oh? Are you going to protect me from Lilith?]

[Silly, Bea, I’m rich, not stupid.]

[I’ll send an assassin and also you’re already dead.] 

[Maybe I’ll shed a few tears.]

[What can I even say to that?]

[I guess I can die at peace now that I know what to expect.]

[What! No! Don’t say that!] 

[I’ll avenge you! I’ll do it myself. Where does she live?!]

{Aurora - Starvation

[Here. Your battle song.]

[Aurora! You just reminded me that I need to listen to her new album.]

[Okay woah!]

[Battle music but with a dance break?]

[Wait, are we having a dance battle?]

[I will protect your honour or whatever!]

[It’s not the Middle Ages!]

[Merry Christmas, Ava.]

{10 hour Venga Boys video}

[Merry Christmas!]

[I’m currently on 04:36/10:00 hours in and it is literally the only thing holding me together right now.]

[I can’t imagine hopping on the Venga Bus for that long is psychologically sound.]

[I can only take so many cheek kisses and bendiciones.] 

[What are you up to on the day of our Lord?]

[Just to mum’s for lunch and then not much else.]

[I can’t even sit long enough to respond! I gotta go make arroz con leche.]

[I’ll call you later?]

[I’d like that.]

When she’s finally settled for the night, with a book on her lap and a cup of tea by her side, Ava calls. Beatrice fights the urge to answer right away, barely keeping her fingers from swiping after the second ring. “Hello?” Her voice is quiet in her empty flat.

“Hi.” Ava’s is husky and low as if she’s trying to keep her voice down. “Sorry, give me a second. I'm trying to sneak away.”

Something inside Beatrice starts to panic, “Ava you didn’t have to go through the trouble. I know you’re with your family. Honestly, I’m happy to just ring you tomorrow or something.”

“You’re gonna ring me tomorrow?” Ava fondly mocks Beatrice’s accent, but continues, “You sound so posh right now. The phone is intensifying your accent. Or has it always been this… attractive?”

Beatrice is not sure how to respond to that. “I guess it must be the phone because I’m sure I’ve been English this whole time.”

“This whole time? Maybe it’s because I’m only focusing on your voice, it makes it more noticeable.”

“Your voice sounds different too.”

She could hear Ava settling somewhere, “Yeah?”

“Yes, it’s much lower.”

“Oh? Like, sexy low?”

“Like, when you sing sometimes in a lower register, your voice sounds fuller, more mature.” She was an idiot to the highest degree. 

{Doechii - Denial is A River}

[I get it, Doechii. I get it.]

[Ava, it’s 3 AM!]

Before Ava even has a chance to reply, Beatrice is calling. “I promise I’m up for a totally respectable reason.”

“And what’s that?” Beatrice’s voice was groggy with sleep.

“I think I’ve reached a point of delirium. I caught myself rhyming the ABC’s with 123.” 

Beatrice chucked. “As simple as do, re, mi.”

“You know what the worst part is?”

“Hmm?”

Ava pushed her laptop away, making space on top of her bed to lie down. “I want to keep it.”

“Maybe you can revisit this in the morning.”

“But— ”

“Are your creative juices flowing again?”

“I told you to ignore that!”

“I’m staying on the phone until you go to sleep.”

“Well, I’m staying on the phone until YOU go to sleep so that I can continue with the creative process.”

“Is that a challenge?”

When Ava woke up a few hours later she found her phone by the side of her face still on a call.

“Ava?”

“Who won?”

“I’m not sure, I think I fell asleep.”

Beatrice had been pulled into every direction at this point and her coordination was failing her. The not so spiked punch was starting to seem very messed with. The bathroom mirror reflected back a face covered in four different shades of lipstick, all courtesy of her bandmates. 

The music vibrated off the door as the party continued outside. 

As she rubbed at the marks on her face a video call came through her phone, which was dangerously dangling on the rim of the sink.

She answered, “Hi Ava.”

Ava’s face took a second to stabilise, “Happy New Year!” Ava mumbled. She was wearing a goofy hat and appeared to be scarfing down grapes.

“Happy New Year!”

“Are you in the bathroom?”

“Yes, just trying to remove lipstick off my face. Though it is proving futile.”

Ava’s face came closer to the phone, “Who are the kisses from?”

“Four drunkards wouldn’t leave me be.”

“Quick, I want you to make a wish.” Ava held a green grape up to the phone’s camera. “I’m on my last grape and I can’t think of anything else so I’m granting you my last wish.”

“Do I have to say it out loud?”

“No.”

“Absolutely not! This is not what we all agreed to do.” Beatrice was not having it. The plans had completely changed. 

Suzanne sighed, shifting her weight on the chair in front of them. They were in the hotel lobby waiting for a van to take them to rehearsal. Her bandmates sat around in various stages of jet lag. “Did you or did you not agree to perform in the tribute?” 

“Yes, WE–” She was cut off by Suzanne’s raised hand, Levy snickered nearby.

“Are you not part of the band, Beatrice?” The raised eyebrow was enough to send shivers down her spine.

She huffed, looking anywhere but at her manager’s face. This was upsetting her. She agreed with the band performing together, not to frolicking on stage to lame 90’s pop songs for the whole world to watch. “Why me? Camila and Lilith are great singers, and I’m sure they can pick up choreography just as quickly.”

“Camila and Lilith are not the image of the group.” Levy interjected, slightly annoyed that he even had to remind her in the first place. “You’re well aware that band leaders take on more public facing roles.”

She was desperately looking between her bandmates, “Guys?”

“I would love to, Bea, really, but I couldn’t possibly put that much choreography into memory.” Camila was avoiding her eyes, picking at something on her finger. “I wouldn’t want to embarrass us like that.”

“I’m not much of a court jester,” Lilith, on the other hand, made direct eye contact.

Yasmine and Mary were just quietly observing the exchanges, though she could tell they were sympathetic to her cause. “So, that’s it then?”

“Yes, we have agreed and this is what they want of us and you.” 

And that was that. The ride to rehearsal was deadly silent. Beatrice knew when to swallow it down, she knew whatever her feelings were towards this didn’t matter. The frustrating part was that she actually had to put her best foot forward and represent her band well. Suzanne and Levy left them at rehearsal and the topic was not brought up again.

Two days later Ava walked through the dance studio’s door wearing a nude skort, a tucked in white t-shirt with stripes along her chest and hair slightly longer than she remembered. And for some reason making a fool of herself on live television didn’t seem so bad after all.

Ava greeted some of the dancers and shook the choreographer's hand, she then took in the studio and spotted her. The smile that spread across Ava’s face was toothy and too contagious not to return. Beatrice stood from where she was sitting, and all at once became hyper aware of just how much sweat was probably on her person. Ava set on a straight path towards her and she was having an internal panic attack. 

She was crushed into a hug, “Fancy seeing you here.” Ava wiggled them in place for a few seconds before pulling away. “I thought you guys were just doing the three songs.”

It seems the Grammy’s did not have their shit together if this was news to Ava as well. “There was a last minute change, I think someone pulled out.”

“It was probably Chanel, she has commitment issues,” Ava was not at all phased by this apparently. Maybe Beatrice held these award shows in too high regard.

“Alright guys, now that Ava is here we can start to focus on the opening song.” The choreographer spoke, holding the remote control to the studio’s sound system. 

Beatrice was happy for the downtime now that Ava had arrived and the rest of the tribute could start taking shape. She wasn’t in the opening song, but stayed behind to watch as everyone took their places with Ava at the center. 

It was strange seeing Ava in person again after their time apart, whatever had transpired between them during the holidays just didn’t translate to the woman commanding such presence in front of her. The Ava she had grown to know was not who this Ava was.

Ava was so natural in this environment, even considering that she was learning all of this from scratch. At some point she was handed a serving tray prop covered in drinks and she spun around with it doing the choreography as if there was nothing to it.

The third day was Beatrice’s long day, both her and Ava arrived at the studio at the same time. Some of the dancers were already practicing the song with Ava watching them carefully. Beatrice joined along, already familiar with some of the moves. They started off moving like dolls bursting out of their storage boxes and then moved to more of the iconic moves of the song. Beatrice obviously feels the nostalgia coming in waves, remembering just how much she had watched this exact music video growing up.

The studio’s door opened, their choreographer came in followed by JC. Beatrice had met, or somewhat ran into him a couple of times by now at different festivals and events. He had been nice, a small chat here and there with not much commitment for more. He was basically the German Justin Bieber and barely on her music radar. He, like Ava, introduced himself around the room and then walked to the two of them. 

“Ava!” He greeted her, the hug far too long for Beatrice’s taste. 

“Hey, JC.” Ava pulled away, giving him a playful punch to the chest. “I guess our Justin is here, huh? Where’s the noodle hair?” She laughed, somewhat teasing. It seemed they both knew each other.

“Can you imagine!” He joined along with Ava’s laughter. 

“JC, this is our JC, Beatrice.” Ava introduced them and Beatrice didn’t think to correct her.

“Oh, we’ve met! I think maybe a year ago in Glasgow.” Ava’s eyes shifted between them.

Beatrice nodded, “That’s right, a festival I think.” Honestly, she was surprised that he even remembered their conversation.

The music went off across the studio, no doubt the choreographer trying to get their attention. 

The rest of rehearsal consisted of Beatrice and JC going back and forth between their parts with Ava just dancing along with the background dancers. Turns out that learning this before today meant nothing because JC was dancing circles around her within a few minutes, that’s not to say that Beatrice wasn’t holding her own because she was, but she was not used to singing and dancing. She had done ballet for years, she knew she had the stamina, but this was another monster and an angry sorta bubble was forming. 

At some point JC took off his shirt which was equal parts alarming and annoying, everyone was distracted and everyone’s distraction was throwing her. Ava had completely caught up at this point as well, further adding to her incompetence. 

It was her part again now, she shifted to the center and got slapped in the ass, “Let’s go, Bea!” Ava was to her right, hair stuck on her face from all the sweating that was happening. Her voice came through the held microphone, the booty tap far too encouraging. And the rest just flowed out of her somehow, even the ad libs and sustained notes. 

The fourth day is another band day, they’re at the venue now, all set up on the moving platform. The stages around them are starting to take shape and various people are moving around the arena setting up. The music director is busy talking with the stage director and stage hands as everything around them continues to shift.

“Ladies, start with some warm ups, I’ll be done in a few minutes,” The musical directors paused the conversation long enough to address them. 

They’re just going through their songs today and deciding on the presentation. Ava will be taking part in one of the songs. She’s with them now just as background vocals along with Lilith and Camila. 

“So, what will it be?” Beatrice ventures, turning to her bandmates and Ava, who has found a spot by Camila directly behind Beatrice on her right. They usually start warm ups with some of their favourite oldies. 

“Ava should pick since it’s her first time.” Camila said, messing with her keyboard’s synths.

“Pick what?” 

“A song to warm up to. It’s gotta be an oldie but goodie,” Yasmine spoke up, already creating a beat with her kickdrum.

“Alright.” Ava thought for a moment her eyes moving across the small stage to all the members. Then, she leaned and whispered into Camila’s ear. 

“Oooh that’s a really good one,” Camila said while grabbing the tambourine beside her and handing it to Ava. “Start us off.”

“And what? You’ll just know?”

“We’ll know.”

Ava bounced the instrument a couple of times finding the rhythm and then Camila joined, the melody already obvious enough for the rest of the instruments to join along. Beatrice faced her bandmates before her voice combined along as well.

(*)

I need love, love to ease my mind

I need to find, find someone to call mine

But mama said you can't hurry love

No you just have to wait

She said love don't come easy

It's a game of give and take

Camila pushed her microphone to Ava, gesturing with scrunched up nose and lips. Beatrice kept the song going, also pointing at the microphone for Ava to join. And when she eventually did, the whole song transformed the stage as the band jammed along together. It was their tradition for a reason, it brought them back to what they loved about music. Music to them was timeless and a joy they all shared together. In a space like this it held them together and she was happy to share in the moment with Ava as well.

No love, love don't come easy

But I keep on waiting, anticipating for that

Soft voice to talk to me at night

For some tender arms to hold me tight

An energy took over the arena as they played, background dancers sitting along the stage stood and danced, unable to avoid the song's infectious harmony. Ava smiled in her direction and Beatrice’s heart no longer beat to the rhythm of the song, but to something else entirely. 

When mama said

You can't hurry love

No, you just have to wait

She said trust, give it time

No matter how long it takes

You can't hurry love

No, you just have to wait

She said love don't come easy

It's a game of give and take

It was late. Beatrice doesn’t know what time exactly. They had been going over the routines, blocking, and outfit changes for hours at this point. JC was on the main stage doing his solo, which was also the ending number and she had lost track of Ava. Beatrice was sitting by a far wall with a really lovely and attractive background dancer who had taken the opportunity to strike up a conversation.

She was nodding along with the other woman, keeping the conversation amicable and flowing, but she was tired. She was sure there had been some flirty lines, but they had barely even cycled through her weary mind. 

Ava suddenly sat beside her, something she only noticed because there was small huff while she did it. She took a swig of her water bottle and then passed her hand across her lips wiping them, she had the tiniest frown on her face as she looked between Beatrice and the dancer. 

Before Beatrice even thought of opening her mouth to greet her, Ava swatted her right leg, and by pure instinct her body worked out what Ava wanted. She placed her leg down and Ava lowered herself onto her thigh, wiggling a couple of times to find the best angle for her head.  

Ava didn’t say anything at all, she just popped in her earphones and closed her eyes. 

After a few minutes, the dancer was called away for another round of rehearsals and Beatrice just sat and watched Ava as her chest moved up and down, her breathing was even but she wasn’t asleep. Her arms rested comfortably on her tummy and that’s when Beatrice spotted it, the hair tie she had given her all those months back, and she knew it was hers because she was currently wearing the other pair. On Ava’s wrist was her missing jade flower hair tie. 

Several thoughts went through her head. One, the practical, sensible part of her concluded that it was just a hair tie and its use was currently to keep Ava’s hair off her face while they practiced. Two, the side of her that knew better and that always strategised immediately caught onto the fact that she had not seen Ava use the hair tie at all. And third, the hopeful side of her was willing it to mean more than just being a simple object with a singular purpose. 

Her hand reached for it, she couldn’t help herself. She twirled the small flower in her fingers, her thoughts probably accelerating past several countries' speed limits. It took a moment, but Ava’s breathing changed and then her other hand passed along Beatrice’s wrist reaching for something and when she found it, Ava gave her amber flower tie a twist of her own. 

The silence stretched for a few seconds and Beatrice could feel with the tips of her fingers Ava’s pulse quicken. 

What the fuck?

Tuna. The meal prepared for them was tuna sandwiches. It was dress rehearsals and they were once again having tuna sandwiches. This was the Grammys! Beatrice looked from the offensive meal back to her bandmates, they were all happily eating it, but of course they didn’t have to suffer five days of it. 

Tuna, tuna, tuna," Ava materialised by her side, also giving the tuna sandwiches a grimace. She continued the tune, “Tuna, tuna, tuna.

No, no, no, no, no,” She joined, adding a separate tune on top, “No, no, no more tuna, no, no, no more tuna.

I don’t want tuna no more.” 

No, no, no more tuna.

I don’t want tuna no more"

No, no, no more tuna.

No more!

The fit of laughter and giggles that overtook them was enough to get everyone’s attention from the backstage area. Ava’s hand came to her mouth shutting in the cackle that escaped when Beatrice realised just how loud they had been. Camila raised one eyebrow in their direction, eventually waving them towards the other band members.

Everything so far has been going according to plan. Ava had somehow perfected her thirty second outfit change from a neon green halter top and waist hugging pants to a beautifully brooding black lace dress with a high cinched waist and flowing floor length bell sleeves. They were all hitting their cues, the band was flawlessly executing every song, and Beatrice had not eaten the moving stage yet, which was going to prove to be painfully difficult during one of their numbers.

The morning of the Grammys Beatrice is stressed, but not because in just a few hours she’ll be performing live to millions of people, no, but because she is currently in an endless queue to get Hadestown tickets for Ava. She had set her phone’s alarm to wake her exactly twenty minutes before tickets went on sale and that was at 4 AM in the morning. It is now 7 AM. 

Camila had made several angry noises from the bed next to her throughout the early morning, which was understandable given that she all but blasted her with an alarm and scrambled out of bed several times to grab her card details, eat a protein bar and grab her glasses, all in that order and all on separate occasions.

How in the world could there possibly still be 16,000 people in the queue? She wasn’t even sure that many people combined liked musical theater. And she wasn’t a quitter, never has been, but the lack of restful sleep was going to bite her in the ass later, she was sure. 

Beatrice sighed loudly, pulling the bed sheets off and thudding all the way to their room door.

“What now!” Camila all but growled as she left the room.

It took too many knocks for Yasmine to finally open the door to her room. She rubbed her eyes, barely registering the person in front of her. “I thought we were getting up at eight.”

“Did you get Hadestown tickets?” Beatrice held the phone close to Yasmine’s face who blinked a couple of times adjusting to the brightness. “They were meant to go on sale hours ago and I’ve been sitting in the queue and nothing has changed.” Beatrice wasn’t frantic often, but when she was she knew everyone avoided her at all costs. Yasmine unfortunately had nowhere to run. 

“Who is it?” Mary’s voice came from within the room.

“It’s Beatrice, she's asking about musical theater tickets.”

“Beatrice doesn’t like musicals.”

“YES! Yes, I do. Absolutely love them.” She knew she was giving crazy. “With their whimsical dancing and emotional power vocal ME songs!” She pushed the phone to Yasmine’s face again, “Now, Yasmine please tell me how I can get my hands on a bloody ticket.”

“I left a bot running on my phone overnight, I haven't checked yet.” Yasmine procured the device from her pajama pants. “Yes, it seems it was able to pick up a few tickets. I usually like to go to several performan–”

“How much do you want for two of them?”

Yasmine smiled. 

Beatrice was scared.

Notes:

Next chapter will focus on the Grammys and a sudden unexplainable Winter storm.

You can find the chapter wrap-up post on my Tumblr.

Chapter 4: This All-Consuming Fire Fuming, Cursing at the Moon and Losing All Control and Crying

Notes:

You're not ready.

I've included hyperlinks to YouTube videos for when you read along.

Here is the playlist and mood board.

(See the end of the chapter for more notes.)

Chapter Text

“Stop messing with your damn bow tie.” Mary was losing her patience. 

They were backstage, minutes away from their Max Martin tribute. The dancers were stretching in place, keeping their muscles warm as the clock continued to tick. All the moving parts of their act were currently being shifted into place by eager stagehands who were literally holding this entire award show together. The host scrambled onto the main stage ready to deliver the preliminary appreciation speech before the performance.

 Beatrice was sure her bow tie was askew, but the more she fiddled the more Mary swatted at her hands. “I don’t think the stylist got it right.”

Lilith rolled her eyes but walked closer to check. “Let me see?” She fiddled for like two seconds. “I see what the problem is,” She pointed at the knot getting Beatrice’s attention, then proceeded to run her finger up her neck, lips, and ending with a flick to Beatrice’s nose. “Idiot.”

Beatrice clicked her tongue, not at all amused by Lilith’s antics. “Camila, what does your knot look like?” There was no reply. “Camila?”

“She’s with–” Yasmine began, but right at that moment Camila and Ava walked up to them arm in arm giggling.

“I wouldn't wish those bell bottoms on my worst enemy!” Camila said, her attention fully on Ava who was already wearing the iconic Britney headset mic. Her hair was loose with slight curls and her in ear monitors fell on her shoulders, awaiting the start of the medley.

“Poor JC, at least his outfit change is more palatable.” They both stopped in front of Beatrice. Ava reached over to her bow tie, adjusting it, “It’s a little skewed.”

Beatrice turned a glare towards her other three bandmates, who just shrugged, except Lilith who stuck out her tongue. 

A stagehand wearing headphones walked to them, he had a clipboard in hands and was aggressively checking things off. “Five minutes!” Some of the dancers stood up from their stretches bouncing in place in order to get the blood running. The man directed his attention to Beatrice, “I’ve set up the Gibson by your microphone stand.” He then walked off speaking into his headset.

Somehow that was all it took for all the nervous energy to start pouring out of her. “Mary, my jacket?” Beatrice took a few steps, looking around for it.

“I’ve got it. I’ll hand it to you like we planned.” Mary patted her shoulder in a way that Beatrice assumed was meant to be comforting, but it was Mary so it just looked like she was done with the conversation and wanted to move on with her life. 

“Two minutes!”

Camila de-tangled herself away from Ava and pointed at Beatrice, “Remember the stage moves.”

The stage moves. 

The stage moves. 

The stage moves. 

Ava watched her closely, eyes searching for a way to help, Beatrice knew that her nervous energy was palpable. “Just have fun, Bea.” She gripped her hand giving it a quick squeeze, “You’ll be great.” 

Two sound techs came to them each carrying their in ears and transmitters. One of them walked to Beatrice making a quick job of getting her set up, they draped her in ears along her shoulders and from the back fastened the rest of the system onto her pants underneath her button up. Ava placed her in ears in and she followed suit, careful not to get it tangled in the cascading curls that was currently her hair.

“Ava…out…in…3…2…1.” The stage hand counted down with both verbal and visual cues.

The edgy synthesizers indicated the beginning of the song along with the vocal holler of “ Craaaaaaazy ”. Then, the beat began, with Ava adding the recognisable Britney inflection of “uuuh” followed by cowbells. Beatrice felt the immediate shift in the atmosphere of the arena as the audience recognised the song straight away. 

(*)

Baby, I'm so into you

You got that something, what can I do?

Baby, you spin me around, oh

The earth is moving, but I can't feel the ground

From stage left JC was getting his in ears set up, ready to jump in once Ava’s intro finished. She watched from stage right as Ava walked down from her sight, the dancers following behind carrying the props made to look like drink trays. 

Every time you look at me

My heart is jumping, it's easy to see

“Chorus…2…3…4.” The in ears continued their cues. 

You drive me crazy, I just can't sleep

I'm so excited, I'm in too deep

Oh, crazy, but it feels alright

Baby, thinking of you keeps me up all night

The choreography continued through the second verse with some of the dancers walking back to grab the chairs by each side of the stage ready to set them up for the STOP section. JC bopped his head along with the beat, his eyes following Ava’s figure. 

“Sing it!” Ava yelled, raising her arms above her for emphasis. 

The dancers began the sitting part of the choreography as the tempo of the song slowed and then the quintessential record scratch indicated the bridge along with Ava’s “ Stop!

You drive me crazy, baby 

Excited, I'm in too deep

Oh, but it feels alright

Baby, thinking of you keeps me up all night

After Ava’s belted “ Craaaaaaaaaazyyyyyyy ” finishes, the wrap up section begins with the dancers having a mini dance off. 

Baby, thinking of you keeps me up all night

“Beatrice and JC out…3…2…1.”

Beatrice gripped her microphone and emerged onto the stage with JC mirroring her entrance, unlike Ava and JC she didn’t have to wear the headset. The songs shifted smoothly from each other indicating the start of their group presentation. They met Ava at the center and fell in line with the rest of the dancers behind them. The piano’s staccato began and they jumped into the choreography perfectly coinciding the beat-box vocal beat.

“JC…4…3…2…1.”

(*)

Ooh, yeah

You might've been hurt, babe

That ain't no lie

You've seen them all come and go

They moved across the stage with JC at the center, each meticulous move falling into place. She and Ava stretched their arms out and spun in place as JC sang his verse.

I remember you told me

That it made you believe in “no man, no cry”

Maybe that's why

Her and JC switched places. 

“Beatrice…3…2…1.” 

She swiped her hand in front of her and sang.

You've got no choice, babe

But to move on

And you know, there ain't no time to waste

You're just too blind

to see

But in the end, you know it's gonna be me

You can't deny

So just tell me whyyyyyyyyyyyy

“Chorus…3…2…1.”

They broke into separate sections of the stage with Beatrice taking the left, Ava the center and JC the right along with a few dancers behind them.

All that I do is not enough for you

I don't wanna lose it, but I'm not like that

When finally, 

finally

you get to love

Guess what?

They all came back together at the center of the stage to finish up.

Every little thing I do

Beatrice sustained the note as long as she possibly could while Ava and JC continued the chorus.

never seems enough for you

You don't wanna lose it again

 don’t wanna lose it

but I'm not like them

Baby, when you finally 

get to love somebody

Love somebody

Guess what?

 It's gonna be me!

The crowd erupted into cheers, but Beatrice didn’t have a chance to linger as everything around her began to shift. She only had a few seconds to jump onto the moving platform carrying her bandmates. Lilith’s guitar was already hitting the G major chords, a livelier shift from the minor scale the previous songs used. Everyone else exited the stage while she sprinted to the oncoming stage behind her. The stage moves. The stage moves. The stage moves! She repeated the mantra easily finding the taped up steps, happy to be wearing Oxfords. 

She placed the microphone on the mic stand at the center of the stage and swung on the suit jacket Mary handed her in one smooth motion. Yasmine’s drums came alive. She breathed in and faced the audience.

(*)

Here's the thing, we started out friends

It was cool, but it was all pretend

Yeah, yeah

Since you been gone

She spotted the live cameras and kept an emotionless expression.

You're dedicated, you took the time

Wasn't long 'til I called you mine

Yeah, yeah

Since you been gone

The stage came to a stop. The audience had been on their feet since the beginning, but were now singing along with her.

And all you'd ever hear me say

Is how I picture me with you

That's all you'd ever hear me say

“Chorus…3…2…1.”

She winked at the camera before grabbing the microphone with one hand and gripping the stand with the other, already jumping into place as the chorus broke out. Her bandmates also bounced along wrapped up in the moment. 

But since you been gone

I can breathe for the first time

I'm so movin' on, yeah, yeah

Thanks to you

Now I get what I want

Since you been gone

“Bridge…3…2…1.”

You had your chance, you blew it

Out of sight, out of mind

Shut your mouth, I just can't take it

Again and again and again and agaaaaaaaaaaaaaaaaaaaaaaain

Grab the guitar. Grab the guitar. Grab THE guitar! She gripped the red Gibson on her left and sung it around her shoulders joining along with Lilith’s chord progressions.

Since you been gone

 Since you been gone!

I can breathe for the first time

I'm so movin' on, yeah, yeah

Thanks to you 

Thanks to you!

Now I get

I get what I waaaaaaaaaaaaaaaaaant!

I can breathe for the first time

first time!

I'm so movin' on

OoOooooon!

yeah, yeah!

Thanks to you

 Thanks to you

Now I get 

I get

You should know

 You should know

That I get, I get what I waaaaaant

Beatrice stepped off the platform with the guitar as Camila and Lilith finished the vocals behind her.

Since you been gone

Since you been gone

Since you been gone

The stage pulled back from behind Beatrice as she began to play the funk based guitar riff. 

“Sending out Ava in 3…2…1…go.”

Ava emerged from stage left already changed into her more formal black Valentino dress and rocking perfect red lips. They both met in the middle as the pulsing synthesizers and bassline provided by The Cruciforms began to reverb across the arena. They got closer to one another with Ava blowing her a kiss before hitting their mark, backs facing each other.

(*)

Midnight

You come and pick me up, no headlights

A long drive

Could end in burning flames or paradise

Fade into view, oh

It's been a while since I have even heard from you

And I should just tell you to leave, 'cause I

Know exactly where it leads, but I

Watch us go 'round and 'round each time

They broke apart and strutted in separate directions each performing for their side of the audience.

'Cause you got that James Dean daydream look in your eye

And I got that red lip classic thing that you like

And when we go crashing down, we come back every time

Ava started to walk back to the center, she raised the hand not holding the microphone beckoning Beatrice towards her. 

'Cause we never go out of style, we never go out of style

You got that long hair, slicked back, white T-shirt

And I got that good girl faith and a tight little skirt

And when we go crashing down, we come back every time

'Cause we never go out of style, we never go out of style

Ava and Beatrice were in the center of the stage now. Ava raised the microphone to her mouth with Beatrice’s back behind her.

Take me hoooooooooooooome

Just take me hooooooooooooome

Yeah, just take me hooooooooome

Oh-oh, woah-oh, ooooooh

Beatrice swung her guitar to rest behind her and extended her hand with a bow for Ava to take. She twirled Ava in place before their fingers intertwined and they paced forward while looking at each other.

(*)

Oh, you got that James Dean daydream look in your eye

And I got that red lip classic thing that you like

They released their hands and Beatrice twirled walking backwards as Ava continued to walk forward while cutely pointing at each other from head to toes.

And when we go crashing down, we come back every time

They both did a synchronised jig right foot first then left as their hips moved along with the beat.

'Cause we never go out of style, we never go out of style

“JC enter…3…2…1.”

They walked back up stage to exit as JC walked between them, the song’s tempo dropped quickly changing into the end number. The Cruciforms continued to play along with JC singing and the dancers taking the stage once more.

(*)

And I know she'll be the death of me

At least we'll both be numb

And she'll always get the best of me

The worst is yet to come

But at least we'll both be beautiful

And stay forever young

This I know, uh

This I know

Once backstage Beatrice and Ava embraced, far too energetic from their performances. They rocked in place for a few seconds until one of the sound techs came towards them hand outstretched for Beatrice’s guitar. She handed the instrument over not realising that the lapels of her suit jacket twisted out of place. Ava reached up and gently smoothed the material back down and Beatrice wasn’t sure how it happened, but all the noise backstage faded as Ava leaned up and placed a soft kiss at the corner of her mouth. 

“Happy birthday.”

I can't feel my face when I'm with you

But I love it

But I love it, oh

I can't feel my face when I'm with you

But I love it

But I love it

Ava’s hand came up to the spot where the kiss had landed, she rubbed her thumb over between Beatrice’s cheek and lips. She wasn’t sure how long they watched each other as Ava continued to remove what Beatrice assumed was very red lipstick from her face, but it was long enough for the sound to come rushing back into her ears. Her bandmates' loud animated voices drew nearer. Ava must have realised because she pulled back quickly before facing them.

The night had moved along with various awards given to awaiting artists. Ava had sat at her table in the arena for a little while striking up conversation with the people around her. JC had continuously leaned into her ear throughout the night, something that would have irritated her a year ago, but she found herself too distracted by Beatrice’s side profile to even give it much thought.  

She was now backstage prepping for the upcoming award for Album of the Year. She had found herself a corner with just the right view to see out onto the stage and a bit of the celebrity tables. She could make out what was Camila’s curly hair as her head anxiously bobbed up and down. The current presenter introduced all the potential winners before fiddling with the envelope in her hands.

“As selected by the thirteen thousand voting members of The Recording Academy, the Grammy Award for Best New Artist goes to…” The presenter paused for dramatic effect, then tore the envelope open, “THE CRUCIFORMS!”

Ava’s heart nearly fell out of her ass, Stuck resonated across the arena solidifying their win. She couldn’t see the rest of the table from where she was, but Camila was on her feet immediately as the audiences’ claps echoed loudly. She must have hugged Beatrice to her right and then pulled back running her hand across her teary eyes. They were making their way onto the stage now, with Beatrice leading the way, she was smiling. Ava’s heart was thundering in her ears. 

The presenter hugged Beatrice before handing the award over, then proceeded to give a hug to the rest of the members. Beatrice looked between her members, then, with their encouragement, walked towards the microphone.

“Thank you so much for this honour. Thank you to everyone who has listened to our music and taken such a liking to us.” Beatrice paused to take a breath, her voice was shaky. “Honestly, I think we’re all a bit flabbergasted by this.” She turned to her band who eagerly nodded along. “We would like to thank our team, our management and our label, who surround us with so much support and appreciation. We would also like to thank all the other nominees in the category because best…best is subjective and you’re all incredible.”

Watching Beatrice accept their award filled Ava with such a sudden rush of affection that she had to hold herself in place even though all she wanted to do was run on stage and give Beatrice a hug. Whatever this was that has been brewing between them was becoming more and more difficult to ignore.

The speech finished and the audience clapped as the members made their way backstage. Ava’s heart was hammering in her chest. Beatrice and the band were making their way towards her, each of them teary and with huge smiles. Camila was holding the award now giving it a copious amount of kisses while Lilith attempted to wrestle it off her hands.

“Hey! Congratulations guys.” The smile on her face grew bigger as they all gathered around her. 

Camila rushed forward crushing her in a big hug, “AVA! We won!”

They needed to get back to their seats quickly for the next set of awards. 

The girls continued chatting and passing the award around while the stagehands began to herd them in the right direction. Beatrice lingered, for a moment debating what she should do, but it didn’t take long before arms wrapped around her waist. 

Ava breathed in, her nose in the crook of Beatrice’s neck. She ran her hands up and down Beatrice’s back comfortingly. “You should go be with them.” Beatrice nodded, making no attempt to move at all. “Go.”

Beatrice was hesitant but did as she was told. “I’ll see you later.”

The Grammys after party was in full swing at the rooftop bar. The music was loud, the drinks were flowing and the dance floor was full of moving bodies. And Ava knew a drunk when she saw one. Camila needed to be tranquilised. She had somehow managed to get her hands on a microphone.

(*)

I'm going meshuga

All day long there's a man in

My brain incessantly playing "Booga wooga"

But I'm going meshuga

The infectious Madonna song was currently bringing the house down as Camila danced across the stage in an exaggerated and comical manner. Mary and Lilith were trying very hard to dissociate from the situation while Yasmine raised her cup in encouragement.

There's bats in my belfry

Won't you make sure this

Straight jacket's tight

Otherwise I might get myself free

Yes, there's bats in my belfry

Beatrice was by the stairs near the stage coaxing Camila down, but it was proving fruitless. Everyone around seemed to be enjoying the completely random experience, some even joining along with some ad libs of their own. 

Who knows?

Could be the wine I drink

Or it's the way I think that makes me gonzo

Oh, Doctor Alonzo says

I'm going bananas

Someone get me a bed in the "Casa De Loco" for all my mañanas

For I'm going bananas

Beatrice was on stage now, physically pulling Camila to the stairs as she sang the final words of the song. Camila drank from her cup before discarding it behind her.

Yes, I'm going bananas

“And you would too, if you were me!”

Si, I'm going bananas

“Ava.” It was JC. She turned to face him, he leaned in to whisper in her ear, “Are you keen?”

“I’m good, thanks.” She did not want to get into this with him.

He stayed undeterred, “Come on, I’ve missed us.”

And it was so like him to not listen to her. It had always been like this between them, he listened but not quite. Sure, they dated a year ago, and it had been fun, but that was all it was. Their relationship outside of the physical had been toxic at best. It had been a place in her life that she did not want to return to. 

“Like I said, I’m good.” She kept her features neutral, any kind of reaction would only encourage him.

JC wasn’t giving in, he gripped her arm pulling her to him. “Listen, I’m sorry about–”

“Is everything okay?” Beatrice came to her side, her hand on JC’s. JC released Ava’s hand as she took a step behind Beatrice. 

JC’s eyes bounced between them, “Yeah, everything is fine.” He said. “Ava and I were just talking.”

Beatrice turned to her, concerned, “Ava?” 

“Actually, I’m hungry.” Ava grabbed Beatrice’s hand leading her away from the dance floor and JC. 

Beatrice walked beside her as they headed for the stairwell. She was quiet, which Ava had learned was normal for Beatrice. Ava knew that whatever Beatrice was thinking wouldn’t be voiced and even if it was, it wouldn’t be in a direct way. So, she knew that she would have to address it.

The door to the stairwell closed behind them leaving them in a muffled kind of quiet. There was definitely a question on Beatrice’s mind since her eyebrows were scrunched up and her shoulders stood a lot stiffer than usual, which Ava thought of as an adorable look, but knew better than to lead with that. 

They took the steps one at a time. “We dated,” Ava began the conversation, “Last year.” Beatrice kept her head down watching the steps below carefully. “I think he forgets we broke up, or pretends to.”

“I see. Should I not have interrupted?” Beatrice’s question was presented as a simple yes or no, but Ava knew there was more to it than that.

“No, I’m happy that you did.”

“Good...that’s good.” They had reached the bottom of the steps. “You said you were hungry?”

“Starving, actually.”

Beatrice’s suit was the perfect outfit for some late night gallivanting, though she had lost her bow tie at some point throughout the night. Ava on the other hand had not been so lucky, she had changed into a more manageable red tulle dress after the award ceremony, but still had to deal with her heels.

They looked up at the simple menu above the register, the teen girl awaiting their order going through various stages of awe. Beatrice was too busy contemplating her choices to notice.

Ava took a step forward, and the girl visibly glitched in place. “Hi, can I please have a cheese burger combo with a chocolate shake.” She nodded vigorously while tapping the order on the screen in front of her. “Bea?”

“I can’t decide if I want a root beer or a Dr. Pepper. Both are very American.”

“Dr. Pepper tastes like medicine,” The girl spoke up shyly.

“Oh, well, that settles it then.” Beatrice came to Ava’s side, “I’ll also have the cheeseburger combo and a root beer please.”

“Okay,” The girl tapped a few more times, “I’m not sure how to…go about this. Do I like charge you guys money?”

“What?” Beatrice asked confusedly, not quite following.

Ava grabbed her phone, tapping a couple of times on the screen facing them until the money was charged through.“Yes, yes! You definitely charge us money.”

When they stepped away to find a table the girl shouted from the register, “Congrats on the award by the way!”

Beatrice waved shyly, finally catching up with what had just happened, “Thank you!”

They slid into an empty booth, Ava first then Beatrice. It was late enough that the restaurant only had a few people enjoying a late night meal. 

“What happened to your bow tie? It was cute.”

“Camila almost choked me with it so extreme measures had to be taken.” Beatrice chuckled, unbuttoning the top few buttons of her dress shirt, Ava’s eyes followed the motion closely. “I have something to show you.” She pulled her phone from her pant’s pocket. After a few seconds of tapping she slid the device on the table towards Ava.

“What’s this?” Ava looked down, her eyes catching the words Hadestown and ticket. “Are these tickets to Hadestown!?”

Beatrice nodded emphatically, a cute smile forming, “They are indeed. I wasn’t sure if you had managed to get some, but I figured it wouldn’t hurt. I was in a queue this morning for hours, though in the end it was Yasmine who actually managed to get them. I owe her a few rare vinyls.”

Ava’s attention kept bouncing from the tickets to Beatrice, her heart swelling all over again. 

“Order 22!” 

Beatrice stood to grab their order and it was probably the best thing that could have happened in that moment because Ava was considering doing something so substantial that it would have cataclysmically changed their lives. 

When Beatrice made her way back with their meals Ava breathed in, steeling her emotions. 

“Beatrice, this is so lovely, how can I thank you?”

“Nonsense, I just want you to enjoy the show,” Beatrice replied while distributing the food between them. “I hope it doesn’t coincide with a schedule, if it does please tell me, I’ll ask Yasmine to switch it out with another day.”

Ava grabbed her shake taking a few sips, she considered Beatrice as she bit into her burger. After a moment she swallowed before asking, “Will you come with me? To the show? I know you don’t like musicals, I promise it’s not super musically … more folky/jazz.”

Beatrice chewed quickly then swallowed. “Jazzy?”

“Uh huh.”

She nodded, grabbing a handful of french fries, “Then, yes I’ll be happy to come along with you.”

“Yeah?” She could feel it, her heart was hammering in her chest as she waited for the confirmation.

“As long as you’re there to hear me vent about it later.”

“I would love that.”

They had been wandering around for the past half hour. The Los Angeles air had grown colder as the night stretched into midnight. Ava felt the goosebumps intensify as a breeze passed between them. Beatrice must have realised because the suit jacket was already halfway off her shoulder and with another smooth motion it lingered between them.

“Ava, please it’s cold.” Beatrice wiggled the jacket.

Ava nodded, taking it from Beatrice’s hands and slipping it on.

They walked for a few more minutes without the need to speak, their surroundings and the noisy streets being enough to fill the space. There was a small crowd gathered along a parked food truck in an empty parking lot. Music flowed through the speakers by the side of the truck appropriately called ‘I <3 Churros’.

“I would kill for hot churros right now.”

Beatrice shook her head, already heading towards the truck. “Your wish is my command.”

They ate their churros near the truck, huddled together for warmth along with the music coming through the speakers. They danced in place while wiggling the sugary snack full of chocolate dip. 

A song came on and Ava jumped in place, the dish and the churros bouncing as well. She danced along with the playful cumbia beat, the contagious energy from the song difficult to fight. “I haven’t heard this song in so long!”

(*)

Cada vez

(Every time)

Cada vez que lo veo pasar

(Every time I see him passing by)

Mi corazón se enloquece

(My heart goes crazy)

Y me empieza a palpitar

(And it starts to beat)

Y se emociona

(And it gets excited)

Ya no razona

(It can't reason anymore)

No lo puedo controlar

(I can't control it)

Y se emociona

(And it gets excited)

Ya no razona

(It can't reason anymore)

Y me empieza a cantar

(And it starts to sing to me)

Me canta así, así, así, así

(It sings to me like this, like this, like this, like this)

Bidi bidi bom bom (bidi bidi bom bom)

Bidi bidi bom bom (bidi bidi bom bom)

Bidi bidi bidi bidi bidi bom bom

Bidi bidi bidi bidi bidi bom bom

“What’s it about?” Beatrice joined along with the dance, not sure how to follow until Ava grabbed her hand with her free hand.

“Left foot first, then, wiggle your hips, then, same foot back.” Ava showed her, “Then, just repeat with your other foot. Kinda like salsa, but like less involved.” Once Beatrice found her rhythm she answered the question. “The song is about being in love and how your heart goes crazy anytime you see them or hear them speak.”

“Is the onomatopoeia the heartbeat?”

“EXACTLY!” Ava answered while doing the motion on her chest as the chorus played along.

“Heeeeeeeeeey, yeaaaaaaaaah! ” Ava belted the high notes along with the scat as they continued to dance. “Hey! Hey!” Beatrice fake played the guitar for a few seconds earning a full on giggle from Ava.

“How are you such a messy eater?” Beatrice asked once Ava returned from throwing their empty dish away. She raised her hands running them along each side of Ava’s cheeks, the cinnamon sugar granules falling on the floor easily. 

“I don’t know what you’re talking abou–” Ava’s cheeks bounced as Beatrice flexed her fingers up and down. “Hah hah very fu–” her cheeks bounced again.

“Messy eater,” Beatrice repeated affectionately. 

Mi corazón se enloquece cada vez que lo veo pasar

(My heart goes crazy every time I see him pass by)

Y me empieza a palpitar así, así.

(And it starts to beat like this, like this)

A week later Ava is back in London. She had left the day after the Grammys to do several preliminary concept photos for the album. The album itself wasn’t finished, but the overall theme was solidified and approved by label heads. Her shift into more commercial pop was a go and Emilia had only protested at some of the more risque photos, but couldn’t much argue with a soon to be 28 year old woman. It was a fun, more mature concept to her previous releases and Ava was going brazenly forward at full throttle. 

Her town car came to a stop outside of the studio The Cruciforms were currently renting. She had promised to meet up with Beatrice to watch Hercules later today. “We should watch this before Hadestown because it’s set in the same universe” or something like that. Beatrice had begrudgingly agreed with a roll of her eyes of course. It had been the easiest way to coax her into more musicals. 

Camila spotted her as she made her way into the studio, she held the door open for Ava to come in from the cold weather. “Beatrice is upstairs, I think she’s finishing up something.” She gave Ava a quick hug. “The rest of us are off to hunker down for the day, it’s looking pretty grim out there.”

“I hear we might get a bit of snow.”

“We’ll see. It doesn’t happen often, but when it does this entire country turns into a shit show.” Camila rolled her eyes good naturedly, waving goodbye.

“See ya, Cam.”

Ava took the steps one at a time, the small backpack on her back bouncing along with her. She could see the red sign up of a recording session still in progress, but continued undeterred. She quietly sneaked inside the production room and closed the door slowly behind her.

Beatrice’s back faced her through the glass windows. She sat on a stool with an acoustic guitar balanced on her thighs. There were two microphones hooked up in front of her, one for the guitar and the other by her face. She delicately plucked the strings for a bit, putting together a couple of chord progressions while humming before reaching over to the music stand where some sheet music sat. She wrote the chords on the paper before playing from where she left off, so soft that Ava was straining to hear it.

(*)

I'm so bewildered

What's this new desire called?

I didn't know that much at all 'bout love before

But now, I think I'm learning

Hearing Beatrice sing like this was an entirely new experience. A lot of what she was familiar with were bombastic rock songs, where belting out was the norm. This was intimate and emotionally vulnerable, which was not the Beatrice she had come to know. Not that she didn’t think Beatrice wasn’t capable of it, just that as of right now the woman had been like a tightly bound book. Much like her journal.

 Ava knew she was intruding into something she shouldn’t be and she quickly decided that she would be good, she would be respectful of Beatrice. So, she stepped away from the console, even though all she wanted to do was stay and listen. 

You bewitched me

From the first time that you kissed me

Waited all night

Then we ran down the street in the late London light

The world froze around us, you kissed me good night

She froze. Every muscle in her body was screaming at her to stay. How could she possibly leave now? What was this torture? And then the panic set in. She glanced back at Beatrice who continued to sing undisturbed.  

You bewitch me

Every damn second you're with me

I try to think straight

But I'm falling so badly, I'm coming apart

You wrote me a note, cast a spell on my heart

And bewitched me

Bewitched me

Her knees hit the floor as she scurried underneath the consoles. Ava breathed in, both hands on her mouth. What the fuck? She couldn't contain the smile that was forming on her face. Beatrice was singing about them. She was singing about them running away from the photographers. She was singing about that night. 

Mmmmmmmm Mmmmmm mmmmmmmmmmm Mmmm Mmmm

You're not even gone

I already miss you

What's going on?

I've never been through

This all-consuming fire fuming

Cursing at the moon and losing all control and crying

'Cause I think I'm falling

The chorus repeated itself again, Ava had not misheard. The song was about them. The song was about Beatrice falling in love…in love with her. Her heart felt like it was about to burst through her chest. She was sure she wasn’t breathing anymore. This was a love song. A love song about everything that she herself was feeling…had been feeling. And Beatrice, she had put it into song. Had perfectly encapsulated everything in a perfect love song. Ava had never been the subject of a song, much less this kind of song. 

It was quiet. Beatrice had finished. She could hear every movement as the guitar was placed back on the stand and as Beatrice’s shoes walked along the carpeted studio floor. She was opening the door. Ava stayed absolutely still, she watched as Beatrice walked into the production room and grabbed her water bottle from the table, exiting the space. 

Her lungs wanted to explode. She breathed in, her shoulders shaking from lack of oxygen. What the fuck was she going to do? Does she slip out? Does she confront Beatrice? No. Absolutely, and irrevocably no. Okay, she was on her feet. She was going to leave before Beatrice returned. That was the plan and it was a solid plan.

Except the door opened once again and Beatrice walked in, head down, typing on her phone. Ava’s butt vibrated, loud enough to catch the attention of the messenger. 

“Ava?” She looked like a deer caught in the headlights. “When did you come in?” Beatrice’s voice was slightly panicked, her eyes quickly checking inside the recording area.

Ava wanted the entire earth to cave in from underneath her. “Heeeeeeeey,” She replied back nervously.

Beatrice quirked one of her eyebrows suspiciously. “Is everything okay?”

“Yeah…yeah everything’s fine,” Ava wrung her hands a couple of times, not really sure what to do with them.  

“You’re early.”

“Basically no traffic today with the forecast and all,” Her hands were shaking. Beatrice had noticed. She grabbed the straps of her backpack adjusting it, she needed something to do, something to keep her hands from shaking again. Beatrice spoke, but she missed it. “What?”

Beatrice picked at the hair tie on her wrist, “I asked if you were ready to go.” 

“Yes! Definitely ready for some Disney magic and cookies.”

“Cookies?”

Ava gripped the door handle walking out onto the hallway, “I thought we could bake.” Beatrice walked out behind her, closing the studio door. “I brought chocolate chips with me. I wasn’t sure what you had at home.”

“Good call.” They walked downstairs together, “I should have the rest if we’re just making basic chocolate chip cookies.”

“That’s the plan!”

Beatrice’s apartment was so Beatrice that Ava had to have a mental moment to not spontaneously combust on the spot. The door opened into an inviting white living room with parquet flooring and incredibly high ceilings. To her right was a baby grand piano next to the opened and bright vertical window. A red modern abstract photo adorned the wall next to the window with a small fern tree nestled between them. The couch was against the wall, which was covered with even more paintings and photographs. The coffee table in front of it was littered with reading material both on top and underneath on the floor. A rust coloured carpet tied the room together. 

In front of her was a small hallway with two doors, which Ava assumed was the bedroom and the bathroom. To her left was a half wall with built-in shelving covered from top to bottom with vinyl records and at the center was a turntable with two speakers on each side. 

Beatrice came through the door and shut it behind her. She took off her shoes and placed the keys on a bowl by the vinyl shelf. Ava scrambled to take off her shoes in horror as Beatrice gave her exactly one look. Then, Beatrice gathered the black Vans and deposited them next to her Blundstones on a small wooden shelf by the door.

Next to the vinyl shelf wall was an entryway leading to a small kitchenette with a four person table on the left, behind it were dark blue counters with weirdly bright green open shelving. It all felt so lived in. The only other time Ava felt like this was back home during the holidays with her family, where everything was placed exactly where it needed to be. 

“Make yourself at home.” Beatrice was headed for the kitchen. 

Okay Ava, one step at a time. Just look around and don’t think, just don’t think of doing anything. She walked around the living room taking in the various decorations and tchotchkes. The wall behind the couch held countless photographs housed in different shaped frames. Many of Beatrice at different ages with her family and friends. There was one of her surfing, it was black and white and she was just sitting on the board waiting for a wave. Another photo was one of Camila and her in high school uniforms. Her favourite by far was one of Beatrice by herself, she must have been five or six and she was wearing an Aikido uniform with a white belt and huge smile lacking some teeth. 

“Water?” Beatrice held the cup up to Ava.

“Thank you.” Ava turned to look at the photographs again. “Baby Beatrice is adorable.”

“She was also very cheeky.”

“Was? I think you’re still cheeky. Do you still do martial arts?”

“When I have time, yes.”

Ava's eyes moved across more photos, landing on one where The Cruciforms were huddled together backstage. “When was this?”

“Officially it’s our first gig as a group, unofficially it’s my Uni professor’s wedding.”

Ava chuckled, her eyes bouncing to another photo, “Are these your parents?” It was a photo of Beatrice on her father’s shoulders and her mother holding her back as they ran.

Beatrice came closer also looking at the photo. “Yes. I think I was two.”

“You don’t often speak of them.”

“My dad passed away five years ago, before everything. So, it’s just me and my mum.”

“I’m sorry, I didn’t mea–”

“It’s quite alright, I’m just used to people knowing.” She walked a couple of steps back pointing at the kitchen, “Would you like a tour? It’s not a big place, technically you’ve seen most of it already.”

Ava nodded enthusiastically while gulping the water at a concerning speed. She dropped off the chocolate chips on the kitchen table and placed the cup into the sink before following Beatrice into the small hallway. Beatrice opened the door to the left revealing the bathroom. Then, she opened the door to the right, ushering Ava inside.

The window was at the center of the room with a desk that sat underneath it stretching along the left wall of the room. Various plants sat in front of the window and on the left was a sitting spot with a laptop and some audio equipment. The room had a double bed against the right wall and directly above it the shelves went from half the wall and reached the ceiling holding a myriad of books all of different sizes and colours.

Ava looked at the shelving with concern, “I feel like that’s an accident waiting to happen.” 

“It’ll be quick at least.”

Ava chuckled, moving to the window looking down at the plants, “I know what your schedule looks like, how are you keeping these alive?”

Beatrice was beside her, running her fingers along the leaves of one of the plants, “My mum passes by, she believes they’re good for my mental health. She also drops off food, which is good for my overall health.”

“Do you have a good relationship?”

“Now, yes. I believe so. All of us went through a rough patch before my dad passed away, but things change…people change or I guess grow. I’ve grown too, I’ve become more patient with her and her with me.” Beatrice had a small smile on her face, “She brings me cut up fruit, which is basically her way of saying ‘I love you’.” She sat on the bed patting the side for Ava.

Ava felt like she needed to be honest too. Or at least give something as well. This wasn’t a subject that she enjoyed speaking about. “My mom passed away when I was seven and my dad wasn’t really around after that.” Beatrice sat quietly. “My aunt adopted me and has raised me ever since. You’ve actually met her.”

“Angry power suit?”

Ava nodded in confirmation. “Please don’t misunderstand, she loves me, I’m just a difficult person sometimes.” She stood not wanting the conversation to continue. “Maybe I could do with some growth and patience like you.”

The oven was on and all the supplies were laid on the dining table. 

Ava was in the middle of scooping a cup of sugar. She made the mistake of glancing towards Beatrice who grimaced while weighing the perfect ratio of all-purpose flour.

“Ava, please don’t get sugar on the floor.”

“It’s cool, it's cool! It’s just that it’s clumpy so–” She used the scoop and smashed the granule clumps apart. Several bits bounced up landing on the table. “Sorry.”

“How about I do the sugars, maybe you can prep the dry ingredients in the meantime.” It wasn’t a suggestion, Beatrice had already wrapped her hand around the scoop.

“I think we need some music.”

“No, no that’s not a good idea, this is a precision operation.”

“This is a precision operation.” Ava teased, already going through the entryway. “Can I use the record player?”

“Yes, that’s fine. Do you need help?”

“No, I got it!” Ava perused through the selection of records. Maybe some Carly Rae Jepsen? What was even this organisation method? It took a few seconds but she finally figured out that they were all organised by release year, which meant that if she wanted something this century she at least was tall enough to reach it. She spotted her prey, quickly doing away with the protective plastic sleeves containing the gatefold. 

Beatrice’s footsteps got closer, “Don’t slam the needl–”

The speakers popped loudly and Ava instinctively smiled like a crazy person to distract from what she had done. “It’s alright! We’re good to go now.” 

Back in the kitchen Ava began her new task of weighing the dry ingredients. “Why do you strangle your records?”

“They’re protective sleeves, they keep the jacket safe.”

“But the jacket is there to protect the record.” Beatrice was whisking the sugars, salt and butter. Her muscle flexed while she did it, a task that should have been mundane, but Ava couldn’t keep her eyes away. “Can you crack the two eggs in?”

“Can do.” 

“And a teaspoon of vanilla.” Ava uncapped the lid splashing in the extract. Beatrice stopped whisking, “How will we know if that’s a teaspoon?”

“I’m sure it’s fine.”

“What? No. Baking is basic chemistry. There are rules for a reason.”

“Beatrice! They’re chocolate-chip cookies. I’m sure a splash of vanilla is equivalent to a teaspoon.” Ava scrolled through her phone looking at the recipe, “Okay, next it says to sift the flour and baking soda. And then fold the mixture.” She grabbed the two ingredients, walked to Beatrice and emptied the flour into the bowl. 

She forgot to sift it.

The flour powder splattered up covering Beatrice’s face, who blinked a couple of times, too stunned to react. Ava stepped back arms up in defense, but the cackle that came out of her mouth was enough to break Beatrice from her shock. In one swift motion Beatrice put down the bowl on the table, reached inside the bag of flour and closed her fist around a handful of powder. Then, she set her eyes on Ava before rushing forward, hand already mid release. 

The powder hit the wall behind her. Beatrice had missed. “No! No…no…Bea…I’m–” Ava clutched her stomach as a fit of giggles hit her.

Beatrice spun around and grabbed another fist full of powder, “Oh, I’m going to get you for that!”

The next song on the record started to play. 

(*)

Don't know if I'm awake or dreaming

There must be something in the air

The time is disappearing

This moment's never leaving

I can feel it, I can feel it

Ava pushed from the wall and turned towards the living room. Her socks slid on the wooden floor slowing her down significantly. The bedroom was too small and probably didn’t have a lock. She ran to the living room with Beatrice right on her tail. 

You got me started

And nothing on earth can stop it

It's crazy, I'm falling

I don't know what else to call it

Do you believe in magic?

Do you, do you, do you

Do you believe in magic?

“Don’t you dare go near the instruments!” Beatrice yelled mid laugh. 

Ava turned to face her. She faked left momentarily confusing Beatrice before heading for the hallway. The bathroom must have a lock. That was her destination. Or it was until hand gripped hers pulling her backwards. Beatrice spun her into the living room, then her other hand came down Ava’s head and down her face. The flour was now face paint. 

Beatrice's shoulders were shaking with how much she was laughing. Ava attempted to escape but found herself slipping on the floor momentarily only to be held up by Beatrice’s arm wrapped around her waist.

Oh oh, you got me started

And nothing on earth can stop it

It's crazy, I'm falling

I don't know what else to call it

Do you believe in magic?

Do you, do you, do you

Do you believe in magic?

Beatrice spun her in place, then, clapped along with the song, shimmying backwards in a cute little groove. Ava joined, delighted with the turn of events. She did a few butt wiggles of her own before falling into the same rhythm as Beatrice in their impromptu dance session. The finger guns came out at some point along with the running man. 

Dancing together

Ain't nothing that could be better

Tomorrow don't matter

We'll make the night last forever

So, do you believe in magic?

Do you, do you, do you

Do you believe in magic?

Ava ran the towel through her hair, patting her wet locks. After picking up the kitchen and living room they were both able to finish the dough for the cookies and by ‘they’ she meant Beatrice, who, when left to her own devices, was able to do the whole recipe in under fifteen minutes. Then, she had jumped in the shower and was out just as fast. 

Ava zipped the borrowed hoodie up and walked out of the bathroom to the delicious smell of fresh baked cookies. Beatrice’s clothing was slightly baggy on her person, but they were incredibly comfortable. And Ava will admit that she had in fact held the shirt to her nose for far too long. 

As she passed the living room on the way to the kitchen she noticed that Beatrice had already vacuumed along their path of carnage. In the kitchen was Beatrice hunched over while retrieving the last of the cookie trays, the rest sat cooling on top of the counter. She was wearing a soft pastel tie dye hoodie and her hair was up in a loose bun. 

“How are they looking?” 

Beatrice turned to face Ava, eyes taking in her appearance. She scratched at the back of her neck, then tucked a stray hair behind her ear. “They smell great, we just have to wait until they cool a bit before we eat.”

“Oh man. I like them all gooey and warm.” Ava pouted, and it must have been enough because Beatrice sighed only once before she turned and delicately grabbed a cookie off the cooling tray. She blew on it a few times, then walked to Ava presenting it to her.

“I’m going to get us some socks and grab my duvet. I think it’s getting colder.”

Ava sat on the couch and suddenly felt awkward. What was the procedure? Feet down? Was that not casual enough? Beatrice was right, it was feeling a lot colder than earlier. Ava looked out the window, surprised that it had begun to snow. She walked over to have a closer look. The snow was beginning to land on the window sills and all along the garden outside. 

Beatrice came back into the living room carrying the duvet and a couple of blankets. 

“It’s snowing.”

“Snowing?” She walked over the window and sat on the ledge. “I guess the report was correct then.”

“Do you think they’ll cancel flights?” 

Beatrice was due to leave with the band for a festival in France tomorrow morning.

“Only if the storm continues down towards us. We’ll know more later. I’m sure Suzanne is on top of everything.” Beatrice tapped the side of her leg with a pair of wool socks. “For your Iberian sensibilities.”

“Wow, the harassment.” And it would have been so easy for Ava to just lean down and kiss Beatrice, so…so…so easy. 

They settled on the couch under a mountain of blankets. The books on the coffee table had been placed underneath it and Beatrice had put a couple of pillows down on it for their feet. The TV mounted on the wall behind the piano came on and the intro for Hercules began to play.

Will you listen to him? He’s making the story sound like some kind of Greek tragedy.

“Lighten up, dude,” Ava quoted along.

“We’ll take it from here.”

“You go girls…”

Back when the world was neeeeeee–”

“Ava!”

“I can’t resist!”

Thirty minutes later they were four cookies in each and Beatrice kept plot picking with annoyingly accurate knowledge from The Labours of Heracles. Ava had countered with ‘that’s not the point! It’s meant to be fun’. Beatrice had acquiesced after a few songs when Ava spotted her bobbing her head along.

It had turned dark outside now and the wind was beginning to pick up. The end credits of the movie scrolled through as they discussed the movie.

Ava sat up, folding her legs underneath her for a better look at Beatrice who was on her right. “You have to tell me which song was your favourite.”

Beatrice was still leaning against the couch with her feet on top of the coffee table pillows. “I really liked them all.”

“What? Come on! You have to pick one.”

“No, I do not.”

“I bet it’s Zero to Hero your jazzy heart can’t resist it.”

“No, though that one came close. I prefer I Won’t Say I’m in Love .”

“Oh.”

Oh.

Beatrice emerged from underneath the blankets, pulled her arms up in a stretch, where a bit of her tummy poked out, and then reached for her phone. “I’m going to give Suzanne a quick call.” She went into her room for some privacy.

Ava breathed in. Beatrice was going to kill her. 

She turned the TV to the local news where an urgent bulletin was being delivered.

“Heavy snow and freezing rain is causing widespread disruption across the U.K. with amber warnings in place for Birmingham and London.” The news agent delivered the report. “Forecasters say that up to 40 cm of snow could fall in some places, the airport runways across the city are closed due to snow and ice.”

“Suzanne has cancelled our schedules for tomorrow.” Beatrice returned, she was scratching at something on her neck again. “I don’t think we’ll be able to make any of the festival dates. She seems to think the storm will stretch for a few days.”

“I’m sorry to hear that, Bea. I’m sure the organisers will think of something.”

“I hope so. I don’t want to let down our fans.”

“Do the rest of the girls know?”

“Yeah, we all spoke for a few minutes.” Beatrice walked to the window and began to close the shutters. When she was finished she turned to Ava and said, “Would you like to stay for the night?” She was nervous.

“If you don’t mind.”

“I don’t.” Beatrice rolled her shoulders, loosening them a bit, “Good. That’s a relief. I was worried you’d do something crazy like run through the storm.”

Ava pulled the blankets closer, “But I’m so warm here.”

Beatrice looked down to the floor, avoiding her gaze, “I’m going to see if I can get a quick dinner together for us. Are you happy with pasta?”

“I love pasta.”

Ava also loved seeing Beatrice’s butt in her pajama pants. She was respectfully looking of course.

After dinner they hunkered down for another movie, this time one of Beatrice’s favourites, Atlantis: The Lost Empire and to Ava’s dismay not a musical. 

In the bathroom they brushed their teeth next to each other, Beatrice had grabbed a new bamboo toothbrush for Ava, and when they finished she placed it in the cup next to Beatrice’s. 

They had brought all the blankets from the living room back to Beatrice’s bed. 

When she walked into the room Beatrice was neatly stacking the decorative pillows under the desk. She fluffed the two pillows before laying them side by side. “Do you have a preferred side?”

“Not really, I tend to move around a lot.” Ava shrugged, “Like a nervous thing.”

“Why don’t you take the side next to the wall then?”

Ava crawled onto the spot settling in. “It’s a lot colder in here.” 

The window shutters in the room were already closed, keeping as much of the cold out as possible.

“The radiator here is smaller. Once we’re under the blankets it should be okay.” Beatrice plugged their phones in by the desk, turned the light off and then settled beside Ava, pulling the blankets over them.

A few minutes passed. 

Ava shuffled her feet, they were too cold. Cold enough that she couldn’t focus, not that she wasn’t already struggling to do that with Beatrice all warm beside her. 

“Bea?”

“Mmm?”

“I don’t think the socks are helping.”

“What’s wrong?”

“My feet are cold.”

“Oh.” Beatrice wiggled around a bit, now flat on her back. “Put them under my butt.”

“Put them under your butt?”

“For warmth.” She said casually, while lifting said butt. 

Ava placed her feet underneath before Beatrice lowered herself. “Wait!” Ava smacked Beatrice’s side, getting her to lift her butt again. “I need to take the socks off, I think they’re frozen solid.” And then her feet were bare and under Beatrice’s butt.

“Better?”

“Yes.” Ava wiggled her toes in confirmation, making Beatrice laugh.

Then, after a few more minutes.

“Bea?”

“Mmm?”

“My nose is cold.”

“Is there a part of you that isn’t cold?”

“My feet.”

Beatrice faced her or at least Ava thought Beatrice did because she could barely make out anything with how dark the room was. It was quiet for a few seconds, then Beatrice's hand passed along her waist, a few fingers accidentally stroking under her shirt causing goosebumps to break throughout her skin. Beatrice pulled her close. “Is this okay?” She asked, uncertain.

“How are you so warm? This is an injustice.”

“How are you so cold?”

Ava shuffled even closer, wrapping her arms around Beatrice’s waist as well and nestling her nose close to her chest. “Must be my weak Iberian genetics, we’re just not built for this.” She felt Beatrice’s laughter before she heard it.

“Bea?”

“Mmm?”

“Good night.”

“Good night, Ava.”

Beatrice’s internal clock always woke her at exactly 6 am regardless of how hard she’d try to change things. She didn’t know what time it was, but she had a feeling it was well past that, which was unexpected.

Another thing that she hadn’t expected was Ava so tightly wound around her body. She had mentally prepared to have a long night since Ava had stated she was a roamer, but it seemed they had both stayed in the exact position they had fallen asleep in. Their feet being tangled together was a bonus.

Beatrice held the precious cargo as close as she could without stirring her. She could probably count on one hand the number of good sleeps she’s had. The kind of sleep where you wake up with creases from the bed sheets all over your face, with the little drool spot on the pillow.  This was definitely one of those sleeps.

As the days passed Beatrice was finding it more and more difficult to pretend like her entire life hadn’t just been turned upside down by Ava. She had made her way into her heart like a melody from your childhood that is so familiar and loved, but you can’t quite place where you’ve heard it before. It was like that in a sense, Ava had made herself familiar, she had endeared her way into her life, and the moment that familiar feeling wasn’t around Beatrice felt lost with the need to seek it out again.

Beatrice also knew that this was dangerous and if things changed further between them it could lead to places she couldn’t follow. This was something she hadn’t prepared for nor was ready for. It was probably in everybody’s best interest if Beatrice would muster up the courage to stop or at least put some space between them while she still could. But how could she? Ava was addictive in the worst definition of the word. When Ava wasn’t around she found herself thinking of her, it was impacting her life, her choices, even with how contained everything already was. 

Ava will finish her album soon, which was equal parts good and bad. Good because the album release schedule will take Ava from London, giving Beatrice the space she needs to truly put things into perspective, a feat that was proving difficult with Ava so accessible. And bad because having Ava be apart from her now was slowly becoming physically painful. 

Her bandmates were probably also not happy with the way she was behaving recently. They had become her second priority in a span of a few months. She rushed through studio sessions, cancelled on lunch plans, and had made it a habit to arrive late to some of their schedules, all to meet up with Ava or send a quick message that turned into ten without realising. Mary had noticed that something was off, but of course in Mary fashion she had opted for silence and patience, which has made Beatrice feel guiltier and guiltier the more she did it.

Everything had shifted focus to Ava and wanting to be near Ava. Their album, which should be at least at the post-production stage, sat slightly abandoned from lack of lyrics. Lyrics which had all changed throughout the past months from rebellious and angsty words to yearning and Lo—. No. She wouldn’t allow herself to think it.

Ava stirred, causing Beatrice to go absolutely still.

The arms around her waist flexed a couple of times as Ava breathed out slowly, nuzzling her face impossibly closer into Beatrice’s chest. 

Well, if she had any doubts about how Ava felt then that just answered it. She wondered just how long they could both exist within the bubble they’ve created. And all she wanted to do was lay there and contemplate it but her stomach had other plans. The room had been quiet until it grumbled so loudly and vehemently that her cheeks were already heating up from the indignity of it all.

Ava pulled back her head and Beatrice knew she was being looked at. Her eyes were tightly shut wishing the moment hadn’t been ruined, but then Ava started to shake while laughing quietly and after a moment she couldn’t help to join in as well. 

“I’m so sorry, I have to abide by its schedule.”

“I’ve realised.”

Beatrice shifted a bit in an attempt to untangle herself from Ava. They were both technically awake now so it was probably not correct to hold her so closely anymore. 

“Wait. Not yet,” Ava’s arms held onto her tightly, nose going directly into her crook of her neck. She breathed in deeply and after a few seconds released it. She patted Beatrice’s side before saying, “Okay, now you can go.”

They were having breakfast at the dining table. A quick avocado toast with a sunny side up egg and crumbled feta. Ava had a blanket wrapped around herself as she nodded along to Beatrice’s story. 

“Mary was dating Shannon at the time, she was one of our faculty members, and one day Camila and I passed by when she was playing and we both knew she needed to be part of the band. She was amazing, she exuded so much ‘I don’t care about this place’ attitude.”

“Mary does give off that vibe, like the world needs to catch up to her.”

“Yeah, exactly!” Beatrice was finished with breakfast already, she slowly drank her tea and continued. “Yasmine was shy at first, it wasn’t until our conductor recruited her for our studio ensemble as an alternate that I really heard her play.”

“What about Lilith, did she pretend not to be interested?”

“Actually, it was Lilith who convinced Mary in the end.”

Ava raised one of her eyebrows, “Is that when your budding Jazz career ended?”

“It was what I knew for a long time, with Lilith’s and Camila’s help I was able to branch out more.” Beatrice pushed her empty cup aside. “What about you? Did you go to school for music?”

“Do you really not Google people?” Ava said, not convinced.

“Not if I want to get to know them.”

“Oh,” Both of Ava’s eyebrows shot up. She picked up her tea cup blowing into it slowly. “I went to a conservatory as well, in Barcelona. I studied traditional initially, but branched out to more contemporary compositions later.” She sipped carefully, “My family was already respected in the industry so it was only natural. My mom sang too.”

Beatrice inched forward, “Do you have recordings?”

“No.” Ava was looking down at her cup, “It’s something that upsets me a lot. As more time passes there’s little nuances of her voice I forget.”

“I’m sorry.”

Ava stood suddenly, “I have something for you.” She went into the living room and returned holding a simply wrapped present the size of a book. She extended it to Beatrice with a small smile. “I was walking through one of our Christmas markets back home and it reminded me of you.”

Beatrice held the present, her eyes shifting from Ava to it.

“Open it.”

Beatrice did as instructed, gently removing the wrapping paper, a process that was probably driving Ava insane. When the last of the wrapping came off Beatrice turned the frame to face her. It was a watercolour painting of the Champs-Élysées at nighttime. 

“I don’t know what to say.” That was a lie. She knew exactly what to say.

“I mean, usually when someone gives another person a present they say ‘thank you’.”

“Thank you, I love it.” Close enough.

Notes:

A special thanks to my beta reader/editor/love of my life, she's a wonderful girlfriend who puts up with everything I do and gives great advice.

Next time Hadestown and some other stuff. I gotta get my post it notes together.

You can find the chapter wrap-up post on my Tumblr.

Chapter 5: Turned My Collar to the Wind, This Is How It's Always Been

Notes:

Alright folks, we've reached the point of the story where listening to the playlist is no longer negotiable.

Here is the playlist and mood board.

(See the end of the chapter for more notes.)

Chapter Text

“Camila! Ava said to wait for her assistant!” Beatrice yelled from across the avenue. They were just outside the perimeter of the temporary barriers in place for the street closure. 

Camila was actively attempting to jump over one of the barricades. “Bea! I think I see where they’re filming!”

“Hold on!” She pushed Camila’s butt over the barrier and with one brisk sprint cleared it herself.

They had both managed to slip away unnoticed from the studio to come see Ava’s music video shoot. Beatrice wasn’t sure how long their absence would remain undetected, but here they were. They had agreed to skip lunch for this and Camila promised she would be good, she would respect the rules, and that they would return to the studio at the agreed time. She even went as far as putting a timer on their phones for both of them to adhere to. A timer that was currently ticking. 

The air outside was beginning to warm, with the signs of Spring becoming more and more apparent everywhere she looked. Leaves adorned bare trees once again, flowers were budding, the sun was out and the possibilities seemed endless and within grasp.

As they got closer to the shooting location they passed through various styles of motorbikes all parked along the area. Ava had given her a general gist of the overall theme of the album a couple of weeks back. She recalled from listening to a few of the songs that this was the essence of the album, brazenly bold and unstoppable, and if she knew anything about motorbikes she would make a simile about it. They went vroom vroom and the album went vroom VROOM!

It was a miracle that they hadn’t been stopped yet.

The bass got stronger as they walked nearer to the production crew. There were various temporary tents spread around the avenue just before a four lane bridge. Each tent housed a number of equipment, outfits, food, and hair and makeup set ups.

“Hey!” A very stressed blonde woman came rushing towards them. She was wearing a Boston Ballers crew neck sweater and jeans. “Beatrice and Camila?”

Beatrice couldn’t make out the rest of her face due to the dark glasses on her nose. “Yes, I’m Beatrice and this is Camila.”

Camila waved quickly as Beatrice pointed in her direction, “Hi.” Her attention going back to where the cameras were.

“Beatrice,” The woman repeated, pulling her glasses down her nose. “I’m Alice, Ava’s assistant. She told me to watch out for both of you.”

Beatrice extended her hand, “Yes, hi Alice, nice to meet you.” They shook, Alice taking the moment to look at her closely. 

“If you follow me I can take you to Ava. We’re about to have a lunch break before the rest of the shoot.” She didn’t bother to wait for them, already walking in the direction of the crew.

They passed a group of women wearing different styles of clothing all form fitting and provocative. Biker helmets were placed around the large communal table while they ate their lunch. Beatrice felt immediately out of place in her beige trousers and black turtleneck.

Arms wrapped around her waist from behind. Ava’s jaw landing on her shoulder, “You came.”

Goddamn her stupid heart and its incessant need to make its presence more known. 

“Ava!” Camila exclaimed, she had been too focused on the cameras. Ava released her, albeit reluctantly, in order to give Camila a hug of her own.

Beatrice spun around her eyes landing on Ava for the first time in weeks.

(*)

Passion, pain

Pleasure, no shame

If you like it weird, I like it strange

It's a fantasy, babe

She was wearing a sheer red dress with slits at either side of her hips, it was so sheer that everything was visible to the eyes, including Ava’s skin and matching red underwear and bra combo. She had sneakers on, which was a juxtaposition, but Beatrice assumed it was a comfort thing rather than a stylistic choice. She had a few silver chains around her neck and her hair was down and perfectly straight.  

Beatrice’s mouth felt dry. 

She liked to believe that she was a courteous person by nature, but looking at Ava right now was anything but respectful. Yes, she was highly aware that Ava was a ridiculously attractive person, and right now she was about to sign off on the last bit of sanity holding her fragile and very concupiscent mind together.

Uh, I think it's time that we should pop Pandora's box (Get it unlocked)

Think of the time that we lost tryna be who we're not (Yeah)

All your ideas are welcome here

We can go too far, we can be bizarre and we'll always make it hot

She shook her head, willing the thoughts to dissipate enough to take her eyes off Ava. It wasn’t working. The more she looked the more she thought. Were those abs always there? Had her butt always been that gropeable? Was that a thong…

I need to know what you've been dreamin' of

I wanna tell you all my secrets and

Bring all of that freaky shit to life

Ava and Camila were speaking Spanish, hands going everywhere as they expressed themselves. The Spanish inflections coming out of Ava’s mouth were doing it for her, even the recognisable lisp for certain C’s and Z’s. Is this what they meant when they said ‘like conjugating Latin verbs’, because she wanted to consumma–, no, she wanted to conjugate. 

Ava’s eyes darted to her, she had been caught staring, though Ava made no attempt to shy away from her gaze. If anything her eyes roamed Beatrice’s body and finished at her lips, in encouragement. Ava's head tilted, it was a weird sort of acknowledgment that without saying anything at all said she was allowed to look if she wanted to. 

Passion, pain

Pleasure, no shame

If you like it weird, I like it strange

It's a fantasy, babe

Beatrice could only make out a few words from their conversation, and it was not good. Ava was inviting Camila to be in the shoot and Camila had immediately pounced on the idea.

“Bea, can we stay a little longer? Ava wants me to be in the video.” Camila’s hands were intertwined under her chin in prayer. 

“You can be in it too, if you want.” Ava added while pushing Camila closer, encouraging her. 

“Camila, we had an agreement. One hour and then back to the studio.”

“Pleeeeaaaaaseeeeeee!”

Ava gripped her hand, a small pout forming. “Please, Bea? I haven’t seen you guys in forever, I’ve missed you.” Beatrice’s mind lingered on the words ‘I missed you’, her resolve quickly evaporating.

“Fine. Fine.” She breathed in hoping for a semblance of control. “Camila can do a small part, but after that we need to leave.”

“What about you?” Ava squeezed the held hand.

“I’m happy to just watch.” Ava winked at that, driving her just a little more insane.

After a quick lunch the production moved to the bridge. The bikes were now interspersed along the lanes, as each of the biker women draped themselves in different positions around the vehicles. Camila, who was being helped up a bike by one of the crew members, had changed into a black athletic Lycra and blue long sleeved skin tight shirt.

Beatrice stood a distance away by the camera operators as they consulted around what shots to take. Ava had not joined the rest of the women yet, needing to put on her heels and other accessories. 

“So, Beatrice.” Alice spoke beside her. She couldn’t tell if it was friendly. “I’ve heard about you guys, the band that is, but specifically about you.”

Interesting. 

She instinctively crossed her arms, “All good things, I hope.”

“Oh, definitely good. And extensive.” Alice wasn’t wearing her glasses anymore, and those eyes were boring into her.

A few minutes passed where Beatrice wanted any excuse to disappear from the analysis that was currently happening next to her. Alice knew something. How much she knew was the question.

Ava walked onto the set then, and Beatrice exhaled, both from having something for Alice to focus on other than herself and because Ava’s strides in her heels were so fierce that she had forgotten how to breathe. 

The crew members went to her, going over the shots that were about to take place. Ava bobbed her head along as they spoke, her black faux fur bucket hat bouncing up and down along with her.

“What do you think about the red? I thought it was a bit much given the scale of everything else being so raunchy already.” Alice had stepped closer now, she was looking in the same direction as Beatrice.

Ava had gone to her mark and was currently walking forward to the camera all while lip syncing to the song as it played through the speakers around them. Her dress flew in the wind, adding to the overall sex appeal. 

“Red looks great on her.”

Alice chuckled, “She said you’d say that.”

Okay, Alice. Let’s play. Beatrice was not going to just stand here and be poked at. 

“What do you know?”

“I know a lot of things, depends on the subject though.”

“You seem to have a subject in mind.”

“I do.”

Ava went back to her mark for a re-shoot.

“Well, then.”

Alice sized her up for a moment, taken aback by the sudden boldness. “She likes you.” That wasn’t what Beatrice was expecting. And hearing it out in the open sent a thrill up her spine. Hearing someone acknowledge it in some way was empowering and horrifying. She has known how Ava felt for weeks now, it wasn’t exactly a difficult thing to figure out.

“I like her too,” Her tongue loosened around the words, and she found that she liked saying it out loud. She wasn’t sure what about Alice was making her feel so honest. Ava had mentioned her a couple of times, not lingering on just how close they seemed to be. Apparently, close enough to have a semi friendly interrogation in the middle of a music video shoot on a sunny afternoon. 

“The understatement of the century,” Alice was on her phone now, checking through her planner. “I suggest that a conversation be had, it’s distracting her.”

And as if on cue Ava made a small wave in their direction. Beatrice raised her hand returning the gesture, earning her a smile in return.

“You’re very brash for an English woman.”

“I have to be in my field of work. Gotta get things done, you know?” Alice’s eyes came up from her phone. She didn’t have to say anything else, Beatrice knew what she wanted to hear.

“I will speak to her.”

“Good. My eyes, ears and mental health thank you.” She shut her phone, then with a wave of her arm said, “The whole hot librarian thing you got going on, I didn’t think Ava was into that, but I can see the appeal.”

Beatrice wasn’t sure if she should thank her for the compliment or not. “Thanks.” She glanced in Ava’s direction again. “I’m sure you’ll tell her I haven't taken my eyes off her all afternoon.”

“I won’t have to tell her that. She’ll know.”

A few minutes later.

“Really? Hot librarian?”

“Not my words, if you get my drift.”

Oh she got it.

They were closer now as the shoot moved up the bridge. Ava was with the other women, still delivering attitude heavy rap verses as she walked around the bikes. She had also shot a few scenes of just movements and silly gestures. 

Then, Beatrice’s jazzy piano lick began to play and she watched in pure horror as Ava walked to one of the motorcycles, lifted her leg suggestively and sat, all while the camera maneuvered around her butt and came up to her smiling face.

She wasn’t sure if her eyes were in their respective sockets anymore. Like those older cartoons when the character found the object of their affection ridiculously attractive and their eyes turned into cylinders and poked out. It was outdated and misogynistic, but in that instance Beatrice understood the sentiment.

Alice tapped her arm, tissue paper in hand. “For the drool.”

(*)

An hour later Beatrice is outside the wardrobe tent waiting for Camila to finish changing. They had somewhat kept to their promise of leaving at an appropriate time, but Beatrice was still mindful of time that had been lost.

Alice was walking to her again, probably on escort duty. “Hey.”

“Is there much longer left of the shoot?”

“Ava is pretty much done after tonight.”

“That’s good, she seemed tired—” Beatrice’s concern quickly turns into slight panic as she scrambles to correct herself, “Not that it showed.”

Alice isn’t bothered by her comment though. “No. It wouldn’t show. She’s good at hiding that. Actually, she’s very good at hiding a lot of things.” There’s a moment of recognition between them. Alice’s eyes searched hers before speaking again, “Ava, she’s all heart, she lets her emotions guide her.”

“I’ve…I’ve realised that.” Everything with Ava so far had been instinctual. She had basically been at the whim of what the other woman wanted since they’ve met, not that she had resisted. But things were escalating at an alarming rate and Beatrice needed to grab a hold of the situation. 

“You seem rational. A think things through kind of person.” Alice began, she ran her hand along her hair. “When things don’t go her way she’s—“

“She’s self-destructive.”

It was quiet between them. 

Beatrice knew the kind of person Ava was after meeting that first night. She had practically carried her all the way back to her hotel room after she drank her weight in alcohol. But she had also grown to know Ava for all that she also was as well.

Ava was briskly walking to them. She had put on Beatrice’s hoodie over her dress and was wearing sneakers again. It was hard not to fall for someone like Ava. Her smile alone had so much veracity for living in the moment and the little things in life.  

She stopped before them, “I wanted to see you before you left.” Alice rolled her eyes, then pulled out her phone giving them a small bit of privacy. 

“Am I ever getting this back?” Beatrice tugged on the fabric of her hoodie.

The small tug being enough for Ava to come closer somehow. “Nah. It’s mine now.”

Beatrice’s head shook with a laugh, not at all surprised with the answer. Her eyes fell on the bridge again, and she remembered the bikes. “Tell me you’re not getting on one of those bikes.”

Arms found her waist again, “Aww not you too.”

“Insurance wouldn’t cover it.” Alice was looking between them, but also at their surroundings.

“So you said. I’ve yet to actually see this confirmation anywhere.”

Alice tapped Ava’s arm, which dropped from around Beatrice’s waist without protest.

“All done!” Camila exclaimed as she stepped out of the tent. “Ready to go back to working for the man.”

“Camila, we work for ourselves.”

“Yeah? Say that to my contractual agreement.”

The video call came through while in the studio. Beatrice’s phone lit up with a picture of Ava scarfing down a churro. She stood from the couch nearly colliding with Lilith as she rushed for the door. 

Once outside she accepted the video call.

“I was just walking down to get some Miguelitos from the bakery nearby and found this!” The camera panned from Ava’s face to a rack of clothing. She pulled a couple of pieces out showing the various selections of Teenage Mutant Ninja Turtles t-shirts. 

Beatrice leaned against the door watching along as Ava continued her showcase. “How are you just finding this randomly in the streets?”

“This is Madrid. We get only the best reproductions of pop culture icons.” Ava pulled one out that said ‘Cowaboooga’ instead of ‘Cowabunga’. “I’m going to get us some.”

“Beatrice.” Mary was behind her. She was clutching a coffee tray in one hand and a bag full of croissants in the other. 

“Hola”

“Hola, si estas dos por favor.”

She got off the door, getting out of Mary’s way. They made eye contact for a second before Mary breathed out and said. “You need to come join us.”

“I will. I’ll just be another minute.”

The door closed behind Mary. 

“Done!” The camera had gone back to Ava who was eagerly holding up a shopping bag.

“Which ones did you end up getting?”

“It’s a surprise!” There was a knock on the door, probably Mary’s way of letting her know her minute was up. “Is everything okay?”

She replaced the peeved look on her face as quickly as she could. “Yeah. Everything’s fine. Mary brought coffee so she probably wants me to come eat.”

“We mustn’t let the beast stir then.”

“Are you referencing my stomach?”

“What else would I call that if not your stomach?”

“I’ll call you later.”

“Already counting down the minutes.”

Alice sat next to her in the car. She was going over her schedule for the day, emphasising on some particular bits to get her attention, but Ava was currently trying to tune her out. 

“Then, you have to approve the cover and choose which photos to showcase on the inner sleeves.” Alice continued as Ava texted. “I once kept a cockroach in a jar for months without food. It slowly ate through its antennas and its extremities until I released it. That little bastard roamed my outside flower pots for years.”

“Mmmhmm.”

“I was just thinking that maybe I am desperately in love with you, Ava. And I know our love could never be because you’re head over heels for the hot librarian, but it’s never too late to be honest.” 

“Mmmhmm.”

“You need a lobotomy.” Alice sighed, leaning over and checking what exactly was so interesting. Ava moved away, blocking her view. “Oh, so you are paying attention.”

“We’re in an enclosed moving vehicle, I have to physically throw you out to not hear you.” 

“The payout for that would be worth it.”

“If you live.” Ava stuck out her tongue, turning back to her phone. 

“Okay, well, after that we need to get together with the team to figure out the distribution logistics. I know the album isn’t finished yet, but it’s close and we need to go to print as soon as possible to avoid the Summer releases.”

Ava’s screen lit up with a picture of Beatrice in her pajamas. 

“Hello? Hi,” Ava answered the call right away, not noticing how much her tone changed. Alice made a disgusted face. Ava nodded along as Beatrice spoke. “I should be back in the morning. I’ll come get you. No, no I’ll get you it’s fine. We can take the car.”

“Oh my God.” Alice sighed again exasperated. “What am I, chopped liver?”

Ava continued the conversation unfazed, “A dress probably. I haven’t really thought about it.” She had thought about it various times and at length. She also thought about what Beatrice would wear.

Alice leaned close again, “Oh no! Is that a tunnel?” She made scratching noises with her mouth hitting the ‘end call’ button. 

“Alice!” Ava reached over gently smacking her assistant in the arm.

“You can do without your girlfriend for five minutes.” Ava couldn’t help the smile that formed when she said it.

“Beatrice is not my girlfriend.” 

“Ava.” She said exasperated but with a hint of affection. “She asks you if you’ve had enough water throughout the day. She’s your girlfriend.”

“Did you have dinner?” Ava’s sleepy voice came through the phone’s speaker as Beatrice removed her shoes and placed them on the rack behind her.

She walked to the kitchen grabbing a cup of water before heading to the bedroom and settling it by her desk. “No, I kind of just want to fall into bed and never wake up.”

It had been a long day. They had to squeeze in several interviews, go for a second fitting of their Met Gala dresses and still cram a few hours of studio time. The last taking the longest to get through. 

“I understand that feeling all too well.”

Beatrice took off her clothing, haphazardly throwing it on the chair across her desk. She grabbed her phone and walked into the bathroom. “I’ll just be a few minutes.”

“It’s okay, I’m in bed.”

She pulled the curtain back and turned on the shower,  quickly going through the motions. Once she was finished she spoke up, “How did your meetings go?”

Ava was still in Madrid for a few days finalising the album’s release schedule and basically the next year of her life, which terrified Beatrice in a sense, because it meant that once their album was finished they would have to go through the same process as well. And having a year planned out in front of you was a daunting thought, even to a person like her who liked to plan ahead. 

“Good.” Ava hesitated before continuing, “I can forward you the schedule if you want.”

She applied toothpaste to her toothbrush, “Yeah, okay. I’ll add it to my calendar.” Once finished she placed the toothbrush back into the cup next to Ava’s. 

Inside her room again she dressed in her pajamas, drank water and crawled into bed, exhausted. 

Ava was quiet on the phone and Beatrice assumed she must have fallen asleep, but she couldn’t make out the faint puffs of air she had grown used to. Her eyes felt heavy with a desperate need to sleep. 

“I miss you.”

She blinked awake. 

And if Beatrice had any kind of energy to fight against every fiber of her being telling her to put a stop to it, don’t encourage it, she would have. But what came out instead was so honest that she felt the weight of it land once the words came out. 

“I miss you.”

Ava exhaled softly. “Yeah?”

“Very much.”

After a few knocks Beatrice opened the door to her flat. She was struggling to put earrings on and appeared to be slightly winded. Ava stepped through the threshold, already kicking off her heels. She took in Beatrice’s appearance, she was wearing a simple olive coloured long sleeved dress that showed off her legs. Her hair was down in cascading waves and had cute rosy cheeks.

Beatrice had also been looking closely. “Pretty,” She said with awe in her voice.

“Thank you.” Ava wore a black deep v-neck backless dress.

“What do you have behind your back?”

Ava chuckled before extending the hand and its contents to Beatrice. She offered a single red carnation, “For you.”

“Oh.” She took it, taken aback by the gesture. “Thank you.”

“If you’re ready, the driver is waiting for us.”

“I just need to grab my shoes,” Beatrice walked into the kitchen and Ava followed along. She meticulously searched through her open cabinets for something. She grabbed a simple glass cup and ran it under the kitchen sink filling it with water before settling it on top of the dining table. She pushed it once, happy with its placement before putting the flower inside the cup. 

Ava followed her into the bedroom, already familiar with her surroundings. Beatrice pulled a set of heels from her closet and quickly checked if everything matched. Ava’s eye caught sight of the painting she had gifted Beatrice weeks ago, it hung on the right side of the bed by her pillow. 

“Ready.” Beatrice spoke up, cutting through the revelation.

The Lyric Theater was bustling with eager musical lovers. The five minute warning had just sounded off as they took their seats at the dead center of the first row.

“Beatrice, my heart is going like a thousand kilometers an hour right now.” Ava flipped through the program, “There are no swings!”

“Is that a good thing?”

“Yes! I will finally see the complete original cast, this is a monumental occasion!” Beatrice was not all understanding what this meant or the incredible treat she was about to experience. “Did you get a chance to listen to the soundtrack?”

Beatrice shook her head, “No, I’m sorry I haven’t had the time. Yasmine did say that it was about Greek mythology. Hades and Persephone?”

“It’s also about–”

The house lights began to dim and everyone quieted around them, indicating the commencement of the show. The cast and band members emerged from backstage and everyone burst into claps and cheers.

They all took their spots on stage as the actor playing Hermes cried, “Aaaaaaight!” and the cast responded in the same way. Then, he turned to the audience, “Aaaaaaight!” and got a resounding ‘Aaaaaaight!’ in return.

Beatrice turned to her confused. Then, the trumpet went off and the show began.

It was all going well. Beatrice appeared to be enjoying herself, even leaning over a few times to complement a jazz standard. And as much as Ava wanted to pay attention to the stage she found herself catching small glimpses of Beatrice. The way her dress fell on her shoulders. How her jaw always managed to look so prim and proper. And the lack of skin due to the long sleeves, which agonized her at the moment.

“Orpheus, don’t come on too strong.” Hermes instructed.

Come home with me.” The lead actor extended his hand which was holding a paper flower to the lead actress.

Everyone around them laughed. 

“Who are you?”

“The man who’s gonna marry you. I’m Orpheus.”

“Is he always like this? 

“Yes.”

“I’m Eurydice.”

“Her name is like a melody.”

“A singer, is that what you are?”

“I also play the lyre.”

“Oh! A liar and a player too.” Beatrice laughed beside her and it was too cute to not have an insane reaction to it, but she settled for a small shove. “ I’ve met too many men like you.”

“...and all the flowers will bloom. When you become my wife.” He knelt offering the flower again.

“Oooooh! He’s crazy. Why would I want to be his wife.”

“Maybe because he will make you feel alive.”

Ava will admit that being in a dark room full of people with Beatrice beside her was inherently a bad idea. Why? Because it made her think of things she shouldn’t be. Like, how she could reach over if she really wanted to. She could grab Beatrice’s hand which was perfectly placed by her thigh ready to be intertwined with her own. 

The lead actor turned the paper flower into a red carnation and Beatrice turned to her, observing her for a few seconds before reluctantly looking back to the stage. 

“...and Eurydice was a young girl, but she’d seen how the world was. When she fell, she fell in spite of herself in love with Orpheus.”

(*)

I was alone so long

I didn't even know that I was lonely

Out in the cold so long

I didn’t even know that I was cold

Turned my collar to the wind

This is how it's always been

Ava had decided. She would do it. She would reach over and grab Beatrice’s hand. She would throw caution to the metaphorical wind just like Eurydice. It happened quickly, but in her mind she was moving at such a glacial pace that she might as well had not done it at all. She reached with her left hand carefully running it along the sleeves of Beatrice’s dress before turning her wrist around to slide her hand underneath the waiting palm. Beatrice exhaled beside her, shoulders coming down slowly before finishing what Ava started, intertwining their fingers.

Now I wanna hold you, hold you close

I don't wanna ever have to let you go

Now I wanna hold you, hold you tight

I don't wanna go back to the lonely life

Beatrice was looking at her, she could see it from the corner of her eyes, but she wouldn’t look because if she did, she would lose her resolve. The moment would break somehow and she wouldn’t be able to keep Beatrice’s hand in hers. A hand that she could now think about without being chased down by photographers or over eager exes. A hand that fit so perfectly in her own that it was sending every nerve in her body into a frenzy of reactions.

Say that you’ll hold me forever

Say that the wind won't change on us

Say that we'll stay with each other

And it will always be like this

The song ended and the audience clapped, but their hands stayed there on Beatrice’s thigh, perfectly content and still. And as the night stretched on Ava gave herself a challenge where every few seconds she would shift her thumb up and down caressing Beatrice’s skin. An act that was returned in kind after the first few times. 

“I’m trying to believe that the song he’s working on is gonna harbor me from the wind, the wind, the wind.”

“Eurydice was a hungry young girl, she was no stranger to the wind, but she had not seen nothin’”

“Orpheus!”

“Like the mighty storm she got caught in.”

“Orpheus! Shelter us! 

“Only took a minute.”

“Harbor me!”

Beatrice’s hand held hers tighter as Eurydice is taken by Hades.

When intermission began and the house lights came back on Beatrice sat straighter, giving Ava’s hand a gentle squeeze before releasing it. Ava missed the warmth instantly, but knew better. 

Beatrice stood, patting down the skirt of her dress,“Did you want me to get you something from the bar? I need to use the restroom.”

“No, I’m fine.”

Beatrice nodded before stepping into the aisle, walking to the back of the theater. Ava sat contemplating what had just happened. They had held hands. They had super held hands with a cherry on top. The butterflies flew around her stomach as she remembered the feeling of Beatrice’s hands in hers. The way Beatrice’s thumb had tickled her wrist. 

Not long later Beatrice returned. “The red carnation you gave me earlier, do you know its meaning?”

Ava in fact did not know its meaning, she just thought it would be cute since it was the same flower from the show. “Let me guess, you do?”

Beatrice rolled her eyes humorously, “No, I don’t.” But the way she was watching Ava so significantly meant that she had found out. “A red carnation symbolises deep love and affection.” She shrugged, “According to Google.”

The sound for the five minute warning echoed around the theater.

“Did you Google that in the restroom?” Ava teased, already seeing Beatrice’s face contort with different emotions. 

“I was—there was a line! I figured I would pass the time–”

“Googling the flower I gave you?”

“It makes perfect sense.” There was a faint blush on her cheeks.

Oh, they were going to play the coy game it seemed. Ava has never been described as coy, nor will she ever be. She was going to grab a hold of Beatrice’s hand the moment the lights went off.

“Ava?”

“Hmm?”

“Does it end the same way?”

“You’re not getting spoilers from me.”

Beatrice seemed uncomfortable suddenly. “It doesn’t end well for Orpheus and Eurydice.”

“We’ll have to wait and see then? Maybe this time it’ll be different.”

The house lights dimmed again and the show continued. Before she thought of slipping her hand into Beatrice’s she was beaten to it by eager fingers seeking hers and this time she looked towards her and Beatrice held her gaze.

As they neared the end of the musical Hades spoke, “Only one thing to be done. Let them go, but let there be some term to be agreed upon, some condition. Orpheus the undersigned, shall not turn to look behind. She’s out of sight and he’s out of his mind!”

The classic story was coming to an end. Beatrice was leaning forward in her seat, Ava’s hand clutched between her two hands. 

(*)

Hermes spoke to Orpheus, “The meanest dog you'll ever meet, he ain't the hound dog in the street. He bares some teeth and tears some skin. But, brother, that's the worst of him. The dog you really got to dread is the one that howls inside your head. It's him whose howling drives men mad and a mind to its undoing.”

Wait for me, I'm comin'

Wait, I'm comin' with you

Wait for me, I'm comin' too

I'm comin' too

(*)

Orpheus and Eurydice began their walk as the theater became incredibly dark and foggy apart from the spotlights on the actors.

Doubt comes in

The wind is changing

 Is this a trap that's bein' laid for me?

Doubt comes in

How cold it's blowing 

Is this a trick that's bein' played on me?

Doubt comes in and meets a stranger 

I used to see the way the world could be

Walking on the road below 

But now the way it is is all I see

Orpheus

You are not alone

I am right behind you

And I have been all along

The darkest hour

Of the darkest night

Comes right before– 

He turns, “It’s you.

“It’s me.”

The gasps echoed across the theater as the air went out of the room, but Beatrice was completely still.

They’re in the car. 

Beatrice is quiet, too quiet even for her. She’s been staring out the window for what has felt like an eternity. Ava’s not sure what to do. The night had been going well up until the end of the musical. She recognises the road she’s on already, which means they’re almost at Beatrice’s flat.

The car stops and Beatrice clicks her seat belt loose, but before she goes she turns to Ava and says, “Even when you know how it ends, you still hold out hope that it might turn out differently.” She stands by the door for a moment then says, “It never turns out differently.”

Ava tries to open her mouth to speak, to say anything, to keep Beatrice there with her, but the door closes and she disappears into the night.

They’re at the studio. The girls are collaborating around her. They’re speaking quickly and sharing ideas, and all she wants is to be present with them, but all that is running through her mind is last night's events. 

She needs to apologise to Ava. Beatrice knows better than to be disrespectful, but it had all been too much. Everything had shifted further last night and she was losing grip on the situation. 

The journal in front of her is filled with thoughts and words she needs to bury, but she has a pen in hand and she just keeps writing. Maybe if she writes it all down it’ll leave her mind and she can focus.

“Beatrice, will you grace us with your presence today?” Lilith said with an inflection that Beatrice recognises as Lilith's ‘I will cut you’ tone.

“I’m here, am I not?”

“Are you?” The reply was loaded with subtext that she didn’t want to unpack in front of everyone.

It’s quiet. The other girls are blinking between them, ready to stop a fight if there is one.

“What do you want from me Lilith?”

“I don’t know, maybe to do your job?” She’s quick to answer, which means that she’s been hoping for this for a while now. “We’ve been waiting for you to do your part for weeks now. Everything is half finished because we don’t have your lyrics.”

“You’re all more than capable of coming up with lyrics.” Beatrice knows this is the wrong thing to say, but she says it anyway. 

Mary holds her hand up, “Beatrice, you know that’s not fair, we’ve all been working hard on this album.” 

“All she does is write in her journal, and for what? It’s not like she has anything to show for it.” Lilith is speaking again, undeterred. 

Mary’s hand lands on Lilith’s thigh in an attempt to keep the peace. “Lilith, chill.” 

Yasmine and Camila are quiet, but Beatrice knows they’re holding back.

“What do you need from us?” Mary’s eyes are searching hers for anything, any kind of expression that answers what the hell is going with her.

Beatrice exhales. “I don’t need anything. I need to focus.”

Lilith opens her mouth again, “Okay, so focus.”

Beatrice stands at that, gripping her journal so tightly that she’s sure her hands are blotchy. “ Frankenstein. ” And that’s all she says before walking into the record booth.

Camila’s voice comes through her headphones. “We just have the drums and the bass down for that.”

“That’s all I need.” Lilith has crossed her arms, watching her intently from behind the glass.

The bass starts to play through her headphones. She takes a breath and begins the first verse.

(*)

Put me together, thread a needle

So I'm like other people without all of the evil

I'm trying to be normal, but trauma is immortal

And none of this is your fault

She’s going to just let it rip. Whatever baggage she has been carrying was going to come out one way or another. It wasn’t the band’s job to put her back together. And neither was it Ava’s. 

The pen is moving with a mind of its own scratching lines through lyrics and rewriting them on the spot. The drums continue to intensify in her headphones feeding to the monster growing inside of her. 

She finds her spot in the music and continues to sing without looking to her bandmates.

Oh, my God, this is so unbearable

Make it stop, this is more than medical

All I want is to feel beautiful inside and out

You're the one who can save me from myself

Destruction, 999, I need your help

All I want is to feel beautiful

Camila has pulled the keyboard towards her, no doubt already thinking of synths.

“Do the verses again.” Lilith’s voice takes over her thoughts, “You’re not angry enough.”

And so she does. She stands, pulls the journal as close to her face as possible with a microphone in the way. Her voice is low, she’s begging and leaning into the dark theatrics that the song calls for. She tries her best to compare herself to literature’s most famous monster.

Put me together one more time

Love me forever, fix me right

I could be your Frankenstein, Frankenstein

Put me together, make me better

Love me forever, hold me tight

I could be your Frankenstein, Frankenstein

An hour later Lilith joins her, already adding several chord progressions in her guitar and even recording some back vocals. They don’t agree on everything, but they’re at least trying to get through the song. 

Yasmine has brought them lunch, but Beatrice refuses to move. 

I don't wanna be a monster anymore

I don't wanna be a monster

I don't wanna be a monster anymore

I don't wanna be a monster

It isn’t until Camila physically removes her from where she is that she emerges back into the production room. She’s handed a freshly warmed takeout container and shoved into a chair.

She hears her voice through the speakers of the studio as Lilith, Mary and Yasmine brainstorm behind the glass. Her part is done, it’s up to them now. The journal on her thighs feels dense suddenly, with too much potential. 

Camila has been mixing the song as the new additions come quickly through. She can start to hear it as it all comes together and she starts to feel at ease. She can do this. If she just concentrates on them from now on she can breathe again. The weight begins to dissipate. 

“Oh my God!” Camila exclaims, phone in her hand, well, technically the phone has been slammed on the keyboard. And the jarring notes seep into her ear.

“What is it?” Beatrice just wants to eat her noodles in peace.

“Ava sent me the cover for her album.” Camila grabs her phone again, frantically typing back a message. “She looks incredible. God, if you’re listening, please send me my gay awakening.”

Beatrice wants to laugh at that, but the weight on her shoulders returns the moment she hears Ava’s name.

 Camila is wheeling the chair closer to her. “Look!”

She doesn’t know what she was expecting, but it wasn’t this. It’s Ava in front of a red background wearing a black bike helmet and nothing else. Her hands are placed strategically to hide certain parts of her body, but there’s really nothing else left for the imagination. 

(*)

Beatrice’s brain stutters for a full minute. And she knows this because the little clock by top of the screen of Camila’s phone moves exactly one minute forward. 

“Did she send it to you as well?” Camila inquires, pulling the phone away from Beatrice’s face. 

She reaches over for her phone, but there are no messages. There haven't been any messages at all since last night. “No.”

“I guess she likes me better then.” 

It’s night time by the time the song is finished. They’re sitting around the studio listening. Beatrice knows it's finished because no one is interjecting every few seconds to share an idea or an addition. 

There’s a knock on the door and then it swings open. 

Suzanne walks in with Levy close behind. “Girls, it’s good to see you all here at the studio today.” She’s speaking to all of them, but her eyes are laser focused on Beatrice. “How’s the album coming along?”

Camila perks up immediately, “Great! We just finished a song.”

“A singular song?” There’s a certain testiness to Suzanne’s voice.

“At this point RuPaul is going to drop another season of Drag Race before the album is finished.” 

Lilith laughs at Levy’s joke. 

Suzanne doesn’t react though. Her face is neutral as she says, “Beatrice, a word?”

They go into one of the empty office spaces and Suzanne shuts the door behind her. She doesn’t sit on the available chairs nearby, choosing to stand with her arms crossed in front of the door. 

Not a lot of things in life make Beatrice nervous, but Suzanne had this insane ability to make her feel like she had fucked up somehow. 

“I thought you and I were on the same page.” Suzanne begins and Beatrice knows exactly where the conversation is going to go. “I thought we both understood the amount of work it would take to make this possible.”

Beatrice sighs, “I’ve done everything you’ve asked of me.”

“And you think that’s enough?”

“I’ve walked runways, frolicked on stage and bent over backwards to run from interviews to fittings, to training, to festivals for months now.” Her voice is raising all on its own, she can feel the anger bubbling, as the heat begins to rise to her neck. “I haven’t slept for more than a few hours a night to meet schedules.”

She sits on a chair, hand on her forehead as Suzanne speaks, “You know you won’t get a second chance at this.” Her voice is calmer now, but still unreserved. “Any of you.”

“I’m aware of that.”

“Your bandmates are relying on you and you’ve been distracted.”

All Beatrice can do is nod because Suzanne is right. Her bandmates are right. She is messing this up for them. Everything they’ve worked for is culminating in this moment and she hasn’t been present.

“I will fix it.”

“See to it that you do.”

Suzanne closes the door behind her leaving Beatrice to her thoughts. She doesn’t know how long she sits there, but her sleeves are damp and her throat feels like there’s something lodged inside it.

I was doing fine

'Til I hit rock bottom

Opened up my problems

Watch that poison blossom

“Beatrice.” It’s Yasmine, she’s leaning on the doorframe. “We’re going to rent a karaoke room.”

She runs her sleeves across her eyes at a last ditch effort for some kind of composure, but she’s sure it’s obvious she’s been crying.

Yasmine’s hand stretches out for her to take. 

She’s outside Ava’s studio. And it’s 10pm on Wednesday night and she’s been outside for what has felt like hours. Beatrice was sure the businesses nearby have footage of her pacing outside like a criminal at this point. 

She has been deliberating going inside. Going inside means speaking to Ava after what happened Saturday night. A conversation that she herself was not ready to have, but needed to. It had been quiet between them since then, just the odd checking in text or late night voice note. 

They need to talk. 

They need to talk about everything. And it has to happen now because she can’t function anymore. This, whatever it is between them, is eating away at everything she does and she can’t ignore it anymore or pretend it’s not happening. Boundaries needed to be set. Rules needed to be followed.

Beatrice has an obligation to bring focus back to her and her bandmates’ careers. She inhales, taking in as much courage as possible. She grips the studio's door open, waves at the security guard, and climbs the steps. She hasn’t told Ava that she would be by, which was probably for the best because even just hearing Ava happily agree to a meet up would thwart her resolve.  

The studio’s recording light is on, and Beatrice knows she’s about to intrude, but this is for the best. She has thought about it countless times, they need to slow down, things need to be put into perspective. She believes or hopes Ava will understand her, they’re friends, and yes, Beatrice knows just how loose that term is right now between them.

She knocks on the door. It won’t take long. She’ll ask Ava for a few minutes. They’ll talk and then she’ll take the train home where she’ll sleep for a few hours before her flight tomorrow. She can do it.

Michael opens the door surprised to see her, but doesn’t hesitate to let her in, already used to her presence in the studio. “Ava didn’t say you’d be by.”

“No, I had some free time and thought I’d pass by.” Ava’s in the booth, her back is facing them. She’s got headphones on and is scribbling things down in her messy journal. “How’s the session going?”

“Not good. We can’t seem to get on the same page about the song.” He’s running a hand across his face, obviously tired.

“I see.”

He walks backwards pulling a chair to sit onto. “Last songs are always like this though, it’s hard to let go of a project.”

When her eyes turn to Ava again she’s looking directly at her. Her hair is up in a messy bun with their hair tie. The thought of ‘their hair tie’ lingers in her mind as she looks down at her wrist finding the pair there. She seems happy to see her, though Beatrice can tell that she’s tired as well. Her head goes slightly to the side in question, like she can’t believe Beatrice is there before she bounces off the stool and opens the door to them.

“Hey…hey,” Ava said, arms open and headed for Beatrice. She needs to keep the hug short, she needs to set boundaries. Ava nuzzles into her so strongly that all Beatrice can do is hold her closely. “Why didn’t you tell me you were coming?” 

She needs to let go. She doesn’t.

Michael speaks, breaking the moment. “Maybe Beatrice can help us out of the hole we’ve dug ourselves into.”

“Beatrice can do anything, she’s amazing.” Ava’s compliment comes out so effortlessly. She walks to the computer showing what must be thirty seconds of vocal work and  presses play.

Solo hay riesgo si hay algo que perder

(there's only risk if there's something to lose)

Las llamas son bonitas porque no tienen orden

(Flames are pretty because they’re chaotic)

Y el fuego es bonito porque todo lo rompe

(And fire is pretty because it consumes everything)

It was a small segment of just Ava’s voice and it was haunting. And in moments like this she wishes she could comprehend the lyrics. The harrowing delivery was enough for Beatrice to understand the emotional impact of the song, but it wasn’t enough.

“Is that all?” She asked, but she already knew the answer. Ava and Michael both nodded in confirmation. She looks at Ava, “What do you want to say? What are you going for?”

She doesn’t reply, she just walks back into the recording room and grabs her journal. She hands it over to Beatrice, a couple of loose pages falling on the floor. They both bend to pick them up, hands accidentally brushing in the process. 

Beatrice sets the journal on the desk nearby, hands running along words she doesn’t understand. It frustrates her, not being able to share this with Ava. Not being able to understand each other, even with something as simple as written words.

Ava must notice because she’s by her side, hand stilling hers. “Let me help you.”

It’s so simple. “Okay.”

“The general gist is something that was once so intense and beautiful coming to an end.” Beatrice wants to poof out of existence. “Like fame or–”

“Like a flower?”

Ava considers her for a moment, then nods. “Yes, like a flower.” She writes something down. 

“You want to compare fame to the decay of a flower?”

Ava’s eyebrows lift at that. “Well, no, that wasn’t the plan, but that's a wonderful idea.”

Beatrice pushes the chair to the side and sits in front of the journal. She opens her hand wiggling it a couple of times for Ava’s pen, which is willingly given. She finds a few empty spots on the page and writes. Line after line she writes. And Ava plops herself down on the table next to the journal and watches her. 

It must have been a few minutes later when Michael clears his throat. “Ladies, I think I’m going to go for the night.” He’s already slinging his backpack across his shoulder. “The song seems to be under control.” 

Ava must nod because Beatrice hears the door close soon afterwards. 

“Show me.”

Beatrice hands over the journal. She’s nervous.

“Sakura?”

“Impermanence.” Ava’s eyebrows scrunch. “Fame and its volatility can be compared to when a Sakura blooms. As the flowers emerge everyone watches its beauty, but as time passes by and the blooms decay it loses focus.”

“Oh.”

“I can think of something else if you don’t think it goes with your idea for the song.”

“No,” Ava shook her head. “It’s beautiful. Do you mind if I rewrite it in Spanish?”

They understood each other. The obstacle that seemed so daunting before was gone. “Not at all.” 

She watched as Ava tore a blank page from the back of the journal, making a quick work of the lyrics. “I think it should just be my voice.” She stopped writing to look at Beatrice, “For the emphasis. Like, an audience witnessing something for a short time before its beauty fades.”

“There should be a buildup, something impending and inevitable.”

Ava is off the desk, she looks from Beatrice to the production equipment.

“I got it.”

Ava’s on the stool with headphones on within seconds. 

“Okay.”

And that’s all the cue she needs to begin.

(*)

Flor de sakura

(Sakura flower)

Flor de sakura

Ser una popstar nunca te dura

(Being a popstar never lasts)

Flor de sakura

Flor de sakura

No me da pena, me da ternura

(It gives me no sadness, it gives me no tenderness)

Ava’s falsetto is unmatched as she sings the lyrics with a haunting delivery. She stops and looks at Beatrice for some kind of approval.

“Keep going. Just do it in one take.”

And that’s all the encouragement she needs.

No pa siempre pues ser una estrella y brillar

(You can't be a star and shine forever)

Via reírme cuando tenga 80 y mire p'atrás

(I'm gonna laugh when I'm 80 and look back)

Nunca m'ha dao miedo la risa de un loco

(I've never been afraid of a crazy man's laughter)

Más miedo me da el que miente o el que ríe poco

(I'm more scared of a liar or someone who doesn't laugh much)

Ava continues through the verse as Beatrice adjusts the keyboard's tone in front of her. Finding the perfect morose synthesizers to match Ava’s voice. 

La que sabe, sabe

(If you know, you know)

Que si estoy en esto es para romper

(That if I'm in this, then it's to break)

Y si me rompo con esto, pues me romperé

(And if I break to this, then, I'll break)

¿Y qué?

(So what)

“The recording from before. I want that to be the ending,” Ava’s in the room again, she’s dragging a chair across to sit by Beatrice who nods.

“What do you think about this?” Beatrice plays a few notes on the keyboard as Ava’s voice from before plays in the background. “Then, the build up during the second verse.” She continues playing, now adding a few chord progressions. 

“It sounds like death.” Ava doesn’t seem turned off by it.

Beatrice keeps playing along, improvising the synthesizers as the vocals continue. 

After a few minutes the keyboard inputs are in the production program and they’re both listening along. 

Ava touches her hand on the mouse, “Add a reverb to the synths.”

Beatrice nods, doing as instructed, “Your voice control is incredible, did you know that?” Ava gives her a small smile before leaning and putting her head on her shoulder.

They listen through again. Something is missing. 

It has been hours at this point. Ava is rubbing her eyes, a couple of yawns have already escaped. At some point she undid the belt and button of her jeans, leaving her shirt untucked. Little stray hairs frame her face. Beatrice’s own black sweater has been discarded by the couch. 

Beatrice stands, pacing the room. She bunches up the sleeves of her button up before placing her hands in the pockets of her pants. The sooner she thinks of something the sooner Ava can rest. 

“Stars like attention.” Maybe if she talks it out something will come to her. Ava doesn’t shift from her spot. Her head is resting on the palm of her hand, eyes shut. “They like to put on a show, sing to people, and they like approval.” She walks back to the computer, clicks a few times and presses play.

The song takes the pretense of a live recording, making the listener feel as if they’re in the middle of the performance. Ava looks up then, her features changing along as the song progresses. Ava stands beside her raising the volume so unbearably high that Beatrice is sure the street below can hear the song as the echo of Ava’s voice consumes the studio. 

And then the song ends and they’re both standing there in silence.

Ava’s chest is constricting at a rate that alarms Beatrice but she doesn’t have time to figure out what it means because Ava’s arms wrap around her neck in a searing kiss. She stumbles backwards caught off guard. Her hands land on the console to stop their momentum. 

She’s too shocked to move, which causes Ava to pull back. Beatrice’s chest is now matching Ava’s erratic breathing.  She makes the mistake of meeting Ava’s eyes, which are already on hers as hands delicately run along her arms, urging, coaxing. 

Ava grips both her hands in hers, eyes looking between her mouth and her eyes, searching for consent, but when no protest comes she leans in brushing their noses slowly together for what feels like an eternity before initiating another kiss. This time Beatrice closes her eyes letting the sensation settle, tilting her mouth to meet Ava’s, deepening it. They pull back and Ava sighs, the puffs of her exhale tickling Beatrice’s moist lips. 

Ava’s phone goes off from atop the computer table. They both blink their eyes open looking in the direction of the device. The moment ruined. 

Emilia.

Ava loosens one of her hands from Beatrice’s before reaching for the phone. She slides her thumb across the screen and accepts the call, putting the phone to her ear. 

“What?” Ava answers, exasperated. 

This gives Beatrice the time she needs to think again. And everything is screaming at her to go, but Ava has a hold of her hand. 

Ava sighs, running a thumb along her wrist, “Give me a second.” She speaks into the phone before releasing her hand and walking into the recording room. 

When Ava’s back is to her Beatrice gathers her things, careful to not alert Ava. She’s pulling the studio door open before she knows it, placing one foot in front of the other. 

Then, she hears Ava’s voice from behind. “Beatrice.”

She keeps going. She’s by the top of the stairs now.

“Beatrice!” Ava sounds distressed and out of breath. “Beatrice, look at me.”

Don’t turn around.

Don’t turn around.

Don’t turn around.

Notes:

I know. You want my head.

Come scream at me if you must.

You can find the chapter wrap-up post on my Tumblr.

Chapter 6: I Took All My Things That Make Sounds, The Rest I Can Do Without

Notes:

You guys are so cool and amazing! All your comments make me incredibly happy.
I'm going to go back and edit some links into the previous chapters so that everyone has access to the songs.

Here is the playlist and mood board.

(See the end of the chapter for more notes.)

Chapter Text

They’re walking the red carpet at The Brit Awards as flashes from eager photographers capture their eyes and every millimeter of her cornea is riddled with overexposure spots. Beatrice wore a silk crepe ivory top that revealed her midriff with a black asymmetrical skirt that had a slit up her thigh. She glanced around to the other members who posed beside her, they were wearing the same black and white colour scheme, but had different styles, each representative of the member’s preferences. 

The photographers all shouted to get their attention, making her want to grimace more than smile. It was all just a convoluted mess of bodies and being pushed and led to photo spots or interviewers. Assistants walked after their artist, entourages followed. Levy was different though, if anything they were following him and his lead. He knew the ins and outs of events like this and was a much needed floaty in the ever bobbing ship that was their public persona.

They had received another nomination for Best New Artist on top of their Rising Star one, which according to Suzanne was ‘expected’ and to ‘not let it get to your heads’. They were also performing their new song, which she was actually looking forward to. This would be one of their first promotional instances for their first album and the perfect audience to kick things into motion. 

“Alright, follow along my little sheep, we have a table with alcohol to get to,” Levy he spoke, fingers snapping above his head.

It was midway through the show at this point and they were backstage getting ready for their musical number. The band members had kept their original outfits for the performance, but she had changed into something more attention seeking and modern. This time, a white asymmetrical halter top short dress combo that exposed her arms and too much of her chest and torso. She wasn’t sure what the point of the stockings was at this point, but didn’t want to argue with Levy and their stylist. She needed to have sex appeal because ‘Beatrice, unfortunately that’s what sells and you have the body for it so you might as well flaunt it’. Her hair was gelled, split down the middle and straight, which was kind of like her life at the moment … minus the straight.

A sound tech came with her in ears and made a quick job of putting it on. The rest of the members were by the side of the stage already waiting for her.

“Wow, look at you.” Camila said. Then, whistled for the added effect. 

“Shut up.” She replied affronted, but definitely knew she looked hot.

Mary was looking at her, slightly concerned. “You asked your mother not to watch, right?”

“I assure you my mother is not watching. Nor does she know what the song is about.”

“Good. Can't have you revisiting that trauma outside the stage.”

This song was probably one of the first she had ever written. Neatly tucked away in her journal for what now seems like years. There was never a right moment to give it the proper attention it required because that involved actually sitting down and facing years of repressed feelings and overall stress inducing trauma. 

And this was it. She had decided that this was the only way forward for her and life in the spotlight.

The host was about to introduce them and that was her cue to walk onto the dark stage, the members would follow after a few seconds. She sat at the marked spot and crossed her legs, hands hovering above the guqin. The audience cheered as the introduction finished and the lights dimmed.

The three enormous circular array of lights above her pulsed bright orange in time with the pick of her fingers against the instrument. The fog took over the stage, looking as if the floor burned underneath her. Yasmine’s cymbals rang three times and then the drums began from behind indicating the members were all in place. She began to sing into the angled microphone in front of her.

(*)

Not a secret, not a problem

Not a symptom or cure

Not a villain, not a mistake

Not in the eyes of God

Not a weakness, not a failure

Not a savior, oh no

Not a secret, not a problem

The lights now turned a grey white, casting her in shadows. Beatrice stood grabbing the microphone from the stand. She started to strut down the runway, avoiding looking directly at the camera, only facing ahead into the arena and the audience around her. The lights began to strobe, making her movements bizarre and abnormal.

I, I

I am the number you can never divide

You crossed the line but multiplied the lies

I survived a social suicide

She gripped the air in front of her, then brought her hands down her body, running it along her torso in a downward motion. Two female dancers climbed the stairs beside the stage and joined in as she continued her fierce walk down the long stage.

I, I

Decisions were not mine

You closed me off, a jail personified

Yeah, I survived a social suicide

'Cause now that I'm your age

I just can't imagine

Why did you do it?

What the hell were you thinking?

'Cause I'm not a secret

And I'm not a problem

Why did you do it?

What the hell were you thinking?

The two dancers came close as she lifted her free arm wrist up, lazily pointing across the arena. As she did this the dancers caressed her body up and down, it was sexual, portraying that what she was was acceptable in the eyes of the world.

'Cause now that I'm your age 

Not a secret, not a problem

Not a symptom, not a villain

'Cause now that I'm your age 

 Not a mistake, not a weakness

Not a symptom, not a villain

'Cause now that I'm your age 

I survived a social suicide 

Not a failure, not a martyr

'Cause now that I'm your age 

I survived a social suicide 

Not a failure, not a martyr

Her voiceover took over the arena as she joined the dancers in fluid and freeing dance. Her movement came first then theirs, imitating her. 

You know, we all have a monster inside of us

And we have a choice

We have to decide

She faced the audience as the dancers left the stage, leaving her all on her own. She held the microphone to her lips and cried, “ But you, you fuck with my life!” She turned towards her bandmates and began to strut back up stage as the light began to strobe again.

Ayy, yeah

Ayy, yeah, ayy, yeah

Ayy, yeah, ayy, yeah

Ayy, yeah, ayy, yeah

Ayy, yeah, ayy, yeah

Ayy, yeah, ayy, yeah

Ayy, yeah, ayy, yeah

She was by them now as they continued to play the song to its completion. She raised the stand at the center of the stage and deposited the microphone. Her voice rang out intimidating and combative as the pose she held personified the anger within. She shoved the microphone down, it popped, joining her deformed voice as she stood there while the lights continued to strobe.

Beatrice wasn’t sure what happened as the lights dimmed and she rushed backstage because she was quickly tackled by four pairs of arms. Her bandmates bounced around her cheering at the insane performance that had just taken place. 

“Beatrice, that was so cool!” Yasmine had somehow managed to loosen herself enough to speak.

A hand groped her ass. “Yeah, baby!” It was Camila. She proceeded to spank it a few more times for good measure.

Her chest heaved, as her mind played catchup. She had essentially just come out to the world and it felt good. It was liberating to finally be whole and not hide behind a facade of herself. A stunt like this was of course intricately planned and spoken about at length. The band had agreed on one condition. If it was what she wanted.

The path was clear and she would not waste it. 

It’s later when she’s in bed, all the emotions from the night finally catching up that her phone vibrates from her desk and a sinking feeling settles in her stomach. Deep down she knows who it is. It doesn’t surprise her how innate the urge to grab the device is. She lays there for what seems like an eternity. Until she can’t take it anymore. So, she kicks the duvet off and swipes the phone open in one swift motion.

[You finished the song. It’s beautiful.]

She doesn’t even know what force had compelled her to show Ava the lyrics all those months ago. She has to stay strong and not respond, strong enough for both of them. 

She shuts the screen. 

(*)

How long can I leave the lights in the ceiling on?

And the static from the TV keeps me company 'til I'm gone

'Cause I rock back and forth

Reciting words that I've said wrong

I swear I've been doing fine

When I'm busy and got things going on

Oh, so girl, what you running from?

Ava is a glutton for punishment. 

They climb the steps to her apartment in Madrid quickly, nearly tripping up several times. In one fluid hand off the keys go to Alice, knowing full well that she doesn't have the mental capacity to struggle with the lock today.

“Hurry! We’re going to miss it,” She urges as Alice repeats the same key into the same keyhole.

“It’s a lot trickier than it seems!” A pause. “Why do you have so many keys!

“You literally open my door just fine every other time!”

“Yeah, well you’re not rushing me like it’s a life and death situation those other times!”

The keys fall on the floor.

“Oh my God!” Ava picks them up, turns the key in the hole and rushes through the door. Alice closes the door behind her as she makes it past the kitchen and takes a left at the dining room. “What channel is it on?”

Alice yells from the kitchen, “The BBC!”

Ava wiggles her eyebrows instinctually once Alice walks in the room, “Ooooooh the BBC.”

“You’re such a prepubescent boy.”

They’re on the couch as The Brit Awards come back from commercial break. 

“I don’t think we’ve missed it.” Alice is scrolling through her phone, “There isn’t anything on social media yet, just pictures of the red carpet and some screenshots of their table.”

Ava leans towards Alice, eyes going directly to the phone, “Let me see!” They scroll back up to several pictures of The Cruciforms on the red carpet. She smiles as she spots Beatrice right away. Already pushing at the screen to zoom on her face. “She’s so pretty.” There’s awe in her voice, something she doesn’t bother masking anymore. 

“If you’re going to ogle please use your own phone.”

“Look at her abs! They’re like Dua Lipa abs, but better because they belong to Beatrice.” Alice would have to pry the phone from her cold dead hands if she wanted it back. “Look at her thigh!”

“Okay, wow we’re objectifying.”

Ava kept scrolling as the award ceremony continued in the background, she stopped every few seconds to read the comments underneath each picture. “ Slap me Beatrice Young, I’m begging.

Alice continued to watch the show, unsurprised by Ava’s comment. “Did you just turn into a thirst tweet?”

“No, someone wrote this in a comment.” Ava continued to read through the various messages, a strange overprotective sensation beginning to blossom in her chest, it felt tight. “ ‘Beatrice can hold my hand in public and my neck in private,’ well, that’s just fucking unnecessary.”

Alice chuckled beside her, “You know you get comments like that all the time, right? It’s like a game of Minesweeper. Will I be horrified by a comment today?”

“Yeah, but this is different, this is Beatrice.”

“She’s a public figure. She’s not just yours.”

Mine.

The presenter began to introduce the band, recounting their achievements and even alluding to an upcoming album. The crowd cheered and Ava reached for the remote bringing up the volume to an excessively high level.

“We don’t need tinnitus, you especially.” Alice said, while bringing both of her hands to her ears.

Ava sat, feet folded underneath her anticipating the start of the performance. The three circular lights pulsated along with Beatrice as the song began. 

“The girl is truly talented!” Alice all but yelled over the television as the first few notes played. 

“Shush!” Ava bounced in place as the song changed and the strobe lights began to go off. “What the fuck is she wearing?” Ava’s eyes squinted, she was having trouble focusing and she didn’t have time to grab her glasses. She stood, rushing to the television nearly colliding with the screen in her desire to not miss a single moment.

“Can you please be careful? You’re going to chip a tooth and I don’t want to go around calling dentists for last minute appointments. I’ll force you outside for all the world to see before I do that.” Ava was frozen in place and it was such an inconvenience that Alice had to physically shift over just to be able to see a portion of the television. 

Her face felt hot.

“Should I not be here right now?” Alice asked. 

The performance had reached the point where Beatrice was being felt up by the dancers. 

She ran a hand through her hair, “What the fuck! Is that allowed?”

“Umm… you posed naked! And you’re asking whether Beatrice being stroked by dancers is allowed!?”

“That’s different!”

“Yeah, I should definitely not be here.” Ava was now pacing in front of the television. “You need to go straight to horny jail!”

She ended up on the floor by the end of the performance, mystified by Beatrice. Somehow she always managed to subvert her expectations. When they first met she had thought Beatrice was lucky, she and the band had caught a huge break. But the more time they spent together the more she recognised just how much talent was just waiting to crack open and completely take the world by storm. “I guess it’s full throttle then.” 

“What do you mean?”

“Her team has chosen her as the centrepiece of the band. With me it goes without saying, but for a band that’s a difficult decision. So, she has to represent herself well and have a clear message from the get go.”

“Unapologetically herself?”

“Yes.”

“She’s going to be a force to be reckoned with.” Alice cheekily adds,  “And she’ll have a lot of fangirls…lots of competition.”

Ava scowled, she had no doubt about that.

Later in bed Ava is scrolling through recaps of the performance, stopping every so often to listen to a lyric or a piece from the song that catches her attention. She’s been at it for hours at this point, remembering back to that night in Paris when she read the song in Beatrice’s journal. How vulnerable she had looked then.

A decision like this could not have been easy. It would have had to go through various stages of approval and a lot of preparation. Ava wondered if it was a decision Beatrice signed off on or if it had been decided for her. The feeling in her chest started again. The protectiveness. She wanted to shield Beatrice from everything she had experienced herself throughout the years.

She’s back to reading the thirst comments.

“Spare me a chance, I have a stable income.”

She had a stable income…

“Beatrice’s arm muscles can crush my skull.”

They had seen nothing yet. Ava had seen the magnificence firsthand as Beatrice beat together the ingredients for the cookies… the flex of her tendons…

That’s it. She was holding these fans accountable. This was Beatrice they were talking about. 

Her Beatrice

The fake account is made in seconds. She cocoons herself in the duvet.

“Images that make me feel like a Victorian man beholding an ankle for the first time.”

“Yeah, well, develop the pride and prejudice to look away Darcy!”

“She’s so pretty, someone sedate me.”

“Enough tranquiliser to knock out an elephant, okay?”

“Every time I see these photos of Beatrice my legs are divorcing.”

Reported for inappropriate content. 

Oh, maybe there's something in the midnight hours

The midnight hours, you know

Or maybe there's something in the dead of night

When I'm sleeping alone

Where I always see your face

God, I wish I didn't though

Can I have one night, one night, one night

Where it's just me alone?

Ava wants to scream. She’s sitting in one of her label’s boardrooms, which is covered with festive decorations and red balloons all in honour of her album’s wrap up. The press is in the room as well as photographers, all patiently waiting for interviews and photo ops. And she should be celebrating with the rest of her team, who are busily toasting and laughing, while the album continues to autoplay in the background. But every time the album’s credits scroll along the screen in front of her a name catches her eyes and she feels sick.

She hasn’t heard from Beatrice. At all. It’s been over a month. She’s been patient. She’s given her space. And to her credit has only sent one very drunk voice note. She doesn’t regret it, drunk Ava had a point. And she knows that Beatrice has at least seen it because the little check marks are there taunting her. 

Ava’s not sure what has gone wrong between them, every interaction leading up to the kiss had been definitive and unquestionable, at least for her. It’s the lack of intimacy that’s killing her. For months now Beatrice has been, as plainly as she can put it, everything. From wakeup texts to goodnight phone calls, to all the inbetweens. She doesn’t remember the last time she fell asleep without hearing Beatrice on the other end of the phone or waking up to each other’s rustling in the mornings. 

Emilia is talking to Alice, but they’re both looking at her. And Ava knows they’re concerned. She’s been moody and unnaturally quiet. She knows they know she’s troubled by something, but they’re keeping their distance, at least for now. Watching from afar until she slips, but she won’t. She’s going to keep it together because she’s done nothing wrong and she will highlight what her album represents.

Alice comes to her, drink in hand but none for her, which is silly because if she really wanted a drink she could just saunter over to the bar and get one herself. “You need to let me know when you’re ready for the press.” She takes a swig of her drink.

“I’m ready now if they are.” She wants to leave. The sooner she gets this done the sooner she can go to her apartment and cry or eat, preferably at the same time.

She sits down across from a journalist from Pitchfork. He has pretentious glasses on and has interviewed her before. He of course doesn’t think she remembers the crude joke he made about her four years ago.

“So, Ava.” He begins, crossing his legs and putting his little notepad on his knee. “I caught your Max Martin tribute at the Grammys, what an incredible love letter to pop music.” The opening statement. He’s trying to gauge her mood. “Did you enjoy yourself?”

“It was fun. There was a lot of talent on stage that night, I was lucky to be a part of it.” 

The perfect answer. Devoid of any actual emotion and keeping things friendly. 

“Yes, you sang alongside JC, it was a treat seeing both of you on stage together again.” He was going through his notes. “The Cruciforms are fantastic aren’t they? So much talent packed into that band.”

“They’re incredible. Amazing people on and off stage.” She knew this was coming. She’s prepared.

“The lead singer Beatrice Young, is a powerful vocalist.” She hopes her sigh isn’t audible.“It was a shame that we didn’t get to hear both of you sing together that night, but I can see that she’s collaborated on the album.”

“It was, wasn't it? Yes, we happened to be using the same studio and it seemed only natural to team up for a few songs.” A lie, but he wouldn’t know such details.

Alice is just outside the glass doors where the interview is taking place. She’s pacing and occasionally looking up to Ava for any signs of distress. She hadn’t prepared for Beatrice to be brought up, but she has the media training to maneuver the conversation.

The questions shifted to the album now.

“This is your third album, the first to be primarily commercial in nature and conception, what would you say to fans who are anticipating a sound they’re used to?”

She clenched her hands down by her sides. “I think fans will be happy with my versatility.” He just wants a quote for his article. “Nothing about my music has changed drastically, there are still so many nuances from my roots and homages to great past compositions.”

He hums and writes in his notebook. The interview continues.

They’re climbing the stairs to her apartment when Alice decides to drop the bomb and Ava considers how easily she can get away with murder if Alice just happens to slip down the stairs. She thinks better of it though, the scandal wouldn’t be worth it.

“You need to talk to me.”

“What about?”

“You know what.”

“Did Emilia put you up to this?”

“No, I’m your friend. I know when you’re not well.”

“I haven’t done anything wrong.” She’s struggling to find the key to the door, always forgetting which fits which. Alice breathes out palm outstretched. She hands the keys over and they both go through the threshold moments later. “I’ve been doing my press releases and going to team meetings. What more do you want?”

Ava knows the moment Alice walks in, the real questions are going to get asked. So, she shuts the door behind her and mentally prepares herself. They go through the kitchen and into the dining room where she haphazardly throws her purse.

She’s undoing the zipper of her dress when it happens. “Is everything okay between you and Beatrice? I haven’t seen you interacting at all recently.” 

Her body betrays her as it stops moving all on its own. She recovers quickly though, pulling the sleeves of her dress off her shoulders as she makes a right and enters her bedroom. “You, better than anyone else, know how busy I've been.”

Alice doesn’t counter and Ava takes that as a win. She finishes taking off her dress, putting on something comfortable from the closet. When she emerges from the room Alice is standing between the doorway of the dining room and the living room, the perfect view into her bedroom. Her arms are crossed. She’s assessing. 

“Are you leaving?” Alice raises an eyebrow, she shouldn’t have said that. 

“Ava, you’re about to start an album cycle, don’t you want to start it on the right foot?”

“Again. What have I done wrong?”

Alice sighs, exasperated. “Fine.” She turns to go already by the kitchen before she says, “Don’t make it more difficult than it has to be.”

A dry sort of angry chuckle cuts through her throat. “Don’t make it difficult?” A pause. “Of course, play the part.” Her eyes are pooling with tears and she’s not sure if they’re angry or sad. “You know what’s difficult?” Alice shakes her head. “Falling in love with someone who is pretending like none of it happened.” 

It doesn’t feel good saying it out loud, if anything the admission is so blunt and sincere that she feels the pain of the last month hit her all at once again. Alice shouldn’t be the first person to hear those words, it should be Beatrice. Nor should they be associated with that context. She hates that they’re now out in the universe because it makes it real. It’s easier to pretend what it is and isn’t if the other person is also pretending.

Alice’s concern is even more obvious now. She walks back to Ava, a hand coming to her shoulder. “What happened?”

The shrug Ava responds with summarises everything so well that it bothers her the moment she does it, “I don’t know. She hasn’t reached out since we finished Sakura . ” 

Alice is pulling one of the dining chairs and it scrapes against the tile floors. She sits and motions for Ava to do the same. “Just think back, is there anything that happened or something she said?”

She sits and her right leg begins to bounce with apprehension. She doesn’t want to think too closely about their interactions because deep down she knows there were probably signs she ignored. “She didn’t tell me she would be by the night we kissed. It isn’t like her to suddenly see me without notice.”

“Do you think maybe she wanted to speak to you?” Alice is pensive. “Maybe letting you know she was coming to talk beforehand would have scared you?”

Ava’s brows furrow, “Why would she need to talk to me? We literally speak all the time.”

“Yeah, you guys spoke about things, but you didn’t speak about what was happening between the two of you. You shared your frustrations about it several times with me.”

“You think Beatrice was coming to speak about us that night?”

“I don’t think, I know.”

“You know?”

Alice looks guilty. She’s running her hand along the grooves of the table, avoiding eye contact. “I told her that she needed to speak to you.”

The anger is coming back, but this is Alice, someone she considers her best friend, so she reels it in. “You told her she needed to speak to me.” She repeats it trying to make sense of it and its correlation to Alice.

“Yes.”

“Right.”

“That doesn’t mean she was coming to break up with you.”

Her head twists from side to side in an attempt to alleviate the tension that is running through her body. “You can’t break up with someone you’re not dating.” She joins Alice at picking at the table. “She was weird the night after Hadestown, I think it upset her. I didn’t want to push so I just let it go.”

“Anything else?”

“She was a little annoyed during a video call. I think she was at the studio.”

“Annoyed with you?”

“No, one of the band members.”

“Do you think maybe there may have been tension? You guys have been spending a lot of time together, it could have rubbed the band members the wrong way, especially while trying to get an album finished.”

Ava was quiet. She hadn’t considered this at all. Had she selfishly taken Beatrice from her responsibilities? The more she thinks through their time together the more obvious it seems. She had taken. She had taken without realising how much of an impact it was having on Beatrice’s life and career. Their time together could have been spent finishing the band’s album or with Beatrice having proper rests between schedules. She feels sick again and this time her stomach actually churns. She had been inconsiderate and she had blamed Beatrice.

“I need to apologise.”

“To Beatrice?” Alice is confused.

“Yes.” She grips the straps of her purse and slides it across the table. Her phone is in her hands after some rummaging.

Alice stands, “Well, that’s my cue to go.” She’s at the threshold of the apartment before she speaks again. “Let me know how it goes.” Then, the door closes behind her.

The phone feels unnaturally heavy.

She goes to her most recent contacts and easily finds Beatrice’s name, no longer Donatello, now, just simply Bea, and hates how the name no longer appears as one of the first few options. 

The phone is by her ear before she can second guess herself. It rings once…twice and then goes to voicemail. “Ugh!” She hangs up discarding the phone on the table, then digs her nails through her hair in frustration.

She sighs and walks into the bathroom. Maybe Beatrice is busy. 

After a shower she’s by the dining table again. Drops from her wet hair land on the phone as she taps on Beatrice’s name again. Voicemail. Faster this time. And now she’s not sure if the drops belong to her wet hair anymore.

When she finally looks up from the phone her eyes gravitate to the liquor cabinet and all its allure. She shakes her head. This cannot become a habit again. 

Is it 'cause I've been feeling guilty all along?

Or is it the Gods just tryna tell me to move on?

'Cause while you're haunting me, that's what you've done

Oh, so girl, what you running from?

Beatrice wakes and the first thing her eyes land on is Ava’s gift and she immediately regrets its placement. Her hands automatically pat around the bed in search of her phone, but bitterly she recalls leaving it by her desk to charge.

There are no schedules today and her bandmates are spending time with family and friends. She on the other hand has taken it upon herself to go into the studio to write and record. If she keeps busy then there’s no time to think about Ava. And there’s no time to listen to the voice note.

Alone time in the studio is exactly what she and the album need. It surprises her how quickly she is able to get through some of the songs in her journal. Years of feelings and thoughts all encased within. She’s careful not to look through the pages with the dog ears, the only indication of it being her songs and her songs alone, and also Ava’s, but she won’t let the thought simmer for long. 

It’s later once she’s home having dinner that the delicately crafted cocoon shatters. Her phone lights up with Ava’s photo, it rings once, twice and she presses the side button effectively ending the call. She stands from the dining chair and tosses the bowl into the sink and by some miracle it doesn’t shatter. 

The second time the phone rings she’s in bed staring at the painting. It rings once and she presses the side button again, no hesitation this time. Her heart actually feels like it's in pain, its scattered beat ringing in her ears. She turns away from the phone and painting and shuts her eyes so tightly that the tears have nowhere to go than down her cheeks. 

She doesn’t know when she turns back around, but she’s sure it’s well into the night. The thoughts in her head are keeping her up, just like the voice note she hasn’t heard. Before she can think better of it her hand is moving on its own. 

Ava’s voice comes through the speaker.

“Hey… hey, listen, I’ve been trying to not…to not reach out and I thought I was doing a good job, you know? But then I found a picture of you on my phone and—I’ve been drinking—I’m fine. I’m home, don’t scrunch up your eyebrows—anyway, it’s a picture of you and your cute freckles, and I just gotta say—your freckles, your freckles are like little constellations, okay? I can’t stop thinking about them, like, seriously, every time I close my eyes, there they are, dancing on your face. All I want to do is run my fingers across them and connect them. And it’s… it’s kinda beautiful, ya know? But then… then what the fuck happened after our kiss? I thought we were on the same page, like we were creating something together, but now you’re just… gone. And I don’t want you to go. And I’m angry, alright? I’m angry because I was sure we understood each other, I was sure that we were something…and now I’m left here, drowning in my own thoughts, angry and confused and…and In– I don’t understand what happened or if I’ve done something wrong? Have I done something wrong? Please tell me if I've done something wrong. I just… I can’t sleep. Every time I try, I can’t sleep because I miss your stupid snores and then—bam! I remember all our moments together and the kiss and then the silence. I’m cold and you’re not here or I guess I’m not there. And it hurts, it really hurts. I’m sorry, I know this is all over the place, but I needed to let it out. And I just want you to listen because I didn’t think me and you would be this painful. Goodnight… or whatever I don’t know where you are. I guess I’ll be here, waiting for you to come back, so, please come back.”

“Ugh!” The phone flies across the room and hits the far wall. “Shit…shit…fuck!” She grabs the thing, turns it around and finds a crack running across the screen. “FUCK!”

Oh, maybe there's something in the midnight hours

The midnight hours, you know

Or maybe there's something in the dead of night

When I'm sleeping alone

Where I always see your face

God, I wish I didn't though

Can I have one night, one night, one night

Where it's just me alone?

Beatrice waits as the girls slowly exit the label's head office. They’ve just come from a meeting where the album was previewed and it all seemed to be heading in the right direction right up until the subject of commerciability was brought up. This was something they had anticipated of course, but were surprised at just how inescapable it was going to be.

“To be perfectly honest, our songs are already hella commercial.” Mary was not enthused. 

Lilith joined in at her side as they all began to walk away from the building. “I wouldn’t hear most of our music, that’s how commercial it is.”

Camila poked at Lilith's shoulders. “Lilith, that's rude and a stretch.”

Lilith wasn’t wrong per se, but Beatrice was not going to agree with her in any capacity. 

They walk for a few minutes and find a small park to talk in.

Yasmine is quiet and on her phone, she’s looking through their tracks deep in thought.

Lilith is looking between her and her satchel, face unreadable. She seems like she wants to say something. “Yes?”

“Do you happen to have even more commercial songs in that journal of yours?”

“I…” She hesitates, clutching the bag closer to her person just in case by some inexplicable reason Lilith decides to take it off her by force. “We’ve recorded everything I’ve finished for the band.”

Lilith frowns at that. “For the band? What does that even mean?”

She breathes in, trying to even her temper because arguing with Lilith is not in the cards today. “You know what I mean, Lilith. I don’t just write things for us. There are songs in here that are not ready or meant to be only a release.”

“Are they commercial though?”

“They can be.”

“Show us.”

“No.”

“Show us at least one.”

Mary has stepped closer between them now. “Beatrice doesn’t need to show us if she doesn’t want to.”

Camila has gripped her hand, she shakes it a bit. “Bea, have you written something cute?”

The flush comes to her cheeks instantly. “No–no I, why would you immediately jump to that conclusion?”

Camila laughs, “I feel like you’re secretly a romantic.”

It diffuses the situation slightly and Beatrice begins to feel comfortable again. She’s gripping the buckle of her bag, considering opening it. She walks to an empty bench and pulls the journal out. They all gather around her expectantly. She quickly scans through the pages with the dogs ears, avoiding lingering very long so that others don’t get a chance to look too closely.

She stops at one page and relinquishes the journal, she knows they won't look through, she knows they wouldn’t, but the anxiety of it builds nonetheless.

Camila begins to kinda sing it out loud.

She showed me what love is

I'm actin' like I know myself

Oh, in case you didn't notice

Oh, oh, 

I would go blind just to see you

I'd go too far just to have you near

In my soul, I've got this feeling, I

Didn't know until I seen ya

She puts her hands in her face and squeezes her eyes. 

Lilith is laughing. “Oh my God, does that say ‘her body’s like a modern art, take it out in front of me’?

And she wants to die.

So I, I know what it feels like

So I can wake up in the daylight

And my chest ain't heavy

'Cause you're not there with me

Tell me when that will be

Ring.

Ring.

Ring. 

The call rolls to voicemail again. After hearing the beep Ava clears her throat, “Hi… I called the other day but I don’t know if you were busy and couldn’t pick up. I spoke to Alice. I’m sorry if I put you into an uncomfortable position with the band. I…I don’t know. I’m sorry if I asked too much of you. Just, please, can we talk about this? I just. I just miss you. I hope you’re doing well and getting enough sleep. Please call me.”

Oh, 'cause I rock back and forth

Reciting words that I've said wrong

I swear I've been doing fine

When I'm busy and got things going on

So what am I running from?

Beatrice never returned her phone calls or her voicemail or her texts and Ava felt the bile at the back of her throat every time she dwelled on it for too long. She had officially moved past being sad or sorry or any combination thereof. She had arrived at all alarm bells ringing Spanish fury, which was an angry bull waiting to kill or be killed. 

In an earlier fit of compunction Ava had stowed Beatrice’s hoodie into the far corner of her closet, but when she glanced down at the hair tie on her wrist to do the same she found that she couldn’t part away with it as easily.

Later a text message from Camila surprises her. 

It’s a picture of the band and their team all smiling in the studio. 

[The album is almost finished! Just have a few small things left to do.]

Ava wants to be happy for them. She knows how much of a monumental effort this is for an artist. But one look at Beatrice and all the joy for them she can muster dissipates. Beatrice seems happy. Unbothered. Like the past months haven’t affected her at all. And Ava is beginning to doubt everything. Had this all just been in her head? 

There’s a woman next to Beatrice, arms wrapped along her arm, and she looks comfortable there, too comfortable. She follows their linked arms landing on Beatrice’s wrist and then the other. She isn’t wearing their hair tie. 

She sends Camila back a thumbs up. 

Sitting there, Ava feels the last of her composure snap. Opening up a chat that for weeks now has only had a one sided conversation, she begins to type.  

[Seriously? Nothing?]

[Fuck you.]

Oh, maybe there's something in the midnight hours

The midnight hours, you know

Or maybe there's something in the dead of night

When I'm sleeping alone

Where I always see your face

God, I wish I didn't though

Can I have one night, one night, one night

Where it's just me alone?

After a long day at the studio and by some miracle they all unanimously agree on sushi train for dinner. So, they slouch into the Tube with various stages of exhaustion. Knackered was probably the correct word for all of them, except Camila, who eagerly bounced between each of them with something to say.

They took their seats in the booth at the sushi restaurant, with Mary and Lilith both closest to the conveyor belt. Something that they all should have been wary of because Lilith liked to hold anything against you if she could, food included.

“I can’t believe it’s finished.” Camila sat across from her and to the left of Mary, feet already kicking underneath the table.

Yasmine interjected from beside Beatrice, “Technically not finished yet. We still need to decide on what to cut for the initial release and do post-production on some of the tracks.”

Mary began to grab plates off the rotating stage, carefully handing each off to the eager hands that stretched out. 

“What you’re saying is that it’s finally finished and we can celebrate!” Camila grabbed the iPad from beside the table, queuing in orders of food and alcohol. Lilith reached over from across the table, hand going towards the iPad before Camila jerked it away. “What do you want?”

“Scallops.”

“And?”

“Unagi.”

Beatrice raised a finger also indicating that she too wanted Unagi.

“Holy shit guys, our lives are about to change. Do you get that?” Mary continued to pull plates, spreading them across the table for everyone to pick whatever they wanted.

“I’m sure Suzanne has had a working form of our schedule for months now,” Beatrice grabbed chopsticks for the table neatly breaking them free from their protective paper packaging before laying them on top of napkins for the other members while Yasmine dispersed the small bowls of soy sauce.

Lilith dug in immediately, dunking the sushi several times. “We still have to approve it though.”

Yasmine pursed her lips before saying, “Are you willing to put your hand up for that, Lilith?”

“No. I’m not an idiot. Chances are that Camila will say something silly and get the conversation started.”

Camila shook her head mid bite. “She scares me, I would like to live a long life of over consumption and comfort.”

Their alcohol arrived along with some of the fried selections. 

“Cheers!”

“Yas!”

“Cheers.”

“Careful!”

Lilith grunted as their glasses clinked together, some of the liquid spilling on the table with how much excitement had developed.

Yasmine began to pat down the spill spots with napkins, all clustering along the liquid. “Beatrice, I don’t think we’ve thanked you enough for coming in on our days off.”

“I had a lot to make up for.”

Mary looked at her appreciatively, “Really, thank you.”

The smiles around the table warmed her instantly. It felt nice to hear the recognition, but deep down she knew that they didn’t need to say anything at all. She was happy to share this moment with them. Happy to finally enter the next stage of their lives together. 

Camila kicked her underneath the table for like the 5th time. “We’re about to become inseparable.”

She looked between her friends, it was difficult to not beam at the women around her and all they had accomplished together. “We’re pretty much already there.”

“But think about it. Once we start touring we will literally be with each other 24/7 for close to two years.” Camila continued the discussion making the whole table groan in unison. “Mary, don’t you love me?”

“Oh God, don’t remind me, I already can’t stand you all.”

Beatrice tried to keep up as they all spoke over each other. They were all excited about the next few steps in their careers. Album covers needed to be taken, music videos needed to be shot, a tour had to be planned, the list was endless.

Yasmine was handed a pitcher of water for the table by a staff member and they all grabbed their empty cups rushing to be the first to pour. “Where do we want to start the tour?”

“It’ll probably start here.” Lilith said, matter of factly. “First Europe, then probably North America and so on.”

“We have to go to Spain, my abuelita needs to see us and she doesn’t travel well anymore.”

They ate their dinner through differing stages of laughter, hope and irritation, but never forgetting how much love and admiration was shared between them. Beatrice felt good. The affection they all had for one another was making things easier on her. She felt content sitting there, just seeing them happily interact and have a semblance of normalcy. 

“Bea, you really need to make a social media account.” Camila was looking through her phone, it was difficult to get her off it once she started, but they were all too full and too content to argue with her. “I keep getting comments meant for you and my poor eyes can’t take another innuendo.”

“Nope!”

“Honestly, they’re wilding.”

“I would like to sleep peacefully at night, thank you.”

Mary crossed her arms behind her head lounging back, “I sleep like a baby.”

“See?” Beatrice pointed towards Mary. “Not going to happen.”

Lilith pulled out her phone, going through her apps and tapping one. She held the phone up so everyone could see the massive list she had accumulated. “I just block them.”

Camila got closer, her hand scrolling up and down the list, “The Beatrice fans?”

“No, mine. They like when I block them.” Lilith smirked then her eyes landed on Beatrice before saying, “I reply to the Beatrice ones with ‘you have bad taste’.

“Asshole!”

“Oh shit!” Camila held her phone close to her face, her eyes bulged out comically. “ Exes reignite spark? Ava and JC spotted together on a romantic date. ” 

Beatrice felt her stomach drop.

Camila was speaking again, but she couldn’t make out the words. The room felt small and too big at the same time as a sudden ringing blasted in her ears. What the fuck had Camila just said? She wasn’t sure when her hands began to shake, but she dragged them off the table already making quick work of the cuticle along her thumb. Anything to keep them from shaking.

She glanced around in the hope that no one had caught that. Lilith didn’t seem to be taking part in the conversation, too busy finishing off her drink. Yasmine and Camila were staring at the phone speaking rapidly. Her chest was moving erratically now, which made no sense because not enough oxygen was flowing into her lungs.

Mary’s eyes met hers. She watched her curiously for a few seconds before nudging Camila, “Cam, put that away now. No phones on the table.”

“No phones on the table!” Both Yasmine and Camila chanted in unison. 

“Does anyone need a water refill?” She needs air.

Yasmine stood, “I got it.”

It’s fine. She can do this. She had years of emotional repression to fall back on.

Dinner finished and they all gathered outside the establishment for their farewells. She just needed to get on the train and go home. She had made it this far already. 

So I heard you found somebody else

As she waited for the train she reached for her phone typing in Ava’s name on the search bar. And there it was. All the confirmation she needed. Ava and JC walking down the streets of New York. There were other pictures of Ava getting into a car with JC jumping in quickly behind her. 

And at first, I thought it was a lie

She suppressed whatever melody her mind had created, physically shaking the thought from her head. The train arrived and others around her began to board, but she remained completely still. 

I took all my things that make sounds

The door closed in front of her. She turned on her heels and headed to the ramp for the platform across from her.

The rest I can do without

She needed to go to the studio. 

When she went through the doors of the production room, anger had comfortably settled itself within her. She went around the room pushing every button within her reach as the audio equipment began to turn on. The computers were ready within seconds as she pulled her journal from her satchel, grabbed a healthy amount of sheet music and headed for the recording room. 

I don't want your body, I don't want your body

She leaned the journal against the wall next to the microphone and began to write. The maddened pen strokes barely having the time to dry before her skin grazed against it, smudging it. This was going to be rough. She was only being led by the beat in her head, but that was fine she just needed to get her thoughts out.

I don't want your body, I don't want your body

The cashier ran her items through. “So that’s a Nikka, an Asahi six pack and two Cadbury Marvelous Creations.” He looked up, scrutinising her for a moment which unsettled her because getting caught drinking was probably not in her best interest. “Can I see some ID?”

“Oh.” She breathed in with a sigh of relief. “Really?”

“Yup.” The P popped as he said it.

She dug through her satchel procuring it. He slowly looked through, probably doing some convoluted mental math. “It’ll be £536.”

The studio door closed behind her as she deposited her spoils in front of the computer. She wasn’t a drinker. Hardly ever tried to make contact with it. Alcohol made her flush an embarrassing red and caused her salivary glands to pinch and shrink in pain. But she needed to drink like she needed oxygen. 

The first shot of whisky, or if you could call it that, came straight from the bottle. It burned down her throat and as she did it she immediately regretted it. Her voice was going to sound like shit. That was stupid. But it was fine she could just re-record it later. 

She pulled off her sweater, already feeling the effect of the liquor throughout her body, and threw it on top of the console. She looked at the beer bottles dumbly realising that she didn’t have a way to open it. After a few twists of her palm the bottle cap came loose, cutting through her skin. She drank from the bottle then sucked on her bloody skin, which caused it to burn as well as sting.

She was giving tortured artist and she hated it.

Back in the recording room she sat on Yasmine’s stool, retrieving the drum sticks from the holder. She just needed a simple beat to get started. 

Once she had the tempo down she moved over to the keyboard bouncing around the C Major scale with a few chords. Then, shifted between synthesisers, finding the perfect melancholy tone and then reverbing it. 

Mary would probably judge the shit out of this, but she would make do with what she knew, so she grabbed Mary’s bass and listened as the drums and the synthesisers played around the studio. After a few chords the atmosphere of the song began to take shape. 

It was very 1980’s and Lilith was going to weaponise it against her. But that’s fine because she could already hear the guitar in her head and she was sure Lilith would have an input for a solo if she didn’t make one herself.

She pulled the microphone stand to the center of the room and put on her headphones. The synths came through them, it was choppy and little undergraduate dorm sounding but it would do. She took a swig from the whisky bottle on the floor, already halfway, and closed her eyes briefly, listening, the synths sounded just as hazy and drunk as did. Then, she grabbed her journal and began to sing the words off the page.

(*)

So I heard you found somebody else

And at first, I thought it was a lie

I took all my things that make sooOooOuunds

The rest I can do withaaaaaOoOoOout

The drums kicked in with a push of the button beside her, changing the tempo of the song. Her left leg bounced to the beat of the song, the shoe rubbing against the carpet underneath her. Was this going to be the corniest thing she’s ever written? No. That honour belonged to seven year old Beatrice with a riff off Olivia Newton-John’s Xanadu that was ahead of its time. But it probably came close. 

I don't want your body

But I hate to think about you with somebody else

Our love has gone cold

You're intertwining your soul with somebody else

Huuuuuuhhh Ooooohhh

I'm looking through you

While you're looking through your phone

And then leaving with somebody else

No, I don't want your body

But I'm picturing your body with somebody else

It was difficult to not get sucked in and bounce along to the beat. Her temperature was already at boiling, which meant that any excess movement was going to end up in sweat. The flush on her cheeks had taken hold as well, but at least her mouth was still intact.

And c'mon baby

This ain't the last time that I'll see your fAAaaaaaaeeece

And c'mon baby

You said you'd find someone to take my plaaaaAaAaaace

If this wasn’t a breakup then why did it feel like it was? Why did she feel so bitter? The guilt, the jealousy, the longing, it was consuming her. She can deal with the guilt, she has been doing that her whole life. It was the jealousy that was new and all-encompassing. Sure, she had dated, had flings, but not like this, not like Ava. Never had she given herself so freely without restriction. She should have known better, she should have been careful, but Ava was different. Ava felt different. 

I just don't believe that you have got it in you

'Cause we are just gonna keep doing it every time

I start to believe in AAAAAAaaanything you're saying

I'm reminded that I should be gettin' over it

She grabbed the microphone off the stand, head bobbing along with the beat as her feet did the same. She took another swig of the bottle. The room was spinning. The lights were beginning to track along her eyes. 

Get someone I love?

Get someone I need?

Fuck that, get money

I can't give you my soul

'Cause we're never alone

She had done this. She didn’t want complicated. Not now. She wasn’t ready. But that didn’t mean that it didn’t hurt. That the thought of lost love wasn’t wreaking havoc in her mind. Once the song was out it would exist outside of herself and she could start to make sense of everything. She could begin to think objectively and preferably not be inebriated. 

Get someone you love?

Get someone you need?

Fuck that, get money

You can't give me your soul

'Cause we're never aloooooooooone ooooooooooouuuu

and IIIIIIIIII naaaaaah

Was this song a fucking defense mechanism? Was songwriting a pathological response to not accepting her own feelings or a maladaptive behaviour to shield herself from a situation that was no longer within her grasp? 

She froze and stumbled out of the room. She needed water. She needed to get her balance, but then the room went dark.

Four pairs of eyes were looking at her. All with varying stages of concern. She could hear herself singing in the background, her voice coming through to the production room. Her mouth was dry and tasted foul. She had somehow made it to the couch, or somewhat, half her side hanging off of it. Her arm is completely asleep underneath her head. She shifted it and saw it move but didn’t feel it. 

“Bea?” Camila calls out to her. “Are you alright?” There’s a hand on her forehead. “She doesn’t have a fever.”

“She smells like sweat though.” Mary is scrunching her nose. “And alcohol.”

Lilith has already walked towards the recording room. “There’s vomit by the door, be careful.”

She tries to stand, but the room is spinning so she ends up flopping back down onto the couch. “What–what time is it?”

“It’s ten a.m. Beatrice.” Mary is pulling her up by her arm now, slightly turning her towards the seat of the couch for balance. “You’ve been drinking.” She’s looking at the empty beer bottles by the computer, she spares her another dissatisfied look before walking to the consoles and turning off the music.

Yasmine is by the door of the studio and before she turns the handle she says, “I’m going to go find her some water.” 

Camila sits by her, sweater in hand, already fitting it over her head and pulling her arms through each sleeve, “You’re freezing.”

Lilith carefully walks back into the room holding a small box with empty beer bottles and chocolate wrappings. “She needs to go home, she can’t come to the fitting like this.”

Camila and Mary both nod as Yasmine kneels in front of her with a water bottle. She drinks slowly knowing how quickly it could all come back out if she doesn’t pace herself.

Mary is in front of her now, hand extended, “Come, I’ll take you home.” She doesn’t argue. They go downstairs and wait for an Uber to take them to her apartment. Inside the car Mary only says one thing. “Ava?” 

And she nods.

One night, one night, yeah
So can I have one night, one night, just one night
One night, one night, one night
Can I have one night, one night, just one night
Where it's just me alone?

Notes:

I am sooooooo excited for the next lot of chapters.

You can find the chapter wrap-up post on my Tumblr.

Chapter 7: Will the Winds That Blow Between Us Connect Us Even as Time Goes By

Notes:

I did not expect the emotional trauma I put you all through last chapter. I'm so sorry...but am I? :D

Also, you all need to go straight to jail for missing and disappointing me over the The Seven Husbands of Evelyn Hugo reference:
She stood, rushing to the television nearly colliding with the screen in her desire to not miss a single moment.
“Can you please be careful? You’re going to chip a tooth and I don’t want to go around calling dentists for last minute appointments."

If you haven't please read the book, it's incredible and has everything fluffy/angsty/feely.

Here is the playlist and mood board.

(See the end of the chapter for more notes.)

Chapter Text

Wednesday, April 30th. New York City

Ava is walking through her hotel room door when the call comes.

“Hey, Cam!” She greets, throwing the keycard on the coffee table before walking across the small living room. She flops onto the awaiting bed from where she can see the entire stretch of Central Park from the room’s balcony. “How are you?”

There’s a few voices in the background that she can’t discern and then a door closes.

“Ava!” Camila’s voice comes through the phone speaker, she’s eager and a little out of breath. So, she’s basically normal, give or take. “I want to say good, but honestly I think we’re all just a little stressed.”

She sits up, concerned. Her first thoughts are of Beatrice, which doesn’t surprise her, even though she’s trying to compartmentalise. “Did something happen?”

“We’re due to start filming our music video tomorrow, and the lead actress just cancelled on us.” Camila takes several short breaths, then continues, “And none of this would be such a big deal in any other circumstance but we’re running behind on our release schedule and this is kind of our only chance to get the music video done.”

“I’m so sorry, Cam. Have you guys figured out what to do? Maybe one of you can take the role since it’s so last minute?”

“We thought about it, but Suzanne doesn’t think it’s good to begin that kind of dynamic in the band.” What kind of dynamic did she mean? “We were–no, well, I–I was wondering whether you would be willing to come do it?” Camila is speaking faster now, “I know I’m probably asking a lot, but we don’t have much time to change the project and I know that–that you’re here in New York for The Met Gala as well so I thought maybe you would have some free time maybe? Hopefully.”

“Oh.” She’s quiet. That’s a big ask. Not just in the emotional sense that Camila probably doesn’t even know about but the label logistics are insane. If she were to agree to this she would need to speak to Emilia, who would need to speak to Suzanne and then everyone would need to come to an agreement about everything all over again. 

This means seeing Beatrice again. And she’s angry, no, she’s furious. She should really not be doing this. Seeing Beatrice would probably bring out all sorts of emotions that she’s desperately trying not to have. Could she even face Beatrice after everything? After being ignored for two months.

Enough time must have passed because Camila speaks again, her tone is more dismal now, “If you don’t have time, that’s fine I just–I just thought I would ask. I totally understand if you can’t.”

Camila is waiting for a response. 

Beatrice. She can see Beatrice again. 

Stop. 

They can talk. She can talk to Beatrice and hear her voice and see her stupid cute face. 

STOP.

“What’s the music video? What exactly would I be signing myself up for?”

STOP!

Camila is quiet for a moment, probably realising that she’s not completely saying no. “Oh my God, okay! So, Lilith is going to play the other lead. We’re actually flying again tomorrow morning to Ithaca. Filming at one of the national parks there. Levy is about to go get us some hiking gear.” She breathes in again, this time they’re full breaths, like she can’t get enough oxygen, “And then back to New York to film more here. I think it’s three or four days, honestly I don’t even know all the details. I think Beatrice does, I can go get her and put her on the phone. I just need to find my–”

“No. No, that’s fine, Cam. You don’t need to get Beatrice.” Not like this. She needs their first interaction to be in person, where Beatrice can’t hide away from her. “I can. I’ve finished my schedules for the week. I was just going to relax until the Gala.”

Her battered heart joins her brain now, stop . Just say no

“You can!?” She’s sure Camila has just bounced in place.

She’s up now, pacing the room. Camila’s energy catching up with her along with other suppressed thoughts. Thoughts that she’s been avoiding and should continue avoiding. “Wait wait! Don’t get excited just yet,” She’s telling both Camila and herself this, in a way. “I need to speak to my manager, Emilia, and she needs to call Suzanne.”

“I know! But just hearing that you can just lifted so much weight off my shoulders.”

She stops pacing, realising that maybe Camila has gotten ahead of herself. “But wait, do the other members know you’re calling me to ask this?”

“Aaaahhh–no. They’re all arguing inside one of our rooms. I’m pacing the hallway, I probably look like a crazy person. Who knew there would be so many pretentious people at The Plaza?” 

“Wait, you’re here?” Beatrice is here. Beatrice is in the same hotel. After months apart, she’s within reach. Ava has to slide the door to the bedroom shut to physically stop herself from leaving to look for her. 

Her mind, heart and body are screaming all at once, STOP!

“You’re here?!”

“Yes!”

“We just got here! My jetlag is all over the place, I don’t even know what time it is.”

Her head is against the door. She needs to breathe in. She needs to get control of her emotions before she does something she will regret. She exhales, “It’s 1PM, Cam.”

“Okay, so I’m– no, actually I think I’ll pace for another few minutes and then go tell them that I asked you. And then, hopefully we can get our managers to agree?”

“Yeah…yeah, okay. Will you let me know what the band says?”

“Of course, I will!”

They hang up. The room feels too small suddenly, if she stays here alone and continues to think, things will happen. She grabs the discarded keycard, walks across the hall and knocks so hectically that Alice’s eyes are a bit panicked when the door opens.

“What did you do?” Alice scrutinises her and Ava slips in.

“You need to go get me hiking gear.” The door shuts behind her. 

Alice’s hands go to her hips, “You want me to go get you hiking gear in New York City?” She can sense disdain in Alice’s voice immediately. “A place where there is literally nothing to hike other than the price of hot dogs?”

“For a music video.”

“Ava, what the fuck are you talking about? What music video?” Alice panics for a moment glancing towards her phone by the small desk area.

Ava turns to look where Alice is looking, “No, not mine”, then says, “Camila.” As if that alone answers the question.

“Camila?”

“Camila just called. They need my help for their music video.”

Alice’s face distorts into something between crossed and concerned. “Ava, no.”

She raises her hands placatingly, “Just hear me out, okay?”

“No. I don’t want to do that. That’s not a path I want you following right now.” Alice is running a hand through her hair. The locks fall into place several times before she continues, “Did you agree? You already agreed, didn't you?”

“Yes.”

Alice sighs irritably, “Ava!” She puts herself between the room's door and Ava, as if that would stop her. “How is that healthy? I thought you were doing well. Or working towards it.”

“Alice, please. I need to do this. I need to do this for Beatr—for them.” She draws breath, betrayed by her own self.

“For them or for Beatrice?”

“They’re running behind schedule and can’t miss out on this.” It’s her fault. Somehow, it’s her fault. She had been selfish with Beatrice’s time. Had probably delayed a lot of the band’s deadlines. If she can do this for them then maybe this guilt she’s been carrying will alleviate itself somehow and she can go back to just hurting, to just managing the heartbreak. She can push her anger down for this. “It’s my fault.”

Alice shakes her head several times in an attempt to will the no into a universe where Ava hasn’t completely committed to this choice. “No, Ava. How is any of this your fault? This is normal, things like this happen, you know this.”

“Alice!” Ava replies, exasperated.

“No.”

“I need to do this!” And it’s so steadfast that Alice crosses and uncrosses her arms within seconds.

“You’re going to see her. Don’t you think that’s going to hurt you? You can’t.”

“This will be good, it’ll give me a chance to speak to her. Maybe we can come to some kind of agreement about whatever the fuck happened, wouldn’t you want that for me?”

Alice is thinking. Her eyes are somewhere on the ceiling, and her hand comes to her neck, soothing something there. “Do you think this will give you the closure you need to move on?”

“Yes.” She sits on the bed, suddenly tired, the decision heavy on her. “Also, you’ll be there, you can supervise.”

“WHAT!” Alice is in front of her supplicating with her eyes, “No, I’m not a hiker Ava, I’m English, we go on leisurely strolls in the countryside, like Elizabeth Bennet. What do they even need a lead actress for?” The questions are coming out now like an unclogged dam. “What is even required of you? Do you even hike? Do I need to call insurance? Is it the woods woods? What if you fall off a tree? What about poison ivy? Wait, is Beatrice the focal point of the video?”

“Lilith.”

“I see.” Alice sits next to her, and Ava knows exactly what thoughts are going through her mind as they both sit in silence. “What kind of song is it?”

Shit. She hadn’t considered this at all. “I don’t know, I forgot to ask.”

“You forgot to ask what kind of song you would be appearing in?! What if it’s a love song?!” Alice is up again, hands in her hair. 

Thursday, May 1st. New York City→ Ithaca

It’s 3 AM and both her and Alice are riding the elevator down to the lobby to meet up with the band. They both have a backpack and a suitcase, full of necessities and the much needed hiking appropriate attire for the two days in Ithaca. Emilia and Suzanne had come to an agreement and everything else was set in motion by their labels. For the next few days she would be filming a music video with The Cruciforms.

The song, she had learned, was a breakup song. She hasn’t heard it yet, but she’s sure Camila will share it the moment she asks. She’s meant to play the love interest and the music video’s concept is basic: Friends develop feelings, date, and break up. Simple. Or at least she’s telling herself it’s simple. It’ll only be the days in Ithaca with the band that she’ll see Beatrice, the rest is back in New York City with just Lilith.

Yesterday was spent on various phone calls and only Alice has interacted with Levy, both going around town collecting different articles of clothing and gear for the shoot. 

The elevator’s ding signals their arrival at the lobby and her heart throbs expectantly.

The doors open and she can already start to make out the members in the lobby. A myriad of backpacks and suitcases all around them. Camila spots her immediately, walking to her and overrunning her with a big hug. They exchange pleasantries as they walk to the other members. 

Levy is on the phone, communicating with the crew who are all waiting in Ithaca for them. Lilith is leaning back on a couch, eyes closed with Yasmine’s head on her shoulder, they both seem to be passed out. Mary is texting, but looks up and gives her a little wave in greeting. Beatrice, who she’s been trying hard to not gape at, is standing perfectly still behind her suitcase, eyes looking at literally everything but her. And Ava is expecting this. You don't go through two months of being ignored to not being ignored. 

Camila walks them to Beatrice though. She doesn’t know any better, fully working on outdated information because if she knew then she wouldn’t have called for help. Alice is next to her when they stop in front of Beatrice and she knows Alice wants to say things, but Alice knows better. She does catch a quick side eye in Beatrice’s direction before Alice’s phone is pulled out and she busies herself.

“Good morning,” She says before she can stop herself, because Ava is finding it very difficult to think at the moment.

Beatrice’s weary eyes meet hers, she hesitates for a few seconds before replying, “Good morning, Ava.” And the happiness that rushes through her as she hears Beatrice say her name is significant enough to make all of this worth it, even though her throat kind of chokes a bit remembering everything that has happened between them. “We’re just waiting for the cabs to arrive, it shouldn’t be much longer.” The eyes don’t linger on her, instead they bounce to reception where staff members are speaking about the early morning events. 

When the two cabs arrive, Lilith, Yasmine, Mary and Levy squeeze into the first one, too tired to even communicate or dictate where each other should sit. Camila is grabbing her hand and before she knows it she is being pulled inside the other cab. It all happens quickly though. Camila is too energetic and pulls Ava in such a way that her head is about to collide with the metal frame of the car door, but it doesn’t. Rather, it gets cushioned by Beatrice’s palm, which has taken the blow for her. 

“Careful.” Is all Beatrice says, hand still molded around her head before slipping inside the cab after her.

And Ava’s heart stutters, because how is Beatrice a real person? How does someone neglect a person for two months then observe that same person so closely that they stop a concussion from happening? Sure, concussion is a stretch, but there’s a point there.

Alice is sitting in front, occasionally making eye contact with Ava through the rearview mirror and she is squished in the middle with Camila to her left and Beatrice to her right, but Beatrice might as well not be there with how quiet she is being.

“So, catch me up. What have you been up to?” Camila says, adjusting herself a little bit.

Ava sees Beatrice tense out of the corner of her eye. Then, Alice meets her eyes through the rearview mirror, minutely shakes her head and Ava knows exactly what she’s referring to. 

She needs to shift the conversation to something she can control. Camila’s inquiry is too broad and can open up a topic she doesn’t want to visit with Beatrice next to her.

“I’ve just been busy with album preparations, interviews and promotional spreads.” She hopes that’s enough to at least get Camila on the same page. “Did you see the music video? What did you think of your part?” Perfect. Camila will jump at this.

“Your music video was incredible, Ava. You looked amazing! I looked amazing! Amazing!” Camila says.

“You did!” 

“I’m so excited to hear the rest of the album, well, not just me, everyone is kinda losing their minds waiting for the drop. Do you know when that will be?”

“Soon. We’re just waiting for the vinyls to finish the first pressing.”

“I’m like so ready to pre-order it, you don’t understand!”

“What about you guys? You told me you were nearly finished.” She wants to venture a look towards Beatrice because hearing the news from Camila and not Beatrice still stings, but thinks better of it, looking straight ahead to the busy city streets instead.

“Printing as well, though it is taking longer than we want it to.”

“Do you think we’ll coincide?”

“I think the label is concerned, but we can’t do anything about it with the time crunch.”

It’s my fault .

Alice is looking at her again and she hates how easily she is read. 

They’re on the plane on the way to Ithaca when Ava hears the song for the first time. Camila has forfeited her phone as she listens, fervently waiting for her reaction. Levy and Alice are in front of them talking through the day's schedule, Mary and Lilith are to her right both asleep, with Beatrice and Yasmine behind them. 

She’s heard the song close to ten times now, and there’s absolutely no denying who or what the song is about. It is taking everything within her to not grab Beatrice by the collar of her sweater. Possibly dragging her in the direction of the first class restroom. And honestly, to hell with the band and what they’ll think. Beatrice clearly needs to speak to her. A person doesn’t write a song like that, not without going through some visceral emotions while doing so. Everything about Beatrice starts to make complete sense. She won't talk about her feelings, but she sure as hell will write about them.

She pulls off the headphones and glances over her shoulder in Beatrice’s direction. They make eye contact. As if she’s been waiting all along for Ava to turn around and face her. And the resigned way that Beatrice is looking at her is a clear indication that she knows that Ava has figured it out. 

Beatrice sighs, blinking her eyes rapidly a couple of times before leaning back in her seat and closing them, effectively cutting off their silent conversation. 

Camila is wrapping the cord around the headphones when she asks, “What do you think?”

“Wow, that was intense.” She needs to pretend like the last few minutes of her life haven't drastically shifted something inside her. “Whoever wrote that must be going through a lot.”

“Nah, just took a very drunk Beatrice to give the label heads what they wanted.” 

This takes her by surprise because Beatrice doesn’t drink. It was one of the first few things Ava remembers learning about her. “Oh yeah? What was it that they wanted?”

“Something a bit more commercial, I guess, relatable for a wider audience. What’s more perfect than heartbreak, am I right?”

“Right, heartbreak, definitely something we all share.” Her eyes go back to Beatrice in order to make a point, but Beatrice has pulled out her journal, busily writing. Ava knows she can hear her though. “And Beatrice was able to portray the pain so well. I could feel every emotion behind the lyrics.” She can hear the pen testily make contact with the tray table, but she won't look, won’t give Beatrice the satisfaction of telling her off, even if it’s just with her eyes. 

Ava breathes out. She needs a moment to herself and her thoughts without being next to Camila. She unbuckles her seatbelt and heads to the tiny airplane restroom. Sitting on the toilet seat, lid down, Ava breathes, in and out. In and out . You can do this Ava. You can be around Beatrice and her stupid freckles and her stupid stunted feelings and her lack of communication. You can get through these next few days without either pulling a knife on her or shoving her against a do—…Nope. Not going there.

Coming back to the present, Ava shakes her head and steels herself. Exiting the bathroom, Ava all but bodily slams into Alice, waiting for her by the toilet door. 

Grabbing Ava’s arm, Alice tugs her close and hisses out a low whisper into Ava’s ear, “I saw your face in the cab. You do not owe them anything. You are already doing far too much with this MV. Do not do anything rash. So help you god, Emilia will have your head.”

— 

They all scrabble out of the rental van, each grabbing a backpack and various bags full of last minute necessities for the long day ahead. The film day will stretch until the very last bit of daylight is left. Ava can already see that everyone is at exhaustion level, but she knows that they will push through because this is what their work requires of them.

The immense rugged gorge that wraps around under a vast green canopy is the first thing that grabs her attention. She passes her hand lazily along the eroded and coarse shale walls that fully encompass them as they begin their trek towards the first filming location. It’s only seven in the morning at this point with the first signs of sunlight slowly trickling through the leaves above them.

A river runs below them, deviating from a massive waterfall several kilometers behind them. According to Levy there’s a plan for them to swim at the base of the waterfall tomorrow morning, but they have to canoe there first. Today they will focus on the more extensive trails and on the friendly nature of the video with her and the band bonding together.

They meet the rest of the crew a few minutes later, who have equipment draped around them like some kind of comical parody of what to expect in a film set, except this is entirely real. They’ve scouted ahead already and have planned for the upcoming shots. Their direction is simple enough, stay within the camera’s line of sight and have fun, the camera being a person who is holding an extensive contraption, which allows for movement and balance. 

The filming has already begun in a way, with Alice and Levy walking behind the crew and she and the band walking ahead.

Levy is not having fun. He’s already sweating. And also smacking the side of his calf every few minutes. He’s refusing to put insect repellent on because it ‘stinks’ so that’s entirely his fault. “If you say to put that damn spray on one more time I’m going to scream for so long and at such a high frequency that I will alert the wolf population around us.” He’s talking to Alice, who is wiggling the bottle in front of his face, threatening to spray.

Ava is happy with the clothing they’re all wearing because they’re at least cool and comfortable, which is saying a lot because she’s never been this comfy during a shoot before. She’s wearing elastic turquoise shorts with a matching blue sweater snapback combo, and hiking boots. The rest of the girls also have a colour scheme happening with Lilith wearing red, Camila pink, Mary grey, Yasmine yellow, but her favourite is Beatrice’s, who is wearing an olive green hoodie, blue shorts and an adorable orange snapback. 

Beatrice has a DSLR around her neck, and is stopping every so often to take pictures of their surroundings. Her hair is down now and Ava has realised that it’s no longer black, well, the top is, but the cascading waves now have an ombre kind of blonde highlight to them. And she’s struggling to look away from just how pretty the light is making her out to look. 

Lilith is walking next to her as they continue down the trail, they’re speaking amicably to one another, trying desperately to find some common ground. At some point the muddy ground underneath her shifts, and she actually slips from beside Lilith, butt landing in the dirt. Lilith doesn’t move though, only looking back between the crew and the band questioning what she should do. 

It’s Beatrice who steps closer to them, extending a hand out for Ava to take. She grasps her hand and Beatrice hauls her up. Ava swats her butt a couple of times to remove the caked on dirt, before thanking Beatrice who just goes back to where she was with the camera, busily taking pictures. 

They do a few shots where they’re all sitting on rocks enjoying the scenery.

Camila drinks from her bottle before saying, “Okay, but this place is beautiful!”

“Apparently, its date goes back to 538.8 million years ago, where basically the only life on Earth was plant life that probably looked like coral.” Yasmine’s insights begin to paint a picture of their surroundings. And just how old and grand everything is.

Lilith speaks from beside her, “Did you look this up before coming, you nerd?”

“I like to be informed, unlike you, Lilith.”

“Ouch. Your hug hurts,” Lilith says sarcastically. 

Ava knows they’re probably bantering, but Lilith is difficult to connect with. There’s always an offhanded comment or a rude retort about something that rubs Ava the wrong way and it has only been a couple of hours since they began. She’s doing her best to appear like she’s ‘falling in love’, but she’s sure she’s not selling it and Lilith is not putting in any kind of work from what she can see.

Her eyes go to Beatrice, because of course they do. She can't help herself. Beatrice is always doing something cute whenever she looks. She’s caught her taking pictures of mushrooms, birds, rocks and even a few shots of Ava herself. And Ava isn’t even sure if she’s meant to have noticed her doing that or not. She is having to physically fight her body to not gravitate towards Beatrice. 

“Ava, Lilith a word, please.” They both stand and follow Alice to where the crew and Levy are. 

They’re playing back some of the footage, there’s no sound, just of them walking around the grounds laughing and having a good time. They’ve captured the moment she slips and Ava can see Beatrice actually rush to her in a panic, something she had missed, too busy realising that her love interest didn’t as much as look in her direction when she fell. Her heart thunders inside her chest and Alice realises because she gives her a sympathetic look.

Levy is not amused, he’s going back and forth between the takes. “Are you guys going to actually try to make it seem like there’s something there? Because we’re getting nothing right now. You two might as well be lifelong enemies.” 

The crew members nod in agreement. Everyone seems to be coming to the same conclusion Ava has. She and Lilith have zero chemistry. If anything she wants to wring Lilith’s neck, not hold her close. And she can’t imagine having to do this for the rest of the week. It would actually be painful.

“What if we did some shots alone?” Lilith says, her voice is a bit irritated but her eagerness to make it work shines through.

They all agree and both of them walk through the trail looking at one another while interacting and Ava knows it’s not coming through because every time she looks at Lilith she cringes and then looks back to the band, in search of Beatrice, who is apparently trying very hard not to look at them.

The shots play in front of them again and this time Levy and Alice both sigh, coming to terms with the problem. 

Alice is looking towards the rest of the band, considering their options. “What about Camila?”

Levy brings a finger to his lips, head going from side to side. “Camila…” He’s thinking about it. “CAMILA!” Alice jumps at this, not used to his cadence.

Camila stands, rushing to them. “YEAH?”

Levy seems hesitant about what he’s about to ask, but nods more for himself than anything else. “What do you think about the romance happening between you and Ava instead?”

Ava wants to laugh because it’s so ridiculous. 

“YES! YES! I’ll do it!” When Camila replies, Levy and Alice both visibly recoil.

“No. Nope. Nevermind, she’s too eager, we might end up with Ava in the emergency room.” Levy pushes Camila back in the direction she came.

The crew members keep reversing the footage back to where she slips and Beatrice comes to her aid. “What about Beatrice?” One of them speaks up. “There’s actually a lot of footage of them already looking at each other and the chemistry seems to be natural.”

Oh boy did they hit the nail on the head with that one.

“No.” It’s Alice who replies, her head already shaking.

“It could work. It’s Beatrice’s song so she might be able to understand the emotion a bit better.” Levy is looking between them now, something forming in his head. “She didn’t want to be part of it to that extent but maybe we can speak to her about it.”

Ava’s mind attaches itself to what Levy has just revealed, adding fuel to the literal fire that began on the flight here. Beatrice was avoiding being the focus of the narrative on purpose, Ava had just assumed the label wanted to push Lilith as well given her popularity as the lead guitarist. 

Alice is grabbing and pulling her aside, she can see Levy already walking in the direction of Beatrice. “You can’t do this. Tell Levy that you’ll try again with Lilith.”

Ava knows that Alice is only meaning to protect her, even if it means protecting her from herself, but honestly, deep down they both know that this is probably the only way forward. “Alice, it’s alright. I can do this. It’s already there if you look close enough.”

“I understand that, but you need to mitigate the potential damage. You know where the music video is going, you know what the both of you will have to do.” 

They’ll have to pretend to be in love. But luckily for them it’s not pretending, it’s more like living a beautiful nightmare at this point. Beatrice is watching the previous recordings and listening to the crew and Levy. Her shoulders drop in quiet resignation. Like, she knew this would happen. 

“Be careful, Ava.” Alice gives her a look before she walks back to the crew.

She joins them seconds later. Levy is already giving instructions about shots and the crew begins prepping the camera and equipment for filming. 

Beatrice is beside her, eyes downcast, but there’s a small smile on her lips, “It’s okay with me if it’s okay with you.” And she nods because this is Beatrice, and she would do anything for her. For them. She just wishes Beatrice was talking about their actual relationship instead.

They go through the same shots as Lilith and this time there aren’t any interruptions from the crew. They walk along the path and Beatrice extends her hand for Ava to take, helping her maneuver the environment. And it’s silly, but her thoughts go to that night in the theater and all the back and forth in her head, where she debated whether to hold Beatrice’s hand, not as a friend running from the press, but as Ava. Ava who had fallen in love with Beatrice.

(*)

I'm suffering from you like the seasonal flu

Without fail, without exception

How can I laugh, how can I forget you

When even breathing is a struggle right now

I won't ask for anything

Just be by my side as if nothing has changed

She tugs down on Beatrice’s cap as they walk down the path, earning a smile. They jump hand in hand from rock to rock as the band runs past them. It’s as if they’re living in their own little bubble. 

At some point she grabs Beatrice’s camera from her, taking shots of her own as the afternoon continues around them. She turns the DSLR and angles it in front of them, capturing a few silly pictures of them together. When Beatrice walks ahead, she looks through the images. There's one where she’s looking at the camera, but Beatrice is looking at her. It’s dewy and tender, and not meant for the camera that is still filming them. She pulls out her phone, quickly taking a picture of the display.

You are my yesterday, today, and tomorrow

Just like the sunlight of my memories, like a star that guards the night

You seek me out everyday

You're like my Spring and Summer, Autumn, Winter

It's like you slipped away between the seasons and left me

Without a trace, heading far away

“Beatrice!” Levy is yelling again, “Piggyback! Give Ava a piggyback.”

Alice rolls her eyes beside him, but stays quiet.

Beatrice is already half kneeling and waiting for her by the time she looks back in her direction. She gets on without protest and Beatrice takes her weight comfortably, adjusting her a couple of times before they’re off again. 

“Don’t hurt your calf this time.” Beatrice chuckles underneath her, tightening her arms around Ava’s thighs.

Ava opens her arms and as Beatrice continues to head down the path, she wraps them around Beatrice’s neck some time later, nose dropping down into the little crook she loves and breathes in the spot. She feels a tear welling up in her eyes and a lump burning in her throat because it smells so much like Beatrice that she needs a moment to process everything from the lavender perfume to the faint smell of sweat.

Will the winds that blow between us

Connect us even as time goes by

I won't ask for anything

Just be by my side as if nothing has changed

The band members are now getting shots of their own as she and Beatrice sit quietly by some rocks on the side of the trail. 

Camila is precariously going to a fallen log that spans between a drop and two paths, she knows Alice’s danger senses are tingling, but hilariously not Levy’s. Mary is holding Camila’s hand as she lowers herself onto the log and then proceeds to hug it. Beatrice laughs from beside her, already turning the camera towards Camila and taking a picture. 

They begin to eat through their lunch of sandwiches, watching Mary throwing rocks for some reason, all while looking stoic and moody. Yasmine sprawls herself in the tall grass nearby but it doesn’t last long because she starts running away the moment Levy warns against snakes. Both she and Beatrice follow quickly behind in a fit of laughter mixed with fear, mouths full of food. 

Lilith accidentally runs into poison ivy, or something that has definitely irritated her skin because her thighs are blotchy red and she can’t stop scratching. 

Levy is on his knees in front of her applying cream to her legs when Beatrice begins snapping pictures again, “The little shit probably deserves it.”

“Please send me those. I would like to futureproof with Lilith blackmail.”

“Of course.”

And the promise of having any kind of communication with Beatrice makes her mind reel with the possibility that they may in fact survive this. 

My heart which almost empties, begins to fill with you

It's shaking my heart

The more it hurts, the more I want you

It’s some time later that Beatrice starts to suddenly bounce on one foot beside her. She seems to be in pain and looking for a place to balance. And who is Ava if not completely in tune with everything Beatrice needs. Her left arm goes around Beatrice’s waist so quickly that she overcorrects, almost sending them sliding down the muddy path, but Ava grabs Beatrice’s right arm draping it across her shoulder, holding it in place with her free hand, stabilising them.

Beatrice pulls the boot off her right foot while balancing on her left. She shakes the boot a couple of times and a small rock tumbles out without much fanfare.

“Are you hurt?” She doesn’t mean it to come out with so much concern but it does, and honestly why bother at this point, they’ve both blurred lines already. She leans down hand coming to run along Beatrice’s socked foot just in case there’s anything still lingering on there. She doesn’t realise just how intimate it is until she does it because she wouldn’t do this for any of the other band members or even Alice.

Beatrice breathes out lightly after her touch, “I think it cut through the sock.” 

She nods, helping Beatrice down softly onto the ground before lowering herself to her knees. She pulls the sock off the foot, which is immediately followed by a small wince from Beatrice. There’s a sizeable cut by the arch of the foot, which shouldn’t be a big deal but they still have a big day ahead of them and something like this could have the potential to be painful. “One second,” She stands heading to Levy who is doing round two of Lilith ointment time. 

She’s back with a bandaid and triple antibiotic cream, and there’s no hesitation. She rubs the cut with her pointer finger, which has way too much ointment for the cut to ointment ratio, before applying the bandaid. “Sana, sana, colita de rana. Si no sanas hoy, sanarás mañana.”

Beatrice is looking at her with so much affection and confusion, that it forces her to back away from how close she has gotten. “Did you just call me a frog?”

She giggles, cheeks feeling a lot hotter than before. “It’s like an old maid saying for when kids get hurt. Usually the parents say that so they feel better.”

“You said frog though.”

“I said ‘Heal, heal, little frog tail. If you don't heal today, you'll heal tomorrow’.” Beatrice is watching her curiously, which makes her bold. “It’s usually followed by a kiss on the spot, for its healing qualities.”

“Its healing qualities,” Beatrice repeats dumbly, gaze falling on her foot. It isn’t a no per se. So she leans back in and kisses Beatrice’s cheek while she’s distracted. 

They both startle as they hear Alice yell out a shrill ‘NO!’

You are my eyes, voice and breath

I can't live a single day without you

I'll still keep calling for you

While the long Spring and Summer, Autumn, Winter passes

As much as the time and wind fly by

I'll miss you, regardless of the distance

The sun comes down faster than expected and Beatrice is kind of glad because she is exhausted in every sense of the word. Not only has the day been long, but she’s emotionally depleted and starving. Everyone except the crew is sitting around her in differing coping stages of fatigue. The food they’ve just ordered will take a few minutes to arrive and she doesn’t know whether this is it for her and if she will keel over dead at any moment, or whether, maybe just maybe , her stomach will take mercy on her and cope with the neglect. 

They’ve all somehow squeezed in one booth at the diner, Levy is sitting next to the window, then it’s her, Yasmine, and Mary and across from them by the window is Alice, Ava, Camila and Lilith.

Ava’s short hair is loose around her shoulders, stringy from sweat and the overall grime of the day, but she still manages to look alluring, to the point that she needs to remind herself to look away every so often. 

They’re all gathered around the table trying to solve the peg game in front of them, but their equally tired minds are having a lot more trouble than they should. Levy has given up, phone in face and when laughed at for it replied with ‘eat glass’, before tuning them out.

“Bea?”

“Mmm?”

Ava’s speaking, pushing the game towards her, “Do you want to try?”

She nods and leans in, the action mirrored by Ava as well, as they both stare at the little peg board. “I think we’re meant to only have one peg standing at the end, kind of like checkers.” She and Ava reach for the same piece, accidentally bumping hands. “I’m sorry.”

“Sorry!” Ava moves the piece over a peg, “Did you want to?”

“No, it’s fine, I'm happy to watch and advise.”

Ava moves the peg again, eating another piece. “Shit, I think I messed up already.” 

Hearing Ava say this triggers a chain of thoughts through her head. She’s aware her mind has parkoured past the children’s game in front of her. 

Ava didn’t mess up, she did.

Ava has been nothing but kind and patient with her, even today, when she should be giving Beatrice the cold shoulder after everything. But she doesn’t. She’s been trying not to linger on the thought all day, because if she does the guilt will emerge again. As it did yesterday when Camila informed them that Ava was happy to do the shoot.

She had been uncaring and disrespectful these last two months. She had initially rationalised that it had been the right thing to do for the band. That pushing Ava away would give her the space she needed to think, which it had in the way. Making her decision to keep quiet even more resolute, but it didn’t mean that her actions were justified.

A relationship with Ava right now was unlikely. They’re both about to be extremely busy with schedules. They would both ask too much from each other. The resentment would make its presence known right away. She didn’t want that to happen between her and Ava. 

The space was for the best. If in the future they both wanted the same thing then maybe, just maybe, they could both make that decision together, but for now this is all Beatrice could give. 

Or so Beatrice keeps reminding herself.  

Beatrice looks through the possible moves and catches the mistake. “Why don’t you put those two back and we can start over.” She points at the hole that says one, “Leave this spot open.”

Ava does as she’s told, occasionally looking to Beatrice for approval as she moves the peg around the board.

“No, here. This one.” She’s grabbing Ava’s hand, which is holding the peg. She easily jumps and eats through three pegs in a row. It continues like this for a few minutes and Beatrice is sure Ava is messing up on purpose because this is basic checkers, but deep down inside she wants this too. Whatever this is, but nothing more. She repeats like a mantra, this is enough.

Their food arrives and the speed at which it is inhaled astounds everyone on the table. It isn’t long until their plates are cleared and everyone is leaning back nursing their food babies. 

Ava and Camila are exchanging conspiratorial looks as the Lady Gaga song plays in the background. Lilith must notice something is up because right before the chorus of the song hits she grips Camila’s hand from starting the dance. “Absolutely not!”

“Lilith!” Camila and Ava both shout in unison as the moment is ruined.

(*)

Like a poem said by a lady in red

You hear the last few words of your life

With a haunting dance, now you're both in a trance

It's time to cast your spell on the night

The chorus is coming back around though and this time Camila is ready and leaning away from Lilith. And so is Ava who is lifting one of her eyebrows in Beatrice’s direction, persuading. She lifts both of her own in reply, Ava can’t be seriously thinking of having a dance off in the middle of a diner. 

Abracadabra, amor-oo-na-na

Abracadabra, morta-oo-ga-ga

Abracadabra, abra-oo-na-na

In her tongue she said, "Death or love tonight"

Levy has tuned back into existence looking between the girls. “Do not disservice Lady Gaga in front of me.” He has his phone pointed in Ava’s direction expectantly.

(*)

When the dance segment starts Ava flexes her hands and shoulders with the beat of the song, like she’s casting a spell on Beatrice. She spins her head and short hair in place mimicking her right hand movement and then holds her stance. Levy turns the phone to Beatrice.

Abracadabra, abracadabra

She bounces her head from side to side along with the beat, pointing with her right hand then her left before both hands meet at the middle passing the spell to Camila. Levy follows the motion.

Abracadabra, abracadabra

Camila leans back, bouncing her shoulders and knees before leaning back in with both her hands swaying from side to side in front of her face. 

Feel the beat under your feet, the floor's on fire

Then, all three do the last few movements barely holding it together before giving up.

Abracadabra, abracadabra

It’s later when they’re on their way to the van that Lilith approaches her, “Mate, who even are you anymore? I can’t believe you would dance to that so freely.”

“It’s Gaga.” It’s what she replies, but what she truly means is that it’s Ava. If it made Ava happy, then she could do this for her. 

Lilith is unconvinced though, eyes wandering to Ava as she enters the vehicle. 

On the drive over she catches Camila sneakily uploading the video onto the band’s social accounts. 

Great.

Friday, May 2nd. Ithaca, New York

They have canoed for hours and have finally found their way to the base of the waterfalls where there’s a large swimming spot. Everyone is in various states of undress, as they wait around for the crew to set up for the upcoming shots. 

Ava is sitting leaning against a tree, hands on top of her head. Sculpted abs on full display. She seems to be resting with her snapback covering her eyes and Beatrice is trying very hard not to stare at Ava like a lascivious teenage boy beholding a woman in a bikini for the first time. 

Boobs.

Alice catches her staring, eyebrows furrowing in a scowl, which causes her to trip on a stray tree root almost falling into the waterhole. “Yeah, keep walking, lovergirl.”

She’s on high alert, she’s anticipating a kiss and it could literally happen at any moment if Ava is leading. They’re meant to kiss at some point today, but barely any direction has been given other than ‘just do whatever feels natural’, which isn’t much when every moment with Ava is kiss worthy.

It’s been like half an hour of lounging on a rock by the water waiting for natural, because Ava has just been chatting to Camila and Yasmine. And she’s not sure what to do. Does she initiate the moment or does she wait for Ava? Why is this so complicated? Why don’t they just get put on the spot and told to kiss point blank?

She sighs, sitting back, hands holding her torso up while her feet gently kick at the water. 

Ava must sense that she’s spiraling because she swims over to her and splashes up a bit of water in her direction. “Are you going to come in or are you going to just sit there channeling your inner Greek goddess?” Ava’s eyes roam her body, bouncing from several key spots, up her legs, lingering at her stomach, then following the length of her neck.

She knows Ava’s a flirt, she should have expected this but her cheeks betray her almost instantly. But she can fight fire with fire. “Or I could be a siren, luring you to your death.” Ava actually pokes out her tongue to lick her bottom lip at this. 

Ava spends a few seconds just watching her, face unreadable. There’s a quirk to her lips though, like she wants to do or say something, but doesn’t know if she should. “… and c’mon baby… ” she sings quietly, humming the rest of the melody while splashing water up again. Realisation happens instantly. Ava is teasing her with the song. “ …and c’mon baby…”  

She pushes off the rock with her arms and slides gracefully into the water. Ava’s eyes stall at her biceps for a few seconds before they meander back to meet her eyes. Beatrice takes a moment to truly see Ava from up close now and honestly, the Greek goddess comparison belongs to Ava alone. “Something on your mind?”

“Nope.” A complete lie. Ava splashes again, some droplets landing on her chest, which slowly trickle down, a movement closely followed by Ava. “Which of the lyrics is your favourite?”

Beatrice cannot even understand why she’s entertaining this, but she answers nonetheless. “ I just don't believe that you have got it in you.

Ava nods once, in acknowledgement, then backs up into the deeper parts of the pool, where she follows like the Earth gravitating towards the Sun. “Not the constant ‘ I don't want your body ’? With the way you repeated it throughout the song I just thought that maybe that was it.”

Both her eyebrows lift at this, “I didn’t–”

“Kind of like an addiction, right? Say it enough times and maybe the desire will vanish?”

She hates that Ava is dissecting her so perfectly; physically, mentally and emotionally. She dunks her head for a few seconds before begrudgingly emerging for air, somehow avoiding the loaded exchange.

Ava shifts her head towards the crew, “I’m nervous.”

“I am too. Why don’t we talk about what we’ve been up to? To lighten the mood.”

“You know what I’ve been up to.” She doesn’t know what exactly Ava is insinuating. It could be the schedule which she’s kept on her phone or it could be the unscheduled activity she had to look up, but that is not a discussion she wants to have now, not in this bubble, so she remains quiet, hoping Ava continues. “I watched your performance at The Brits, it was inspiring.”

“Thank you, it was a difficult decision, but seemed like the right moment though, with everything happening so quickly.”

Ava is contemplating her next words carefully, because her eyebrows furrow in a serious cute way, “I’m very proud of you, you know?”

Beatrice isn’t sure how exactly they managed to get so close to one another, she was now practically centimeters from Ava’s face. And everything just feels loaded and right. She’s reaching over with her right hand before she realises, not even checking if the crew is paying attention. 

She delicately traces over the line of Ava’s jaw and pulls, which causes Ava’s hands to rest on her stomach, bracing after the sudden movement. Ava’s eyes flutter close in anticipation and so do hers. They bump noses, but recover quickly enough, lips sliding and tugging together softly. Suppressed thoughts come bursting through all at once. Weeks of trying to forget just how warm Ava’s lips felt against hers that night. How everything just made sense…

Ava’s hands slide around Beatrice’s waist, fingers roaming to the dimples there. Beatrice’s left hand at Ava’s waist is pulling their bodies even closer. The kiss isn’t long and probably too chaste, at least above the water, but it’s enough for now. 

They break apart as the other members holler and make silly noises in their direction, probably trying to make the moment embarrassing, but as dumb as it is it was making everything much more bearable. 

“Yeeeeeeees, Descartes!” Levy yells, hands around his mouth projecting his voice.

They get the thumbs up from the crew and they both exhale with relief. 

Ava is starting to hate tuna sandwiches. She’s found a picnic table underneath the shade and is honestly just trying to have some semblance of peace because she can’t be that close to Beatrice while she has a bikini on. Her thoughts are impure and she will act on them if given the chance. The abs, solid. The biceps, powerful. The jaw, sharp. The legs, well, they led to places she wanted to lic–.

 “Ava.” A hand goes to her heart and a small yelp escapes her. Did she fucking say that out loud? “Mind if I join you?”

She gestures in front of her still clutching her heart, “Not-not at all.”

Mary sits, unwrapping a sandwich of her own. She takes a bite and chews and Ava does the same. They kind of just sit awkwardly for a few minutes until Mary's eyes go to her watching her curiously. “What’s the deal with you and Beatrice?”

Ava’s eyes bulge and she chokes on the stupid tuna sandwich from just how out of nowhere the question is. She coughs a few times, the bolus seemingly stuck in her esophagus. “Wha-what?”

“Don’t play dumb.” Mary quirks up an eyebrow, she does not want to be tested. “Before yesterday, I thought maybe it was just a Beatrice thing, but now I have my suspicions that it’s a you thing as well.”

Ava taps the side of her soda can trying to gauge what Mary knows. “Does Beatrice not speak to you guys?”

“No. She can be very closed off when she wants to be.”

“Oh. So we share the same frustrations.”

Mary nods, resigned, like she was expecting this. “That doesn’t surprise me.”

She can’t stop the frown that immediately mars her face. “What does that mean?”

“It means, I need you to speak to me because Beatrice won’t.” Mary scratches at something on her eyebrow, but Ava’s is sure it’s just a nervous tick. “Is there something I should know?”

“Yes.” What does she even have to lose at this point? 

“I’m listening.”

“You first.”

“Woman, what?”

“You said it didn't surprise you. Why is that?”

Mary huffs, not enthused. “It’s not my place to divulge the details, but Beatrice has been through some difficult shit in her life and she finds it hard to express herself. She shuts down as a defense mechanism. Very strong willed and bullheaded when she thinks she’s right.”

“Oh, I know… I’ve been at the receiving end of some of that.” This seems to confirm something for Mary because she’s leaning forward, like she wants to probe, but Ava is controlling the conversation now. “What sort of difficult shit?”

“Honestly, Camila knows better than I do. It involves her parents and her sexuality. A lot to unpack there, but the gist is she’s been hiding herself away for so long that it has basically become second nature. The more you repress your feelings the easier everything around you becomes.”

“Her actions betray her though.”

Mary nods, but adds, “Only with Camila, but they’ve been inseparable their whole lives so that hardly counts.” Mary’s eyes meet hers, “And you, you’re the exception. I can see that she’s different around you.”

She wants to know more, as if hearing it coming from someone close to Beatrice means it’s coming from Beatrice herself. “The exception?” 

But Mary looks away, catching on to what she wants, then changes the subject. “She’s under a lot of pressure, I’m sure you know this.”

She wants to roll her eyes, because that’s such a fucking easy thing to say, and it doesn’t excuse anything. “We’re all under a lot of pressure.” She replies, and she hopes Mary notes her annoyed tone. “It doesn’t mean you close yourself off.”

“I don’t need to know the specifics.”

This conversation was starting to bring back the anger she had so delicately put away into a box. “Fine, then what is it you want to know?”

“Your intentions.”

“Don’t you mean Beatrice’s intentions?”

“I know Beatrice’s intentions.”

“That makes one of us.”

“You’re a very difficult person to speak to.”

“I’m upset.”

“At her?”

“Yes.” 

Mary sighs, she knows something Ava doesn’t. And all she wants to do is coax it out of her, but Mary is intent on protecting Beatrice. “The whole JC thing, what’s happening there?”

“It was a catch up dinner, we were in the same city. The media likes to twist things.”

“And did they? Twist things?”

“Yes.”

“Beatrice doesn’t think that.”

Ava moves her hands around vaguely, “Clearly. Seeing as I’m here in the middle of the woods because she wrote a song about it.”

Mary laughs at that, shaking her head. “I was wondering why you were here, I thought you were a busy girl.”

“I’m here because Beatrice needs me.”

“Camila called you though, not Beatrice.” It’s like Mary knows what she wants to hear and is just waiting for Ava to spit it out. “Don’t make me pull teeth Ava, I don’t like wasting my time.”

“Everything is delayed because of me.”

“Because of your sneaking around, you mean?” Mary’s hand stretches to tap her arm, a gesture which is meant to be comforting, but it’s Mary so it just looks like she’s being reprimanded instead. “Listen, I don’t blame you for any of this. I don’t even blame Beatrice. Whatever is happening between the two of you may have delayed things, but shit happens, we do what we can to correct it, which clearly you are.”

“Thank you.” It’s something. Something she can put into her little mental box called ‘the band hates me’ so that its weight decreases. 

“So, your intentions then?”

“I think you already know the answer to that.”

Discarded pizza boxes line the floor of the cabin, as the music continues to play loudly in the background. It’s a wrap for the scenes in Ithaca and they’re all enjoying having nothing to do for the remainder of the day. 

Beatrice stands from the couch, making a mental note of all the litter hanging around the living room. She sighs knowing full well no one will volunteer to throw any of it away. 

She avoids Yasmine as she steps around the mess.

There’s a half finished game of Monopoly where the pieces appear to have been flung up with the board in a fit of rage. An Uno pile that Camila is using as a pillow, too busy replying to fan comments on her phone. Lilith is laying beside her, head resting against Camila’s stomach. 

Beatrice walks into the kitchen. Mary and Alice are speaking in hushed tones, while finishing the last of their fries. She opens a few cabinet drawers looking for bin liners, ears catching the words ‘tripped on a tree root’ and then both Mary and Alice laugh. She turns to look at them, but they just shift uncomfortably clearing their throats.  

When she walks back into the living room Ava is there now too, having been the last of them to shower. Ava’s hair is still slightly wet and curling at the ends. The sight of her all freshly showered and adorable in her pajamas makes Beatrice’s breath stutter, her eyes blinking rapidly in an effort to centre herself and her thoughts. 

Ava’s eyes go to Beatrice’s hands, where she’s pulling the bin liner apart. 

“Need some help?” 

Beatrice doesn’t even really have to nod because Ava is already gathering the empty pizza boxes and stacking them in a neat pile. They go around the room collecting bottles, wrappers, and tissues for a few minutes, working efficiently and in unison. She knows Ava is doing this for her, in an effort to make her feel more at ease and comfortable. After all, she had seen the state of her hotel room at Claridges. 

After discarding the full bin bag outside, Beatrice walks back into the kitchen. This time Levy is there applying a face mask.

“Remember to put your facemask on! If I see another dry and cracked face within my vicinity I’m going to start untuning the instruments.”

“You know that’s not really a threat, they untune themselves all the time.”

“Well, I’ll do something!” He hustles out of the room, but not before turning around and insisting, “FACEMASKS!” He looked like Jim Carrey in ‘The Mask’ with avocado goo all over his face. 

She reenters the living room to find it has been organised, the games have been put away, the band members are off the floor and seated on the long couch and Yasmine is behind the TV messing with cables.

Camila waves lazily in her direction, “Bea! Come watch, we're going to play Overcooked.”

The four remotes are passed along to Lilith and Camila and Mary and Yasmine. 

There’s an empty spot next to Ava, which she takes. Alice’s eyes track her for a moment, but then go back to the TV as the game's title screen comes on. 

They’re about to go through the menu when Ava speaks up, “What about Beatrice?”

“What about her?” Lilith replies a little huffily.

“Why doesn’t she get to play?” Ava sounds defensive, like the injustice extends to her as well.

“Beatrice isn’t allowed to play.” Mary replies, while going through the character selection.

“What? Why?”

It’s quiet for a moment, then Camila speaks, attempting to be somewhat delicate about it. “She…can be…intense.”

“Intense?”

“Strongly committed.” Yasmine adds.

“Passionate.” Camila nods along.

Alice is somewhat snickering from behind Ava. “Oh…she's a party pooper.”

Lilith joins in with Alice. “She’s made all of us cry at least once, it's not pretty. Gordon Ramsay takes over her soul.”

“Bea, is this true?” 

She nods, it wasn't a lie. She does get overly heated and militant during this game. 

The room is quiet apart from the music in the background as the other members choose their character.

Ava nudges her side gently, “I’ll play with you.”

“You don’t have to. I know I can get a little ahead of myself.”

“No, I want to. I want to play with you.”

Ava, stop. She needs Ava to stop being so Ava.

“Well, this I gotta see then.” Mary tosses the remote over to Ava and Yasmine mimics the action, passing hers to Beatrice.

Ava has chosen the pink octopus and Beatrice the robot.

After a few minutes of explaining the game rules to Ava and playing through a few warm up stages, the fun begins to dissipate. The shouting begins halfway through the round when the orders begin to fail and pile on. 

Camila and Lilith are sitting on the floor communicating smoothly between one another. Lilith asks for rice, Camila puts it to steam. Camila needs chopped fish and seaweed, Lilith rushes to grab them for her. 

On the other hand she and Ava are on the edge of their seats slowly getting through as many orders as they can, but Ava is not keeping up with the demand and her brain is getting a little agitated. It’s a simple, just do things in order kind of game and prep when you have time, but Ava just does things as they come and there’s a mess in what should be her work area, with uncooked food thrown all around every possible surface.

(*)

She can’t find the damn seaweed. The pink octopus is stuck on the conveyor belt. “Ava! Ava you need to get the rice! It’s going to burn! HURRY!”

“I’m trying!”

“Press the dash!” Beep! BEEEP!! BBEEEP BEEEP BEEEEEP! “Get the extinguisher!”

The pink octopus rushes to the extinguisher but in the madness just begins to spin in place. 

“You need to set the food you're holding down!”

“I’M TRYING! There’s nowhere to set it down!”

“If you were more organised then maybe you’d have some counter space!”

The robot joins where the pink octopus is, grabbing every food item and tossing it aside to reach for the extinguisher. But it’s too late. The fire is spreading to the other pots and dishes, ruining all their work.

Lilith and Camila start to laugh, spinning their characters in place as the chaos unfolds on the screen, fully committed to the bit of annoying Beatrice.

“HEEEEEEEEELP! Help!” Camila shouts. 

The failed stage title comes up and the room bursts into laughter.

“WHAT ARE YOU!?” Lilith and Camila shout in unison.

“AN IDIOT SANDWICH!” Yasmine, Mary and Alice reply.

Beatrice knows they’re all waiting for her to blow up because things like this just get under her skin. She’s determined not to give them the satisfaction. She can and will keep cool. She grabs Ava’s hand and walks her to the kitchen, breathing deeply the whole way. “Okay. That was a dismal round but we’ve got this. We have to focus! We can do this. I need you to listen to me.” 

Ava nods eagerly.

“This is unacceptable, you have to stay prepping. Stay on your side. I’m working on steaming the rice and cleaning the dishes, you need to work on cutting the cucumbers and the salmon for the sushi rolls and pre-plating the seaweeds on the plates.”

“Yes, chef!”

“And pay attention, some are cucumber rolls, some are salmon rolls, we can’t keep messing up these orders, that’s how we lose money.”

“Yes, chef!”

“You need to keep your work area clean in case there’s a fire and one of us needs to grab the extinguisher.”

“Yes, chef!” At this Ava wiggles her eyebrows. 

They can do this. She’ll show them. Ava and her are the perfect team.  

They walk back into the living room and find that everyone is looking at them with amusement. Beatrice suspects that they probably think she blew up on Ava, but all she wants is for Ava to succeed and from Ava’s reaction she wants that as well.

Ava’s hand meets her left buttcheek, “LET’S FUCKING DO THIS!” Then, she sits in front of the TV, patting the spot next to her.

Beatrice sits, focus mode activated. “Let’s freaking do this!”

This time around, the pink octopus keeps to the top of the screen away from the conveyor belt. They go through various orders perfectly with plenty of pre-cut cucumbers and salmon around for the robot to grab and plate and send the orders through. The rice doesn’t burn. The food doesn’t gather on the counters. They communicate well.  

Ava is attentive and has even started to anticipate what items Beatrice will need before she needs them. They’re halfway through the stage in no time, and she can hear shouting from behind as Lilith and Camila begin to scramble with some of their orders, as she sneaks a glance to their side of the screen. 

(*)

I'm sorry if I push your good away

Especially when I'm needin' you to stay

I know you hate that I still test your love

I'm tryin' not to fuck this up

They clear the stage with a perfect score. Three stars all around. Her focus subsides and she can finally tune into the room again. Carly Rae Jepsen is blasting through the speakers as everyone jumps up to celebrate their win, the song wasn’t just in her head.

But the benefit of all the broken hearts

That I broke before they could break me

Is a little bit of life regrets

I won't bring that mess to you when you're with me

And I wanna be brave enough to show you my not-so-perfect family

And I wanna be brave enough for everything

Beatrice throws the remote to the side, tackling Ava onto the floor before she can even think about what she’s doing, but it’s okay because Ava returns the hug just as tightly, all while giggling. And they’re both smiling widely, relishing their win. Arms stroke up and down her back a couple of times before they wrap around her again. And she wants to stay in this spot for as long as she can, breathing Ava in and feeling just how warm and snuggly she is. Feeling just how right this all feels, wrapped around Ava .

Surrender my heart

(I'm out here in the open)

I wanna get closer

(I'll believe in you every night)

Surrender my heart

I wanna be open, I wanna be honest with you

“WHY ARE YOU ALL SHOUTING!” Levy charges into the room, a blanket around his shoulders and everyone freezes in place. “May I remind everyone that it’s 12 AM and we all have a flight in 5 hours!”

Alice’s foot pushes against her ass, effectively shoving her off Ava, “You heard the hot mess.”

She scrambles up to her feet then extends her hand for Ava to take, helping her up.

Mary and Yasmine have disappeared with a wave into one of the many bedrooms, Alice going upstairs to read a book and unwind, leaving Lilith and Camila on the couch along with her and Ava. They’ve all been chatting for what seems like hours, but she can sense that everyone is on the verge of sleep because the conversations are dragging and starting to not make sense.

Alice has come down the stairs again, she looks sleepy, but determined. “Ava, you need to at least get a few hours of sleep, why don’t you come upstairs?”

Ava’s face pinches, “I’ll be fine. I can sleep on the plane.”

Beatrice looks between them, they appear to be having a silent conversation with their eyes. Alice’s are intense and little bloodshot and Ava’s are persistent and definitely tired.

“Remember I have that rash on my back that I can’t reach?” Ava looks even more confused than she is. “I need the ointment for it. And I need you to apply it for me.”

“What ointment?”

“THE ointment.”

“Do you two have like bed chem or something?” Lilith queries from beside Camila.

Alice and Ava both glare in Lilith’s direction.

Camila who has begun to snuggle into the couch lifts her butt and says, “Have you ever tried this one?”

Ava snorts.

Alice sighs before going back upstairs.

They all stay in the living room slowly coming to terms that they can’t continue to fight the exhaustion taking over their bodies. She’s sure Lilith and Camila have long fallen asleep. Ava appears to be succumbing as well, leaning to her right and facing Beatrice, legs lazily on the chaise lounge. 

She grabs the blanket nearby and spreads it between the two of them, slowly lowering herself to a comfortable sleeping position. Her eyes droop and linger on Ava’s serene sleeping face, one final thought goes through her mind. This is the happiest she’s felt in months. This feels right .

And finally at peace she gives into sleep.

I used to soldier through my hardest days

I used to switch it off, ignore the pain

I craved to feel it all entirely

In your arms, baby

Notes:

Next chapter other half of the shoot + thiiiiiiiings.

You can find the chapter wrap-up post on my Tumblr.

Chapter 8: Emotional Landscapes They Puzzle Me. The Riddle Gets Solved, and You Push Me to This State of Emergency

Notes:

Hi!

I will be making a reference back to this song and the scene it belongs to. I think if you want to understand the emotional aspect of their conversation then please look through the lyrics/reread the scene in chapter 3, the new scene will be endlessly richer this way.

Here is the playlist and mood board.

(See the end of the chapter for more notes.)

Chapter Text

Saturday, May 3rd. New York City

“Don’t let go!” Ava shrieked as the wheels at the front of the skateboard bounced up sending her backwards.

Beatrice held her by both her hands, standing absolutely still, both feet planted firmly on the concrete floor below them. “I’m not going to let you go, I promise!” Ava’s hands were clammy from both the afternoon heat and fear of being on top of the board, but that was not going to keep Beatrice from keeping her word.

They began to shoot the rest of the video straight out of the airport. With both of them just having time for a quick change of clothing, something more practical for the weather in New York City. She had on a red linen stripe shirt that fell loosely on her torso and denim shorts. Ava wore the same colour Corduroy overalls that cut off mid thigh with a loose cotton white t-shirt. And their hiking boots were replaced with comfortable black Chucks.

Levy and Alice stood around watching them from across the street where the crew all gathered. They were now shooting the portion of the music video that involved the couple spending time with one another and showing that the relationship had turned serious.

They had already shot several scenes earlier in the morning going through a farmers market, where they interacted with the different popup shops and ate biscuits and brownies. And also having a picnic in Central Park, where Ava had rushed to every dog on their morning walk for some head scratches. 

She had filmed a few scenes skating down a street with a different set of clothing. The post-breakup clothing was more moody, representing the inner sadness of the character, but Beatrice couldn’t even manage to pull off sadness with Ava nearby. Every time she tried to appear like a tortured soul Ava would make a silly face, instantly ruining the shot for her. And it must have happened enough times because Alice had to literally grab her by the ear like a child and drag her away.

And now, they were pretty much wrapping up whatever this was with the skateboard, which wasn’t originally part of the story, but Ava got curious looking at Beatrice do it so flawlessly which made her want to try it herself.

“Just put your left foot forward.” She indicated with her foot, tapping the top of the deck, “Here.”

Ava did as instructed, wiggling a little in place, eyes intensely on Beatrice out of fear of looking down. “You say that like it's the easiest thing to do.”

“No, I know it’s not easy, but you have to do it if you want to learn.” She was pulling Ava now, slowly and carefully, ‘You have to trust me, I won’t let go.”

“I do!” The board shifted forward suddenly, Ava gripped her hands even tighter. A pain shot through her left hand, but she bit down, muffling whatever yelp was about to come out. “I trust you.”

(*)

And I never

Saw you coming

And I'll never

Be the same

She stopped moving, coming to Ava’s side, “Okay, flex your knees and find your center.”

“Okay.”

“Balanced?”

“I think so.”

“I’m going to push you forward.”

“WHAT!”

She walked behind Ava, hands coming to her waist. “Stay balanced!”

Ava nodded, adjusting her feet more firmly on the board.

“One…two…thre–”

“WAIT!” The hands around Ava’s waist freeze instantly. Ava’s eyes bore into hers, “You’ll catch me if I fall, right?”

“You’re not going to fall.”

“How can you possibly know that!”

“One…two…”

“Oh my God!”

“Three!” She pushed slightly with enough force for Ava to cover a meter or two of the street. Ava flexed her knees, and by some miracle was still on the board as it came to a stop. “You did it!” she rushed forward grabbing a hold of Ava’s waist again.

It wasn’t long until the arms settled around her neck and Ava bounced off the board. “I did it!” Ava slid down, feet landing on the floor, then they disentangled and Beatrice leaned down to pick up the skateboard.

“We need you guys to change for the next shot.” Levy yelled, their post-breakup clothing already thrown around his body, like a helpless mannequin.

The instructions were clear, they would walk on opposite sides of the streets going about their lives. The camera was situated in the middle of the street and was being pulled by a dolly backwards. The shot was supposed to represent them no longer being part of each other's lives, and seemingly moved on without sparing each other a glance. They shot it a few times, with neither looking towards each other, but something didn’t sit right with Beatrice.

After the scene was finished, they looked through. The thought of not having Ava look in her direction kept circling in her mind. That after everything, not being part of each other's lives was unnerving. It was close enough to correlate to their current predicament and she didn’t want that out there in the universe, even if it was fake.

“What if they looked at each other?” it was Ava who spoke up though, clearly feeling as agitated as she did.

Alice chanced a glance between them before running a hand across her forehead. “I thought the whole point of the end was that they both moved on.” By now she knew Alice well enough to know the sentence was loaded with inference to her and Ava.

It was what Beatrice had originally wanted for the ending of the music video, but that deliberation now seemed rushed and poorly thought out. Like many things recently, it seemed. “We can change it.”

You come around and the armor falls

Pierce the room like a cannonball

Now all we know is don't let go

Ava smiled, already grabbing ahold of her hand and leading them back to their places for a reshoot. This time, as the camera pulled backwards, at the very last second both of them looked in the direction of one another, leaving the ending of the video ambiguous. 

They’ve stopped for lunch at a Vietnamese restaurant. Levy and Alice are across from her and Ava. Everyone's mouths are full of noodles and there has barely been any time for conversation. They’ve all ordered beef pho and a few side dishes to hold them over until the end of the shoot tonight. 

She’s finding it increasingly difficult not to be endeared by Ava’s chipmunk cheeks and the stray noodle poking out of her lips. “Biiifff iifff sooofff goood!” Ava says mouth full but with such delight that she has to look away.

Levy looks in Ava’s direction, giving her a squeamish look before setting his eyes on Beatrice. “We need to do the last fittings tomorrow and coordinate the thing.”

“Waff fffing?”

“Ava, I am not your assistant. As much as you would like to continue to burden me with your petty requests, I am unfortunately all booked out after today.”

“It has honestly been so nice having you around, Levy.” Alice retorted, in a teasing tone. “I can honestly say it’s been a blessing not having to cater to Ava’s every whim.”

“Yeah, well, I’m spent and no longer wish to be at the mercy of that fiend over there.” Levy recoiled as Beatrice kicked him underneath the table.

Ava turned from her bowl, cheeks still full of food. “Heeeeyffff!”

“Will you guys be just as busy tomorrow?” She’s asking more for conversation than anything else. She’s had Ava’s schedule on her phone for months. She knows Ava will be doing her final fitting tomorrow with Iris Van Herpen before they all make their Met Gala appearance Monday afternoon, on fashion’s biggest night.

The Met Gala boasts the world’s biggest stars and models. It is an extremely sought after event. Usually, only people who are deemed culturally relevant to contemporary society are invited. Robert Wun was their benefactor and Iris Van Herpen was Ava’s. It’s an annual event held on the first Monday in May, marking the opening of the Costume’s Institute yearly fashion exhibit. This year's theme for the attire was ‘Edacity’, and its excessive desire for wealth, power and possession. The band had interpreted the theme differently though. Focusing on over-consumption and its detrimental nature all around them, a sentiment shared by their designer. 

It’s Alice who answers, “We’re doing some interviews in the morning and in the afternoon doing the final fitting.” She bites into a chicken skewer and continues, “There’s also like a get ready with me kinda thing happening with Vogue, which will be frustrating to maneuver, but I’m hoping I can scare off the junior reporter before they get too comfortable.”

“What about you guys?” Ava is looking at her expectantly. 

Levy answers though, “I’m already dreading it, it’s going to be a whole day affair with them. I don’t know how I signed up to assist five people!” Alice and him glance at the final skewer before shoving each other for it momentarily. Levy loses. He huffs in place regaining his composure and continues, “I’ll be surprised if one of them doesn’t murder a seamstress.” He glares in Alice’s direction, threateningly. 

Alice bites into the skewer mischievously before asking, “Will this be your first time going, Levy?”

He answers, the same glare adorning his features, “First and probably last,” which is then shifted to Beatrice in the same threatening manner.

She kicks him under the table again. “Levy! Why don’t you eat your pho!?”

His scowl deepens further as he lowers himself to rub the injured leg. “I’m feeling very persecuted right now! I’ll eat my pho and mourn what you will all take from me soon enough. I will soon be banished from the Met Gala forevermore.”

She shifts to face Ava and Alice, “Ignore him, he’s being a drama queen.” Then, pushes the bowl closer to him testily. 

“I prefer Primadonna.”

(*)

Primadonna giiiiiirl, yeaaaah! ” Ava sang to Levy who stuck out his tongue. “ All I ever wanted was the world, I can’t help that I need it all—”

The primadonna life, the rise and faaaaaaaall. ” Alice joined, poking at his shoulders.

He rolled his eyes and acquiesced, but couldn’t help but join in as well, “ You say that I’m kinda difficult—

“You are!” Beatrice points in his direction.

But it’s always someone else’s fault!” He retorts indignantly, pointing back at Beatrice.

Something catches Ava’s eyes though because her hands reach for Beatrice’s left hand, alarmed. Ava is running her fingers across the top of her hand, where Beatrice had previously applied makeup. An angry purple bruise is revealing itself to everyone at the table with each rub. “What—“ the words die in Ava’s mouth, she must have realised. “The taxi?”

Beatrice nods. The bruise had been easy to ignore the day after since it was green and slowly spreading across the top of her hand, but today it was a deep purple, running along the length of her hand and into her fingers. She had been applying makeup throughout the day in the hopes that it wouldn’t come through in the music video. 

“Yeah, that probably needs a retouch once we go back to the shoot,” Levy says, while looking through his satchel. “I thought maybe I had something here.” 

“You knew?” Ava sounds upset, with a cadence that Beatrice now recognises as Ava’s protective tone. Her eyebrows have drawn down and she’s looking at the bruise again. She continues to rub at it as if it would magically disappear. Her eyes go from Levy to Beatrice, and Beatrice knows the table’s mood has shifted instantly because Alice is anxiously looking between Levy, Ava and her. “Why didn’t you have this looked at? We’ve had time.” Ava is looking at her as if it’s just the two of them at the table.

“It’s fine, it’ll just take a few days to clear up.” She’s hoping this is enough for Ava to release her hand and control her emotions in front of Levy. 

“It’s not fine, look at your bruise, Beatrice.” Both their eyes look down in sync, the bruise somehow growing bigger and more purple in front of them.

“I–nothing’s broken. It…it just hurts.”

Ava is pulling Beatrice’s hand even closer now, she seems to want to do something, but thinks better of it, face retracting slightly away from the hand.  “You shouldn’t have done that.” 

“What? Kept you from hitting your head?”

“Yes.” Ava breathes out, eyes going to Levy accusingly, “Has she been taking pain medication?”

Levy lifts his brows unsure if he should make a run for it, or not. “I asked this morning, but she refused. She’s very hard headed.”

She somehow couldn’t tear her eyes from Ava’s, which were now looking at her with concern, “Beatrice.” 

There’s something in the way that Ava had just said her name that makes her squirm instantly. Like, she’s messed up. “Medication would have just made me drowsy. I needed to think about the video.”

Ava extended her free hand to Alice, who without any kind of communication grabbed her backpack and procured two pills from a small, clearly labeled medication box. Ava grabbed the pills and deposited them in Beatrice’s right hand before saying, “Nom nom.” And after one fiery look, the pills were swallowed.

“Don’t say nom nom to Beatrice in that context or any other context in the future.” Levy was staring, hard. “Preferably never again in front of me.”

These are the hands of fate

You're my Achilles’ heel

This is the golden age of something good and right and real

As night descended upon New York City and the afternoon rain cleared, the street lights slowly came on reflecting against the rain puddles gathered on the street. They had switched to their ‘breakup date outfits’ which were meant to be more of an Autumn vibe. Ava wore a plaid skirt with a white sweater, and a navy coat. Meanwhile, she wore black pants with a cream turtleneck, and a beige houndstooth jacket.

The crew plus Levy and Alice stood outside the restaurant, cameras ready to take the shot of them angrily leaving through the front door. Ava went first pushing the door into her, and she followed eyes downcast. It only took one take for the door scene. Ava was apparently very good at situational acting, unlike her, but she kept her face down and pretended to be some kind of sad. 

 They were meant to walk to the nearby alley where they would film an argument between the couple. This was the part of the music video that concerned her. It would be the first time that both of them would hear the song together. Up to this point they had shot all the scenes without the music. 

The first verse of the song began to play as she joined Ava in the alley.

She was not the kind of person to hate the sound of her own voice, but right now it was giving her secondhand embarrassment. The lyrics were suddenly unpleasant and cringy in front of Ava. Who was looking at her sadly, the song clearly having an affect on her. 

Every time I start to believe in anything you're saying

I'm reminded that I should be gettin' over it

“Ready whenever you guys are,” The director spoke from beside the camera operator.

Looking off camera, Ava tensed her shoulders and swung back to face her, tears already welling up in her eyes. “Why can’t you just trust me?” Ava uttered brokenly. “Nothing happened between us. We just ran into each other on the 7 train the other day and got to talking. I didn’t even think about it later. That’s why I didn’t mention it to you.”

“Right. You conveniently forgot to mention that you ran into your ex, the one you almost married, the one that got away. I saw the way you looked at each other just now.”

Good. They were going through their lines perfectly. Just a few more seconds of seeing Ava like this and then it’ll all be over. They can go back to not listening to this song, preferably never again. To not have to relive this weird breakup they’ve conjured for the music video. Because as much as she wanted to say that it wasn’t affecting her, it was. It was getting too close to being an argument she’s had in her head for weeks now, which she’s stowed far in the hopes it went away, much like the angry green monster that sometimes bubbled inside her.

“I am with YOU. Don’t you trust me? Why is it your default to always mistrust me? You’re twisting the truth to fit into some illusion in your head. Why is your self worth so low that you think I would cheat on you?” Ava went off script on the last sentence.

What the fuck was that? That wasn’t part of their script. They were meant to just keep going with the whole cheating thing until Ava walked away.

“My–my self worth?” Her eyes skimmed Ava’s back and forth for any kind of explanation.

“Are you really that in your head about everything that you would much sooner sacrifice this than be happy?” Her stomach dropped. This was real. Ava was actively speaking to her about their relationship. She remained silent, too slow to keep up with Ava’s emotions. “I can’t keep doing this.”

She needs to go back to the lines, she needs to get them back on script. “Are you breaking up with me?” 

“It’s what you want isn’t it? You just don’t want to say it.” Ava doesn’t go back to the script, she turns from Beatrice and begins to walk back to the street, where the camera pans to her.

Beatrice belatedly remembers her line again as she rushes after Ava, “Please don’t do this. Don’t leave.”

Ava continues to walk away.

“CUT” The director yells, already shifting to watch the replay. They’re perfectly still for what seems like ages. “We need a few close up shots of just Ava as she’s walking away.”

Ava turns to the alley again, eyes on the paved floor.

An assistant grabs her by the arm pulling her away from the shot. As they continue to record, she can see the tears have run down Ava’s cheeks and her eyes are red and puffy. Her whole body aches to go to her, but she remains rooted to the spot. Staring where Ava had stood. Suddenly she felt the wind come up, a chill ran down her spine, the weather had taken a turn. Beatrice wrapped the jacket tighter around herself. Feeling colder and colder by the minute like the warmth had been stolen from her. 

Levy unexpectedly appeared next to her, clapping her awkwardly on the shoulder “You did good, Descartes. That was heartbreaking to watch. In the best way. Come sit down while we wait to wrap up.” Levy began leading her away, pulling at her elbow. “Stop nibbling your lips! Where’s the damn lip balm? I will not have you embarrassing me at the Met Gala with your chapped lips!” 

Beatrice has been pacing the hallway outside her hotel room for the past thirty minutes, and she knows it’s Beatrice because she looked through the peephole after the first few sounds of footsteps. And she knows it’s been at least thirty minutes because that’s how long she’s been standing by the door. For what? She doesn’t know, but something has got to come from this, no one just paces outside someone's room for no reason.

After the music video wrapped she came straight to the hotel room with Alice’s help, who had only looked at her once and realised she wasn’t coping. They ate their room service dinner quietly, and by ‘they’ she means Alice ate dinner while she picked at it, mind deep in thought. They didn’t speak about the shoot, Alice knew why she was upset, there wasn’t any point in talking about it anymore. All she asked was for Ava to have a good night’s sleep. They would handle tomorrow together.

As Beatrice paces outside, her mind continues to pace as well. This wasn’t healthy. They couldn’t just ignore this anymore, not like they had the past 3 days. Listening to the song while beside Beatrice was probably the worst thing she could have done. Putting a face, Beatrice’s face , along with her voice and lyrics, just made everything come together in the most horrendous way. 

Beatrice had kept her distance the moment tears welled in her eyes. Not only that, Ava had lost control. She had lost grip on the moment and resorted to calling out their own situation. Of course Alice would be the only other person present to know what she meant, and maybe Levy who continued to look between them after lunch as if trying to solve a puzzle, but that didn’t mean that it was right of her to do so. 

It had landed so heavily between them the second the words left her mouth. Springing something like that out of nowhere on Beatrice was unnecessary and had probably damaged whatever semblance of their relationship she had regained over the past few days. It was always something that she had been told from a very young age, ‘you feel too much’, ‘you don’t think before you act’, and ‘you lash out like a wounded animal when you’re angry’. She needed to step back from her anger if she wanted to have Beatrice in her life in any meaningful way.

The steps came closer to the door, something that had happened a few times already, each time ending with Beatrice backing away and pacing again. Everything inside her screamed to fling open the door. To talk to Beatrice. To at least let her know she was there waiting, but she couldn’t. This has to come from Beatrice. She was done with initiating anything between them. She couldn’t keep being the one to chase her. 

There was a small thud, basically impossible to hear if it were not for the fact that she was standing in front of the door when it happened. She could hear Beatrice inhaling a couple of times from behind the door as if composing herself. She took that moment to come closer to the door, head coming to rest against the wood, her left hand as well, waiting.

“I’m… I’m sorry,” Beatrice’s voice broke as she said it, so low, meant for no one else to hear.

Her heart leapt to her throat. She waited. Waited for Beatrice to say or do something else, but when nothing else came she took in a breath and said, “I’m so angry with you.” She could hear Beatrice take a few steps back, startled. But she stayed close. “Beatrice, I’m so angry with you.” She hates how much pain is coming through her voice. Hates how vulnerable she sounds.

Beatrice comes close to the door, then the light thud again. “I’m so sorry, Ava.” A few seconds pass where she can only hear the light exhales of both their breaths. “Ca–can you open the door, please?” Beatrice pleads, voice soft.

She doesn’t know why she looks to the ceiling, maybe for some kind of divine intervention or for fortitude. Her lips twist, considering her options, but she barely has time to weigh them before her left hand reaches for the door handle, seemingly of its own accord, unlocking the door and pulling it inwards slightly. She puts herself between the doorway and Beatrice.

Beatrice has her hair up in a low bun, strands falling loose and is wearing an oversized blue sweater over a blouse, black pants and boots. Not what you would expect anyone to be wearing close to midnight. “Do you usually make a habit of pacing hotel hallways or–”

“I’ve been inconsiderate.”

“Just that?” 

“I’ve also been mean.”

Mean. How descriptive. 

“Is that all, then?” She can feel her annoyance spike instantly, she knows she should hear Beatrice out, but Beatrice’s face is impassive. “Why are you speaking with the vocabulary of a five year old?”

Beatrice sighs, eyes blinking a couple of times and lowering to look at the floor in askance before they meet hers again. “I’m trying.”

“Try harder .” This time Beatrice puts her hands in her pockets, hangs her head, turns, and begins to walk down the hallway. Panic sets in. She let her anger get the best of her and Beatrice is walking away from a potential conversation. She knows she needs to be patient and let Beatrice come to her, so she pulls the door completely open this time and sets one foot outside in the hallway. “I didn’t say you should leave.” 

Beatrice turns around, stray hairs framing her face, a frown upon her countenance. She extends her hand out into the hall, hoping for Beatrice to take it, lest she dematerialise into a cloud of smoke. Beatrice’s hand intertwines with her own and she pulls her inside, closing the door behind them. 

In the suite the only source of light is the one that comes from a lamp all the way across the small living room and inside the bedroom. She silently guides them both through the room, as Beatrice scrambles to remove her boots, and into the bedroom. She can see Beatrice’s features in the light now, her eyes are adjusting to the low light, and everything seems calmer.

“I don’t know how–I don’t know where to start.”

“Just say whatever comes to your mind first.”

“There’s thousands of thoughts running through my mind right now.”

“Okay. Well, think of me, then say whatever comes first.”

“I adore you. There isn’t a moment when my mind doesn’t stray to thoughts of you.”

“What about the past few months when all you did was ignore me and any attempt I made at communication?”

“Even then.” Beatrice looks wounded. “I know that it’s too late now to take back my actions, but I am deeply sorry for the pain I caused you. I should have at least spoken to you about it.”

“Which actions are you sorry for, exactly? The decision to walk away from me as I called out to you? Or maybe it was the no contact for months, making me think I had imagined it all?”

“I think, no, I thought I was doing what was right for the band.”

“The band? What about what was right for me? For us !? Aside from the sheer disrespect you continuously showed me.”

Beatrice is pacing now, the hands back in her pockets. “That’s not fair, you know how much pressure we’re all under.”

She on the other hand remains perfectly still, hands crossed, “Bullshit. We’re all under pressure, Beatrice. You don’t get to use this as an excuse or something to hide behind.”

“What would you have me do? An apology will not suffice it seems.”

“I just want you to be honest with me, is that so hard?”

“I am being honest.”

“No. You’re not.” She takes a step towards Beatrice, hands coming free from her chest, “You’re saying what you believe you should say. What you think I want to hear.”

“I don’t know how,” Beatrice replies, frustrated.

“Yes, you do.” 

Beatrice’s shoulders begin to tense, “No, I don’t!”

There’s only one way to get Beatrice to come to terms with her emotions. She needs to mention the song to at least begin to unravel the feelings behind it. Beatrice writes about how she feels, she doesn’t say it, and that’s her in. “Tell me about the song.”

“I don’t want to talk about the song.”

“Why? Because it bothers you?” Beatrice nods. “Why does it bother you? Why did you write the song?”

“Because…” Beatrice exhales. “Because I was jealous! Is that what you want me to say? I thought that I was just something that didn’t matter. Something fleeting for you. The thought of you with someone else made my heart ache and all I thought I could do was write a song about it. Because if I busied myself then maybe I wouldn’t call you and I wouldn’t seem so pathetic.”

“How could you not matter to me, Beatrice? How could you think you were just something I would mess with?” Beatrice shrugs and looks away. “I knew how it would look if I went to dinner with him. I was only trying to get your attention.”

“You did it on purpose?” There’s disbelief in her tone and her features are regressing to that blank stare, Beatrice is about to her walls up again.

“No, the opportunity presented itself. I wanted you to see it, to at least call me back upset or angry or something, anything. But you didn’t. You never reached out.”

“I don’t want to talk about this anymore.”

“What do you want to talk about then? Let me remind you, you, Beatrice, were the one that showed up outside my hotel room. What else did you want if not to talk? So fucking TALK!” Too late to stop herself, Ava realised she had let her anger get the best of her again. 

She watched in slow motion as Beatrice’s face hardened and her eyes flashed. The next thing she knew Beatrice had pulled her hard towards her and pushed their lips together.  

(*)

Todo tembló dentro de mí

(Everything shook within me)

El universo escribió que fueras para mí

(The universe wrote that you would be mine)

Y fue tan fácil, quererte tanto

(Loving you came so easily)

Algo que no imaginaba

(Something that I could have never imagined)

Then, arms wrapped around her waist holding her tightly in place. Hands bunched in her sleeping shirt as Beatrice’s lips tugged and pulled as if searching for some kind of meaning in their lips. And she wants to push Beatrice away, make her talk again, but can’t find the strength to. Because having Beatrice initiate anything at this point is a win. So she winds her arms around Beatrice as well, holding her close. She finds her way inside the baggy sweater and blouse, fingers sliding across the warm skin she finds there. 

fue perderme en tu amor, simplemente pasó y todo tuyo ya soy

(It was like getting lost in your love, it simply happened and now I’m completely yours)

Beatrice doesn’t recoil, if anything her lips become more insistent and she can feel her own lips begin to bruise under the urgency of their desire. All she wants to do is crawl inside Beatrice’s sweater and touch everything her hands can get a hold of. Beatrice has also found her way to her skin, hands running along her back, the sides of her ribs, and stroking upwards. Her legs hit the bed frame, almost losing balance. 

We should stop.

But Beatrice is committed to the task, right hand coming down to Ava’s waist, while the other one lays flat on bed, urging both of them down onto it. It’s terrifying how her body reacts instinctually, tugging at Beatrice’s sweater while still matching her lips ardently. Beatrice breaks the kiss only for a second, earning a pitiful little whine from her as their lips separate. They're both panting for air now. She can feel Beatrice’s exhale on her lips, that’s how close they still are to one another. Every intelligible thought evaporates when she feels Beatrice lean down to bite at her collarbone, then soothing the bite with the lick of her tongue. 

Antes que pase más tiempo contigo amor

(Before we spend more time together, love)

Tengo que decir que eres el amor de mi vida

(I need to tell you that you’re the love of my life)

Antes que te ame más escucha por favor

(Before I love you more you have to listen to me)

Déjame decir que todo te di

(Let me tell you that I’ve given you everything)

Arching back, Beatrice pulls both sweater and blouse off in one go, revealing a simple nude bra and the abs that make her go a little dizzy sometimes when she thinks about them for too long. Ava can practically feel her brain turning into goo. And her heart rate is on the verge of cardiac arrest.

Y no hay cómo explicar, pero, menos notar simplemente, así lo sentí

(And there’s no way to explain, but, just simply know that’s how I felt it)

Cuando te vi

(When I saw you)

Beatrice's eyes are fully blown when they meet hers, inclining herself to grab the ends of Ava’s shirt. The short hairs hit the back of her neck when the shirt comes clean off and she barely has a moment to register it because Beatrice is crawling on her just as fast. There’s so much to touch and look at all at once, and her fingers are working double time, not really sure what to give attention to. Her hands do a full sweep of the stomach, biceps, shoulders and then neck. Once there, hands wander to pull Beatrice’s hair out of her bun, the hair tie joining its pair already on her wrist. She weaves her fingers through Beatrice’s hair, pulling her down into another kiss.

Me sorprendió todo de ti

(Everything about you surprised me)

De blanco y negro a color me convertí

(I changed from white to black to colour)

Sé que no es fácil decir te amo

(I know saying I love you is difficult)

Yo tampoco lo esperaba

(I also didn’t expect it)

Pero, así es el amor, simplemente pasó y todo tuyo ya soy

(But that’s how love is, it simply happened and now I’m completely yours)

Ava notes that Beatrice is not at all shy about what she wants. The hands are exploring everywhere, and so is her mouth whenever they break apart for air. Beatrice’s hand goes to her back, caressing at first, but then searching for something, the bra clasp, but she fumbles, not managing to do what she set out to do. 

Her brain actually short circuits along with Beatrice, who breaks their kiss to look down at the clothing item in question. The other hand joins at the back, pulling the fabric of the bra a couple of times before there’s a resigned pant by her ear.

Oh. 

“It’s–it’s a front clasp.” And she wants to laugh because it is equal parts hilarious and cute, but she won’t, she won't do that to Beatrice. She props herself up on her elbows, for the first time taking in just how out of breath and disheveled Beatrice is, hair loose, cheeks flushed and lips bruised, just like hers. Beautiful . Beatrice actually takes this time to sit back atop Ava’s thighs, regarding the bra with an angry scowl. And it gives her the time to truly think about what they’re doing and were about to do.

They need to stop, she needs to stop this. Not like this. Not while both of them are angry and uncertain. 

Beatrice is inching forward again, lips lazily feathering her cheek with kisses. “We should sleep. We need to sleep, Bea. We’re basically running on bad coffee and anger. And we both have a long day tomorrow.”

Beatrice sits back again, regarding her for a second, not upset, but a little perplexed with the sudden change of events. “Oh…okay. Okay, yeah…I’ll go then,” Beatrice says, already lifting a leg off to un-straddle her, but doesn’t get the chance to move too far before Ava’s hands wrap around her waist, keeping her in place, thumbs caressing the skin there. 

“No, stay.”

“Or I could stay,” Beatrice replies dumbly, eyes still well below eye level.

She leans forward and kisses Beatrice’s nose, because she can. “Good.”

Beatrice flushes red again, but kisses Ava’s nose as well before getting off her.

She’s off the bed as well, grabbing the shirt which had somehow landed on top of their only light source.

“I need something to wear.”

“I’ll get you something.”

“Okay.”

She’s sitting on the bed when Beatrice emerges from the bathroom a few minutes later, teeth brushed, hair somewhat tamed and looking adorable in an old Totoro shirt she refuses to part with and shorts. When Beatrice reaches the bed Ava pulls the covers from the right side in anticipation. 

They both snuggle into the duvet, eventually facing each other. It’s Beatrice who opens her arms for her to come close, and she doesn’t think twice about it, already wrapping her arms around Beatrice in a vice grip, legs as well. A thought runs through her mind then, and she reaches over for Beatrice’s left hand around her, giving it a quick kiss.

“Are you going to call me a frog again?”

She takes this time to slide the hair tie back onto Beatrice’s wrist. An action that doesn’t go unnoticed. It felt significant. “I didn’t call you a frog!”

They both chuckle against each other, sleep feeling far away but also nearby.

“I’ve missed being with you.”

She leans forward to nuzzle against Beatrice’s cheek. “I’ve missed you. So much.”

“Mmm…” Comes the sleepy reply as Beatrice’s eyes blink close.

Tilting her head back, Ava’s eyes trace along the lines of Beatrice’s face, across her eyes and nose and her pouty upturned and slightly swollen lips. Her hand reaches up then, fingers running along the length of Beatrice’s cheekbones, tracing the constellations she finds there, against the fine moonlight. 

A soft snore emerges from Beatrice’s slightly opened mouth and a giggle threatens to bubble up out of Ava’s chest, but she manages to suppress it. Shifting closer once again, Ava burrows into the crook of Beatrice’s neck and breathes her in, slowly succumbing to sleep.

Antes que pase más tiempo contigo amor

(Before we spend more time together, love)

Tengo que decir que eres el amor de mi vida

(I need to tell you that you’re the love of my life)

Antes que te ame más escucha por favor

(Before I love you more you have to listen to me)

Déjame decir que todo te di

(Let me tell you that i’ve given you everything)

Y no hay cómo explicar, pero, menos notar simplemente, así lo sentí

(And there’s no way to explain, but, just simply know that’s how I felt it)

Cuando te vi

(When I saw you)

Sunday, May 4th. New York City

Blearily, Ava blinks awake, hands searching. All that meets her is cool sheets. She opens her eyes. She’s alone and neatly folded on the bedside table is Beatrice’s sleepwear from the night before.

— 

Beatrice is running. Dodging morning runners, co-workers with coffees in hand deep in conversation, nannies pushing strollers, zig-zagging past frolicking dogs. She had lost track of time and is now late. 

At 4:21am her eyes had shot open. Lying stock still tangled in Ava, her thoughts had spiralled. Frozen immobile by looming panic. What the hell had she done? She had lost her grip on reality the night before and was now kicking herself. In a moment of weakness after the events of the last 3 days and the consequence of being too close to Ava, caught up in her bubble, Beatrice had allowed herself to want. Beatrice was not allowed to want. She didn’t deserve to want, not after how she had treated Ava these past few months. She had made her choice. She needed to put their careers first, she needed to be the stronger one. 

They could not work. They would not work. 

She wanted to move. To put any kind of space between them but found that she didn’t have the strength to. Ava’s rhythmic breathing was calming her and in that moment, she began to feel peaceful again. Ava had tucked herself right under her chin, her puffs of air tickling at her throat. It started small, her right hand unwrapping itself from Ava’s waist, trailing up her back. So soft, barely enough pressure to wake Ava. The hand ran across Ava’s shoulder to her arm where it caressed the skin there. 

Ava stirred, nuzzling closer. “Mmmm?”

Her hand stopped their ministrations, running back down to wrap around Ava’s waist. “Sorry, go back to sleep.”

Ava nodded, placing a sleepy kiss on her neck. 

In that moment all Beatrice could do was pull Ava closer, placing soft kisses on top of her head, soothing her back to sleep.

Finally, after what felt like an eternity of laying next to Ava, thoughts flip flopping back and forth, an eternity of convincing herself of what she needed to do, clammy from her anxiety, Beatrice unfroze her limbs. She knew what she had to do. What she must do. Gingerly extricating herself from Ava, she rolled out of the bed, taking care not to make a sound or shift the bed too much. Praying her eyes had adjusted enough in the dark room and that she did not cause a ruckus by bumping into any furniture or tripping over, Beatrice tiptoed into the bathroom and got dressed in her clothes. Treading carefully in her socked feet, boots in hand, Beatrice deposited the folded clothing on the bedside table and carefully observed Ava’s content face and still body, chest lightly moving up and down with each breath. 

This was it. There was no coming back from this. When she leaves, this is the end for them. Ava and Beatrice cannot come back from this. 

She doesn’t deserve Ava. Not after everything. 

Allowing herself one last moment of weakness, Beatrice ghosts her lips over Ava’s cheek. So close but not touching. Goodbye.

With one last look behind her, she slips out of Ava’s hotel suite. Taking a moment to sit down in the hallway to pull her boots on, she fights the urge to scream. She should have left a note. Ava doesn’t deserve to be left without a word, without explanation. But it’s too late now. The door had shut behind her and she couldn’t get back in without disturbing Ava from her slumber. She will text… no, she’ll call Ava later at a more reasonable hour and offer an apology for the way she had left. 

Ashamed and standing up, she begins to run. Running from what she had  done and all she was feeling. Running from all she was losing. She runs down the hotel stairwell, all 18 flights of stairs, through the silent lobby and bursts out the doors of the Plaza Hotel. Seeing Central Park across the road, she runs toward it. After sprinting for what seems like forever, she slows to a stop by Harlem Meer. Veering off the footpath into the nearby bushes, she throws up. It’s mostly bile. While Beatrice had been sprinting, as if she could outrun her demons and the consequences of her actions towards Ava, the sun had begun to rise, marking the dawn of a new day. 

Now, in Harlem, she sits by the edge of the lake and watches the ripple of the water with the wind and the dappled sunlight reflections. There, she sinks ever deeper into her thoughts . Ava will follow where you lead. But who are you? Who do you think you are? Who are you? Who are you to lead her? Who are you to lead them? You are not worthy. It’s like she can hear the echoes of her parents’ voices, her extended family’s voices in her head. Picking at her deepest scabs. 

Beatrice is fucked. Her phone was dead, she has no money and she had realised too late that they had agreed to meet in the hotel lobby at 8:00am to head to their final fitting. With plenty of cushion time to account for New York City rush hour traffic. She is very very fucked. Sprinting back in the direction of the Plaza Hotel, a helpful passerby had answered her frantic query with a “It’s 8:30!”. And she was still only halfway through the Park. She had been lost in her head, sitting by the lake, for over 2 hours.  

Perspiring heavily, Beatrice skidded into the lobby, looking like a deranged maniac. It was a miracle the door people had opened the door for her at all. “Sorry I’m late. I went out for a run and lost track of time.”

Mary is the first to cast her eyes on her, and she’s not pleased. “On a run? Like through the lake? You’re soaked. And in those clothes?”

“Weren’t you wearing that last night before you went on your walk?” Camila asks as well, her attention jumping from her outfit to her phone’s screen probably checking the time. “It’s 8:56, we’re very late.”

Shit.

She’s still wearing last night’s clothing. “I figured it was already dirty so—”

Camila is now actively dissecting her, “I didn’t hear you come in last night? When did you leave this morning?”

“Six-ish, had a lot of energy.”

“You ran for three hours?” Camila was not letting up.

Lilith had now turned to their discussion, a foul smirk on the side of her lips. “Cam, I think Beatrice wants to get away with something. I think you should let her.”

“Get away with what? I’m so confused!” Camila yelped.

Yasmine comes into the lobby, hands waving frantically, “Where is Bea– oh, there you are. The car is here and someone needs to come deal with Levy, he’s yelling hysterically at the driver.”

The ride to the rented studio for the fitting is silent. Mary refuses to make eye contact, Camila keeps looking at her trying to figure something out, Yasmine is biting her nails, and Lilith keeps winking in her direction, but not in a teasing way, more of ‘you’re so fucking fucked when we finish our schedule you fucking asshole’ way, and she doesn’t blame her. 

She did it again. She let herself get carried away with thoughts of Ava and she has once again let their situation affect her obligations. They were late to their fitting. This was inexcusable. She would need to apologise on behalf of the band, especially to Robert Wun who was probably already stressed enough with having to get them all sorted before tomorrow.

“Does anyone have a charger?” She asks in the hopes that either Yasmine or Camila reply.

“So let me get this straight. You didn’t charge your phone last night. Went for a run in your clothing. And came late to meet us at the lobby. And what? You’re now asking for a charger?” Lilith is the first to reply, unfortunately.

“Usually, when someone needs to charge their phone they need a charger.”

“Well, I don’t have one.”

“Thanks for the useless information, you arse. How am I meant to charge my phone with that?”

Mary is turning to her now, “I think you can do without your phone.” There’s a certain look in Mary’s face that says she knows exactly why Beatrice is asking for a charger. “Clearly, it hasn’t been much help today.”

It’s Yasmine who taps her shoulders once the car quiets again, offering a powerbank and cord. 

They take longer than expected to arrive at their fitting, the traffic in New York being the absolute worst. The moment they step out of the car is the moment that Beatrice’s phone finally blinks back to life. Too late . They’re all manhandled upon arrival with clothing being pulled off by impatient seamstresses. She’s stripped bare apart from her underwear and bra in front of her bandmates, but she’s not the only one. They’re all in the large studio being poked and prodded every few seconds. 

Lilith is watching her curiously, with that stupid smirk again, like she knows something. “Is that a hickey?”

It’s loud enough for the others to face her and they’re all gawking now. Looking for the supposed hickey that she allegedly has. There’s heat rising behind her neck and her cheeks feel warm immediately. She needs to look in the mirror but a seamstress is in the way. Her neck is literally doing acrobatics to get a closer look.

Lilith laughs, “I’m just messing with you, but interesting that you scrambled to look anyway.”

She has a half mind to haul Lilith outside by the roots of her hair, in front of the seamstresses and all. “I can see that you’re going to be an utter delight today.”

“I’m just getting started.”

“ENOUGH!” Levy thunders. His face a black cloud. “This is not the time for flippant jokes. We were late, and this is simply inexcusable. You will all do everything that is asked of you today and show Robert and everyone here the respect they all deserve for creating these outfits. Do not forget. It is an utter privilege for you to be wearing this and representing this Fashion House.” Whirling upon Beatrice, Levy looms closer, his voice a threatening mutter, “I will be speaking to Suzanne about today’s events.”

The gown she will wear tomorrow for the Gala is a coat-like dress covered in glass shards, which their designer had said represented love, sacrifice and personal loss. And she wanted to laugh at how on the nose it was. The fact that she would be wearing a dress that so perfectly fit what was going on in her life. An equally fractured headpiece would go along with the dress to keep her face hidden on the red carpet.

The seamstresses helped her into it, holding the dress aloft for her to slip inside, quickly fastening it around her. They set to work right away, pinning any extra fabric in place, and adding last minute shards to more sensitive areas. Leather high heel boots were placed by her feet, and she stepped in, then, came the headpiece. She could barely see through it, and she only had today to get used to the entire ensemble. After months of concepts, fittings, measurement, and adjustments it was all finished. Several rings were placed upon her fingers, being mixed and matched as the designer and his assistants decided which combination perfectly suited the look.

Camila’s outfit was being fitted at the same time, her black and white gown was covered by a massive veil and hat. Beatrice wasn't sure what it represented exactly but it had to do with decay and metamorphosis. Camila stumbled a few times as they attempted to get her inside the knee length heeled boots.

Once they were both finished it was Yasmine, Mary, and Lilith’s turn. They stood nearby, fully dressed watching the other band members go through the same process. Backing away quietly, Beatrice reaches for her phone, cast aside on a table lined up against the wall. Praying noone notices, she chances a glance down at her screen. A notification of a missed call from ‘Do not answer’ at 6:38 a.m.. Shit . She needs to call her back . Glancing up, she meets Levy’s glare and cowers slightly. It will have to wait.

Lilith and Yasmine both had gowns covered in pleated silk, Lilith’s white and Yasmine’s skin toned. Both with trailing veils representing the spirit and the flesh. Yasmine, though, had a terrifying skin graft of a head on top of the veil, which made some kind of sense…Mary’s was her favourite, it symbolised the first snowfall of Winter. It was black gown with a matching veil, which was richly embroidered with crystals emulating iced snow. 

They stood side by the side as pictures were taken of the complete looks. Every accessory, shoe, and headpiece was accounted for and would be set aside for Robert Wun to bring to the hotel tomorrow along with the army of stylists. And tomorrow they would wake at the crack of dawn and get everything put back on plus, hair, makeup and nails.

The sun was beginning to set outside the studio as the traffic outside picked up once again. They had been at the fitting for hours. They had not even broken for lunch, forgoing it in order to ensure everything would be completed. Everything was ready for tomorrow. All that was left was the presentation. They all sat along on the floor of the now empty room. The designer had left it up to them to decide on the final elements of the red carpet and reminded Levy not to worry too much about Anna Wintour, he would deal with her if there was any ill will towards him.

The plan was simple in nature, but could have the potential to spiral if things got in their way. They were to start their walk before the entrance at Fifth Ave at 82nd street, after being dropped off a short distance away. It was all coordinated along to ‘ Fils de joie ’, if they heard it go off it meant that Levy had managed to play it for the outside speakers and they could begin their walk through the red carpet. It should all take the length of the song to do. A song which represented the exploitation of a sex worker, and in this case drawing a comparison to the hard work designers and their team put behind each gown. They would walk one after the other without stopping. Once atop of the stairs before the entrance they would stand next to each other for photos before continuing inside to change for the rest of the night.

The entire demonstration would represent the gowns and nothing else. Not themselves. Not the event. Just the hard work of the design team, outside the influence of what the Met Gala had become, an exhibition of unbridled wealth, power, and possession. They were going to completely go against the theme of the gala and subvert the expectations of everyone around them.

Morosely, Beatrice stares down at the amber liquid, cradling the crystal tumbler in her hand. Beside her on the bar top lay her phone, open to Ava’s contact page. It was 6pm. She had survived the final fittings day. The others had dispersed, eager to rinse off the day and head out for dinner. But she had stayed. 

It was 6pm. She had failed to call Ava back. It had now been almost a full 12 hours since Ava had called her. It was too late. Too late to offer an explanation. 

Raising the tumbler up to her lips. SLAM . A hand struck the bar top next to her, startling her out of her pensiveness. Ava’s hand. 

The commotion earned the side glance of the Plaza’s bartender and that of the few guests sitting and enjoying the lobby’s bar. 

Ava reached over and snatched the whisky tumbler out of her right hand. “You don’t do this. You do not drink Beatrice Young. You cannot start this,” Ava lowly vocalised, anger imbuing every syllable. Ava downs the two fingers of whisky in one shot, grimacing as it burns, quickly glancing down at her phone. “Let’s go.”

With that, Ava grabs Beatrice’s right hand and bodily hauls her off the bar stool, keeping her hand in a death grip, in silence, across the lobby and into the waiting elevator. Ava jabs at the button for the 19th floor, slamming it a few times for good measure. Beatrice stays silent. Her hand feels sweaty in Ava’s hand, the bones in her hand beginning to ache beneath Ava’s clinch but she dare not try to let go. She barely dares to breathe. Chancing a look in the reflection of the mirror in the elevator, Ava’s face is resolute, face marred with a foreboding scowl, her lips downturned and almost white with how tightly they are clenched together. She’s never been more afraid . She can feel the fury emanating off Ava in waves.

The elevator dings as they arrive at the 19th floor, Ava dragging her through the corridor, swiping her key card and shoving her into the room. 

“WHAT THE FUCK IS WRONG WITH YOU!?” Ava screams, right as the door closes behind her. “Who just fucking leaves someone like that? Without a word? Do you have any idea how it felt!? To wake up to find you had left in the middle of the night? How shitty that made me feel?’ Ava’s hand starts to run through her hair. “What am I? A play thing to you? Have you no respect for me?” She tries to speak, but Ava raises a finger, “No. Don’t answer that. Your actions have shown me enough. You don’t respect me at all.”

 “I’m sorry.” It goes unheard.

“And then I had to go about my day, putting on a mask. Oh. You better watch your back. Alice may just shove you into oncoming traffic. FUCK! You didn’t leave a note. You didn’t text. You didn’t call. You couldn’t even give me that. Even after I told you how it made me feel last night. Even after, even after...”

Beatrice is standing stockstill in the middle of the living room while Ava continues her tirade. Ava’s hands trembling slightly with the force of her emotions, she’s pacing back and forth in front of the door, gesturing wildly, “Y mira esa cara estúpida y perfecta mirándome como siempre, sin nada que decir! En verdad trato de entenderte, pero cada vez me haces lo mismo y ya me tienes hasta la última hostia! Me da una rabia y después recuerdo que eres tú y me arrepiento. No sé de dónde sacas los cojones para arruinarme la vida así, porque no los veo. Joder, mujer, cómo me maldices el día. Y Por qué carajo decía “do not answer” en el nombre del contacto?”

As Ava pauses to take a breath, Beatrice interjects again, “I’m sorry. I meant to call.”

“YOU MEANT TO CALL!? WELL YOU DIDN’T, DID YOU? YOU ASSHOLE!” 

Ring. Ring

The hotel landline rings from the buffet table in the living room. Ava storms over to it, picks up the handset and barks out a curt, “WHAT.” Ava listens for a second and then slams the handset back into the holder, ripping the cord from the wall and flings the phone onto the nearby sofa. 

Beatrice swivels and looks towards the exit longingly. Ava clearly notices the focus of Beatrice’s attention and scrambles back to place herself in front of the door.

“Speak,” Ava commands. 

“I don’t know what to say.”

“Oh. My. God. What do you mean you don’t know what to say? You say plenty in your songs? Right? That’s what you do. You hide yourself away, you hide yourself behind your song lyrics. Why? God. Fucking. Dammit. Beatrice. Why are you like this? How have you not imploded yet? Can you not just speak? Talk. Say anything. I want to listen. Please. Just let me listen.”

(*)

All that no one sees,

you see what's inside of me

Every nerve that hurts, 

you heal deep inside of me

Ava quiets. She’s watching Beatrice closely. Beatrice can feel herself breathing heavily, struggling to get enough air into her lungs. “I’m doing the best I can,” Beatrice croaks out in a broken whisper.

At that, Ava closes her eyes and seems to withdraw into herself for a moment. Upon opening her eyes again, she steps into the bedroom and Beatrice loses sight of her. She can hear Ava struggling, which causes her to step into the room. There, she finds Ava trying to undo the latches of the window.

“What are you doing?”

Ava is walking around the bedroom, collecting random objects, a remote, a notepad, loose pens, a magazine. She throws them on the bed then glances back to the open window. “If you need to throw things out so you can be happy with me then I’ll help you collect them. If that’s what makes it bearable for you and allows you to eventually choose me, then, that’s enough for me. That’s enough for now.”

The conversation from months ago passes through her mind in seconds. They were at Ava’s recording studio, just having sung Björk’s ‘Hyper-ballad’ on the piano. They discussed the song and its different meanings. Ava’s interpretation had left her speechless. 

Her eyes were on Ava’s. Surprised to find a kindred spirit. “But it’s really about casting away your negativity, the fear of whatever comes next.”

“Well, yes there’s that but also not carrying everything on your own. It’s allowing yourself to be intimate with your emotions and inner demons and sharing them with the person you love.”

“Wait, but she doesn’t say that at all.”

Ava swatted her arm, bouncing a little on the shared bench, “That’s the point! She’s not sharing her negative emotions out of fear that her relationship will be too fragile to endure it.”

The objects were the representation of the repressed emotions and baggage carried around by the person and the act of metaphorically discarding them was the release. The release to then have the strength to be with the person you love without the fear of losing them because of what they might see in you. 

Ava was asking her to liberate herself so that they could be happy together, even if it was all Beatrice could do for now.

“Ava, you don’t have to do that.”

“You know that you don’t need to carry everything on your own. I’m here for you in any capacity you’ll have me. I want you to share what makes you happy, what makes you sad, all the in-betweens. Everything. Bea, I swear I have the patience. You just need to be honest with me. And I know that right now, that’s not possible, so, this? This you can do. It’s a start.”

“It’s not that simple.”

“It’s not that simple?”

“No.”

Ava grabs the remote. “I need you to throw the remote out the window,” She says while walking towards Beatrice. Ava shoves the remote into her chest, for her to take. Beatrice shakes her head, and begins to retreat.

“Throw the remote.”

“I can’t.”

“You can’t? Or you won’t?” Ava’s voice is rising again. “Beatrice, throw the fucking remote! If this is what makes it possible for you to be happy with me then throw the remote.” She flings the remote in the direction of the bed. “No?” Rumbles forth from Ava’s chest as she shakes her head in disbelief. Resigned. “Then, go. Just…go.”

“Can I stay, please? I’m sorry if I… if this hurts.”

“Yeah. Well, at least it’s not a flesh wound,” Ava’s voice cracks as she says it. “Go Beatrice. I don’t want to see you right now.”

I feel emotional landscapes

They puzzle me, confuse

Can the riddle get solved?

And you push me up to this state of emergency

How beautiful to be

State of emergency is where I want to be

State of emergency

How beautiful to be

Notes:

I hope you guys took breaks as you panic read.

The Met Gala next chapter!

You can find the chapter wrap-up post on my Tumblr.

Chapter 9: La ambición, delirio de grandeza hizo en mí un ser martirizada porque estaba locamente enamorada

Notes:

Here is the playlist and mood board.

(See the end of the chapter for more notes.)

Chapter Text

The first Monday in May, New York City


The face looking back at her isn’t her own. 

In all the ways that mattered to the outside world Beatrice was the vision of perfection. The makeup artists had done an impeccable job hiding the dark bags under her eyes, courtesy of the lack of sleep from the night before. She wasn’t sure how she was even standing right now, probably through sheer force of will and copious amounts of coffee and energy drinks. Eyebrows fiercely drawn straight across, makeup minimal but striking, and hair in a tight bun to better suit the head piece mask combo she would wear later.

Her eyelids and eyes were the only signs of the things that were wrong. Still puffy, still red, still within a moment's notice of tears bubbling up again. Lips red with both rouge and the incessant need to nibble. The gown hugged her waist in an uncomfortable manner, constricting, but the pain was a punishment she welcomed. It reminded her that she was still there, still tethered, that she was a physical entity with sensations.

The broken glass shards reflected back the late afternoon sun coming through the hotel room window, catching her eyes occasionally. She felt as fractured and as despondent as her dress appeared. It was an odd but perfectly accurate representation of herself. The dress covered almost every part of her with the final piece, the headpiece, suffocating her completely.

 The voices in the room were starting to make their way into her ears again. Camila was quarreling with Levy on whether the flower above her hat was secured enough for the red carpet. Beatrice was sure it was just an expression of nerves rather than an actual fear. If the flower fell then it fell. They knew they couldn’t stop moving once they began their demonstration. 

Don’t stop moving. 

Don’t stop. 

Don’t.

It was like the universe was playing some kind of sick joke on her. When would she have the time to stop? Was that even possible anymore? It all just seemed like an endless race. To what? She doesn’t know. None of it seemed worth it anymore. It could be due to how fatigued she was or the fact that she was probably one erroneous event away from exploding. 

“Bea?” Camila was beside her, looking at her through the mirror. Eyes concerned, “You’ve been quiet all day, is something the matter?”

She wants to let everything out. She wants to express how much everything has escalated. How she couldn’t keep up with their precipitous rise to fame. How she was literally hanging on by the smallest fucking thread in the world. How deeply in love she was with Ava, and how it felt like an injustice that her heart couldn’t burst through her chest like she wanted it to and be free to scream it out into the world. How unexpected it had all been and how much her mind was struggling in its attempt to keep up. And how years of emotional trauma was currently keeping her from everything she wanted, everything she has never dared hope for.

What she says though is not that. “I’m fine, Cam. Just didn’t get a lot of sleep last night.”

Camila is looking at her skeptically, as if she hasn’t been a witness to her slow and equally fast unravel. “This isn’t just about last night though. I’ve seen this look day after day now, I know something is wrong and you’re not letting me in, you’re not letting any of us in.”

“I’m fine.”

“Beatrice, you’re not fine. Is it us? Are we doing something to cause this?”

Yes . Once again in her life everyone was expecting too much of her. She saw the signs, she knew she was beginning to shut down and withdraw into herself. It was easier this way. The feeling of nails scraping against the walls of her mind and heart, fighting to stay as her emotions unwillingly receded back into that metaphorical box. Safely away, where no one could reach them. Where they couldn’t hurt her or others.

“No.”

“Are you stressed about what we’re about to do?”

Yes . They were about to do something unheard of in Met Gala history. Completely going off theme on purpose. To spite everything the event stood for. They could be persecuted for this. And yet, she had wholeheartedly agreed because it had been the right thing to do. They had the platform, the message needed to be heard. Did people want to hear it? Well, that wasn’t up to her.

“No.”

“Is this all too much?”

Yes . Every time the band’s career moves ahead, she retreats. She sacrifices, they reap the rewards. She gives, everyone takes, even Ava. Leaving nothing behind in their wake. She was starting to think that staying her course, keeping to her original life plans had been the best choice for her. A simple life playing piano for the London Philharmonic was starting to sound pleasant and perfectly quaint.

“No.”

“Beatrice.” Camila is losing her patience. “Is it Ava? Is it someone else? Did they hurt you?”

Yes . Ava was never part of her life plans. Ava has caught her off guard. The person she had least expected to turn her life upside down was currently doing so. They should have never met. She should have kept her distance. She should have said no to Ava joining her in Paris. She should have thrown the note with her number away. 

She should have. 

She should have. 

She should have.

And yet she hadn’t. Because Ava has wound herself so tightly around her heart that even just attempting to remove her would leave remnants behind, just like ivy does to an old stone house. The roots burrowing strongly and without meeting any resistance, deep into her, covering her completely. Shaping its way into the house, creating a new adaptation of the house, forging a new future and dreams. And the only way to remove ivy is with a blaze, a blaze she was unwilling to strike nay incapable of. 

“No.”

Lilith and Yasmine are quietly watching the exchange and Beatrice is grateful for their silence. 

“I want to listen to anything you have to say. Please, just speak to me, to us?” Camila was supplicating with both her eyes and voice. Words an echo of what she had heard from Ava last night. “None of this is worth it if it doesn’t make you happy. It’s not worth it if we lose you in the process. If this doesn’t make us the best version of ourselves, then, let’s stop.”

She wants to reply, to say anything. To admit that yes, at some point she had lost herself along the way. That maybe this had all been too much, too soon.

Mary comes to them then, setting her hand on Camila’s shoulder. “Camila, I think you should let Beatrice be.”

“No!” Camila is grabbing ahold of her hand, and the force of her grip is so strong, that she can feel the pressure all the way to her chest. “I love you, Beatrice. You. Not some idea of you. Not what the world perceives of you. Just you. Every bad thought you’ve ever had, every sadness, every hurt. Let me help you…let us help you.”

Beatrice gapes. Not here, not now, she thinks. She was not ready for this. She had not yet recovered from the conversations with Ava and now Camila was seeking to lay her bare, in front of everyone. She feels her breath begin to quicken, her legs beginning to shake in place. Camila’s words are ringing in her ears. 

“Cam–”

“I’ll go with you to every therapy session if you think it will help. I’ll hold your hand. I’ll wait outside for you. I just want you to be happy.”

Her heart squeezes painfully inside her chest. The gown constricting her, suffocating her. She knows Cam is right. She does need help. She can’t get past this herself. The past few days have shown her that in stark relief. But not now. She can’t talk about this now. Not if she wants to make it through the evening. To perform as Beatrice, Beatrice of the Cruciforms

“We’re all about to have a very long night. We can talk it out once we come back to the hotel.” Mary says, extracting Camila from her side. She turns then, making eye contact through the mirror, “Beatrice, enough. This ends tonight. Whatever it is.”

Beatrice watches their retreat in the mirror, and silently mouths “ Enough.

They’re all dressed and ready to go once their cars arrive. She’s the last to leave the room, the hair tie on the dressing table keeping her there. Eyes glued to it. It is just a hair tie. A meaningless, simple object not having any kind of significance outside of Ava and herself. She could easily leave it behind if she wanted to. 

Levy enters the room searching for her. He doesn't attempt to make a snide remark like he usually does, his voice is delicate, “Descartes, we’re ready to go.” 

She nods to him. Then, the eyes go back to the hair tie. She grabs it, walking to Levy. “Please give me this when we change, it’s important.”

As soon as she vocalises those words, she feels a sense of relief. A rush of elation sprouts within her.

He looks at the item in his palm, it seems a lot smaller when he holds it. “I will.”

“Thank you.”

Her hand is on the handle of the room door when he speaks again. “I think she’ll wear hers too. Doesn’t seem to ever take it off, just like you. And I know because I told her she would get an ugly tan line.” He puts the hair tie into the pocket of his jacket, close to his heart, where there’s a beautifully folded handkerchief, and pats it a few times. “It’s safe with me.”

Her eyes go to the ceiling where she attempts to blink away the moisture gathered in her eyes, she can’t ruin her makeup. She collects herself, nodding back to Levy and opens the door, stepping out of the room to the waiting band members.

They’re at the corner of 5th Ave. and 81st St, waiting. The sun is beginning to set. The roads have been closed down for the event, the only cars allowed through are for guests who are being dropped off at the start of the carpet and it’s not red, it’s white at the center with muted green at the edges. She can see Levy’s retreating form as he crosses the road and makes his way to the museum. 

There are police and security guards everywhere she looks. Personnel in suits with ear pieces patrolling around the exterior of the museum making sure that everything is running smoothly. The press are scrambling to get pictures of celebrities as they exit their cars. Entourages surround and follow close behind them, designers, managers, publicists, and assistants.  

Suzanne is with them, she’s conversing with Robert Wun, phone in hand, anticipating Levy’s confirmation that everything is a go. She can’t see any of her bandmates’ faces, but she knows they’re as nervous as she is. Lilith isn’t even being Lilith, that’s how tense it is.

Crowds are being held back by temporary barriers, snapping photos of anyone who looks like they’re in attendance. There’s protesters outside holding signs with messages objecting to the event. The police are gathered around them as they shout and the media congregates around them.

Suzanne holds her shoulder and says, “Levy is ready.”

She breathes, looks at her bandmates and steels her shoulders. With a turn of her heels, Beatrice is off. She crosses the avenue and heads in the direction of the museum, Camila, Yasmine, Lilith and Mary following close behind. Suzanne and their designer close on their heels. She swallows everything down, the nerves, the melancholy, the fear and exchanges them all for unbridled strength. 

Inside Beatrice beats a thrum of anticipation. Ava is waiting . The sooner she completes this task, the sooner she can see Ava and let her know . As she reaches the other side of the street, Beatrice the person is replaced by Beatrice the leader of The Cruciforms. The noise from the throngs of people increase dramatically the closer she gets. The flashes from cameras are pulsating and flashing off every available surface. The baroque strings from the song is the first thing she hears then the bass makes its presence known. 

Levy had done it. Now, it was up to them. 

They strut up to the entrance of the carpet as the first verse of the song begins.

(*)

Être seul c'est difficile et là, ça fait des années

(Being alone is not easy and it's been years since my last time)

Et de juger c'est facile, surtout quand on n'y a pas goûté

(Being judgemental is much easier, especially when you've never tried it)

Le plus dur, ben, c'était la première fois. Puis le plus dur, c'est de savoir quand s'ra la dernière fois

(The hardest part, well, it's the first time. And now what's hard is to decide when the last time will be)

They walk past the security at the entrance, ignoring the calls for them to wait their turn. The last thing she hears is Suzanne trying to calm the situation along with their designer. She can barely see the carpet stretch before them, each side littered with various photographers, interviewees and news outlets all covering the event. All being kept at bay by barely standing barriers covered in real white roses and various other foliage.

Everyone around them is taken aback by the song currently blasting throughout the temporary enclosure. The celebrities stop in their spot as they march along, occasionally getting double takes as everyone's attention is consumed by their presence and their outfits. She overhears the press yelling for an answer as to who it is that they were photographing, with many attempting to follow them up the carpet instead of staying at their designated spot. 

“Who are you!?” 

“Over here!” 

“Turn this way, please.” 

A cacophony of noise. 

C'est vrai, j'suis pas contre un peu d'tendresse de temps en temps

(I'm not against a little tenderness from time to time)

Et puis cette fois-ci, ben, j'pourrais l'faire en l'insultant

(Maybe this time around we can do it with me insulting her)

Oui tout est négociable dans la vie, moyennant paiement

(Yes, everything is negotiable in life, if you have the money)

En plus j'suis sûrement son meilleur client

(And after all I'm probably her best customer)

Suzanne kept to their right side, signaling for them to continue, to execute the vision. After everything was done, they would quickly change and not reveal their identities. Beatrice was sure news would spread quickly, and their identities would be revealed in time, but, hopefully the message would come across before that.

They are about to make a left turn into the long stairwell that leads to the immense museum entrance. Everyone at this point has clued in that something is happening. 

“Stop for People’s Magazine.” 

“Are they wearing Robert Wun?” 

“Interview for New York Times?”

“Hey you! Is this a band?” More than a few murmurs of ‘who are they?’ 

Celebrities around them stood forgotten behind their wake as they began to ascend the steps. As she took the first few steps Beatrice made the mistake of looking to her left, coming across the sight of Ava, her eyes beginning at her heels and the state of unrestricted skin that spanned upwards. Completely opened for everyone to gaze upon. The beautiful Iris Van Herpen dress and all its white tulle mesh wrapped around her a lot like waves when they crash into sand and spread, the sea foam creating intricate spirals.

The dress was freeing and revealing unlike hers. And the contrast between them put things into perspective immediately. It was unavoidable thinking about it. There was Ava completely open for the world to see and appreciate and here she was covered in fabric with glass shards that threatened to cut. 

Pourquoi tout le monde me déteste?

(Why does everyone detest me?)

Alors qu'c'est moi qui les nourrit

(I'm the one feeding them)

Leurs vies seraient bien plus modestes

(Their lives would be way more mediocre)

Sans moi, elles s'raient pourries

(Without me, their lives would be shitty)

Le lit et la sécurité ont un prix Madame

(A place to sleep safely, that has a price, madame)

Ben oui dans la vie tout se paie. On n'te l'avait donc jamais appris?

(Well, of course, in this life, everything comes at a price. Did no one ever tell you?)

There was an arm draped along the right side of Ava’s waist. And her eyes followed the plain and boring black sleeve up, past the bowtie, landing on JC’s eyes. And she felt it, the moment her heart constricted in her chest, and then she fought back the urge to break away from their undertaking. She wants to go to Ava. She wants to take up her rightful place next to Ava. It should be her with her arm wrapped around Ava’s waist, holding her close. The green monster stirred and puffed inside her. Her eyes descended to find Ava’s, she was looking straight at her, expression pained, her chest rising and falling faster than before.

Beatrice tore her eyes away and continued to climb. They were almost there. Whatever feelings were threatening to burst through the seams needed to wait for this to be finished. In that split second, she had affirmed her choice. She was choosing Ava. Nothing was going to stop her anymore. She had hurt herself enough. She had hurt Ava enough. JC was merely a temporary impediment and nothing to be afraid of. She could hold on for a little while longer, and then she can finally grab Ava and tell her she’s chosen her. That she’s in love with her. Maybe they’ll sneak away early like they usually do and wander the streets of New York.

The noise was bordering on being overwhelming. She had tried to check on the others but could barely even see what was in front of her. There was too much to process, from the shouting, to the globes blinking rapidly in front of them, to the lack of breath and the thoughts that had immediately consumed her the moment her eyes met Ava’s.

Mais, OH!

(But, HEY!)

Laissez donc ma maman

(Leave my mom alone)

Oui je sais. C'est vrai qu'elle n'est pas parfaite

(Yes, I know she's not perfect, it's true)

C'est un héros

(She's a hero)

Et ce sera toujours fièrement que j'en parlerai…que j'en parlerai

(And I will always speak of her with pride…I will speak about it)

Halfway up the stairs she stopped at the dead center, the members coming at her sides all in line for the photographers to grab what would probably be the only shots of their outfits unobstructed. The flashes went off for what seemed like an eternity but they knew to stay absolutely still until the cue from the music told them to turn on the spot and ascend once again.

The harpsichord began again, beginning their cue to turn. 

J'suis un fils de pute, comme ils disent

(I'm a son of a whore as they say)

Après tout c'qu'elle a fait pour eux

(After everything she's done for them)

Pardonne leur bêtise

(Forgive them, they're dumb)

Ô chère mère! Ils te déshumanisent

(Oh dear mom! They dehumanize you)

C'est plus facile, les mêmes te courtisent et tout l'monde ferme les yeux

(It's easier for them, but they also court you and everybody looks the other way)

Their steps in beat with one another as they turned their backs to everyone and left the carpet behind them. Suzanne and Robert Wun would follow behind. Levy should already be inside with the outfits they would change into along with a few stylists to assist with their hair and touch up their makeup.

“You need to relax, you’re raising my blood pressure from the amount of gawking you’re doing,” Levy says while stabbing at the salad in front of him.

They were all finally at their table after a very stressful and panic-filled restroom take over where gowns flew, undergarments were exposed, and a potential black eye for Levy, which hadn’t materialised yet, courtesy of Camila had occurred. Camila had been remorseful for all of two seconds before Levy yelled ‘you look like the downfall of society’, then got another elbow in his direction, this time to his ribs.

“I’m not gawking. I am admiring from afar.” Beatrice replies, chastised, but unrelenting in her mission.

Levy leans into her ear, “Well, you look like a pervert!”

“Keep your voice down.”

Yasmine and Camila are deep in conversation excitedly discussing the celebrities they had seen, barely able to keep to their inside voices in their exhilaration. They have the table to themselves, apart from Robert Wun who is sitting next to Suzanne, engaged in animated conversation about the aftermath of their stunt. Yasmine thinks she’s being slick with all the pictures she’s covertly taking, Beatrice was sure Jude Law saw the flash go off. Lilith is busy pretending like she’s above it all and she’s not here but Beatrice has seen her react several times to Yasmine and Camila’s conversation and Mary is solely focused on texting, again.

Ava was sitting a few tables away from them, caught up in a conversation with Alice. She couldn’t see JC from her angle, but it seemed like Ava was barely paying him any mind. 

They were in the Egyptian wing of the Met, sitting a short distance away from the Temple of Dendur. Behind Beatrice was an immense floor to ceiling glass wall that during the daytime would allow sunlight in from Central Park, but right now was moody, with an endless view of the night sky.

Lowering her voice to a whisper, Beatrice angles her upper body towards Levy, “How do I approach her? We didn’t exactly leave things on the best terms.”

“Maybe an icebreaker.”

“An icebreaker? But–but…but I don’t know any pickup lines.”

“I didn’t–”

“Shhh!” She picks up her phone, desperately typing into Google.

“But I didn’t–”

She smushes her hand into his face, “Shhh!” An action that is reciprocated immediately. “Hey!”

“You stop!” She swats at his hand. 

“What about… ‘I’m not even playing cards but somehow I pulled a Queen?’”

“That's a hard no.”

Beatrice sighs, scrolling through her phone, “If you and I were socks, we’d make a great pair.”

“Stop.”

“If you were a vegetable, you’d be a cute-cumber.”

Levy rolled his eyes. “I have asked you THRICE now! Stop!” He stabbed threateningly in her direction with his fork, “Don’t you dare open up the conversation with Buzzfeed pickup lines!”

“This must be a museum because you’re a work of art?”

“Oh my God. Fine. I’ll allow it, under the circumstances.”

She sets her phone down and grabs her fork, eyes darting back to Ava’s table. “I'm suffering romantically right now, and you're not being the least bit helpful.”

“The idea of me helping you in that department should scare you... a lot.” She’s poking at her food. “Wow, this must be serious. Normally you eat like a bear waking up from hibernation.” She looks up at Levy, scandalised. “Nom nom.” Levy wiggles his eyebrows suggestively.

“She’s just so…” She makes an inhuman kind of noise that’s meant to represent everything going through her head and heart. “How do I even go over there? She’ll probably want to throw her plate at me. And honestly, I don’t blame her. She’s perfect. It’s just like the fates to have played a prank on me. I’m going to be undone by a pretty girl with red lips. Half of the time I’m rendered speechless when I’m near her. Like, how do I even exist next to her without spontaneously combusting?” Levy opens his mouth, but promptly shuts it again as she continues, “I’m actually so uncool. I have been keeping all the stupid inside since we met, and then she looks at me, with those eyes that completely dissect every part of me and I have to pretend like I don’t want to have her babies.”

“As stupid as all those pick up lines were, consider me invested.” He sets his fork down, eyes looking intensely at her, “But that was disgusting, never talk to me like that again.”

Beatrice huffs,“I’m going to go over there and say good evening, and then I’ll ask to speak to her in private. Hopefully she’ll agree and maybe I can break the ice with a pickup line, she might find it cute and not strangle me on the spot. And then…and then I’ll go from there. Not dead. But if I die please cremate my body and disperse me somewhere peaceful.”

“Okay.” Levy is attempting to put his hands by his hips, but the sitting position is making it difficult so he settles for hands atop the table like an outraged lemur. "I've never heard someone say so many inane things, one right after the other, consecutively, in a row."

Yasmine and Camila speak over each other. 

“They’re serving dessert.”

“OMG. Is that Alexander Skarsgård?!”

“He is dessert.”

“Levy, you have a boyfriend.”

He exhales, “I'm not in a place right now to be emotionally available anyway.”

Ava has been sitting at her dinner table sneaking glances in the direction of Beatrice’s table. Camila keeps popping up out of her seat like a meerkat, bobbing up and down in her attempt to sneak a peek at some celebrity. Alice, seated to her right, keeps trying to catch her eyes, to dissuade her from looking while balancing a conversation with Emilia next to her. 

The salad in front of her sits untouched as JC’s fingers run along her flared white sleeved arm again in an attempt to get her attention, but her eyes flit back to the table, taking in what she assumes is a figure-hugging full length black gown that Beatrice has changed into. The dim light is making it difficult to make out the entire outfit, but she can see the plunging neckline from where she is. The dress is understated, but timeless, and the way Beatrice carried herself so confidently added to the effect the entire outfit was having on Ava. Beatrice’s lazy waves fell on her bare shoulders and a stunning diamond necklace adorned her neck. Even across the room, the aura that Beatrice exudes is electric. 

“...it has caramelised pecans,” JC says, but she only manages to catch the end of the sentence.

“What?”

“The salad, Ava. Don’t you want to eat something? You probably haven’t had a chance to eat anything today.”

She grabs the fork purely by instinct because the conversation requires it, and begins to eat. “Right. Yeah.” 

The backlight coming from the temple and the shadows of people passing through it is enough to distract her from the table she wants to look at. Stagehands were currently setting up for the performances that would take place later that night. She was among the few that would sing and she had chosen one of the new songs from her album, a bolero inspired piece close to her heart. Her eyes strayed again, falling upon the subject of the song. Beatrice smiled at something Camila whispered in her ear. Beatrice looks happy . Camila was now gesturing excitedly. Lilith’s arm reaches up to pull Camila down gently, pressing her into her seat. 

“Ava?” Emilia is speaking to her now.

“Hmmm?”

“Nervous about the performance later?”

“A little, I’m looking forward to it actually.”

JC kept trying to grab her hand. “You haven’t said much about the album. Other than the music video, I know nothing about it.” She kept her left hand busy, playing with the fork in her hand. “Is that what you’re performing tonight or something different?”

“Different, that’s for sure.”

“Tell me about it.” JC insists. And she wants to appreciate that he’s trying to make some kind of attempt to listen to her, to be interested in her music but she’s too distracted or too absorbed by her thoughts to give him the attention he wants.

“It’s a love song.”

“How novel!” His endeavour at a joke annoys her more than it should. 

She can’t be angry at him for it though, he doesn’t know how much this song had hurt to write. Or the circumstances that preceded it. This song, among others, had been her outlet during those two months of radio silence from Beatrice. They completely took over previously planned tracks for the album, quickly replacing them.

She places her fork down, and begins to fiddle with the hair tie on her right wrist.

“It’s about a brokenhearted lover who has been betrayed.”

“So not a love song, then,” He teases.

Alice waits for her reply, watching her carefully.

“It’s a love song,” She asserts. Twisting the hair tie round and round by the jade flower. She sees JC’s eyes drop down towards it and stills her movements. 

It’s midway through dessert when Beatrice stands from her table, catching her eyes. She looks down reflexively, ashamed for having been caught. Everyone is chatting around the venue, moving from table to table, greeting friends and colleagues alike. The first of the musicians have taken to the stage, a string quartet, to get things started. 

“Good evening.” Beatrice has appeared right beside her. A small smile on her lips as she greets their table. 

(*)

Baby, when I see you up close

The wonders of the world don't come close

The sight of Beatrice so close, in that dress, robs her of her breath. It was figure-hugging as she had deduced, but nothing could have prepared her for the view of the neckline up close. She could even see the three freckles just to the right of…

They all greet Beatrice. Ava misses the beginning of the conversation, so caught up in her own thoughts as she eyes Beatrice. She finally tunes in while Emilia is complimenting Beatrice on the exquisiteness of her gown and the tailoring to her body. Beatrice is cordial in answering the table’s questions, but seems evasive when replying to Alice’s question about where she was during the carpet frenzy. Alice is as unconvinced by her reply as she is. It was Beatrice on the carpet, she was sure of it. Actually, there was no denying it. It had been all five of them.

Beatrice says her name and their eyes meet instantly. “I was wondering if we could talk.”

The way you hit me with those eyes

 I can't escape it, time

We can take it, love

We can make it all night

She ignores the swoop in her stomach as Beatrice’s gaze stays on her. No, she can’t agree to this. She shouldn’t agree to this. It had the potential to cause a scene and Emilia was here. Not only that, the possibility of them even having any kind of privacy in such a setting was basically impossible.

“Can it wait? I’m close to performing.”

“I’m afraid not. It’s kind of a life or death situation.” Beatrice is being cheeky, which is something she hasn’t witnessed in awhile. “I promise to have you back before Alice begins to miss you, or she turns into a pumpkin.” Alice flips Beatrice off, cooly regarding her. 

Dammit

Take me everywhere

I swear I have the patiеnce

I wanna trace my hands across your frecklе constellations

Let me let your lips be my destination

She stands, patting down the corseted lace mini dress. Beatrice takes in her gown, honey brown eyes slowly coming up to meet hers, throat moving as she gulps. “You look resplendent.”

Ava feels her face flush and her ears get hot. Somehow, Beatrice manages to balance sounding like a seventy year old and looking like sex on a stick. 

Alice calls out after them, “Don’t take too long Cinderella!” Emilia is too immersed in conversation with Iris van Herpen to pay her any mind. JC is looking after them with a quizzical look on his face. 

Beatrice leads the way, guiding them to a quieter corner, inside the Egyptian Art wing. It’s as quiet and private a spot as they are going to get. Beatrice reaches out, cradling her right hand, thumb stroking at her wrist, next to the flower. Beatrice’s hand feels a little clammy. Beatrice bends forward, turning her wrist to face upwards before placing a lingering kiss on her pulse point. Her breath hitches and her heart thunders at the unexpected move. She sees rather than hears Beatrice take a deep breath in. “Did you fall from the heavens? Because you look like you walked out of a dream. My dreams.” Beatrice’s eyes light up in glee at her own joke.

God fucking dammit.

Oh my God, it's happening again

I feel myself falling back in

Ava’s mouth drops open unbecomingly. “Wh-Wha- Is this some kind of fever dream?”

Gravity has got me holding tightly, 

I might be

In a little over my head

“Are you tired? Because you’ve been running through my mind all day.”

“Are you having a psychotic break?”

“This must be a museum because you’re a work of art,” Beatrice winks. 

“This is literally a museum of art,” Ava remarks drolly.

Beatrice pouts in response. Ava has to literally tear her glance away from the adorable sight lest it render her incapacitated.

There is a joy emitting from this Beatrice that is standing in front of her, she doesn’t know quite what to make of her. She hasn’t seen Beatrice this open, this uninhibited since the freak snow storm in London. 

A thought occurs to her.

“Are you drunk!? Have you been drinking?”

“I’m drunk on you. I promise that’s the last one. I’ve just had a few sips…for courage.”

Beatrice reaches forward and strokes a lock of Ava’s hair, tucking it neatly behind her ear. “You looked breathtaking in your gown outside, all eyes were on you.” Then, softer, “I couldn’t keep my eyes off you .”

At that Ava arches an eyebrow, “No, pretty sure all eyes were on you...”

Beatrice reddens, “You knew right away didn’t you?”

Ava hums in reply.

I think you understand what’s on my mind

The way you hit me with those eyes

She knows they’re running out of time. Beatrice isn’t getting to the point and soon she will need to go prepare for her performance. 

“The moment I saw you… I wanted to go to you, to be beside you. But…but then I saw him. I promised myself that I would finish the carpet. We weren’t supposed to stop for anyone. And then I would come to you.”

What in the hell is going on? The last 24 hours with Beatrice has been some of the most confusing, conflicting, enraging moments of her life. And yet, this Beatrice almost seems like…

“What is this back-and-forth? You’re giving me whiplash.” At that, Beatrice’s face drops. 

“Ava, I am sorry. I am truly regretful for my behaviour.” Completely deadpan, she offers, “I will fall to my knees and seek absolution at your feet if you wish it of me.”

Ava huffs. “What was the point of pulling me aside if you aren’t going to be serious? Did you have anything meaningful to express?” Shooting Beatrice a narrow stare, she steps away and walks towards an exhibit, feigning interest. 

What the fuck was Beatrice up to?

She hears the hurried click of Beatrice’s heels approach, a warmth engulfing her from behind. Beatrice’s arms tightly wrap around her waist, pulling Ava into her. Beatrice’s body solid behind her, lavender perfume permeating her senses, head nuzzling close to her face, her waves spilling over into Ava’s face and vision. In a quiet whisper Beatrice says, “Please. Don’t go.” 

Ava moves to disentangle herself creating space between them. Her hand rests atop the glass cabinet, housing various lapis jewels. It almost seems like… but no, she can’t be fooled. Beatrice isn’t serious. Beatrice has been sending her mixed signals, and she can’t keep doing this to herself. 

Beatrice steps up to right of her, left hand wandering to her own. Beatrice’s amber flower knocking into Ava’s jade one. She hears Beatrice take a deep breath in. “I would prefer it if we didn’t cause bodily harm from 19 stories up.” Their fingers are brushing, unable to restrain themselves. “Therapy may prevent litigation.”

At that, Ava whirls around to face Beatrice, eyes searching. Her fingers are grabbing at Beatrice’s, pulling her closer. Hoping. Wishing. Wanting. “What changed?” 

“I don’t want to keep hurting.” Beatrice’s fingers intertwine with her own. She’s looking up at Beatrice, the slight height difference apparent even in heels. “I don’t want to hurt you anymore.”

Take me to your mountain high

Your river, your valley wide

Take me where nobody’s been before

Approaching footsteps sound. “Time to bewitch the crowd, Cinderella,” Alice calls out from the hallway entrance.

Grimacing, Ava pouts at Beatrice, “Sorry, Prince Charming, it’s midnight and the pumpkin has called,” Ava teases as she turns to go. After taking a few steps away, Ava turns and walks back to Beatrice, stroking her hand down the length of Beatrice’s bare arm, down to her fingertips, she leans in into Beatrice’s ear, “Is that Versace you’re wearing? Because it’s going to be on the floor of my bedroom later tonight.” With a final wink, Ava strides away. 

I wanna hide in the covers, 

discover your body slow

I wanna follow your fingers forever and ever,

oh-oh oh

‘Til there’s nowhere left to go

“Wait Ava!” Beatrice calls out, hurrying to get in front of Ava before she enters the hallway. Leaning forward, she presses a gentle kiss to the apple of Ava’s cheek, careful not to leave a mark. “Go and be amazing. I’ll be watching… and maybe after we can sneak out early? Wander around the city for a bit?” 

“Absolutely,” Ava breathes. 

With that, Beatrice bestows upon her the most beautiful crescent eyed smile in the world. 

‘Til there’s nowhere left to go

(*)

El oro pudo más que mi dolor

(Gold was stronger than my pain)

No tuviste compasión de mi agonía

(You had no compassion for my agony)

Tú sabiendo que mi alma se moría

(You knew that my soul was dying)

Con amigos entre copas te reías

(You laughed between drinks with friends)

There was a single microphone stand in front of Ava as she performed. Her hands moved about as if trying to articulate the meaning of the song. There were moments where her eyes shut, concentrating on sustaining a long note or in an attempt to give more emotion to the lyrics.

As Ava performed, Beatrice couldn’t help the thoughts that inundated her head. And so what if she was currently comparing Ava to the goddess Isis, as she sang in front of the temple built and dedicated to the deity. No one could stop her, not even herself. Isis, renowned for her charm, powers of transformation, and ability to enliven the natural world, was Ava to Beatrice, a goddess straight out of mythology.

La ambición, delirio de grandeza

(Ambition, delusions of grandeur)

Hizo en mí un ser martirizado

(Made of me a martyred being)

Porque estaba locamente enamorado

(because I was madly in love)

Mujer, yo no merezco esa bajeza

(Woman, I don't deserve such baseness)

Ava’s eyes found hers, left hand pointed in Beatrice’s direction, then landing atop her heart. A smirk appears on Ava’s face as she turns her head towards the band on stage. What was up with that smirk?

Each performer was required to do three songs of their choosing. Ava had chosen a more simple approach than that of the other performers with minimal choreography, wanting to set up the mood for the night ahead. So far she had sung along to the more traditional flamenco songs that were popular among the crowd, with only a few other musicians joining her on stage to play the guitar, drums and for this song specifically a few brass instruments.

The temporary lights pulsated along the beat of the music, adding to the intimate and romantic nature of the song, but there was something about it that wasn’t quite effervescent. There was a delivery in Ava’s voice that made Beatrice think the song was sorrowful. She didn’t know the song. Hadn't heard it before in Ava’s collection. And she had heard the finished album months ago, this hadn’t been part of it.

Espero con el tiempo justiciero que retornes buscando una ilusión de amor

(I hope that with righteous time you’ll return looking for an illusion of love)

Y volverás a mí, así lo espero

(And you'll return to me, that's what I hope)

Así lo espero, mujer sin corazón

(That's what I hope, heartless woman)

Maybe if Ava is hungry they can just grab a bite to eat and then take a romantic walk by the East River. But, it is late though. Almost 11pm. Maybe once they’ve managed to sneak away, they should just walk along the outskirts of Central Park, and go back to the hotel. That would be enough. To finally be alone with Ava, to just hold her hand without any disturbance or anyone watching, like they have been these last few days. She of course has a lot of explaining to do as well. They had time. Neither of them have schedules tomorrow, they can talk all night if they have to, among other things.

“She’s incredible, isn’t she?” JC says, appearing next to her, leaning close to her ear in an attempt to be heard over the music. She has to fight the urge to visibly cringe away from the stench of alcohol on his breath and person. 

She subtly sidles half a step away.

She turns and nods a single nod in agreement, “She is.” She needs to find a reason to leave this conversation immediately. It is clear JC has been drinking heavily since she had greeted him at their table alongside Alice and Emilia. 

She chances a look at her table in the hopes that her mental outcry for help will be heard and one of the members will beckon her. She puts bets on Yasmine. 

“You’re here with your band,” He slurs out, snapping his fingers a couple of times, “the…crucigrams? No? Cruci-something. Kinda forgettable.”

Whatever is bothering JC and causing him to consume so much at a public event is not her business so she stays quiet. Hopefully his publicist will come by soon and defuse the situation. 

“Champagne?” A waiter walks up proffering the champagne glasses to the both of them.

JC dismissively shakes his head and waves the waiter away. 

“No, thank you.” Beatrice replies, not at all surprised by his arrogance.

“She always manages to captivate everyone in the room, doesn’t she? She really makes everyone feel special, even when they’re not. She has her fun and then walks away.” JC turns towards Ava, gesturing at her as she finishes up her song, looking smug. “But I like her. I think I can finally get her to stick around and make me an honest man.”

“I think Ava will be too preoccupied with her promotions and an album release to be focusing on making you an honest man. ” Beatrice retorts, unable to hide the snark in her tone. 

Thunderous applause fills the air, everyone cheering Ava as she concludes her set. Ava is seen waving at the crowd as she runs off the stage. Stagehands swarm the stage, quickly setting up for the next act.

“She might not have time but I do. I’m in between albums. I can follow her around once she’s on tour. I’m willing to do that, can everyone else ?” JC’s eyes seem to be making an attempt to focus intensely on her, but the alcohol has made them hazy and droopy.

JC proceeds to take a sip out of the tumbler of rum and coke he’s holding loosely in his grasp.

Beatrice subtly sighs, her eyes roving around the hall. Where the hell was Levy when you needed him? Would anyone catch her silent plea for help, someone, anyone? Her stupid upbringing was keeping her rooted to this spot, engaging in this exchange with this douchecanoe.

“Look. Let me be honest with you and spare you the hurt down the track. She’s just playing with you. She’s magnetic and attracts everyone to her but she doesn’t mean anything by it. You’re only worth her interest momentarily. She has her fun and then she’ll be over it,” JC nods to himself and murmurs almost half underneath his breath, “Someone like you will never keep her.”

(*)

[A loud record scratch reverberates through the hall]

Nobody pray for me

It been that day for me

WAAAAAAAAAAAYYYYYY

Yeah, yeah!

“Pardon?” At JC’s words, Beatrice tenses. Crossing her arms across her chest. 

The action draws JC’s eyes downard, he focuses on her hair tie. “Hmm. I thought so.” A wry smile creases its way across JC’s face before smoothing back into an almost feral grin. 

“JC, this has been an absolute pleasure but I’m going to head back to my table now. Have a good evening.”

Beatrice begins to walk away.

“You two are never going to work, you know? You’re fooling yourself otherwise.”

Beatrice swings back towards him “What?” Stepping closer back to JC.

I get way too petty once you let me do the extras

Pull up on your block.

Then break it down,

We playin’ Tetris

“You’re never going to be good enough for her. Ava? Ava is brilliant. She’ll choose someone that’s at her level.” JC scoffs. “You’re what? A one hit wonder so far? Soon you’ll fade out of the public’s eye, and you’ll lose all sparkle and appeal and then Ava will vanish. No one will even remember you in 5 years. Give it another 10 years and you’ll appear on those ‘what happened to them?’countdowns. Or… or you’ll get really lucky and you might be able to muster enough interest for those sad, pathetic nostalgia tours and dig yourself out of the desperate pit for a bit.”

“Wow... JC. Rarely does anyone leave me speechless at their lack of decorum or self-restraint. That truly was an insightful revelation into your character. I am going to be walking away now before you say anything else or I say something I have the decency to regret later. Also, you really have no idea what you are talking about. I am good enough for her… Not that I need to justify myself to you.” 

“Yeah? Then why was she fucking me last night?” JC downs the last of this drink and raises the empty glass towards her in a cheers. He grins. “If you’re good enough, why did she choose me over, and over and over again?”

She feels her face drain of blood, eyes frantically roaming, looking for an escape. From across the room, she sees Ava hurrying towards her and their eyes meet. Something must register in her gaze as Ava breaks into a run, pushing through the crowd to get closer to her. 

She needs to get to Ava .

She needs to speak to Ava

Beatrice takes a few steps in Ava’s direction, but then feels the hard grip of JC’s hand wrap around her left wrist, squeezing down tightly. Her bruise erupts in pain.

“Get your hand off me!”

I’m imagining.

So tell me what the fuck is up? What's happening?

“We’re not finished talking. Tsk. How discourteous of you. What would your parents think of you and your manners?”

If I quit this season, 

I still be the greatest

Funk

Spinning around, Beatrice wrenches her hand from JC’s grip, his fingers catching onto the hair tie and it snaps, she watches the amber flower fly up and bounce onto the floor, as if in slow motion. 

My left stroke just went viral

Right stroke put lil’ baby in a spiral

JC approaches again, arm outstretched towards her. Beatrice thrusts the heel of her right palm forcefully into JC’s right armpit, feeling a pop, and then using the momentum to propel him around her body before slamming him into the ground. She feels the give as his shoulder dislocates when he hits the floor. 

Soprano C,

We like to keep it on a high note

It’s levels to it,

You and I know

Heavy droplets of tears roll down her cheeks as Beatrice sobs, bending down to pick up the broken elastic tie and searching the floor for the amber flower, finally spotting a half by a glossy Christian Louboutin, and the other a few centimetres away. As she picks up the broken pieces, murmurs along the lines of ‘what the fuck was that?’, ‘who does something like that?’, ‘what happened?’ interspersed with JC’s audible groans of pain reach her ears. As Beatrice straightens up, she realises that phones are aimed towards her, capturing the aftermath, eyes narrowed at her in disgust, people shaking their heads and cries for someone to call the medics in. 

Ava’s panicked visage swims into her eyesight, frantically scanning her body up and down “Beatrice! Bea– are…are you hurt?” 

There’s a constant ringing in her ears now, making everything feel sluggish and disorientating.

Beatrice vaguely registers the arrival of her bandmates and Suzanne and Levy, who are immediately trying to wrest the situation under control.

Medics have now arrived and are tending to JC.

Bitch, be humble (Hold up, bitch)

Sit down (Hold up, lil'— hold up, lil' bitch)

Be humble (Hold up, bitch)

Sit down (Hold up, sit down, lil’— sit down, lil’ bitch)

Be humble (Hold up, hold up, hold up, hold up, lil' bitch)

Bitch, sit down (Hold up, lil’ bitch)

Be humble (Hold up, bitch)

She can hear voices trying to get her attention, entreating her to calm down. An arm, Mary’s arm, moves into her eye line, reaching for her. She stumbles back a few steps. She can feel her heart beating double-time, her chest is rising up and down rapidly, struggling to intake enough air into her lungs.

She feels herself begin to stammer. A panic attack is imminent. Everyone’s too close, everyone is crowding her. Everyone is suffocating her. 

Levy turns and says, “Ava, get her out of here!”

Ava is reaching forward slowly, Beatrice flinches away at the first touch but Ava smooths her palm soothingly over her forearm, it’s nice and warm and solid. It grounds her. Ava is gently shushing her, vocalising quiet steady noises. Ava grasps her hand loosely and begins to lead her out of the Egyptian wing.

Dazedly, Beatrice follows Ava as she leads her through the corridors, emerging into the Great Hall. 

Right now my sanity is gone, it's vanishing.

The Great Hall. With an exit. Beatrice can escape from here. With a start, she awakes from her stupor, wrenching her arm away from Ava. She hurries towards the entrance leading out to 82nd Street, realising too late that although the throng from earlier has died down the street is still filled with a crowd waiting to see celebrities departing, paparazzi, protestors and security.  Shit . Turning on her heel, Beatrice sprints up the heavily decorated stairs towards the 2nd floor.

I know I do this to myself, it's damaging.

Ava follows the whimpering. 

When Ava finally catches up with Beatrice, she has passed through a series of galleries all resembling a maze, showcasing various classical works of art spanning decades, centuries. Beatrice is standing in front of a painting, it’s small but from a distance Ava can tell it’s a Monet. 

Beatrice is muttering brokenly to herself while fiddling with something in the palm of her hand. Stepping closer to Beatrice but still maintaining enough distance to give her breathing room, she hesitantly asks, “Beatrice? Are you ok? What happened? Talk to me.” 

Beatrice’s broken mutters get louder and stronger. Ava strains her hearing to try and pick up on what Beatrice is saying, “It’s…it’s broken.” She’s looking at the painting closely, eyes going between both ends of the bridge depicted in it. Ava follows her gaze, but curiously her eyes land on the lilies floating on the pond instead.

“What’s broken? Let me see.” 

Beatrice turns, walking to the available bench a few meters from the painting and sits. She joins her on the bench, waiting for any kind of move from Beatrice, she slowly opens her right palm, revealing its contents. It’s Beatrice’s hair tie but the elastic is stretched and broken and the flower is split into two pieces.

Ava gasps. 

 “I…can’t fix it.” Beatrice says, looking down despondently at her palm.

Ava hesitantly reaches out, gently holding one half of the amber flower between her fingers. “I’m–it’s…it’s okay.” She lays her palm along with the piece back atop of Beatrice’s hand, sandwiching the hair tie between their grasp.

Beatrice nods, a couple of sniffles escaping as they sit there cradling the broken hair tie between them. 

“Ba-Bea, Bea…it’s okay,” She corrects herself and gives Beatrice’s hand a soft squeeze. “Give it to me. Here, take mine.” She tenderly pulls at the elastic of her own hair tie, looping it over their joined hands and onto Beatrice's wrist. Raising Beatrice’s arm upwards, Ava bends her head down and kisses the pulse point of Beatrice’s wrist, right next to the jade flower. She holds their hands to her lips, putting as much love as she can to the kiss before drawing back and picking up the pieces of the broken hair tie, clenching it in her palm. She feels the broken pieces jab into her hand. “I’ll fix it. I promise I’ll fix it.” 

Lifting her head and looking at Beatrice’s face, Ava is surprised to see a storm raging within Beatrice’s honey brown irises. A whirlwind of emotions flits across her face - hurt, confusion, sadness, anger, jealousy, suspicion, anxiety all warring before anger ultimately wins. A silent fury seems to consume Beatrice’s being, her figure becoming rigid and her entire person vibrating from the intensity of her emotions. “It can’t be fixed. You broke it…you broke us.” 

“Wha-what?” Ava stammers out. 

Beatrice’s hands are clenched at her sides. “When you told me to leave last night, what did you do?” Her tone was hostile, ready to cut at a moment's notice. 

Ava inhales sharply, breathing out her reply, “He told you.”

“I asked to stay, I wanted to stay, but the first thing you did, no, the first person you go to is him?!” Beatrice stands up abruptly. “And you fucked him all night? Over and over and over apparently.” She’s beginning to pace back and forth in front of Ava, who is still seated. “You made me think… no, I believed. Stupidly, I believed that you wanted me.” Running a palm down her face, Beatrice is brushing away moisture pooling in the corner of her eyes. “I guess you weren’t too tired for him, were you?”

“No! Beatrice. No. No.” Ava too stands up, reaching towards Beatrice beseechingly, “I did sleep with him, yes. But I immediately regretted it. I got up and left and came back to my room and sat there disgusted with myself for what I had done.” Ava makes a grab for Beatrice’s hand but Beatrice snatches it back out of her reach. “I didn’t stay with him. Please. You have to believe me. It was a brief lapse of judgement.” 

“Right, of course!” Beatrice scoffs, “Believe you? How could I possibly believe you right now?”

Ava looks straight at Beatrice. “You’re the one I want. You know this.” Eyes carefully eyeing Beatrice’s facial expressions, “Have I not made it clear? How can I make it more clear to you?”

“Yeah? If you don’t want him then why is he here as your date?” Beatrice is putting more space between them now, hands clenched at her sides, shoulders tense. “It’s so convenient isn’t it? He’s always there, just waiting in the wings. The moment something doesn’t go your way, you turn to him.” 

Ava moves towards Beatrice, “You know that’s not true at all.”

“Fucking great! JC the comforter. JC! JC! JC!” Beatrice’s hand gestures angrily, her freckles standing out even more with how red her face has become. “Who can take you out to dinners and follow you around on your tour. JC who has time. JC who isn’t a hard choice. JC the available. JC, a guy!” 

“What are you talking about?! You’re everything I want. You’re all that I’ve thought of since you carried me back to the hotel that night. Since you helped pick up my hair as I vomited. Since–”

“He’s not the pathetic, sorry excuse of a person who lets her band down, who lets her family down, who royally fucked up tonight and ruined everything she’s worked for. All for what? For some girl? A girl whose first instinct is to go and fuck someone else?” Beatrice creates space between them again and this time Ava doesn’t close the distance.

(*)

You always think you know me best, you don't

I need you to listen, but you won't

“You have got to be fucking joking right now. Where do you get off saying that to me Beatrice? Who the fuck do you think you are? Who the fuck do you think you are to me?” 

“Apparently nothing given your actions!”

“I just, I cannot believe you. Don’t you trust me? Why is it your default to always mistrust me? Do you go through life distrusting everyone?” Her hands are up now as well, gesticulating wildly with every point. “You’re twisting the truth to fit into some illusion in your head. Why is your self worth so low that your immediate reaction is to lash out at me?”

“My self worth?! Why do you keep bringing that up? You think because you’ve known me for eight months it means you have the right to comment on that aspect of my life. I’m not something that needs to be worked on!”

“You’re fooling yourself if you think that. Only a few hours ago you were telling me you would go to therapy, for yourself, and for us. I have given Beatrice. I have given to you over and over and over. I’ve been so patient. Every time I try to walk away, you fuck me over. What a fucking joke right? Fool me once and all that? At this point, it’s like fool me a hundred times.” She’s running her hand repeatedly across her forehead, “I must be the biggest idiot in the entire world. All I have ever done is follow you, follow your lead. You retreat a step, I take a step forward.” 

“I never asked you to! You took that upon yourself. I just wanted to focus on my career, on the band, on myself. But you came in, sweeping me along under the wake of Tsunami Ava without a second thought. It’s always been about you. You. What you wanted. You didn’t for a second consider if it was what I wanted too. I wasn’t ready for you. I wasn’t ready for this!”

Hand on heart, I always put you first

Even when it's more than you deserve

I moved my world to fit you in

I let you leave, I let you back in

You had your go, now, baby, it's my turn

“Really?! You act as if you weren’t a willing participant. To say the very least. Behave like an adult Beatrice and own up to your actions. Oh, Beatrice is so damaged. Oh, Beatrice is afraid, I better tiptoe around her fucking feelings because they’re so precious. Guess what? You’re not the only damaged one. I just hide it better.” She pauses, taking a breath, “Do you even know what you did to me? What you do to me every time you deliberately walk away? Every time you don’t respond? As if you don’t care? As I’m not worth your time? I sit there, wondering, and waiting. Waiting to see if you’ll ever show up again. Wondering if you care enough to show up. Because people who care don’t leave.” 

Beatrice is stunned into silence.

“People who care don’t just walk out on their families in the middle of the night, leaving their child who just lost her mom. People who care don’t die and leave their kid behind. I sit there, wishing, waiting. Hoping. Hoping she will walk through the door again and that this will have all been a nightmare. I would give it all up in a heartbeat for her. So don’t fucking sit there like you are some kind of tortured soul that no one else understands. All you’ve ever done for me is give me hope and then rip it away time and time again. What kind of person are you? I have worked so hard, for so long, to try and get over this. Then you go silent, refusing to answer any form of communication, and I’m right back to being seven years old again.”

Without a moment to allow Ava’s words to land, Beatrice says, “You want too much. You’re asking too much. I can’t give you what you want. This was always a pipe dream. It’s time to wake up now Ava. We can’t work. We won’t work. I can see it, JC can see it, Alice can see it, everyone can see it. You see it. You just won’t admit it.”

“I am doing what is right. I’ve done the best I can. It’s never enough. It’s not enough for you, it’s not enough for the band, it’s just never enough for anyone. It’s best to just cut ties now. That’s why I left that morning. I made the decision to end this. Whatever this is. We have different dreams, different paths. We’re too busy for each other. This was a lull in time. Soon, we will just resent each other and end in bitterness. Is that how you want it to go? To go through all that and end up hating each other? I don’t have anything more to give.”

“You fucking asshole! You were going to leave me again!? Without a word. Without discussion.  Without even considering my feeli–”

“You’ve probably never even dated a girl before, Ava. How do you know this is what you want? Have you even considered how this would affect our careers? Your career? Let me guess you probably haven’t, have you? Because that’s how you are! You don’t ever stop to think before you do things. You’re impulsive and then you make your mess everyone’s problem too.”

As Beatrice continues Ava clutches the broken pieces of the hair tie between her hand, she can feel its broken edges cutting through her skin. “I–”

“Look at what’s happened tonight. I lost control. I’ve endangered everyone’s careers, I’ve probably ended mine. I lost control and made an embarrassment of everyone, I’ve shamed my parents - what must they think of me? All because of you. All because of my error in judgment. I can’t let this go on. I choose the band. I have to choose the band.”

“Beatrice, you always think you know what’s right and you don’t actually stop to ask others what they want, what they think is right. They don’t blame you Beatrice. I spoke to Mary. Mary doesn’t blame you. The album is finished. You’re okay. It’s going to be okay. Please. The only thing stopping you. From this. From us. Is you. But you just keep walking away. This is hurting me. This is breaking me. I have lost too much. I have lost too many people to lose you too.”

“Why do you even fucking care what Mary or the band thinks! You think that just because you help with our music video that everything is forgiven. Why do you care? We’re nothing to you. Why do you continue to wrap yourself around me?!”

“BECAUSE I’M IN LOVE WITH YOU!” She pauses, shocked with her own declaration. Beatrice is befuddled, “Beatrice, I’m in love with you…I have fallen in love with you and I haven’t been able to let myself truly feel that. Isn’t that fucking sad, that this is how I say those words to you. All I want to do is embrace my feelings for you but all that’s given me is small pockets of happiness amongst all the pain.”

“You’re not in love with me. You can’t. You can’t want this. You don’t want this. It’s wrong,” Beatrice responds flatly. 

“Don’t you dare tell me how I feel!”

Beatrice is shaking her head, “You can’t be in love with me. I won’t let you.”

“You won’t let me?! There’s no letting me. It’s too late, it’s done.” Ava reaches forward, hoping Beatrice will reach for her. When Beatrice makes no movement, she lets her hand drop back down to her side. “I know that you’re in love with me, too. Why are you fighting this? I know how you feel. You can’t help yourself, your actions betray you.”

It’s quiet.

“I heard you that day at the studio, I heard the song.” 

“What song?”

You wrote me a note, cast a spell on my heart and bewitched me.

Beatrice turns to the painting again, “It’s not about you.”

“Really? It’s not about me? Beatrice…you’re breaking my heart.” Beatrice doesn’t respond. “Okay, enough.”

Forgive me for the words I'm 'bout to say

I'm about to hit you with the worst of me

“You’ll never be happy,” She chokes out, trying to stifle her sobs.

Ava’s heels echo as she makes her way through the gallery of mazes again, eyes jumping from painting to painting, dissociating. The artworks change from the colourful depictions of life of the impressionists to that of despair and beautiful morbidity. Her eyes landing on one of Goya’s Los Caprichos etches, specifically the The Dream of Reason Produces Monsters , a self portrait of Goya asleep, surrounded by monsters, thoughts, dreams, imagination. 

As she emerges through the grand archway Alice is waiting for her at the top of the stairs. She doesn’t stop, quickly descending, “Release the album.” 

“What? Ava, what are–”

“Release the album.”

At the bottom of the steps Alice whirls around blocking her from advancing forward. “You can’t do that, Emilia will kill you.”

“Alice. Release the fucking album!”

“I won’t–” Alice looks at something behind her, “Okay, let’s go.” That’s the last thing I’ll do. 

This is the way the world ends. 

This is the way the world ends. 

This is the way the world ends.

Not with bang, but a whimper.

Notes:

I made a post on Tumblr which basically explains the entire chapter and all the references.
here
I know the chapter is heavy and there's a lot going on but I want you to love it as much as I do.

Chapter 10: Claiming Back the Pieces of Me That I’ve Lost, Reaching In, Hoping You’re Still Waiting

Notes:

Hellooooo! I hope we can begin the healing process.

Halfway through the chapter there are performances. I have provided the links to them, please watch them before you read the sections they belong to because I am not a magical wizard in your brain. Plus, they're awesome!

Also, if you don't listen to 'Phantom' my girlfriend will pull a knife on you.

Here is the playlist and mood board.

(See the end of the chapter for more notes.)

Chapter Text

“You’ll never be happy,” Ava chokes out, stifling a sob.

Beatrice, I’m in love with you.

Isn’t that fucking sad, that this is how I say those words to you.

You’re not in love with me.

I won’t let you.

She hears the sound of heels departing, but she’s frozen to the ground staring at the stupid painting. And it’s mocking her. What should be a depiction of a serene scene in front of her taunts her with a happiness she could never have, that she hasn’t allowed herself to have. She's stuck, she’s stuck on that bridge. She needs to decide. She can’t stay on the bridge. 

Give it to me. Here, take mine.

I’ll fix it. I promise I’ll fix it.

It can’t be fixed. You broke it…you broke us.

She shakes her head, eyes searching the vast ceiling above her. They make their way back to the painting and this time her gaze lands on the lilies instead. The space between the bridge, the common ground, the obsession Monet himself had. 

I’m in love with you.

What the fuck?

What the fuck did she do?

What the fuck did she just do?

She whirls around and bursts into a sprint. She needs to get to Ava.

Her heels slip and slide, attempting to grip to the floor in her mad dash to follow Ava’s whimpers. But her rush to catch up to Ava is hampered by the restrictive nature of her dress. Ava’s close, she can still hear her cries reverberating through the space but this place is a maze and she doesn’t remember the path she took to get here. She’s sure she has passed that same Van Gogh twice now. 

At last, the arch of the grand stairs is within sight, she makes a futile attempt to quicken her pace still but the dress prevents her from advancing any faster. She’s at the top of the stairs now, she can see Ava at the foot of the stairway. Ava has her back turned to her, speaking to Alice. Alice sees her. Beatrice is taking the steps, almost falling down them in her struggle to take two or three steps in one go. Alice is pulling Ava away. She’s huffing out a yell, a scream, anything to alert Ava to her presence but nothing comes out. She’s out of breath. 

They’re exiting onto 82nd Street. No.

Beatrice sees the town car pull away, carrying Ava away. The photographers outside are snapping pictures as the car departs. The crowds are still gathered hoping to catch a glimpse of celebrities. She can walk to the hotel. She can avoid the crowd and the traffic if she goes through Central Park.

A hand grips her shoulder and she reflexively puts space between them. “Beatrice!” Suzanne is looking at her, the set of her jaw tense, mouth pursed, she’s furious. “Come with me, now!”

“No.” She shakes the arm off her shoulder, taking several steps down towards the carpet. 

“You and I need to talk,” Suzanne has a grip on her forearm now, it twinges under the pressure. “We need to speak before you do something else you’ll regret.”

“I don’t regret what I’ve done!” She tries to pull her arm away but can’t manage to. Suzanne’s grip holding strong. “Get your hand off me!”

“Beatrice. That is enough!” Suzanne barks out.

She finally manages to break free, Suzanne’s hand loosening but she stays rooted to the spot. Chest moving up and down erratically, she can feel the heat flushing through her neck. Her cheeks are burning from the anger currently coursing through her body. She can’t lose Ava. She won’t lose Ava. “You want to talk? Then you can follow me. We’ll talk on the way.”

Suzanne’s mouth opens in protest, but must realise just how serious Beatrice is because she nods, head aiming to the side of the museum. Beatrice turns heading in that direction. 

They’re walking along the edge of Central Park. Following the same route Beatrice had fantasised about hours earlier. With Ava. Not with Suzanne who apparently wanted to talk, but was doing none of it. Probably thinking about her words. Beatrice doesn’t give a damn though, her mission is to get to The Plaza as quickly as humanly possible in this goddamn tight dress. Getting on the lift, taking it to Ava’s floor and getting on her knees.

“You need to apologise to JC. They will point the finger at you and blame you for the incident.”

She wants to laugh because this is so ridiculous. “I don’t give a damn what he does! That man child can say what he wants. I don’t owe him anything. I shouldn’t have to apologise for putting him in his place.”

“It’s not about what he deserves. It’s about the optics of it all. You know this Beatrice, it’s not about what’s right in the court of public opinion.”

“No. I won’t. He was the aggressor and I'm through with taking everything upon myself. I’m so sick and tired of sacrificing my wellbeing for the benefit of everyone else.”

That felt good. More than good. That felt amazing. She’s done. She’s done compartmentalising. She’s done sacrificing. If everyone wanted to move forward it would be on her terms and her terms alone.

“Fine. If you refuse to do as I ask and apologise then you need to be honest with me. That’s how this works. You need to tell me exactly what led to the altercation. Then we can try to make the best of the situation. I will talk to the team and we can try to get ahead of the gossip and JC’s side.” Suzanne’s serious expression turns slightly affectionate as she regards Beatrice for a few seconds before speaking again. “Beatrice… I do know you, you wouldn’t have done that unprovoked. It’s not like you.”

“Why are the events leading up to it important? He laid his hands on me and I defended myself.”

“Beatrice. My job is to protect you, protect the band. Protect your images. Keep you marketable. Let me do my job. I do care, you know?”

“Do you actually care or are you just saying that to coax it out of me?”

“I haven’t lied to you. I haven’t tried to manipulate you. I see your talent. I see the messaging you and the band are willing to bring attention to, in your songs, through living your truths, in embodying Robert Wun’s vision tonight. I was forthright with you from the outset. This is a hard business. It is harsh. But I have faith in you. I… recognise I have been hard on you all, you especially. But I do truly want to help you succeed. So please. Let me.”

Beatrice laughs wryly, “I really want to trust you. You’re already a helluva lot better a manager than Vincent ever was. But call me gunshy given everything that’s happened.”

“Then let me prove it to you. But it’s not just me, Beatrice. You have a hard road ahead of you. The band has a hard road ahead of them. In order for you all to succeed, for you to be a cohesive unit, you will need to let us in. All of us. You can’t do this all by yourself. As much as you want to put the onus on me, you are just as much at fault for the state of your wellbeing, mental and physical. Let us help you, ease the burdens. I will continue to ask difficult things of you but you can talk to me.”

Beatrice is quiet. Suzanne is right. She should have been more open with her friends, the people she considers family. She had gotten in her head and created this mess herself. She had blamed her past as the reason why she couldn’t have her present. She had blamed imaginary shortcomings. Had blamed Ava for all the problems she herself had created.

“Why are we rushing back in the direction of the hotel?”

“I need to get to Ava. I need to talk to her.”

Suzanne lifts an eyebrow at this. “Why do you need to get to Ava Silva?”

“Because…because I’ve–I hurt her. I’ve been hurting her.” She looks down. Saying it out loud has brought back the tears and Suzanne can’t see her like this. Not yet. “I keep hurting the one person that’s been putting me before herself and I can’t let that continue.”

“What are you saying? Be explicit. Are you and Ava -? Since when has this been happening?”

“September.”

“September?!” Suzanne stops walking, but Beatrice continues. It takes several seconds but they’re next to each other again. Suzanne is looking ahead to the hotel, it’s coming closer and closer now. “So she’s the reason. The reason why you have been late to your schedules? Why you’ve been distracted. Beatrice. While that is not, and will continue to not be acceptable, God knows, especially arriving late to the fitting at Robert Wun’s, you should have told me. I–I could have helped. We could have worked something out, or at least worked something out so the album schedule didn’t suffer as a result.” Suzanne sighs. “While I understand the initial flush of love is exhilarating and all encompassing, you also have responsibilities Beatrice, ones you cannot shirk. I am certain Ava did not. That comes from experience and good management.”

“I–I didn’t want to admit it. I didn’t want to acknowledge that’s what was happening. I certainly did not want you finding out.”

“I see.”

“I saw that JC came as her date to the Gala. I know they dated a while back. Was it a jealousy thing? Did he attack you out of jealousy?”

“What do you think? He was drunk, very drunk.”

“And you and Ava, you argued?”

“Yes.”

“What’s her stance in all of this mess?”

“What does that mean?”

“You and her ex had a very public showdown at the Met Gala of all places, Beatrice. Apparently she has been and continues to put you first but you’ve hurt her. And now she’s left the Gala early because of a fight that you’ve had. Where does that leave her?”

“I don’t know!” The tears they’re building up again, because she doesn’t know. She doesn’t know what Ava thinks about all of this. She doesn’t know if Ava will fling her off the balcony window. And at this point Beatrice would let her.

“So what is the plan?”

“To beg for forgiveness.”

“It does seem like that is the only avenue available to you at the moment. I don’t know the specifics and I don’t need to know… but Beatrice? A heartfelt apology and honesty are a good start.” 

They walk on in silence.

“Beatrice?”

Beatrice hums in reply.

“I’m happy for you. But speaking solely as your manager now, I need to find an angle. And fast.”

“He assaulted me. That’s your angle.” Her eyes are fierce as they lock on to Suzanne’s own. “And please, whatever you do, you need to protect Ava…I need to protect her. This had nothing to do with her. This will not come back to her. Are we in agreement?”

Suzanne nods. “I will speak to Emilia.”

Both silent and deep in thought, they continue to power walk in their heels back to the hotel.

Rounding the Grand Army Plaza and hurrying across the crosswalk, Beatrice draws back in momentary shock as she sees the rest of the band and Levy piling out of a van at the front entrance of the hotel. They must have left the Gala shortly after them. 

Beatrice is almost upon them now and Camila throws up an arm in greeting and to flag them down, “HI! Wow–wha–Bea, where are you going!? Bea? Bea!” 

Beatrice flings a hand up to wave back at them in greeting but she will not slow down, she is a woman on a mission. 

Faintly, Beatrice hears Suzanne say ‘let her go’ to the others.

Stepping out of the lift on the 19th floor, Beatrice makes a beeline for Ava’s door. Knocking rapidly Beatrice waits impatiently outside. “Ava, it’s me. Beatrice. Please open up.” No answer. Beatrice knocks again. Still nothing. 

Now she begins to pound the door in earnest. Slamming the door in punctuation between each word. “Ava! Please. We need to talk. Please! Just let me speak to you face to face. I didn’t mean it. I didn’t mean any of it. I don’t want to push you away anymore. It is about you! The song is about you! Just give me a chance to do this right.” Imperceptibly, she hears footsteps approach the door from the other side. Leaning her head against the door, Beatrice murmurs a final plea to Ava on the other side, “Please Ava, don’t give up on us.” Falling forward as the door swings inward, Beatrice just manages to arrest her momentum and right herself, “What the f–”, she swallows the rest of the word as she finds herself face to face with Emilia. Not Ava. 

Emilia regards her dispassionately. “Please come in and shut the door before you make a bigger fool of yourself in public, further exacerbating the events of tonight. Or before there’s a noise complaint.” 

Emilia settles down on the couch and imperiously gestures for Beatrice to sit across from her. Beatrice complies, almost on autopilot. Emilia scares her, she reminds her of the nuns at Sunday School. Opening her mouth, she utters “A-Ava?”, eyes roving around to look for her. 

“Ava? Ava has left already. Alice and Ava are headed for the airport and will catch the next flight out. I remain here to pack up this mess.” Every nerve ending is screaming at Beatrice to get up and catch a taxi to JFK. She will offer them a ridiculous tip if they’re willing to break the speed limit. Surely she can catch up . Alas, Beatrice must noticeably twitch because Emilia’s mouth thins and a look very reminiscent of Ava’s crosses her face. “Stay. You are not to go after my niece,” Emilia commands. 

Settling further back into the couch, Emilia watches her silently. Beatrice can feel beads of sweat forming at her brow in the face of Emilia’s imposing demeanour, her posture ramrod straight as she waits for Emilia to say something, do something. Time drags on. Now, she isn’t sure if Emilia’s dissecting her or waiting for her to speak so she stammers out a few incomprehensible words before falling silent again. 

A small curve briefly creases at the corner of Emilia’s mouth and amusement seems to dance across her eyes before it’s gone as quickly as it came. “Tell me about tonight. From the little I have heard or witnessed, this seems out of character for you.”

Briefly Beatrice wonders how much Emilia knows, as both Ava’s manager and aunt. “JC and I spoke, we had a brief argument over some events and when I attempted to extract myself from the situation, JC grabbed me and in self-defense I retaliated. It was not my intention to dislocate his shoulder… I’ve already spoken to Suzanne and she will reach out to you.” 

“Ah. Yes. Suzanne De Fanti. I know her well. You’re lucky to have someone of her caliber in your corner. Although you’re no doubt making her work for her money tonight.” Emilia arches an eyebrow at Beatrice, examining something closely. “I presume from your admission that Suzanne will reach out to me, JC’s involvement and the speed at which Ava and Alice departed for the airport that the unfortunate events tonight had something to do with Ava, yes?” 

Beatrice nods a single nod in reply. “Yes, but I’ve already told Suzanne in unequivocal terms that she needs to do everything in her power to keep Ava’s name out of this. It’s between JC and I.”

“Hmm.” Again, Emilia seems amused.

Sitting forward now, Emilia pins Beatrice with a look. “I am aware that you assisted Ava with parts of her album. I am told, by both Ava and Alice, that you are quite a talented individual. You’re wearing Robert Wun. It takes guts to do what you did tonight on the carpet, to put that kind of messaging out there. Especially bold of a newcomer to have done so. Some…many would call it foolish. All of this to say, that professionally, I look forward to what becomes of you and the Cruciforms. Suzanne will handle tonight, of that I have no doubt.” 

Drawing breath now, Emilia continues “Over the last while, I have seen Ava happier than I have seen her in a long time. She’s smiling genuinely, she’s energetic, she’s enjoyed the process of making this album. Ava’s been healthier, she’s joyful when we talk about work and family stuff. I deduce that I have you, at least on some level, to thank for that. I’m not blind, I see her face when she receives a text from you, when she sneaks off to call someone . But, I also have witnessed a turn these last few months. Ava has been more withdrawn again, she’s less engaged. She turns up but she is not present. She, thankfully, has not lapsed into her old ways. I again suspect I have you to blame for this reversal.”

“You clearly care about Ava. Good. But make no mistake Beatrice Young, Ava has left New York tonight because of you. Beyond what Ava elects to share with me in her own time, I don’t need the details of what has transpired between the two of you up to this point. Tonight, you have hurt my niece and she has chosen to go. You will let her go. If you want to approach Ava again, you will need to regain her trust and fix the situation. Don’t show up again if you are not prepared to do so.”

“I understand.”

“You may go.”

As Beatrice gets up, Emilia’s phone rings. Glancing at the contact, Emilia hurriedly picks up the call. Beatrice can only make out one side of the conversation as she walks towards the door “Alice? Yes. Ok. What? WHAT!? What on earth do you mean she’s–!? Who let her!? LET ME SP-” Emilia seemingly realises that Beatrice is still in the room and has halted at her words, Beatrice’s head swivelling around now to look at Emilia on the phone. “Get out!”, Emilia yells, every word radiating with barely constrained rage. As Ava’s hotel room door shuts behind her, Beatrice can make out angry, rapid fire Spanish spewing forth from Emilia. 

Returning to her hotel room, Beatrice halts at the doorway at the sight of the entire band all crammed into the one room. 

All four members are crowded around Camila’s phone, in various states of hovering, crouching and sitting on Camila’s bed, laser focused on whatever is on Camila’s screen. Beatrice can hear a muffled tinny bass sound emitting from the speakers but can’t quite make it out. “Hello?” Beatrice asks, puzzled.

With a jerk of their heads, Mary and Lilith finally register her presence. Both have flushed cheeks and necks and suspiciously neither of them will look directly at her, eyes roaming everywhere, looking past her. Yasmine is seated still, having reached forward to pause whatever is on Camila’s phone and is now regarding her quietly with her head cocked to the side. Clearing her throat, Mary finally musters a “You’re back” while Lilith nods once in greeting. Camila alone seems to be ignoring her presence, utterly transfixed by her phone. 

“Hello? Cam?” Beatrice ventures again.

At that, Camila finally seems to register her arrival, bringing her head up with her mop of curls bouncing freely to look at Beatrice, face splitting into a grin, “OH! Beatrice. You’re back! QUICK, come look. Come, come!” beckoning Beatrice forth.

As Beatrice approaches, Camila swivels the phone around to face her, shifting her hand away from the phone speaker. A still shot of Ava’s face is on the screen, mouth open midway with butterflies surrounding her. “Wha-what’s this?” 

“Ava’s dropped the teaser video for her album! Sadly, the Lord has deemed me not worthy of a gay awakening, yet again. BUT SHE’S SO HOT. ” 

Behind Cam, Lilith drops her head and sighs. 

Camila is restarting the video.

(*)

As the video begins to play Beatrice feels the strange sensation of her stomach dropping straight out of her body, she feels like she’s on the verge of going into cardiac arrest, her face and ears turning red and hot in record time. She can feel and hear her heartbeat thundering away in her eardrum or is that the song’s pulsating beat? No. That’s her heart.

Trying to maintain a modicum of her composure while her libido rockets skyhigh in the presence of her band members, Beatrice presses pause and rapidly backs up a few steps. Both Mary and Lilith are now very determinedly looking at the ceiling.

“What’s happening? Why is this video out? What’s going on!?” Her thoughts go to Emilia upstairs and the state she left her in. Emilia was talking to someone and then yelling in Spanish. To Ava probably. What did Ava do? 

“She suddenly dropped the album!” 

“She dropped her album?”

 “Yeah, the whole thing! She Beyoncéd us!”

No. Ava is doing it again. She’s sacrificing for them…for her. The back of her throat burns as Beatrice struggles against her need to cry. 

They’ve been sitting in the room waiting for Suzanne and Levy and her bandmates are keeping a distance. Beatrice can tell they’re on edge now that excitement of Ava’s surprise album drop has dissipated. All of them are scrolling through their socials, biting their nails, their lips. Lilith and Mary are pacing, looking up every so often in her direction. She is standing by the window, gaze occasionally landing on the dark expanse that is Central Park. She is honestly quite surprised with herself given the circumstances. A weird sense of calm has taken over her, not resignation but relief. 

“...shouldn’t touch women without permission, asshole!” Camila’s voice burst through her phone. She looks in Beatrice’s direction apologetically, shutting it quickly. “I’m sorry, it autoplayed.”

“It’s fine,” She replies, not bothered. She has seen the videos of the flip already, all from different angles, all the same gasps, all the same reactions.

“Are we going to talk about this or are we just going to wait for Suzanne to reprimand us?” It’s Lilith who speaks up, breaking the silence that has taken over the small room, she’s remarkably kind in her delivery.

“Suzanne and Levy are trying to manage the situation I’ve caused, it’s best if we just wait for them.”

Mary is at Lilith’s side. “We’re a band, we’re in this together, you know this Beatrice.”

“Yeah, Bea whatever happens this is our problem too,” Camila sits up on the bed, dress wrinkling under her.

Her arms fall lightly to her sides, “I don’t regret what I did.”

Yasmine comes to sit by Camila, “Good. We wouldn’t forgive you if you did. He probably deserved it. It’s not like you to do something like that.”

They’re all watching her now. All concerned but also giving her space.

“You need to be honest with us though, before Suzanne and Levy get here. We need to be on the same page.” Lilith is talking again with the same kind tone, “We need to protect you.”

“I apprecia–”

“Beatrice, come on.” Mary says, a little irritated.

Yasmine nods, “Share this–whatever it is with us.”

“Yeah, Bea. Come,” Camila pats the other side of the bed, urging her to them and she goes. She sits. They all surround her now waiting.

“It’s…it was because of Ava.”

“OH MY GOD!”

“Camila shush!”

“I FUCKING KNEW IT!”

“CAMILA! Be quiet!”

“You little shit! Why did you keep this from us!? FROM ME?!”

“Camila, it was obvious to anyone with eyes.”

“What!?”

“Yeah, I’m pretty sure I was the first to figure it out,” Mary says a bit arrogantly shoving at Camila’s shoulder. “When we found Beatrice drunk at the studio.”

“WHAT?!”

“Oh shit?” Lilith ignores Camila’s outburst, “I figured it out at the diner. There was no way Beatrice would do such a pathetic thing in a public setting.”

“Oh my God! The music video shoot!” Camila grabs Beatrice's hands, turning her to face her. Camila’s eyes are roaming hers like an excited cavoodle with zero brain cells.“That night! You didn’t come to the room. Were you with Ava?”

“Yes.” Her cheeks begin to heat with the insinuation and everyone must notice because they all have devilish looking smiles on their faces. 

“Oh my God!” Camila says again, as if God has anything to do with it. “Well, at least I wasn’t the last one to figure it out then. I put the pieces together this morning. Yasmine did you know?!”

“I knew.” Yasmine says casually, wiggling on the bed, a bit far too amused with the reveal, “Since the Grammys. She came in asking for musical theater tickets, Beatrice doesn’t like musicals. It was suspicious behavior to say the least. Did you guys really not notice the amount of sneaking around she was doing, she thinks she’s sneaky but she really isn’t. Also, Beatrice is never on her phone and there was a dramatic spike in her phone usage since October. You guys need to be more observant.”

Camila is standing now, “I was the last to notice?!” Her eyes have popped out of their sockets in a hilarious yet alarming way.

The hotel room door opens and Suzanne steps inside followed closely behind by Levy who is focused on his phone, typing rapidly. Suzanne regards them for a few seconds before bringing her hands up, ushering them into a cluster by the bed again, where they all stand and sit in various states of anticipation.

“A server uploaded a clip right before the flip clearly showing that JC is the one to grab Beatrice’s hand first. We reached out to them and they were more than happy to send us the entire video. We can’t hear what’s being said, but it’s evident JC is the aggressor and instigated the situation.”

“Levy is reaching out to JC’s publicists now and we are releasing a statement that Beatrice is unequivocally not at fault here.”

An immediate release is heard and felt across the room as the members and Beatrice herself exhales. This is good. This is exactly what they needed. Surely JC will need to admit fault and apologise for his actions lest his career go up in flames for being seen to be aggressive towards women.

It’s close to 4 am by the time everyone else departs her and Camila’s room. She’s just laying in her bed attempting to get an ounce of sleep but the night’s events just keep cycling through her mind. And at this point Beatrice isn’t sure what to do except just laying there thinking about everything nonstop.

She reaches for her phone and headphones, maneuvers her way through Spotify and finds Ava’s album. The red cover is confronting and difficult to look away from so she hits play, shuts her phone’s screen and the album begins. 

Ava’s voice subsumes her thoughts. Months of listening to parts of this album come back all at once. Moments where she snuck away from her duties, hours where she sat beside Ava in the studio moving things around in programs and rushing to play an instrument because ‘you need to add this here’ followed by Ava’s ‘I already thought of that I was just too lazy to get up’ and then getting up to do it for her. And it’s terrifying to truly think about how in sync they’ve been since they met. How everything had come so naturally to them. How love had come so naturally.

Beatrice listens to the entire album in one go. Lyrics catch her attention here and there but the main focus is Ava and her multifaceted voice and all the emotions imbued. She gets to what appears to be a simple ballad. It almost sounds like a Disney song. There’s a build up and then the final words are among the few she can understand. It’s the word hentai over and over and over again.

That can't be right. She grabs her phone and looks at the song’s name ‘HENTAI’. She heard correctly. The lyrics haven’t been uploaded yet, she can’t even try Google translate. Surely, people are discussing the album. She jumps on Reddit. A live page has been created by Ava’s fandom out of pure panic. Fans are losing their minds due to the surprise drop and the thoughts are scattered. She types in the naughty word and the comments inundate her. 

“Wow Hentai, someone’s horny.”

“Is Hetai a masturbation song?”

“I didn’t think I needed hentai in my life.”

“¿Vamos a hablar de lo sexy que es esta canción?”

“Someone let Ava know she’s a little frisky here.”

“Heeeeeeeeennnnntaaaaaaaaiiiiiiiii!!!!!”

“Okay, but who does Ava want to eat out?!”

EAT OUT?

She keeps scrolling, reading through every comment, someone has got to have translated it by now or at least written something rough she can begin to wrap her mind around. After minutes of horny comments she has found the holy grail. 

(*)

Pero mírate, no pienses más, na' que pensar

(But look at you, don’t think about it, there’s nothing left to think about)

Tan rico no puede ser, de cuero na', pero estoy encuera'

(It can’t be that delicious, no more bitching because I’m bare for you)

Yo la batí, hasta que se montó

(I started myself off right to the edge)

Segundo es chingarte, lo primero e' Dios

(I’ll fuck you second but first comes God [her orgasm])

So, so, so good, so, so, so good

So, so, so good

So good

Mmm

Bebé, te quiero comer 

(Baby, I want to eat you out)

Ya

(Now)

Beatrice’s heart is about to break through her chest a la the facehugger from Alien. Now she can’t stop listening. The song is on repeat. Over and over. Ava’s voice consuming her thoughts. The lyrics dance in her mind conjuring thoughts she has suppressed for months. Thoughts she hasn’t allowed herself to have about Ava, but Ava has very clearly had about her. Enough to write a dirty song about it.

A pillow makes contact with her face twice, “YOU NEED TO STOP!” It’s Camila, hair in a state of disarray, heavy bags under her eyes. “She wants to eat you out, okay! Now, please either move past the song or go to sleep because I can’t sleep with you blasting that on repeat and knowing who the song is about. So for the sake of our friendship I’m going to go back to bed and you’re going to skip the song and we’re never going to speak about this ever again!”

Mmm, hentai

Ava Silva Postpones Schedules as Drinking Controversy Unfolds

The Cruciforms’ New Hit Takes Over the Charts—A Global Sensation!

Too Much to Handle? Ava Silva Caught in Late Night Scandal, Events Scrapped

Music History Made: The Cruciforms’ Latest Single “Somebody Else” Smashes Streaming Records

Pop Star’s Wild Night Out Leads to Delayed Appearance and Fan Outrage

Critics and Fans Agree—The Cruciforms Latest Release Is a Game-Changer

Rehab Rumors Swirl as Ava Silva Pushes Back Tour Dates

A New Era Begins: The Cruciforms' Chart-Topping Single Defines a Generation

Out of Control! Ava Silva’s Diva Attitude Escalates as She Lashes Out at Team

The Cruciforms Just Dropped a Classic—Their New Song Is an Instant Hit

Ava spots Alice the moment she emerges into the open bar outside. The night is still early as music from the hired DJ blasts around the pool area of the hotel. Ava and her team are staying at Continuum, one of the many hotels in Ocean Drive, Miami. Ava’s here to start promoting her second single, a more tropical beach ready song. Miami is one of their first stops along the Americas as the team undertakes a massive country hopping tour for the marketing of the song.

The music video has wrapped today and she has been given the night to herself. A freedom that she has too willingly taken advantage of. She grips her hand tighter around the highball glass, walking past various bodies dancing along the edge of the pool and inside it. If she can keep her distance from Alice then she can keep drinking. She can keep distracting herself. She can’t and won’t go into her hotel room sober. She would say she's at least tipsy, but the night is young and the bartender likes her. 

“What are you doing?!” Alice hisses from across the pool bumping into various undressed wet bodies.

Ava increases her pace, the sarong wrapped around her bikini flapping along with her movements. She’s small and she can hide behind bodies. She can do this. She can get away from Alice . And she does, but they all just assume she wants to dance and move around her, swinging their hips, they’re all also heavily inebriated.

(*)

Pásame la botella

(Pass the bottle)

Voy a beber en nombre de ella

(I’m going to drink in her name)

Alice grips her arm and yanks her so ferociously that her drink spills on the ground. It’s enough of a distraction for Ava to scurry off in the direction of the bar, Alice hot on her tail. “Ava! Ava for crying out loud!”

She’s disorientated by the flashing lights reflecting on the pool and the hotel's outside walls, but it’s fine she can see the bottles from here, she’s heading in the right direction. Sort of . She pushes between a couple who scowl down at her, she awards them with a shrug and a disgusted look before sticking out her tongue at them. Love sucks, no one should fall in love. It’s not worth it.

The bartender, a guy in his 30’s spots her right away already pouring another drink for her. He slides the drink into her hand suggestively and she spins away. NOPE . Beatrice’s pouty face comes to her mind then and her heart twinges and she wants to die because she’s so stupidly in love with this asshole that she can’t function. And all she wants to do is unblock her and call her, but she won’t. She won’t. SHE WON’T.

“AVA!” Alice has found her…again.

Before Alice can begin her tirade she opens her mouth and drunkenly sings along with the song, “ Hay algo que quiero deciiiiiiir esto no me puede estar pasando a mííííííí. La chica que quería para mííííííí es traicionera y me ha quemado hasta moooooorir!!!!

(There’s something I want to say, this can’t be happening to me. The girl that I wanted for myself is treacherous and has burned me to death!!!!) 

“Ava come to bed, you know this isn’t healthy.” Alice says, trying but failing to grab at her glass. She drinks from her cup, head bobbing along to the music. The bartender taps her shoulder asking if she wants a refill, she holds the glass out to him and he’s about to pour from the rum bottle when Alice intersects, grabbing the bottle herself. “Scram!” And he does.

Ava quickly drinks from the half empty cup before Alice can grab it again. “ Todo lo que le brindé…le di mi amor y mi cariño también, lo que ella me pedía se lo daba también!!! ” 

(Everything I gave her…I gave her my love and affection too, whatever she asked for I gave her too!!!”

Alice sighs next to her, loud enough to be heard over the music. Alice raises the rum bottle above her head and pours rum into her own mouth. “Fuck it. I tried. Love sucks”. Alice then pours rum into Ava’s waiting mouth. 

And that’s Ava’s cue for winning the argument. She walks past Alice to the dancing crowd gathered in front of the DJ booth.

Todos los que han sido traicionados

(All those who have been betrayed)

Y con la botella se han desahogado

(And with a bottle let off some steam)

A la cuenta de tres quiero ver todo el mundo con el coro

(On the count of three I want to hear everyone with the chorus)

One! 

Two!

EEEH AAHHH!

“Are we all watching the same video?? This is NOT just acting—Beatrice and Ava have insane chemistry! I’m shipping them SO hard!!”

“Why does everything have to be about pushing an agenda these days? Just make music and leave politics out of it.”

“The tension, the glances, the HAND TOUCHING… they knew exactly what they were doing with this one.”

“I miss when music was just about the music. Now it’s all about shock value.

“Y’ALL. That moment at 2:37??? I had to pause and collect myself. They are literally soulmates.”

“They’re obviously just queerbaiting. If they were actually together, they’d have said something by now.”

“I came for the music, I stayed for the romantic drama they just dropped on us. I NEED ANSWERS.”

“Ava is ruining her image with this. She didn’t need to go there.”

“They had NO business making this video this intense. I need to lie down.”

“First Ava changes her sound, now she’s pulling this stunt? I’m done supporting her.”

It’s Ava's birthday and she’s blocked. She’s been blocked since that night. She’s starting to get desperate. Their schedules aren’t aligning and she is considering doing something crazy like stalking her or getting on a plane to Ava. The schedule Ava had shared is now useless as everything has shifted with the sudden release of her album. Ava has been on the other side of the world for two months now promoting her new single and they’re here in Washington, D.C. and this is the closest she’s been to Ava. They’ve just finished filming a performance for Tiny Desk, which will be out once the album releases in two weeks. 

Camila hasn’t been much help either, ‘I can’t risk my friendship with Ava, Bea.’ ‘What about our friendship?’ ‘We survived being teenagers together, we can survive this!’. And all she can do is spy on Ava’s Instagram for all of five seconds before Zuckerberg forces her to make an account. 

Levy’s phone is on the table across from her and she is staring at it hard. He must have Alice’s number. She can call Alice and maybe get through to Ava. Alice will probably hang up on her though, she has to be strategic with what she says. She probably has only one good sentence before Alice tears her a new one and hangs up. That’s if Levy’s password is easy enough to crack. She grabs the phone, careful not to bring attention to herself as she steps out of the office. She follows the signs for the emergency exit and arrives at the emergency stairwell. 

Of course Levy has a display picture of himself on his work phone. The password is four numbers. She thinks back to their conversations for any kind of reference to numbers or dates that he is partial to, but she’s drawing a blank. Levy is not a complex individual, she can do this. 

1234

No.

1111

No.

She has ten tries and then the phone will lock itself.

0000

It unlocks. Hah. Idiot . She’s in. She madly taps the contact app and finds Alice’s name easily. There’s an angry emoji and a water gun next to her name. She hits the number and brings the phone to her ear. It’s ringing. It’s ringing…what does she say…what does she say….

Alice picks up, “I thought I told you not to be a nuisance.” She’s silent long enough for Alice to speak again, “Oh wow, did someone finally cut off your tongue? Tell me who, I’m going to send them an edible basket.”

“I fucked up, Alice. Please don’t hang up on me. It’s Ava’s birthday and all I want to do is say hi and ask her how her day is. And I know that she’s angry and you’re angry and I know you want to end the call, please don’t.” The line is quiet, but at least Alice is listening. “I know you probably won't let me speak to her so please just tell her I called. That I wanted to wish her a happy birthday and that I’m trying to get my shit together, okay?”

“Did Levy let you use this phone?”

“No, I kind of ran off with it. I’m desperate.”

“Beatrice. I don’t appreciate you calling me like this. You’re putting me in a difficult spot. I’m already blurring the lines between friendship and work.”

“I know. I know–I’m sorry I just… I don’t know what to do. I don’t want Ava to think I’ve forgotten about her or-or that I’m moving on, because that is such an impossibility. It’s just not possible.”

“She’s here.”

“She is?”

“Yes.”

“Can I–can I speak with her?”

“No.”

“...A–Alice,” Her voice breaks.

“Ava…” Alice is speaking away from the phone, “Beatrice–” There’s rustling and she can’t make out what’s being said but she knows that voice, it’s Ava’s voice. “Ava says thank you. And has asked me to remind you to drink some water.”

“Alice–”

“I’m going to hang up now, Beatrice. Don’t do this again. And just so we’re clear, I am going to let Levy know what you’ve done. And if this happens again I’m going to bury both of you alive with live mice.”

August 3rd, Grant Park, Chicago 

(*)

I'm losing myself

In the darkness of the world

Catch me before I fall

Ava hears Beatrice’s voice hauntingly echo across the festival grounds with Lilith’s light guitar picking to accompany it and Yasmine adding to the mood with her cymbals. As she pushes through the crowd to get closer, she can see the other band members waiting for their cue to start. Alice grips her hand following along, they’re managing to cut through the crowd. The band are all wearing matching form fitting maroon suits with loose long bow around their collars.

Saving myself

Is all I really know

Seen it, been done before

The late afternoon sun bounces off her sunglasses easily as the sweaty bodies bump, bounce and nudge into her, all jumping in anticipation. Yasmine’s drum begins to cue the beat and Beatrice starts to hop in place along with the tempo. Lilith’s guitar intensifies followed by Mary and Camila.

I'm a dynasty

The pain in my vein is hereditary

Dynasty

Running in my bloodstream, my bloodstream

Dynasty

And if that's all that I'm gonna be

Won't you break the chain with me?

“Lollapalooza are you ready? Let’s GO!” Beatrice speaks into her microphone, the stand adorned with red carnations. 

Beatrice is a vision of perfection, composed and confident. The size of the crowd is no joke either. There’s probably close to 100,000 people here right now. All bobbing along to the Cruciforms.

Ava shouldn’t be here. She knows this. Even hearing Beatrice is painful, but simultaneously it’s filling her with all sorts of happy emotions. She knows Beatrice is trying, has been trying. That even in Emilia’s rage after releasing the album she spoke well of Beatrice. Had assured her that Beatrice had come to the hotel room in a state of agitation but also determined to get to her, to get to Ava. 

She’s conflicted. She was meant to do a clean cut that night and never be in Beatrice’s orbit again. She can’t bring herself to.

“Ava!” Alice shouts into her ear. 

“WHAT!”

“Levy! Levy just called and said he can get us closer!”

“I–I don’t think I should!” She shakes her head. She had promised herself just this. Not much closer. “This is okay!”

“He’s just at the side there!” Alice points to the left side of the stage where a couple of crew members are gathered, plus Levy who has children’s noise cancelling headphones on and doesn’t seem to be having a good time. “It’ll be safe for us, and she can’t see us from there. She’ll be distracted!”

Ava nods more for her own confirmation than Alice, “Okay! Yeah, okay.”

They continue into the deep parts of the crowd which is now getting more difficult to maneuver through. Ava knows that Alice is working those pointy elbows though because the crowd is parting like the Red Sea in front of them. 

Levy spots them, frantically stepping off the platform and rushing to them. “Let them through, they're with me!” He yells at the security guard who just shrugs like he wasn’t going to protest it to begin with.

I'm gonna take the throne this time

All the words all mine, all mine

It's been way too long, too far

Too gone, to carry on

“Hi Levy, eat any children today?” Alice asks, gripping his earphones and releasing them in one go, slamming them back into his ears.

“Okay, first of all rude. I can have you removed if I wanted to,” He jabs Alice’s shoulder several times coinciding with the beat of the music. “AVA! Doesn’t your show start afterwards, shouldn’t you be getting ready?” His pulse point at his neck is noticeably pulsating, intensifying as if it’s also his responsibility to get her on that stage tonight.

Beatrice is now walking across the stage microphone in hand. Eyes laser focused on the crowd in front of her. “Here we go!”

Mother and father, you gave me life

I nearly gave it away for the sake of my sanity

Hurting inside, no end in sight

Passing it down, I'm not losing this fight

Mother and father, I know you were raised differently

Fighting about money and his infidelity

Now it's my time to make things right

And if I fail, then I am my dynasty!

Lilith walks to Beatrice then and the guitar solo begins as Beatrice harmonises along with the guitar. 

And Ava. She wants to reply, but Beatrice is distracting. Everything is distracting. She can hear Alice answer for her as the final chorus ends with a sustained note and the crowd erupts into screams. Beatrice smiles into the crowd and an intense feeling bursts into her heart. Pride. To see Beatrice so confident and in her element makes Ava feel the emotion just as fiercely as Beatrice does.

Cruciforms!

Cruciforms!

Cruciforms!

(*)

“Lollapalooza,” Beatrice shakes her head, mystified by the reception, eye smile on full display. “I said ‘Lollapalooza!’” The crowd breaks into cheers again as Beatrice holds the microphone out to them. “Are you ready to dance? Are you ready to cry? Are you ready to scream?!” The reply back is deafening. “Shhhh shhhhh shhhhh shhhh shhhhuuuuushhhhh! I said Shut. The. Fuck. Up!”

Lilith began to strum the strings of her guitar.

“I said Shut! The! Fuck! Up!” This time the crowd chanted along with Beatrice.

SHUT THE FUCK UP!

SHUT THE FUCK UP!

SHUT THE FUCK UP!

“LOUDER!” Beatrice’s voice cracks as she yells.

SHUT THE FUCK UP!!!!!!!!!

“LET’S GO!” Yasmine began to thrash at the drums as the heavy metal sound took over the festival. The members banged their heads along with the beat of the drum.

I want to know, I want to know!

Silence finally in my head

But it's too late, you already left

You're preaching even though I'm dead

You're like the first time under my pride

How come you don't expect me

To get mad when I'm angry?

You've never seen it though I know I'm not the only one

How come you don't respect me?

Expecting fantasies

Leave our reality, why don't you just sit down

The second verse comes quickly and then it’s the chorus again. “SING IT!” Beatrice holds the microphone up to the crowd as they sing along with the pre-chorus, her middle finger up to them. 

Shut the fuck up, shut the fuck up!

Shut the fuck up, shut the fuck up!

Shut the fuck up, shut the fuck up!

Shut the fuck up, shut the fuck up!

Shut the fuck up, shut the fuck up!

Shut the fuck up, shut the fuck up!

Shut the fuck up, shut the fuck up!

Have you ever thought about taping your big mouth shut?

'Cause I have, many times, many times

Beatrice does a cute dance on stage to contrast the significance of the lyrics as Camila plays along on keys with a little jingle. “SING IT!” She holds the microphone to the crowd again who are all too happy to join in as the words come on to the screen behind Beatrice.

Have you ever thought about taping your big mouth shut?

'Cause I have, many times, many times!!

Beatrice’s voice drops into a growl as she walks to each side of the stage, face adorned by an angry glare, “Like the first time, like the first time, like the first time, like the first time, like the first time, like the first time, like the first tiiiiiiiiiiiime aaaaaaaaaaaah!” 

Alice taps her shoulder as Beatrice’s final belt encompasses the entire field. “Not much longer.” She nods, but her attention goes back to Beatrice as she screams along with Lilith and applause comes their way again. 

After a few minutes of dialogue between Beatrice and the audience, the instrument tuner excuses himself as he passes by Ava with an black acoustic Gibson guitar in hand. He helps sling it across Beatrice's shoulder as she puts the microphone back atop the decorated stand. 

“I was wondering if we could slow it down for a few minutes.” Beatrice takes a pick from the stand, “I know the album is out and we’re all really excited about it and you guys are really excited about it. There’s a song that's not on the album, but I want to share it because it has helped me cope with everything these last three months. I’ve been doing a lot of soul searching of sorts, therapy mainly. If you look at my phone it may appear like I’m dating my therapist at this point.” She laughs at her own self-deprecating joke and Ava can’t help but find it endearing. “Writing music has always been a way of dealing with my feelings. I wrote this song for a young Beatrice who never had a chance to shine. I hope that I can begin to do right by her from now on. And that I can do right by someone I’ve hurt, who deserves so much more from me. If you’re listening I want you to know that everything you said is the truth, I refuse to deny it any further.” Beatrice takes a big breath and closes her eyes, “Anyways, this is ‘ Phantom ’.”

Beatrice strums and sings along to the first verse of the song.

(*)

Once upon a time

There was a girl, pleasing the world

Dying to be liked, looking for love

Wanting to trust

Ava is reeling from Beatrice’s easy admission that she’s been attending therapy.

Breaking off pieces, things started to change

I've been trying to find her since, she gave a little too much away

Ava’s heart thuds uncomfortably in her chest, pained at the thought of the little girl in the photo at Beatrice's apartment, her cheeky smile before the world and its expectations began to weigh on her. 

Before Beatrice began to put up a front to appease her family, everyone around her.

If I could talk to you, I'd tell you not to rush

You're good enough

You don't have to lose, what makes you you

Still got some growing to do

Ava has to physically shut her eyes and bow her head down in the moment, letting the brutal honesty of Beatrice’s lyrics wash over her. Beatrice plaintively telling her younger and current self that she is worthy.

When did we get so estranged

Haunted by the way I've changed

Claiming back the pieces of me that I've lost

Reaching in and hoping you're still, waiting by the windowsill

I'd bring you back to us

Now raising her head towards the sky, Ava is actively holding back the tears burning at her eyes. Pushing her sunglasses up, she furiously brushes at her eyes and nose. 

I was wrong to assume, I would ever outgrow you

I need you now, I need you close

How do you hold a ghost?

Inner child, come back to me, I want to tell you that I'm sorry

I'm sorry

As Lilith’s guitar solo starts, it all happens so quickly. Ava’s eyes meet Beatrice’s. Before she knows it, Beatrice has dashed in her direction. A panicked sort of expression on her face breaking her performance persona, like she hadn’t expected Ava to be there and is terrified of her disappearing. And there’s no stopping her, she’s slinging the guitar to her back, the song forgotten. Ava needs to do something, Beatrice is leaving the stage and this can’t happen, that’s not what's required of them.

The moment is so long that Camila has turned in their direction, eyes going back to Lilith prompting her to continue the solo and both Mary and Yasmine are looking at Beatrice confused. Ava raises her hands in front of her, lightly patting the air there so that Beatrice understands what she means, but she doesn't stop; she's resolute, she's about to take the steps down to Ava.

Ava shakes her head and mouths “No.” And Beatrice stops, eyes searching hers and eyebrows pulled into a frown. Ava stands absolutely still, hands in front of her. Beatrice nods as if broken from a trance, eyes lingering on her before reluctantly turning back to the stage, but not without looking back once more, just to check if Ava is still there.

Beatrice faces the audience only for a moment, the mask still broken, but she begins to strum again, the members taking her cue to continue the song. She turns the microphone on the stand towards Ava, the crowd abandoned. 

I don't want to do this without you

I don't want to do this if you're just a ghost in the night

I tried everything to fill up the void that you left me with

My phantom

She nods and Beatrice does the same, the significance of the charged moment sits between them. Beatrice turns back to the crowd, the mask taking over again. Ava whirls to Alice who is scream-whispering into Levy's ear conspiratorially, like they’re up to something. 

“Let’s go,” is all she says before gripping Alice’s arm and heading back into the crowd as The Cruciforms finish the song. 

Don't want to do this without you

Don't want to do this if you're locked away in my mind

I tried everything to fill up the void that you left me with

My phantom

Night has descended upon the festival grounds by the time Beatrice and the band make it to Ava’s stage. Levy had rushed ahead to safeguard spaces near the front of the expansive grounds, something that should be suspicious given that he has hated every second of today, hates all the sweaty smelly bodies gyrating in his vicinity and the loud music. They’re all with her though, for support. Everyone is here to support her and Ava except Camila, who is here for purely selfish reasons.

When they reach Levy he points at her head judgmentally. “Ava likes it,” is all she says. She has the reindeer antlers on, this is for Ava. He pats her on the back encouragingly.

The stage is dark apart from the purple screen spanning across the raised platform. The crowd has had intermittent moments of pure chaotic screaming followed by chants of Ava’s name. All that can be heard is white noise coming from all the speakers spread across the festival grounds. 

“I can be calm.” Camila who is beside her has jumped at every noise in anticipation. She’s spreading her time between shouting into Yasmine’s ear to pulling Beatrice’s arm. “Come on you stupid delayed start!”

The purple screen shifts slightly catching everyone’s attention and the cheers erupt again. It begins to spaz more frequently now as the white noise changes to something deeper, more monstrous sounding. A motorcycle's noise cuts across the speakers and a flash spreads across the stage, making it appear as if the vehicle has sped by.

“Oh my God!” Camila yells, pulling on her hand again. 

Beatrice’s heart begins to pulsate in her chest. The screen goes black as more motorcycle noises are followed by more flashes of light. Then, a noise that sounds jarring, almost like metallic ocean waves crashing into rocks. Dancers emerge from backstage all wearing white glowing motorcycle helmets, the only indication of movement in the otherwise black void that is the stage. They stand at the dead centre, arms crossed menacingly. The noise continues to get louder and LOUDER.

Beatrice can see a different style helmet arrive at the back of the dancers. It’s Ava, she’s sure of it. Everyone on stage twists their heads left to right then they begin to move forward, shoulders dragging up and down with each step. 

The speakers blare, noise so loud that she can’t even distinguish what she’s hearing anymore. And suddenly the dancers part at the centre as the lights pulsate, half left and half right, making Ava the focal point. She’s wearing a full body black Lycra suit, a white corset-like leather vest, and knee length high heel boots. The crowd absolutely loses their minds and she can’t even distinguish between the screaming and the noise of the concert at this point. Camila to her left has ascended, trying to crawl up Beatrice’s shoulder for more height. 

A monotone drone takes over the speakers as Ava begins to slowly walk to the front of the stage, hands coming to the helmet around her head, removing it in one smooth motion. She looks down and smiles as ‘Saoko’ begins to play. She steps up to the last two dancers on each side, eyes piercing the crowd in front of her. There’s no expression on her face as confidence emanates out of her. 

Beatrice has never seen Ava command the stage like this, as if it’s made for her, purely constructed for her presence and her presence alone. This is on another level, left behind are the flamenco standards and moderate pop elements. She had heard the album and all its experimental nature, and even at the time of its conception she hadn’t truly appreciated it enough. She’s truly amazing .

(*)

Ava’s piercing eyes break its gaze upon the audience for only a moment as she hands the helmet to the dancer on the left, bringing the microphone to her mouth and she begins to sing, “ Chica, ¿qué dices? Hey ! ”. She spreads her arms out anticipating the audience's replies of ‘Saoko, papi, saoko’. “Chicago, ¿qué dices?! ” 

Saoko, papi, saoko!

The crowd replies in much the same way as Ava continues to interact with them, making her way across the stage and then going back to the middle in line with her dancers and begins to rap all while following a difficult choreography. 

Cuando es de noche en el cielo

(When it’s night time in the sky)

Y se vuelve de día, ya to' eso cambió

(And it turns into day, now everything has changed)

Cuando el caballo entra a Troya

(When the horse enters Troy)

Tú te confías y ardió, uh, no

(You got cocky and it burns, uh, no)

Every time Ava sings the audience screams back at her with such an intensity that Beatrice can feel the goosebumps erupt all over her skin. And all at once she gets it. To be fair she has been getting it, she knows just how powerful of a performer Ava is, but this is incredible. She’s pretty sure if her jaw wasn’t currently attached by an intricate muscular and tendon mixture it would be on the dirt covered festival ground below her. This Ava is spellbinding to behold. A natural artist.

The album’s reception has been unbelievable. Both critics and fans alike praising it endlessly, lauding every second of it. Camila has had it on repeat the last three months (the only exception being the one song… Mmm, hentai ) and she knew it had remained in the number one spot in every chart since its release. Their own album trailing closely behind. 

She whips her head downwards, examining her shoes during the jazz section of the song because what Ava is doing is whipping everyone in the crowd into a frenzy, into a state of being Beatrice would rather not think about. Doesn’t want to acknowledge just how many people are thinking the same thoughts she is. 

Si ere' la pámpara, nada te… 

…pue' parar!

(If you’re the best, nothing can…)

(...stop you!)

Si ere' la pámpara, nada te…

…pue' parar!

(If you’re the best, nothing can…)

(...stop you!)

Ava’s set is a mixture of new and old sounds, flawlessly compiled to keep the energy high. It’s halfway through the song list that Ava begins to show signs of fatigue, but she doesn’t let it bother her, she continues to dance just as intensely as the background dancers and her voice, to Beatrice’s knowledge, has not wavered once. Her hair is the only sign of the immense activity happening on stage with sweat pulling at the roots of Ava’s shoulder length hair. She has pushed her hair multiple times to different sides, moving it off her face but the amount of movement just keeps bouncing it back. 

Ava is having fun as well, she’s smiling joyously and is in her element, but Beatrice knows, deep inside Ava must be exhausted. When the current song ends she stands in place, chest rising and falling with a great deal of effort. The dancers around her are holding their spots right hand stretched to the side, fingers delicate. Ava mirrors them, eyes fixated on the crowd. Her expression once lively changes to something more serious. 

A song begins as the dancers step away, Beatrice doesn’t recognise this song, it’s not on the album, it’s not a release she knows. One of the dancers brings a microphone stand for Ava and she places her microphone into it. Before the dancer goes he hands her something. Beatrice needs to look at the immense screens on either side of the stage to make out what it is. 

It’s a bracelet. Ava puts it on without much preamble as the camera focuses on her face instead. Her left hand comes forward as the song starts, and she begins to do a choreographed sort of clap that sounds reminiscent of a heartbeat. Beatrice can see it now, it’s a silver bracelet with what should be two charms hanging from it, but she knows exactly what the charms are, they’re the two broken pieces of her amber flower. The elation she feels is palpable. She’s turned their broken hair tie into something beautiful.

(*)

El que quiero no me quiere como quiero que me quiera

(Who I love doesn’t love me how I want them to love me)

Hoy termina la condena

(This imprisonment ends today)

Me diviertes, maybe tú eres el que me libera

(You delight me, maybe you’re who frees me)

Y es que hoy es carnaval

(And today is carnival)

Yo soy de aquí y tú eres de allá

(I’m from here and you’re from there)

Lo diré en inglés y me entenderás, mmh

(I’ll say it in English so you’ll understand me)

Camila’s mouth is ajar as she turns towards Beatrice and looks at her. 

Ava turns to her left facing the camera there rather than the audience and dancers stand behind her doing a simple choreography as she moves her hand again. This is intentional. Ava has planned this. She deliberately chose to put on the bracelet and show it on screen for Beatrice to see. 

I don't need honesty

Baby, lie like you love me, lie like you love me

Cover me in a dream

I'll be yours or fantasy

Who needs the honesty?

Baby, lie like you love me, lie like you love me

Maybe at the end

It becomes real enough for me

Beatrice feels a sinking feeling take over her. Oh no.

When did Ava write this? What is Ava saying? Beatrice is confused, is this a happy song? Ava is wearing a bracelet with their flower and yet… Is this a sad song? 

Ay, dame esa, esa pulsera de flores

(Oh, give me that, that flower bracelet)

Me la pondré en la muñeca

(I’ll put it on my wrist)

Cuando despierte, así yo lo sabré

(When I wake up, that way I’ll know)

Así yo lo sabré, yo sabré que fue real

(That way I’ll know, I’ll know it was real)

Será mi tótem, lo sabes tú y nadie más

(It’ll be my totem, you will know, but no one else will)

Camila grabs her wrist so tightly and shakes it in the air to get her attention all while pointing at her jade hair tie, “IT IS ABOUT YOU!” Camila says shooting her a dirty look.

“Is it a happy or sad song?!”

“What do you think, you idiot!” Camila releases her hand roughly. “You’ve fucked up big time!”

She starts to panic as the final chorus rings around the festival solidifying the meaning of the song. Ava is singing about unrequited love, where she’s asking Beatrice to love her reciprocally. This isn’t right. This is not how Ava should feel. Ava shouldn’t feel this vulnerable. She shouldn’t feel like Beatrice doesn’t return her love, that Ava just wants to make believe that she does. And yet Beatrice doesn’t blame her because she too would doubt their love given her actions. 

The bracelet represents a piece of their love that she wears to keep their feelings alive, hoping or begging Beatrice to wear hers as well.  

The song ends and the crowd goes wild having just heard the song for the very first time. 

“You guys liked that one?” Ava speaks into the microphone when there’s a lull in the cheers, which ends up causing even more screams. Beatrice feels like she’s choking from the mounting pain and panic welling up inside of her. Levy pats her head awkwardly. Ava is handed a bottle of water. She drinks from it as the dancers leave the stage. The bottle is set down somewhere on the side of the stage as Ava walks back to the very front at the dead center. “We’ve come to the part of the night where I take requests.”

Everyone starts screaming all at once, song titles are thrown around with abandon, even Camila and Yasmine join in. Ava’s head bounces from person to person, in-ears off at her shoulders. She smiles a few times, but doesn’t seem to like any of the suggestions.

“Hero? The Spanish version is better, I’ll do the Spanish one.” The crowd cheers recognising the song. Ava turns to her pianist who just nods in return. 

Ava sits down on the stage and crosses her legs, putting her in-ears in again as the piano begins to play.

(*)

Si una vez yo pudiera llegar a erizar de frio tu piel

(If I can once more make your skin erupt with goosebumps)

A quemar, que se yo… tu boca y morirme alli despues

(to burn, I don't know… your lips and die there afterwards)

Ava’s eyes are closed as she sings the ballad. The stage has dimmed and there’s a singular spotlight on her. Everyone around Beatrice has popped out their phones and turned the flashlight on, arms swaying from side to side. This song Beatrice knows, or knows the English version, but she has a feeling the Spanish lyrics are probably completely different. 

Y si entonces temblaras por mi

(And if then you'll tremble for me)

Y lloraras al verme sufrir

(And you'll cry when you see me suffer)

Y sin dudar tu vida entera dar como yo la doy por ti

(And without hesitation give your whole life like I would for you)

Ava’s eyes easily find hers, as if she’s known all along where she is in the crowd. A tender smile comes to her face, no doubt spotting the antlers. Hope starts to creep up again, the potential of maybe seeing Ava afterwards takes over every thought in her brain. What does she say? How does she get backstage? Alice. Alice would need to play ball and from their last interaction it doesn’t seem like she’d be too keen on that. Maybe she can use Levy as a distraction, he could talk circles around Alice and she can sneak past.

Si pudiera ser tu heroe

(If I could be your hero)

Si pudiera ser tu dios

(If I could be your God)

Que salvarte a ti mil veces puede ser mi salvación

(Because saving you a thousand times could be my salvation)

Now Ava angles herself directly in Beatrice’s direction almost as if she wants to sing the words to her and her alone. Ava’s voice begins to crack and she can’t seem to hold her gaze. The crowd cheers and Ava turns away from her, from them, in a moment of privacy as she continues to sing the lyrics which are clearly having an effect on her. 

Si supieras la locura que llevo

(If you only knew the insanity I carry)

Que me hiere y me mata por dentro

(That aches and kills me inside)

Y que mas da, mira, que al final lo que importa es que te quiero

(And what does it matter, look, in the end what matters is that I love you)

Quiero ser tu héroe

(I want to be your hero)

Si pudiera ser tu dios

(If I could be your God)

Porque salvarte a ti mil veces puede ser mi salvación

(Because saving you a thousand times could be my salvation)

puede ser mi salvación

(It could be my salvation)

The spotlight dims and Ava steps to the side of the stage. She returns a few minutes later looking composed. The set continues and the crowd cheers unaffected. Unlike her. Unlike Ava.

When Ava’s set finishes, she grips Levy’s hand and all but bodily pulls him to the side of the stage behind the barriers where a few workers are already taking things apart. She’s struggling to find Alice’s blonde head in the midst of people gathered backstage. There’s a cluster of people and she can make out Ava’s white vest among them. She’s on the floor, an oxygen canister beside her, a long tube extending from it into a mask on her face. Before she can even think about what she’s doing she has one leg over the temporary fence and a security guard has grabbed ahold of her and is pushing her.

“Beatrice!” Levy cries out grabbing her arm.

“She can’t do that!” The security guard yells man-handling her off the fence.

It’s enough of a commotion that both Ava and Alice turn in their direction. Alice hurries to them, hands outstretched to keep Beatrice from getting hurt. “It’s okay, she’s okay, stop pushing her. Beatrice! What are you doing?!”

“Is Ava hurt? She’s hurt!” She says in distress. Levy is helping her off the fence, but her death grip on the fence is so strong that he gives up halfway and just starts to push her back over while Alice is pushing in the other direction.

“She’s not hurt, she’s fine, she just needs to catch her breath.” Alice replies, and with one final Herculean shove from Alice she’s off the fence and being propped up by Levy alone, which means she’s on the floor as he struggles under her weight. “You need to leave.”

“No! I want to see her, Alice.” She manages to clamber back up, hands on the fence again, ready to spring over.

Alice nods once, then says, “Yes, I know that, but Beatrice she doesn’t want to see you. This is not the right moment. She needs space. She needs time. You know this.” Beatrice releases her grip on the fence, taking a few steps back in resignation. “Levy, give Beatrice my number. You can reach out to me.”

She nods, because that’s all she can do. Before she turns to go she looks behind Alice, hoping for a glimpse of Ava, but she’s gone. 

“Can I just say that this is a very loaded Sex and the City moment.” Levy speaks up, trying to lighten the mood. He points in Alice’s direction with a fake angry scowl before saying, “I curse the day you were born!” Alice laughs, Beatrice manages a small chuckle and he rolls his eyes. 

(*)

Like a flower waiting to bloom

Like a light bulb in a dark room

Ava sits at her upright piano in her office, trailing her fingers around the keys. She’s been sitting there for hours, tinkering with various melodies, in her pajama shorts, a beige sports bra with a white dress shirt over the top, occupying herself on a rare day off. 

In the background, Nina Simone plays softly through her speakers, the faint pops and crackles of the record sounding as the vinyl spins. 

Outside, Madrid is experiencing a rare bout of a Summer storm. Thunder has been cracking overhead and lightning lancing across the vista through her balcony all morning and now torrential rain is hammering the streets. 

The atmosphere is reflective of her general mood.

My poor heart, it’s been so dark

Since you’ve been gone

After all you’re the one that turned me off 

Now you’re the only one that can turn me back on, uh

Ava furrows her brow, pausing her movements as she listens again.

Distinctly she hears it again. A knock. Several knocks at her door.

She’s not expecting anyone. Has expressly asked Alice and Emilia to not contact her today unless it's urgent.

Shuffling off the piano stool hesitantly, Ava lowers the lid on her piano exiting her office and approaches the door of her apartment. Cautiously she sneaks a peek through the peephole. A wet mop of hair as the head hangs forward, a soaked figure in a brown houndstooth jacket and jeans. It couldn’t be… not here . Absolutely not . And yet her heart is screaming at her to open the door.

Ava grasps the doorknob, half praying it’s an apparition of her own melancholy, half hoping it’s what she fears.

She eases the door open.

The head jolts up. 

She looks like a drowned rat.

“Hi.”

Notes:

Mmm, hentai

Chapter 11: If You'll Only Grant Me the Right to Hold You Ever So Tight and to Feel in the Night the Nearness of You

Notes:

I have replied to the comments that mentioned it was Beatrice at the door with silly alternatives. I was bored waiting in line for RSD.

Here is the playlist and mood board.

(See the end of the chapter for more notes.)

Chapter Text

“Do you know what ungodly time of the day this is!? I finally get a chance to sleep in and you wake me up at crap o’clock!”

“Al-Alice, please. Levy told me you’re all back in Madrid for a few days. I’m–I’m about to board a flight. To Madrid. Please. I have to see her. I have to talk to her. I don’t know if you have anything scheduled today but I’m prepared to wait. I’ll wait all day. I’ll take any moment Ava’s willing to give me.”

Silence.

“Please don’t hang up.”

Alice lets out a heavy sigh at the other end of the line. “You really are playing up the forlorn desperation bit here. But , you are in luck today. She’s got a day off. She needs it. We all need it. And I was taking full advantage before you so rudely interrupted my slumber. Did I not tell you she needs space and time? What were you going to do if I didn't answer? Loiter the streets of Madrid in the hopes you came across her?”

“I… yes? I would’ve kept calling but also I was going to see if I could find enough landmarks from places she’s mentioned and hope for the best. Please. Alice. I am desperate. I just want to see her.”

“Fuck me sideways. I can’t even believe I’m considering this. Call me when you land in Madrid, Lovergirl. I need time to deliberate.”

Alice hangs up on her unceremoniously, leaving Beatrice to stare at her phone in mystification. Well, at least it wasn’t a flat refusal.

Beatrice is standing in front of her door. Drenched white blouse stuck to her skin to the point that she can see through it. Can see through to the black bra underneath it. Can see through to the toned musculature and curves beneath. The saturated jeans she’s wearing are molded to her figure and restricting her movement, the sodden jacket weighing her down.  “Hi.” Beatrice makes an attempt to push her dripping locks off her face and behind her ear, the droplets from the action flicking into the air and landing with splatters on the hallway floor. Beatrice is well and truly soaked to the bone.

“Hi.” She replies, a mixture of surprise and worry threading its way through her response.  

Beatrice's eyes are drinking her in, almost like she’s shocked that she had knocked on Ava’s apartment door and that Ava had actually answered. 

Several long moments pass of them just staring wordlessly at each other.

Eventually she’s unable to resist and her eyes trace their way back down Beatrice's body, striking even in its current sorry state and she can’t help the little thump her heart makes.

Locked gaze broken and spurred into movement, Beatrice is slinging her satchel around to her front and begins to open it. The satchel is also wet but thankfully the leather has managed to at least repel much of the downpour. “I–I have something for you.” Beatrice is frantically rifling around for something. “I’ll be quick, I know that I’m probably imposing and I don’t want to take up–”

“You should come inside.”

Beatrice’s rustling stops, as anxious eyes meet hers. “Inside? Inside where?”

“My apartment.”

“Oh.” Beatrice looks over her shoulder, to the expanse of the apartment behind her. “Are you–are you sure? You don’t have to, I’m happy here.”

I’m not. Happy with you out here. Standing in the hallway.” She can feel the furrow of her frown because Beatrice is being silly. Beatrice is standing outside her apartment in the hallway soaked by the afternoon storm and has the audacity to pretend like she isn’t. Like she’s fine.

“Oh.”

She pulls the door further open and shifts to the side. Beatrice takes that as the cue to step into the premises, boots making squishy noises after each step. She pushes the door closed behind Beatrice and watches as Beatrice looks around, eyes flitting from the kitchen to their right to the office on the left, water collecting on the tile beneath her.

“I’m guessing you got caught up in the storm?”

“I got lost actually.”

“Lost?”

“I tried to ask for directions. I don’t think they quite understood me and then I got a bit confused getting around.”

Beatrice faces her again, she looks exhausted. Ava knows the band has been busy globetrotting and promoting the album, Camila filling her in on their various activities. Finding Beatrice on her doorstep is unexpected. “Alice,” She starts as if that answers how she’s managed to find the apartment. “I asked Alice to give me your address. I kind of didn’t hang up until she did so please don’t fire her, I can be very persistent at times.”

She smiles unbidden because she had already guessed at the answer to the ‘ how ’ but hearing Beatrice vocalise it makes her heart warm. “I won’t, she’s indispensable.” 

They’re staring again. She clears her throat as she notices Beatrice’s gaze flickering downward in stops and starts, as if reminding herself to keep her gaze up. Almost absentmindedly, Beatrice mumbles out, “Your hair is getting longer.”

“You said you had something for me?”

“Hmm? Oh! Yes.” Beatrice has suddenly dropped to her knees, looking through her satchel again. Beatrice is pulling out the contents onto the wet tile, a chocolate bar, glasses case, a wallet, a phone charger, a small makeup pouch and then a plastic bag.

Her sigh must be loud enough because Beatrice stops what she’s doing to look up at her in askance. She crouches down, gathering up everything all in one go, walking to the small round dining table in the kitchen and depositing Beatrice’s belongings on the table surface. Beatrice plops down to pull her boots off and neatly lines them up against the wall before getting up and following her to the table, slipping on the tile floors with her equally wet socks. 

Beatrice is looking down at her things. “Sorry. I’m nervous.”

“I know.” Me too.

Beatrice’s hands go to the plastic bag undoing the knot, reaching in and pulling out three things, her passport, a worn book that Ava can’t make out, and her music journal. The journal is what her eyes linger on. It’s no longer as pristine as she remembers it, it now has multiple dog eared pages, there’s pages inserted in, the seam is frayed and there seems to be something inside it, enough to make it bulge. It looks like her own journal from all those months ago. Almost as if…no, it couldn’t be.

“This is for you,” Beatrice says, holding out the journal to her. For her to take. The eyes that meet hers are open and uninhibited. As if this was always the intention, the journal’s fate, since that day in Paris and Ava has to look away from Beatrice’s earnest gaze because she knows exactly what Beatrice is saying. Knows what this means. Knows what she’ll find inside. “Will you accept it?”

Unable to face Beatrice, she steps away, giving her back to her, bare feet coming into contact with the puddle of water that’s trailed Beatrice. She’s worrying the skin on her thumb, gnawing at it with her mouth, the skin there already raw from how routine this action has become. 

“Please take it.” Beatrice is pleading.

“What will it change?” She replies, not turning around, facing the hallway wall.

“You need to know. You need to know how I feel. About you. About us.”

“I know how you feel.” She retorts, the words coming out much blunter than intended. “Your lyrics aren’t going to change anything. It’s not anything new.”

“Turn around.” 

She shouldn’t.

“Please?” Beatrice implores. “Please look at me.”

She turns.

Beatrice inhales, chest rising and on the release expels, “I love you.” 

She leans against the wall for support because the breath has been stolen from her. The frankness of Beatrice’s statement and tone is startling. Words she knows to be true yet the utterance of them now , under such circumstances, knocks the air out of her. 

“I fell in love with you the moment we met. The moment I saw you in that waiting room backstage. And I’ve been falling deeper in love with you ever since, and everything that has happened since then just proves that I have been acting like…that I am the world’s biggest imbecile. Every moment we have spent together, spent coexisting just further entrenches you into me, into my soul like ivy taking root and engulfing my heart. Somehow, you throw my life into chaos and calm all at once. I’ve never been happier than when we’re together, from making cookies, making music or just walking side by side. I should have always chosen you. Each and every day. With all that I am and all that I do.” 

Beatrice is staring at her with tear filled eyes as she continues to speak, her voice wobbling as she does. 

“My soul recognises you Ava Silva. When I saw you that first day, it was like I’d known you all along. I knew you before we even met. You’re someone I have always known. We are imperfect beings made perfect together. It’s a humbling moment when you suddenly realise you were truly incomplete and now that we’ve met, I’ve been made whole. You have completely thrown my life off its axis, everything I’ve ever planned has been subverted and transformed in your wake. I only hope one day you can forgive me for denying it, for denying the truth of us, for hurting you in my denial. But I’m not going to stand here and pretend like you’re not the most important person in my life anymore because you are. I love you, Ava. I’ll say it as much as you want me to, but know that I find words fleeting and that’s why I write them down. So please, take my journal so that I can begin to show you how much you mean to me.”

The needle has reached the dead wax, a slight crackling through the speakers, gently reminding Ava that the vinyl needs to be flipped.

Unable to meet Beatrice’s eyes, Ava looks to the far wall, at the apartment door, away from Beatrice, unwilling and unable to receive the emotional deluge that has just been delivered. “Beatrice…” The tears that were pooling during Beatrice’s speech are spilling over and tracking its way down her cheeks, “I’m not ready–I’m not ready for this.”

“You’re not ready for this?” Beatrice’s voice is cracking and tremoring in its response. 

“No,” She replies. “Logically I know that I should move on, the best thing to do is to cut ties completely and start to put this…put us behind me.” She hears a sharp intake of breath from Beatrice but continues on, “But every time I try to move past it, my heart aches and I can’t seem to will it into changing its mind. You have made it impossible for me to. But I can’t. I’m not ready to hear this.” She pushes on because Beatrice is listening quietly, and she may not be happy with what she’s hearing but she’s being receptive and letting the words land between them. “You have like a two second rebound rate. At this point it’s Pavlovian. I expect pain after happiness. I don’t trust you not to hurt me.”

Beatrice is inching towards her, trying to come closer, “Ava, please don’t do this.” 

“Stop,” She puts her right hand up, halting Beatrice in place. “Maybe this is why we keep hurting, maybe, maybe we’re just not right for each other.”

“You don’t mean that.”

“No.” She sighs, “You’re right, I don’t. But moving on would be the sensible thing to do. The smart thing to do. I don’t trust you right now. I can’t trust you. Everything would be a lot more simple if I just stopped us here and now.” 

Beatrice is shaking, but upon closer examination, it’s not for the reason she first assumes. Beatrice’s teeth are minutely chattering and she can tell that Beatrice is trying to suppress it. Beatrice is cold. 

“I told you at the Gala but I don’t think you heard me. I don’t think you wanted to hear me. You broke me. Your repeated rejections have set me back, your actions have made me feel like I’m that abandoned seven year old again and I can’t even begin to piece myself back together.”

“Ava. Please. Let me earn your trust back. Let me prove it to you. You matter. You are worth it. I want to show you. Everyday. You are worth it.”

“No. You can’t. Only I can. Only I can fix myself.” 

“I need space. I need time. I need to believe you. I need to trust you. Beatrice, right now, I love you but I don’t trust you.” 

“I love you.” Beatrice’s voice is plaintive as she murmurs it like a plea.

“If you love me, you will give me time. And you will need to accept it whether or not I can find it in myself to come back to you or if I walk away.”

Grief is etched into every line of Beatrice’s face as she hangs her head in silent acceptance. Trembles and shivers wracking her body as she seems to constrain the pain inside her at Ava’s words and the coldness taking root in her skin.

“I am in so much pain.”

“I am too.”

“I should–I should go then. I don’t want to make things more difficult for you.”

“Yes–no! I don’t want you to leave but… but …are you staying nearby?”

“I have a schedule tomorrow. I have to go back to London.”

“What? What do you mean?”

“I knew you were in Madrid. I had a few hours so I came to see you, but I need to be on a flight later to make my schedule.”

She’s pushing off the wall, approaching Beatrice. “You need to shower. You’re going to get sick.”

Beatrice is beginning to gather everything on the table, everything except the journal. “I’ll be fine.”

“No, you won’t be.” She reaches out and arrests Beatrice’s movements, turning them to face each other. Ava’s hands clasp Beatrice’s exposed wrist, feeling the ice cold skin there. “What would your therapist say? Have you not been learning to prioritise yourself these last few months?”

A crooked smile winds its way into the corner of Beatrice’s mouth but her eyes remain grim. Beatrice nods, eyes tracking from her socks, up her torso, to Ava’s face and then attaching themselves to hand on her wrist. “I don’t have anything to change into. I also need to clean up the water I’ve tracked in.”

She lets go. Taking a few steps backwards into the short hallway, “The bathroom is behind you. I’m going to get you a towel and something to wear. Don’t worry about the puddles, I will mop it up.” She sees Beatrice nod and step into the bathroom before she turns, opening the hallway closet to grab a fresh towel before walking into the dining room, then taking a right into her bedroom. 

The bathroom connects to her bedroom by a door and she can hear Beatrice shuffling inside, shedding the drenched clothing. Throwing the towel on top of her unmade bed, Ava opens her bedroom closet, collecting a freshly laundered shirt that hangs a bit long on her and comfy lounge pants. The pants might be more ankle length on Beatrice though. Reaching towards the very back of her closet, far from eyesight, she retrieves Beatrice's hoodie. Memories burn at her forefront of her mind as she grasps the hoodie in hand. Reluctant to offer it back to Beatrice. But it is Beatrice’s and she should have the option of having it returned, no matter what becomes of their story.

She knocks once on the door to alert Beatrice of her presence then says, “Give me your clothing.” The door opens a crack and Beatrice’s bare arm pokes out dangling the heavy items. She grabs the clothing, dropping everything on the floor next to her, it lands with a wet smack, and then she passes the towel to Beatrice’s waiting hand. “Are you ready for clothing?”

“Yeah.”

She bundles the articles of clothing together and deposits it all atop of Beatrice’s outstretched hand. 

Beatrice’s arm whips back out, forcibly flinging the hoodie out onto the bedroom floor. “I don’t need this. This isn’t mine.” Beatrice’s tone is sharp.

“You’re going to be on a flight, you need something to keep you warm.” 

“I don’t want it. I’ll buy something. A Madrid souvenir jumper.” With a finality, Beatrice thuds the door shut, cutting off any further discussion on the topic.

Internally, she’s elated that Beatrice has rejected the hoodie and that she gets to keep it. Scooping the hoodie off the floor, she hangs it back up in her closet.

She hears the shower start before she scoops up Beatrice’s wet clothing and walks out to her balcony. Plopping the clothing down on the railing, she begins to wring out each piece of clothing as best as she can before hanging each piece up to attempt to dry in the breeze. 

Making her way back into the kitchen, she stuffs hand towels into Beatrice’s boots to try and dry them out before mopping up the puddles. She’s preparing tea by the time Beatrice emerges from the bathroom, the plain white shirt she’s wearing tucked into the black joggers. Yep, definitely ankle length on her but the shirt fits well. Beatrice is drying off the ends of her hair, eyes closed. 

Ava has flipped the record, Nina Simone’s voice softly emanating from her office.

“I’m making you tea.”

“Thank you, that’s lovely,” Beatrice says while pulling out her glasses case from the satchel and slipping them on. This is the first time she’s ever seen Beatrice wear her glasses and she has to fight the urge to squeal because she looks so soft and rumpled in her clothing, fresh from the shower but also so refined with her glasses on. It takes everything inside Ava to look back down to the hot mug in front of her. 

“Green tea okay?” She asks but she knows the answer. Beatrice is the sole reason she has collected multiple tins of various loose leaf green teas. Beatrice nods, pulling a chair out from the round table and taking a seat. She places the mug in front of Beatrice, the leaves steeping in the infuser.

Collecting the towel from Beatrice’s chair, she puts it in the laundry basket in the closet.

Beatrice regards her like she has a thousand things to say but thinks better of it. “Nina?”

“She seemed the right choice given the afternoon and weather.”

Beatrice takes a sip of the tea. “I didn’t think you were a jazz person.”

“You’re a jazz person.” The honesty sits there for a moment. The implication is obvious to both of them.

Beatrice is smiling, it’s small but it’s there. “I am.”

There’s so much they need to say. There’s so much she wants to say. But they’re not ready. She’s not ready. 

Beatrice looks down into the mug, mouth hovering a bit above the mug before taking another sip.

“I like your glasses.”

“Thank you, I need them to see.”

“All those books?”

“Yes. The shelving atop my bed, waiting for the right moment to strike.”

She chuckles, “Yeah.”

“What’s your excuse?”

“Probably a lot of sitting in front of the TV watching cartoons.”

Beatrice lets out a peal of laughter in response. It has drawn a moment of pure delight out of her. Not muted by their earlier conversation. 

“What time is your flight?”

“I don’t have one yet. I didn’t know if or when I would get to see you. I just planned on taking the red eye out if needed.”

Oh . What would you have done if Alice didn’t give you my address?”

At that, Beatrice’s cheeks pinken. “I um. I had a vague idea of what neighbourhood you lived in based on our conversations. I was sort of hoping that if I walked around enough I might see something you’ve mentioned. Truthfully I was hoping I’d find your favourite cafe and that you’d come in for Miguelitos. I was just going to sit in there all day until they yelled at me to leave. Hoping for a Serendipity miracle.” Beatrice’s hand comes up to cover her face in embarrassment. “It sounds really pathetic when I say it out loud. I was just desperate to see you. I didn’t expect the rain though. It was either that or just walk through the streets yelling your name.”

Ava just watches her in bemusement. Utterly captivated by the moron sitting in front of her in her clothing.

The sky is starting to darken by the time that Beatrice makes a move to leave.

Beatrice’s clothing is still damp. Ava gathers them, folding it all haphazardly into a plastic bag for Beatrice to take home.

Beatrice slips on her boots. They’re still wet, making little squishing noises as Beatrice laces them up.

It doesn’t take long for the cab to arrive. They’re hovering by the front door and Beatrice is slinging the satchel across her shoulder, the plastic bag with all the damp clothing in her left hand. She’s given Beatrice a pea coat to wear as the evening air cools, the sleeves a bit short.

The journal is lying on top of the small dining table in the kitchen, neither bringing up that it has been left behind. 

“I guess I’ll be going then.”

“Wait!” She scrambles back into the bedroom, hastily grabbing a pair of socks from her chest drawer, her bare feet slapping against the tile floor. She shoves the socks into Beatrice’s chest. “Get shoes, don’t stay in those.”

“You know I can get socks too, right? I can get a whole Madrid ensemble.” 

“Yes, well I forgot, clearly…Have a safe flight.”

Beatrice nods. Right hand reaching behind her back, resting on the door handle, not turning it, lingering for a few seconds. Her eyes are transfixed on Ava’s face, tracing its lines. Almost as if she’s memorising it. Just in case. 

Finally, Beatrice breathes in and looks downward at her feet before giving her one last lopsided grin, turning the door handle and stepping out into the hallway. Turning back to face her, Beatrice mouths a “bye” at her, eyes a bit red rimmed before gently swinging the door closed.

Ava stares at the back of the closed door. Beatrice gone from sight. 

This feels wrong . It feels wrong to have Beatrice walk away from her on such uncertain terms

It’s unsurprising that a visceral force takes over her entire person as she rips the apartment door open again, running after Beatrice who has only taken a step or two. She crashes into Beatrice’s back, seizing her around her waist and burying her face into her nape, Beatrice stumbling forward with the force of Ava’s movement. Beatrice smells like her coconut shampoo. She squeezes Beatrice tight, almost too tight for Beatrice to breathe. “Please be safe. Take care of yourself.” 

“You too.”

The journal has been sitting on top of her bedside table since Beatrice left. That was hours ago. The thought of opening it and looking through its pages scares her. It’s one thing to hear the words from Beatrice and another to see the raw, unedited thoughts inside. The potential this journal is keeping within its tightly bound pages is too much, even for her. She doesn’t know if she’s ready. Doesn’t know if she will ever be ready.

She pulls her duvet covers off, sitting up to grab it, turning it over a few times in her hands. 

No. Another day maybe, when she’s not so fraught.

What should have been a quick movement of her opening her bedside table drawer and slipping the journal inside turns into panic when the journal’s elastic actually bursts open. She fights the urge to laugh because of course this would happen. Of course the fates would do this to her. The pages open somewhere near the end where there’s a pressed flower and now it’s slipping out at an angle and she’s scrambling to grab a hold of it. The journal falls, a few pages spilling out and floating haphazardly down, the flower’s in a sorry state with a few dry petals having broken off, fluttering onto the floor. She leans off the bed, collecting the contents she can see but she’s too preoccupied with the damage the flower has taken to worry about everything that has slipped out. 

Sitting back on the bed with the contents of the journal spread in front of her now, she begins to truly look at everything. Beatrice has been busy. The flower is what her eyes go to first, its colour has faded slightly, once a lively deep red, now a faded maroon, but she recognised it from the moment it landed on the floor. It’s the red carnation she gave Beatrice before their Hadestown date. 

“A red carnation symbolises deep love and affection.”

And it’s like a punch in the gut. Beatrice has kept it. It has been preserved and pressed against a book, not the journal though, which means Beatrice slipped it inside for her. And she has just damaged it, letting it fall on the floor, its petals now scattered across her bed. She collects everything of the flower she can find, looks for an empty page in the journal and carefully deposits it back inside. 

Enough. She needs to close the journal and put it away.

Her eyes catch one of the loose pages lying on top of the duvet.

Every night I empty my heart, 

but by morning it’s full again

There’s nothing else written, it’s as if it’s been cut short or only the beginning of something. She collects the loose pages on her bed, shoving them to the very back of the journal and stares at the thing as if it’s the most terrifying entity in the world. 

She might as well rip the bandaid off .

She inhales. Braving herself for what she’s about to do.

She starts at the beginning. 

B. Y.

The initials are written on the front page in black ink with too much attention to the penmanship flourish, but this is Beatrice so of course it’s perfect. She’s surprised there isn’t an engraving underneath with her family emblem or something of the sort.

The first few pages are half finished songs, songs she recognises from the album and a few snippets Beatrice has shown her. All different from their finished products though, they’re rough and a little pretentious but have Beatrice’s charm stamped all over them. There’s little sketches on the margins pertaining to the songs. And instead of crossing out lyrics, they’ve been run through by a purple highlighter, and she knows purple means a deletion because there’s a page with an index that explains what each highlighter means. Apparently orange means 'embarrassing’, but there isn’t that much orange highlighter to begin with. 

It’s absurd how intrinsically Beatrice it is to have avoided crossing out lyrics but instead to have developed a colour coded key for it instead. She doesn’t even try to fight the burgeoning affection building in her chest at the discovery of this facet of Beatrice.

She gets to the first pages with the dog eared corners.

Aunque Es De Noche - A flamenco inspired song, simple in its nature yet effective in its desire to captivate. An incredible display of raw emotion. Utterly breathtaking. The 16th century poem dethroned under Ava Silva’s enchanting voice.

A Palé - A stylistic shift done so effortlessly that it took a moment to register it was another song all together. It’s innovative and my ears are still recovering from its transmutation. A mix of both flamenco and electronic, the latter wholly reminiscent of Björk.

Ava reads the words over and over again, heart pounding in her chest. Beatrice connected with her music that day in Graham Norton. The day they met. The day Beatrice fell in love. The intimate validation of Beatrice’s unrestrained observations suffocate her. 

The mutual understanding of what it takes to create, perform and bare your soul through music. Beatrice was the only person to have ever understood her to this degree. The shared vulnerability between them through music. Highlighted even more now. She had noticed it on several occasions in the studio, how music had become a form of love language between them. How even at her angriest she had found inspiration in Beatrice. 

A mutual inspiration that could no longer be denied. Just like the love they shared. They had become a composition, every note, every lyric imbued with layers of their intimacy.

The realisation sits there along with her.

How am I supposed to feel
all my life, I’ve felt out of place, been saving face’

The next dog eared page she’s seen in person. It’s the drawings of their dessert in Paris, which have now been coloured in accompanied by the note ‘ Ava Silva likes art . Followed by questions which she remembers Beatrice asking during one of their outings in London. The time they had dumplings. 

Ava Silva likes musicals .

And scribbled underneath is the date the Hadestown tickets went on sale along with ‘ get her tickets??? ’ The memory is bittersweet now. From the initial elation and wonder that had filled her when Beatrice showed her the tickets ( eating a cheeseburger will never be the same again ) to the sadness she had felt when Beatrice got out of the car saying “Even when you know how it ends, you still hold out hope that it might turn out differently. It never turns out differently.”

Friends asking me where I've been hiding

I'm losin' hours in your eyes

Lost in your wonderland, I hope I’m never found

There's no one else around, tonight

I'm not so used to being happy

Now I just float down еvery street

You make a sappy stupid something out of me

The kind I swore I’d never be

I’m awake inside a dream  

Now the dog eared pages are coming back to back, the journal mostly made of them. And she knows by now what they mean. What they represent within the journal. 

Teach Ava jazz runs for her album.

What’s the deal with the bike theme?

She can’t help but chuckle. Vroom vroom. 

Tell me your story and I’ll tell you mine     
settle down, put your bags down

The next page is all Bewitched along with some simple chords to play on the guitar.

I don't recognize myself

I'm dancing down streets

Smiling to strangers

Idiotic things

I trace it all back, 3:30 AM

That night, something turned in my heart

While you were sleeping, I fell in love

Beatrice has woken up, and the reason she knows Beatrice is awake is because she herself is awake and being a complete creep. Ava can’t be blamed though, it’s an unfamiliar bed and she is a roamer by nature. This is perfectly normal for her. It’s not surprising to suddenly wake up in the middle of the night. Usually, she just tosses around for a few minutes, flips the pillow to the cool side or scrolls through her phone. What is surprising though is that she woke to find herself still being held just as tightly as when she fell asleep. And she’s a creep because instead of falling back asleep like a normal person, she’s been counting Beatrice’s cute little snores. She’s only really heard them over the phone so being able to witness them in person is kind of a treat.

Beatrice is beginning to untangle herself and she’s being so careful. Careful enough that Ava is sure if she were asleep she wouldn’t have noticed. She stays absolutely still, if Beatrice realises she’s been awake the whole time it might lead to an awkward exchange, and Ava just wants to snuggle back into those arms if given the chance. 

She hears the door open and footsteps head in the direction of the bathroom. The hum of the extractor fan masks anything else. It’s not long until Beatrice is back in the room, closing the door behind her and sitting on the side of the bed, her back to Ava. She’s on her side facing what would be Beatrice's desk, pretending to be fast asleep as if that’s not a totally insane move on her part. Beatrice does something unexpected though. Her right arm comes to rest behind Ava’s back and it feels like she’s slightly leaning towards her body. It’s long enough that she’s about to lose all composure and do something drastic like pulling Beatrice back down by her pajama shirt. But then the arm is gone and Beatrice begins to settle back down carefully. 

This is the moment Ava’s been waiting for. What will Beatrice do? Because all signs point to her just falling back asleep, Ava is warm, there’s no reason to snuggle again. Except there is because Beatrice is worming her arm down and under Ava’s pillow like a little caterpillar all while reaching around her waist and gently, ever so gently, pulling her close again. And honestly she deserves an Academy Award at this point for all the sleep acting that’s taking place and the level of restraint she’s showing because how could anyone resist the urge not to do something. Anything!

Her arms are against Beatrice’s chest, a heavy suspire lands against the hairs at the top of her head, almost like Beatrice is surrendering to something. Her shirt is pulled down from where it has scrunched up, covering her exposed tummy back up and Beatrice settles her hand across her waist, mimicking their earlier position, before either of them woke up. Ava waits for the quiet snores to come again before wiggling her left hand underneath Beatrice’s arm and wrapping it around Beatrice, and falling back to sleep.

I just want to take you home

Call a taxi in the snow

When the driver can't see

Steal a kiss from me

Realised you forgot the keys

Think that it was meant to be

Cause we sat outside

You looked in my eyes

She leaned in then, resting her lips on Beatrice's cold cheek as she texted, and to her credit Beatrice only stopped her relentless assault on the phone’s keyboard for a few seconds to regard her with a dimpled smile, eyes returning to her phone reluctantly. This was something that she was growing used to, the need for something physical between them, the need to show Beatrice any kind of affection, building up faster and faster as the days passed. As much as she could get away with. The driver far too busy driving through the aftermath of the Winter storm to notice.

Beatrice was taking her home before heading to the airport. The runways being cleared for take off meant that her schedules had to continue, but not before getting Ava safely to her rental. Along with leftover pasta to reheat later. 

She pats her coat pockets and digs through the backpack at the front door. No keys. She can’t believe this is happening. Was she in that much of a rush to get to Beatrice that she forgot the keys before meeting her at the studio? 

“Something wrong?” Beatrice inquires, feet kicking the snow underneath her boots. 

“My keys. I think I forgot to grab them.”

“From my flat?”

“No, when I left from here.”

Beatrice looks baffled but not surprised. “How is that even possible?”

“The door locks by itself if you pull it to the right before closing, I just thought I had grabbed them.”

“Oh.” Beatrice looks at her watch, she seems a little anxious but collects herself quickly enough to meet Ava’s eyes. “Do you have your landlord's number?”

“I do.”

She calls. They’re on their way. It shouldn’t be long.

Beatrice is sitting on the steps watching her carefully, the spot is under just enough overhang to have been missed by the snow. She lowers herself next to Beatrice, zero space between them. 

“I’m so sorry. I should have been more careful.”

“It happens.”

The taxi driver is waiting for Beatrice around the corner.

“You should go, I’m ok to wait by myself.” She knows Beatrice needs to catch a plane, she’s probably already running late to begin with. 

“No, I’m happy to wait with you. Don’t want you to freeze or something like that.” Beatrice is looking at her as if that is exactly what would happen if she were to be left on her own. “Your hands are cold.” She hadn’t noticed, but they’re turning a sickly shade of purple. Beatrice is quick though, already undoing the buttons from her coat and opening her arms for Ava to snuggle close. Beatrice winces only once when Ava’s hands accidentally touch her skin as they loop around her.

“I’m sorry.” Ava looks up then, finding soft eyes already on hers.

There’s a small note underneath the song.

Get Ava warmer socks and gloves.

The next page takes her by complete surprise, she’s not expecting a sketch of herself. It’s cartoonish but the features are there, the short hair, with a swoop at her bangs, the lips pouty and red, and underneath another song.

She wonders when Beatrice did this, her heart squeezing a little in pain at the attention to detail.

I don't know where to look

Don't know where to walk

Don't know how I've been acting lately

Absent minded, kind of crazy

Talking to my room

Singing for the moon

Watch the hours melt away

I sit and dream all night and day

Lately I've been in a haze

Running late, can't think straight

The world feels smaller

Yet the trees look taller

There's enchantment in the air

I know I sound stupid, I do

That's what love will do to you

Beatrice is waving at her from across the closed avenue. She’s done with all her parts for the music video and Alice legitimately disapparated once her duties were done. She’s now wearing comfy exercise pants, a clean shirt and Beatrice’s hoodie. Her running shoes aiding her in quickly making her way across the avenue to the object of her affections. 

The way they crash together is enough to knock the wind out of them but thankfully they manage not to stumble too much. Beatrice has likely come back directly after finishing up at the studio since she’s wearing the same clothing from that afternoon, looking all hot librarian-esque.

“I hear you’re hungry.” Beatrice says looking down at her, dopey smile on her face, which is adorable given that she’s stinky and grimey from the day’s filming. “Anything you’d like for dinner?”

You.

“Pizza!” 

Beatrice nods before spinning in place and pointing in a direction, “There’s a really good New York style pizza place a few blocks from here.”

“All greasy and cheesy? Fantastic!” Beatrice grimaces but begins to head in direction of the restaurant. 

She doesn’t know how but she’s managed to scarf down most of the pizza with Beatrice only making it through a few slices. “Not hungry?”

“I am, I just need to pace myself. Cheese and I don’t really agree.”

“We could have gotten the vegan cheese one.”

“That’s insulting to pizza, Ava. I’d rather suffer through.”

“Was that your subtle way of telling me you get farty after you have dairy?”

Beatrice’s face is scandalised by the mortifying reveal. “No—no! I just get cramps and a little bloated.”

Ava giggles. Beatrice gets farty. “Just tell me when, I’ll happily take the blame for you, gotta protect your honour and all that.”

“Ava!” Beatrice’s cheeks are actively turning a flaming pink.

Ava’s not sure if she’s allowed to play footsie under the table, but she does it nonetheless. Mischievously waiting for Beatrice to notice. “It’s perfectly normal to get farty Beatrice, we all do it.” Beatrice's face is now tomato red, she’s avoiding Ava’s eyes but she must have noticed the activity under the table because an eyebrow shoots up teasingly before her foot is trapped between both of Beatrice’s in a weird life or death battle that she desperately wants to lose to. 

As all the memories rush back all Ava wants to do is go back to the time before their kiss. To a time where things had been simple between them. Before everything changed. 

Give Ava the schedule once Suzanne finalises everything.

There’s a drawing of the carnation and next to it, ‘ Tell Ava .’

The next few pages are band songs, one hastily written with angry pen strokes, smudges in places where Beatrice didn’t let the ink dry. Frankenstein.

‘I don’t know what’s worth fighting for or why I have to scream
I know it’s not alright

Don’t tell Ava.

Sucks to be me

Sucks to be so lonely

Unraveling slowly

Fragile, don’t look at me

Sad, you make me

The next few pages she skips. She’s on her last nerve with any reminder of Somebody Else and its success. She recalls having to tune it out during hair and makeup on more than one occasion, the last time ending with her shoes being thrown directly at the small speaker that played it. 

These songs must have been written during their time apart. They’re melancholy and apologetic.

I've never been in love before

Now all at once it's you

It's you forevermore

I've never been in love before

I thought my heart was safe

I thought I knew the score

So please forgive this helpless haze I'm in

I've really never been

In love before

I've done the math

There's no solution

We'll never last

Why can't I let go of this?

It hurts to be something

It's worse to be nothing with you

The starkness of the emotions contained within Beatrice’s journal fills Ava with frustration. Frustration that Beatrice defaults to writing about her feelings but refuses to vocalise them. Maybe if Beatrice had just talked more, was more vulnerable then they wouldn’t be in this situation. 

She knows that’s not fair. Beatrice is working on it .

(*)

“Just want a little bit… more !”

Hey, I want it all, don't have to choose

And when the heart wants what it wants, what can I do?

So I take that one, that one, yeah, that one too

Luxury and opulence

Cartiers and, Tesla X's

Calabasas, I deserve it

Call me crazy, call me selfish

I'm the baddest, and I'm worth it

The Cruciforms are performing at the BBC Radio Live Lounge. After days of nonstop promotions they’re all happy to be back on familiar shores. Not only that, but for a solid month they’ll be able to stay home, meaning catching up on some much needed rest and having maybe, just maybe, a few moments without being in each other's company. Beatrice loves her bandmates but Mary had been right, 24/7 together was not ideal. 

Flex, when all that's left is immaterial

And the price we paid is unbelievable

And I'm taking in as much as I can hold

Well, here are things you'll never know

Make me less, so I want more 

Bought a zip coat at the mall

Call me crazy, call me selfish

Say I'm neither

“What!” 

Would you believe her? ” Camila was next to her as the song progressed, excitedly singing along with her as the chorus began once again.

Mary and Lilith to their left, and Yasmine to their right. She was playing her acoustic guitar for the slightly toned down live performance, but still managing to hit the little dance moves Camila had come up with just a few hours before.

Gimme just a little bit more, little bit of excess

Oh, me, oh, my

I don't wanna hear "No, no"

Only want a "Yes, yes"

Oh, me, oh, my

Gimme just a little bit XS! XS!

Oh, me, oh, my

Gimme just a little bit more, little bit of excess

Oh, me, oh, my

Where did it go right?

When all this time, Heaven was in our eyes

So say good night, forget about it 'til the end of time

Yeah, I want more, more, more, more!

“Come on!”

More, more, more, more!

“One more time!”

More, more, more, more!

Gimme just a little bit

A little bit moooooooooreeeeeee!

Give me moooooooreeee!

Listen…I need it noooooooooooooooooow!

Give me just a little more

Don’t want to hear no, no, no!

Give me just a little more

A little bit more

A little bit mooooooooooore!

Oooouuuuuuooo XS!!!

“Today, we are chatting with one of our country’s crown jewels, who have paved their own way. And if they continue in the trajectory they’re on, they will trail blaze their way to the very top. We are going to meet with, learn about, love with and most importantly celebrate our recent ‘Artist of the Year’ Brits winners - The Cruciforms!” Jack Saunders announces them to the radio audience listening along. They’re all sitting crammed into the room, headsets and microphones in front of them. 

They all communicate their thanks at different volumes and inflections, whatever comes naturally at this point. Interviews like this are becoming the norm and being able to just sit back and know what is going to be asked has taken a load off Beatrice’s shoulders. The other members are also being more open and taking chances to engage. Camila was already doing that, but it has helped to at least get a grunt from Lilith every now and then and a word or two from Mary. Yasmine has been on top of things as well, but they usually need to intervene since her replies can be at times quite long and full of facts.

The questions flow quickly. Many of these they’ve answered several times already, the answers are the same, with just slight variations or recent inclusions. They speak about the performance of the album and how it has dominated the U.K. charts all Summer. How the ‘ STFU’ music video was shot. Was that really them at the Met Gala? It’s the next section of the interview that worries them.

“We have some questions from our listeners.” The host says, pulling the laptop close. “First up, What is your creative process like?”

Yasmine is the first to answer. “We enjoy writing a lot of it on the spot. Chatting to each other while coming up with structure or instrumentations is probably our favourite part of the whole process. We respect each other’s opinions and try to understand the perspective. It’s a very democratic process. Of course Beatrice is an incredible lyricist, but we all sign off on what is said in our songs, the messaging.” They all nod along. “We’re just very open, I think that’s the key takeaway, nothing is silly and everything is encouraged.”

“Even the maniacal laughing?”

“Especially the maniacal laughing!” Lilith replies, with a huge smile on her face.

“What is the most useless talent you all have?”

“Yasmine can beatbox and hum at the same time!” Camila yells quickly.

“Camila, how is that useless!?”

“Well, she only does it to be annoying and where’s the use in that?”

“Beatrice’s perfect pitch is pretty useless given that we have equipment that can do the same thing!”

“Lilith, you absolute brat!”

“Folks, it seems we have accidentally started a rift within the band, I think it’s best we move on!” The host chuckles as they continue to argue amongst themselves. “ ‘ XS ’ doesn’t sound like a typical song for The Cruciforms, was this an early song?”

Camila is bouncing on the spot before the question even finishes, “It’s my song! I wrote it!” She’s smiling brightly, proud of her contribution to the album. “We needed more catchy mainstream songs and I couldn’t get the word ‘opulence’ out of my head after watching Drag Race so I had to channel my excess energy into something. Beatrice’s voice and Lilith’s guitar completely elevate the song though, I couldn’t have wished for better collaborators.”

“This question is coming up a lot so I have to ask. The fans want to know. Why don’t The Cruciforms like performing ‘ Somebody Else ’?” There it is. He was told not to ask, but has figured out how to bring it up, because technically he’s not asking if everyone else is instead. 

Beatrice clears her throat and the eyes of everyone in the room fall upon her. “To be perfectly honest, while we are incredibly grateful for the song’s success and we’re glad so many relate to it… well, maybe not glad, but it’s not a song that brings up good memories for me. The less I perform it, the better it is for my sanity. And that’s coming directly from me, it’s not a prepared answer. We’ll perform it during sets and even in our upcoming tour, but if I can minimise my engagement with it then I will.”

Keeping her head bowed, Ava fiddles with her keys at the front gate, finally locating the right key and turning it in the lock before slipping inside. 

As the gate swings shut behind her, she quietly surveys the front courtyard with its neatly trimmed shrubbery, the flora withering as Autumn marches on. Letting herself in the front door, she heads for the kitchen, hunting for the packages of chicharrón always kept in stock for her before beginning to wander through the house in search of her aunt. 

She comes across Emilia seated in a lounge chair in the back garden, thumbing through a novel. Collapsing herself at the foot of Emilia’s lounge chair, she looks up to see Emilia arching a well manicured eyebrow at her. “Ava. What a pleasant surprise. You didn’t tell me you were coming home today.”

Busily cramming a fistful of chicharrón into her mouth, Ava hums a muted reply. 

They continue to sit in silence for a few minutes as Ava makes her way through the snack, until finally she finishes the package, balling up the bag and shoving it into her pocket. She cannot prolong the reason for her visit any further.

Staring at her aunt, Ava blurts out “I have something to discuss and I need you to hear me out first. But I want to know what you think I should do.”

Methodically putting a bookmark into her book, Emilia draws out the moment before teasing, “This must be serious. Usually you just come to pilfer snacks and laze about. When was the last time you asked for my opinion? Maybe when you were still trying to decide between bright pink or sparkly blue Doc Martens.” 

Ava huffs indignant, “Those were important decisions for a 14 year old Ava and you know it. I could have been on the verge of committing a fashion faux pas.”

“Mi vida, the very existence of them is a fashion faux pas.”

Gently, Emilia regards her, quietly waiting for her to speak. 

“I’m in love with Beatrice but I don’t trust her and I don’t know what to do about it.”

Ava nearly swallows her own tongue in horror. That was not what she had rehearsed or promised herself that she would say. She was supposed to be calm and methodical in unveiling the circumstances of Ava and Beatrice, Ava, Beatrice, Ava and Beatrice as a unit, to Emilia. 

Try as she might, Emilia cannot manage to quell the mirth that is rising out of her at the abject terror on Ava’s face after word vomiting that sentence. Chuckling between her words, Emilia says, “I’m so sorry cariño, I know I shouldn’t laugh but you really should see yourself in a mirror right now.”

Clearing her throat and placing a soothing hand on Ava’s forearm, Emilia starts again, “I had gathered that you and Beatrice have some mutually strong feelings towards one another. Well… at least, I had hoped for that kind of sentiment given some of what you expressed on the album, and decided to so vocally tell the world… things that I wish I didn’t know.” 

Ducking her head, ears aflame, Ava mutters an apology again. Not her first and not her last for having subjected Emilia and their extended family to some lyrics and imagery they’d sooner all live in blissful ignorance of.

“Why don’t you start from the beginning? Tell me what you want me to know. Keep it PG please. Or you’re paying for my therapy.”

Ava huffs out a laugh.

And so the sanitised version of Ava and Beatrice spills forth from her, from their first meeting, their Paris jaunt, the London tours, the Harrods dash all the way up to finding Beatrice on her doorstep. Touching upon but generally skating through the traumas shared and some of the harsher words that had spilled from both of their mouths. She also keeps some details, thoughts, discussions out of the conversation. Those, she keeps close to her heart, only for her and Beatrice. 

Throughout it all, Emilia has kept quiet. A steady presence by Ava’s side, even as she chokes up with emotion as she relives some of the harder moments, both the tender and the painful ones. Expressions have clouded Emilia’s face at times, mouth opening to voice a thought, a question but ultimately holding off and allowing Ava the space to divulge. 

Upon finishing the entire tale spanning the last year of her life, Ava sags with relief at having finally spoken to Emilia, a rush of catharsis at someone else knowing most of their story.

Emilia’s forehead is creased as she mulls over the details, eyes unfocused but looking out to the distance, busy contemplating Ava’s plight and initial statement. “How does she make you feel?” 

“She makes me crazy.” The simple truth springs forth from Ava’s lips. “She makes me crazy in all of the ways. I feel so happy with her, around her and for her, so proud of her achievements but she also infuriates me, she confounds me. Simultaneously, I deeply understand her, I know her at her very core but at the same time I feel like I don’t understand her at all. She’s like a puzzle that I feel like I’d willingly spend the rest of my life trying to piece together.”

The surge of complex feelings that Ava has grappled with over the past months and tried hard to suppress now bursts forth like a wave crashing ashore. 

“I’ve never felt like I wanted to give so much of myself to someone. To reveal things I never thought I’d ever voice out loud. To lay my soul bare for someone to look upon and have faith that she’ll take care of it.”

“I always feel a compulsion to be around her, to be in her orbit. When we’re together, she notices all the small things. Making sure I’m not cold, making sure that I am safe, that I don’t get hurt. She hurt her own hand to make sure that I didn’t slam my head against a car’s door frame. She’s forever doing tiny things to make me happy, small adjustments to herself or the surroundings to make me more comfortable and she doesn’t think I notice, but I do.”

Pausing to take a breath, so lost in her monologue, Ava looks up at Emilia and catches her brushing away a tear at the corner of her eye, throat bobbing up and down as she fights an inner sentiment.

When Emilia speaks, her voice is rough with contained emotions. “I’m not sure I can adequately express to you how happy and hopeful that hearing you say all this makes me feel. Being in this industry, I was never sure if that sort of love would be out of reach for you, that level of selflessness would be elusive. I wasn’t even sure if it was something you actually wanted.”

“I know. It’s not something I’ve actively looked for. She has completely caught me off guard.”

“I think you’ve answered your own question then. You know the answer.”

Ava vigorously shakes her head in response. “She makes me feel all these things but I don’t trust her. After all her actions, cutting me off without a word, leaving me, I don’t know that I can trust her again.”

Emilia sucks in a breath and expels it slowly, reaching out with a hand to brush Ava’s hair off her face, caressing her cheek with the pad of her thumb. “Then you have to decide if she’s worth it, mi vida. If all that she makes you feel, is worth letting her try to prove it to you. She can’t regain your trust if you don’t give her a chance to.” Emilia lightly pinches Ava’s cheek affectionately. “From the sounds of it, she’s making an effort to work on herself, attending therapy to be healthier, to show up for herself and for you. Only you can decide if you want to let her close, to prove it to you. And herself.”

Pulling back, Emilia looks cautiously at Ava before opening her mouth again, “Ava… I know today has been about us as aunt and niece, talking about this as us but… I would be remiss if I didn’t ask you as a manager whether you’re sure? Whether or not you are serious about Beatrice?”

At her words, Ava shoots her palm up mid air between them. “Stop. That’s not what I need from you today. No Emilia the manager today. We agreed. When we are at home, it’s just Emilia Silva and Ava Silva. Not manager and artist.”

With a rueful grin, Emilia acquiesces. “Ok, ok.”

Almost as if on cue, Ava’s stomach grumbles audibly.

With a startle, the both of them realise they have been talking so long that the afternoon sun has given way to dusk.

Emilia chucks Ava beneath her chin, “Come my little gordita, let’s see what we want to eat for dinner then.”

Yasmine and Beatrice can’t rein in their excitement as they enter The Natural History Museum. The lights are moodily lit to suit the evening’s charity dinner, shadows dappling the incredible displays around them. Left and right under each archway are immense specimens, bones from mammals and dinosaurs. Above, an intact and intricate skeleton of a blue whale, suspended as if swimming freely through the vast ornate ceiling. 

It was a last minute decision, one that they had all excitedly agreed to in spite of the exhaustion. Even Suzanne had informed them that this was optional, they could rest for the evening if they wanted to while she attended in their place, but it’s for a good cause and they want to be here for it. They were present to help raise money for children in the arts, a cause close to the band’s hearts. Suzanne and Levy walked ahead with the items they had decided to sign and donate for the auction later that evening. Camila’s Otamatone was the strangest one, but she was committed and there was no way of stopping her once she got an idea in her head. 

As they approach the table their label had bought, they pass by various industry giants and their entourages, there’s studio heads, representatives, and the odd press person covering the event. A small stage has been set up for later in the evening with a few orchestra members already sitting and prepping their instruments. 

The dinner is underway with wait staff already delivering the first course by the time they take their seats. Beatrice gathers the layers of her organza dress, careful not to crease it, and sits. Her hair, back to its natural colour, is falling loosely on her bare shoulders, holding a hand to her chest mindful of the semi plunging cut of the dress, as she scoots, adjusting herself on the chair. Lilith sits to her left and Camila takes her right. They don’t have much time to discuss what's happening, but Levy passes the message along that the first speaker has already opened the charity dinner, communicating the purpose of the event and the cause they were all gathered for.

She hears it then, a voice she can pinpoint anywhere. It’s Ava. She’s here. It takes a moment to locate her in the crowd of sitting figures. She’s seated a few tables away from them, totally absorbed in conversation with the people around her. She looks breathtaking. Eyes creasing in joy, happy as she gestures animatedly. She can make out a few of her companions as well, Chanel to Ava’s left and of course to her right, sits Alice. Emilia is present also. She recognises the others at the table as artists from the same label as Ava along with their assistants and managers.

She hadn’t expected Ava to be here. Hadn’t even thought to ask Suzanne. She had just assumed Ava would be in Spain prepping for her tour.

Their current situation hits her like a ton of bricks at once. She hasn’t heard from Ava at all since showing up in Madrid. The doubts that have plagued her in the quiet moments, when she hasn’t been busy enough to drown out the noise. Her constant compulsion to reach out but needing to respect Ava’s request. Fighting the unbearable need to be near Ava. She hadn’t been prepared to see Ava tonight. At this point she truly has no idea what Ava is thinking. The lack of communication has her fearing the worst in her weakest moments. A crippling fear she dare not dwell on. 

Thank God for her therapist

“Oh.” Camila says flatly, beside her, “Ava is here.” It’s not delivered with the usual excitement she has upon seeing Ava. Camila doesn’t get up to rush over to Ava as she normally would.

Lilith turns in the direction Camila is looking, eyes narrowing into a semi-angry squint before turning back to their table and locking eyes with her. Lilith does something so out of character that Beatrice needs to take a moment to actually acknowledge it. Lilith's hand comes to her own, holding it in a loose embrace before she says in the softest tone she’s ever heard out of Lilith’s mouth, “We can go if you want, I’ll come up with an excuse. Maybe we can force Camila to drink the bathroom soap.” Well, that ruined the sentiment immediately.

“Hey!”

“It’s okay, this is bound to happen, it won't be the first or the last time. Not if we’re both in this industry.” She’s telling them this, but it’s mainly for herself. She’s confirming what she already knows could potentially be their future if Ava rejects her and moves on. A shooting lance of panic and pain spears through Beatrice as she contemplates that future. Uncurling her fingers, Beatrice employs the use of her breathing techniques to center herself from catastrophising.  

When the wait staff circulate the room to remove their dessert plates, her eyes wander to Ava’s table again. She’s still chatting amicably, Zori having now taken Alice’s spot on the table. Beatrice’s eyes roam the expanse of the table settings around them, looking for Alice’s blonde head, but she hears the laughter before she spots her. It’s coming from across her. Alice’s eyes find hers, she gives her a small smile before returning to her conversation with Levy. If Alice knows they’re here then that must mean Ava also knows they’re here.

At that moment, Suzanne comes to her and lowers herself down, hovering by her right ear, “The event organisers would like for you to do a song with the orchestra.” Suzanne is speaking to Beatrice but the words don’t register in her mind because her eyes have met Ava’s. Ava having spotted Beatrice as she turned in her seat, giving Beatrice a little wave. Her heart jumps at the instinctual need to reciprocate it, so she does, earning a cute toothy smile. “Would you want to?” Suzanne is asking her a question and she’s trying to figure out what the beginning of their conversation was, but she can’t seem to focus on Suzanne so she nods in reply, eyes still looking at Ava. Ava’s dress has an angular cut out at the back, a plunging back line revealing the smooth expanse of Ava’s spine and shoulder blades . Suzanne turns to someone beside her then lowers herself back to Beatrice’s ear,“What song would you like to do?”

At that, she startles out of her thoughtful contemplation of Ava and her dress, she can’t have heard correctly. “I’m sorry what? What song—what?”

Suzanne’s eyes are piercing hers, like she’s running out of patience for Beatrice’s nonsense. “What song would you like the musical director to prepare for you?”

What did she just agree to? 

Beatrice stands, smoothing her hands down her dress, turning to face both Suzanne and the conductor who is regarding her, waiting for an answer. “Any genre you’re partial to?” She asks.

“Jazz.”

The night and charity event is well advanced by the time she’s set to take to the stage. The orchestra musicians are ready to begin her selection, they’re anticipating the conductor's cue to start. Beatrice stands in front of the microphone at the center, the single spotlight blocking out her view of the crowd in front of her, all still conversing and sipping drinks. The percussion and the strings begin the song and Beatrice focuses. She doesn’t usually sing in this registry, other than for herself, hopefully her emotions and legatos are enough to distract if there are a few runs when going down to the low timbre. 

(*)

It's not the pale moon that excites me

That thrills and delights me, oh no

It's just the nearness of you

It isn't your sweet conversation

That brings this sensation, oh no

It's just the nearness of you

Ava’s enthralled. 

On stage, Beatrice is highlighted by a single spotlight, her eyes closed and face focused as she croons into the microphone, the beautiful timbre of her voice casting a spell over the audience.

Lowly, to her right, she can hear Chanel murmuring to Zori, “Wow! This is unexpected. She’s quite talented, the richness of her voice is amazing.” Zori whispers an agreement.

Ava can’t help the pride and warmth blossoming in her chest. Proud that others get to experience Beatrice’s talent, to hear her sing jazz, witness her artistry. She’s sure the industry greats in the room are all pricking up their ears at the performance.

Her smile abruptly vanishes at Chanel’s next words. “Fuck…she’s also as hot as she is talented.”

Ava feels the small hairs on the back of her neck bristle, trying to fight back a snarl that’s threatening to creep across her face. A vein is throbbing in her neck. Alice must sense some disturbance in the force because she swings around to look at Ava. 

“Look at the neckline on that dress and those arms. I wouldn’t say no to that… Zori, what’s actually on auction today? Do you know? Is a date with her on offer?”

At that, Ava loses the last vestiges of her control, swinging wildly towards Chanel and barking out a loud “NO! She’s not!”

Emilia immediately looks over at her from across the table, frowning at her and mouthing at her, “ Cállate.

Alice is quietly shushing her and placing a calming hand on her arm. She hadn’t even noticed that she had balled up her fist in fury. 

Chanel is looking suitably cowed by her anger, “Okay, okay she’s not,” before turning back towards Zori, muttering a barely audible “What’s her problem? Jeez...”

She needs to remove herself from this situation . Shoving her seat back, Ava stands up.

Alice grabs ahold of her forearm, forehead wrinkled in consternation, “Ava, what are you doing? Where are you going?”

Pulling her arm from Alice’s hold, she waves her off as she begins to walk away from the table. 

She’s fighting the frustration and jealousy curling its way through the pit of her stomach.

When you're in my arms

And I feel you so close to me

All my wildest dreams come true

I need no soft lights to enchant me

If you'll only grant me the right

To hold you ever so tight

And to feel in the night

The nearness of you

When she finally opens her eyes at the end of the song, there’s a moment of collective silence before the room bursts into applause. She hears a piercing whistle echo throughout the vast space, Mary. She bows, holding a hand to the front of her dress as she does so. 

The spotlight shining down had completely blocked her view of Ava at her table. As the orchestra had drawn the first notes, the music swelling and she had opened her mouth to sing, she had closed her eyes, focusing on thoughts of Ava and Ava alone. Pretending that they were alone in a room together and that she was singing this to Ava. 

Directly conveying the depth of her feelings, her hopes for them, to Ava. Taking them forward from the events chronicled in the journal to … she has to know .

So lost in her thoughts, in her musings of a possible future, she startles at the appearance of Ava beside her as she walks off stage. 

Ava falling into step beside her.

“Beatrice! That was a beautiful performance.” Ava’s smile, while genuine, looks a little too wide and agitated. 

“Have you read the journal?” Beatrice blurts out. Stupid . She hadn’t even greeted her or thanked her . But she couldn’t help herself. She had to know. It was the only thought engulfing her very being.

Ava looks taken aback at the abruptness of the question, fumbling to answer, “Uh, yes. I have. I’m so sorry, I didn’t know that I would see you today otherwise I would’ve brought the journal with me.”

Why would Ava need to bring the journal? 

A tendril of dread begins to creep up.

“Why would you bring the journal with you? It’s for you.”

Ava has turned to her now, stopped in her tracks. She stops too. Ava reaches a hand out to lightly tap Beatrice’s forearm, voice light, “Beatrice, it’s important to you. It’s your journal, with your thoughts and lyrics. You might need it…” Ava’s voice trails off. 

Beatrice is narrowing her eyes as Ava talks… why is her tone so light? It sounds forced. Almost as if… no. Why does she keep trying to return the journal? Is - is Ava…?

Forcing down her mounting anxiety, Beatrice tries again, bursting out with, “What did you think about the poem?” at the same time Ava continues, almost paying Beatrice no heed as she muses, “I suppose I could have it shipped to–”

Their voices overlap midair.

Both hesitate, taking a moment to actually hear and process the other’s words.

Again their voices overlap, “What poem?” “What do you mean have it shipped to me!?” Beatrice’s voice escalates in sharpness and volume as she enunciates every word in the sentence. She’s virtually yelling at Ava by the end.

Fuck

Her chest is expanding and contracting at an alarming rate, her heart is hammering and she can feel the rushing of all the noise of the room filling her ears.

This is why Ava came up to her. This is why she looked so strange. Wide smile but agitated. She’s trying to do it nicely. This is happening. Here and now. In public. Ava’s about to tell her she’s made her choice. And it’s not Beatrice.

She’s walking away from Beatrice. For good.

Beatrice is tasting that sour taste in her mouth, she feels sick to her stomach. It’s all she can do not to hunch over as her emotional pain manifests physically. 

She’s trying not to cause a scene, hyperventilating under the pressure. Unbidden, her father’s disapproving eyes and voice floats through her head, “ Don’t cause a scene dear. It’s not proper.

Ava is talking to her.  Ava’s saying something. “Beatrice, what poem? I’m not sure what you mean.”

Anger and panic is coating Beatrice’s words “What do you mean what poem? You read the journal! Are you?! Are you saying…?” 

She’s not supposed to yell. It’s not proper. Don’t show your emotions dear.  

Beatrice is unable to formulate her words, panic surging through her entire body, pain gripping at her heart.

I’ve got to get out of here . I need to leave

Spinning around, Beatrice makes a beeline for her table, away from Ava. She’s walking as fast as she can in these heels, fast but not too fast. Don’t cause a scene

Arriving back at the table, Lilith and Camila are startled at the speed of her arrival and her obvious agitation. “What’s wrong?” They say in tandem, eyes going somewhere behind her.

Beatrice is grabbing her clutch and her phone, frantically muttering “I have to go, I have to leave. Tell Suzanne for me. I’m sorry. I have to get out of here.” 

Without waiting for an answer, she’s storming towards the exit of the hall, fleeing as fast as she can, the dress allowing her to move freely. 

Fuck it . Who cares if people notice, she just needs to make it out of eyesight before she breaks

She’s vaguely aware that Ava had followed her to her table.

Her chest is heaving with exertion, from what she doesn’t know. The exertion of sprinting out of the function or the exertion of keeping the tears at bay or the bawl that’s clawing its way out of her. 

Not until she’s out of sight .

She makes a deal with herself. She just needs to hold off until she’s on the sidewalk then she can let the pain and sorrow of Ava walking away, of it being over, of having fucked up take over. She just has to get there.

She’s made it down the steps outside the museum, front foot on the sidewalk. She’s made it. Now she can fall apart. 

That’s when she hears it. Hears Ava bellow out “BEATRICE. STOP!” She stops. Ava, indifferent to who hears and how much attention it alerts. Ava is tumbling down next to her, out of breath from racing to catch up to her. Seizing her by the shoulders and forcing her to meet her eyes, giving her a small shake. “What poem Beatrice? Tell me. What poem?”

When Beatrice opens her mouth, a strangled whine comes out. Shutting her mouth, she pauses and tries again. “The poem. I slipped the page into the front of the journal. You should’ve seen it when you opened it.”

She’s confused. Had Ava not read the poem? Or maybe it didn’t have the impact she had hoped for. 

She’s not quite sure what to think. What to make of Ava chasing her down the steps. Is Ava angry that she had once again tried to flee?

At her reply, there’s a dawn of comprehension spreading across Ava’s face. Ava’s face smoothing into understanding. “I didn’t read the poem Beatrice. When I opened the journal, everything burst open. It must have been a page that fell out and I didn’t see it.”

Ava’s hands are clutching tighter on her shoulders now. Almost as if she’s afraid Beatrice will run again. “Tell me.” Ava’s eyes are looking into hers imploringly.

Beatrice begins to recite the poem she had penned. It’s not perfect. As she starts, she stutters her way through the first line, barely gulping enough air into her lungs, “ Every night I empty my heart, but by morning it's full again. Slow droplets of you seep in through the night's soft caress .” Her voice wavers and cracks as a result of her emotional state. “ At dawn, I overflow with thoughts of us, an aching pleasure that gives me no respite. ” Slowly, as she gets towards the middle of the prose, her voice gathers strength and clarity. “ Love cannot be contained, the neat packaging of desire splits asunder, spilling crimson through my days. Long, languishing days that are now bruised tender with yearning, spent searching for a fingerprint, a scent, a breath you left behind.

She finishes. 

Looking down at Ava, Ava looking back at her. 

Without a word, Ava slips her hands from her shoulders. She almost gasps at the loss, unsteady and unsure.

Instead, Ava reaches forward, entwining their fingers, grasping her by the hand and begins pulling her along the sidewalk, away from the museum. 

As Ava navigates the streets, it’s clear she’s searching for the nearest Tube station.

All in silence.

They make their way through the station scanning their phones through the gates. A spectacle in evening wear. Ava keeps eyeing her but Ava refuses to talk. She’s not certain that she’s supposed to talk either. She’s not sure what Ava intends.

Ava leads her onto a train, off a train, switching to another train. All the while keeping her hand tightly clasped in hers as they stand upright in a corner of the train carriage. 

It’s not until she recognises the Tube line she’s on and the direction that they’re headed in that she realises. They’re heading towards her flat. 

Ava leans close to her ear and whispers, “I love you.”

Notes:

The poem in the end is by Shamim Sarif. It does not get the attention it deserves. It lives rent free in my brain. Please watch her movies, they're breathtaking, especially I Can't Think Straight, where the poem is from.

In the end we get Ava's 'I love you'. Uninhibited. Finally.

Chapter 12: Tú, Coleccionista de Canciones

Notes:

Here is the playlist and mood board.

(See the end of the chapter for more notes.)

Chapter Text

(*)

Tú, coleccionista de canciones

(You, song collector)

Dame razones para vivir

(Give me reasons to live)

Tú, la dueña de mis sueños

(You, owner of my dreams)

Quédate en ellos y hazme sentir

(Stay in them and make me feel)

Y así en tu misterio poder descubrir el sentimiento eterno

(And in your mystery let me discover my feelings eternally)

The street leading to Beatrice’s flat is silent apart from the echoes of their heels against the pavement. They walk side by side, hands intertwined, thumbs periodically stroking up and down. Not a word has been spoken between them aside from the exchange of ‘I love you’s’ in the train carriage. 

The moon is large and luminous above them, a chill in the air as the coolness of the Autumn night begins to take hold. The street lights are few and spaced out, casting deep shadows of inky black where the light doesn’t reach. Their strides are sure and steady belying the anticipation that is burgeoning between them as they get closer and closer to Beatrice’s flat. Ava turns her head to catch the elegant side profile of Beatrice, the moon and streetlight casting her with an ethereal glow, heady thoughts forming faster than she can process them. Beatrice swings the gate open with a squeak of the hinges, holding it open for Ava to enter. She catches a glimpse of Beatrice’s eyes raking down her figure as she passes by. 

In sync, the two hasten their pace as they walk through the garden towards the front door of the maisonette. As they approach, Beatrice is fumbling through her clutch to locate her keys, peering down with the aid of the moonlight at the keys to locate the right one.

The anticipation is palpable.  

Beatrice’s hand is jittery, the keys jumping in her hold as she struggles to fit the key into the lock. With a jingle, the keys slip from Beatrice’s grasp to the ground.

An audible sigh escapes from both of them.

Tú con la luna en la cabeza

(You with the moon in your head)

El lugar en donde empieza

(The place where it starts)

El motivo y la ilusión de mi existir

(The reason and the illusion of my existence)

Tan solo tú

(Only you)

Ava leans down to scoop up the keys.

Hearing Beatrice swallow audibly behind her, she inserts the key into the lock and swings the door open. They both crowd into the stairway, Beatrice turning to lock the door behind them. Silently, with nothing but the thumping of her heartbeat to accompany them, they begin to climb the stairs towards Beatrice’s flat. Dimly, Ava registers that Beatrice has added a few new picture frames to line the walls.

Reaching the door atop the stairs, Beatrice reaches forward to swing it open, ushering Ava in with a warm palm on her waist. 

Stepping into the flat, Ava takes in the familiar furnishings, slats of moonlight streaming in through the unshuttered windows. Everything exactly as she remembers it. Beatrice shifts past her to deposit the keys and her clutch with their phones into the bowl by the front door. 

Solamente quiero que seas tú

(I only want it to be you)

Mi locura, mi tranquilidad y mi delirio

(My insanity, my tranquility, and my delirium)

Mi compás y mi camino

(My compass and my path)

With a rustle of her dress, Beatrice is sinking to her knees, reaching for Ava and gently pulling her towards her. Beatrice is looking up at her, eyes hooded and dark. 

Time stills. 

Solo tú

(Only you)

Solamente quiero que seas tú

(I only want it to be you)

Pongo en tus manos mi destino, porque vivo para estar, siempre, siempre, contigo, amor

(I put my destiny in your hands, because I live to stay eternally, eternally, with you, my love)

Beatrice’s left hand comes to the top of Ava’s exposed thigh. Her palm is warm and a bit clammy, but it glides downward, caressing the expanse of the leg down, past the calf, finishing at the buckle of Ava’s heel strap. As she unbuckles the heel, Beatrice places a kiss on her inner thigh, and Ava’s stomach swoops with how unexpected the move is. Beatrice gently pulls off the heel, slowly lowering Ava’s foot to the floor. Reaching over she repeats the motion for the other heel. With the task complete, Beatrice looks up at Ava, affection clear through her gaze. Internally, Ava swoons

Beatrice stands quickly, kicking off her own heels towards the shoe shelf.

They’re staring at each other now. Waiting. Neither making the first move. Both feeling the air change around them. Beatrice is breathing raggedly, Ava can see it with just how fast her chest is rising and falling, and if she could see herself in a mirror she’d probably see herself in the same state.

Tú coleccionista de canciones

(You, song collector)

Mil emociones son para tí

(A thousand emotions are for you)

Tú lo que soñé en mi vida entera

(You, everything I've ever dreamt of)

Quédate en ella y hazme sentir

(Stay in my life and make me feel)

Y así ir transformando la magia de tí en un respiró del alma

(And I'll transform the magic within you into my breath)

“I’d like to take your dress off you now.” Beatrice says desperately, eyes caught somewhere around her chest.

“I would really like it if you did.”

From the moment the words leave her lips and after all the silence, the composition finally begins—two melodies once kept apart now weaving into a perfect harmony, as if the Universe had finally lifted the mute button on their love.

Beatrice surges forward, hand wrapping itself behind Ava’s neck, an action that is both assertive and tender. Their lips stop a fraction before meeting, both curving into smiles, expressions of unadulterated happiness at the moment. 

They crash into each other. A muffled sigh at the contact works its way out from Ava’s mouth. 

Finally

The warmth of Beatrice’s plush lips giving way beneath hers. Beatrice digs her hand into the chignon, scraping her nails into her scalp, other hand at the waist. Ava takes the chance to wind her arms around Beatrice’s neck, drawing their bodies even closer together. A gasp escapes both of them at the sensation of their bodies coming together. 

Bedroom. They need to get to the bedroom. 

She drives the both of them towards the small hallway, guiding them along the length of the living room, as Beatrice’s mouth begins to roam down the length of her chest with wet open mouth kisses, teeth scraping down along the flesh. Tingles erupt across her body as Beatrice continues her relentless exploration of the sensitive skin. Ava’s hand runs downward, in search of the zipper of Beatrice’s dress, tugging it all the way down quickly, hand splayed across the small of Beatrice’s back. 

“Ow!” Beatrice exclaims, body knocking into the right wall just before the hallway. 

“Sorry! I can’t see.” In the darkness Ava brings her right hand to Beatrice’s cheek, a little lost on the way, not knowing where she’s touching at first. She strokes the cheek when she finds it. A wet warmth envelops her thumb, the sensation shooting straight downward adding to the tension already welling deep in her stomach. Beatrice licks and sucks, knowing full well what she’s doing to Ava.

Beatrice gently shoves Ava back, extending her hand for Ava to take, walking them backwards towards the bedroom. As they pass the door frame, Ava sinks her teeth into Beatrice’s bottom lip, not so gently nipping and pulling at it. Both hands coming up to Beatrice’s shoulder, pushing the dress straps down. Pulling her head back from Beatrice’s lips, Ava begins to pepper kisses along Beatrice’s cheek, jawline, down her neck and the valley of her breasts. Pausing to lick the flat of her tongue against the slightly salty skin she finds there, Beatrice heaves a pant above her. 

Ava smiles against Beatrice’s skin, lips feeling the raised skin there as they lazily move in the only direction on her mind. She pulls Beatrice closer by the waist, turning her head to suckle a pebbled nipple into her mouth, while her other hand reaches up to cup the other breast, its weight resting snugly in her hand. Ava swirls her tongue around, drawing the breast further into her mouth, laving it. Beatrice groans loudly, reaching down to clutch at the back of Ava’s neck, pulling her closer. Ava pulls her lips back with a pop, teasingly nibbling at Beatrice’s nipple before turning her attention to the other. Beatrice’s groans become frenzied, yanking Ava upwards by the back of her neck, stopping her ministrations. Roughly tugging Ava’s mouth back to hers, Beatrice shoves her tongue into Ava’s mouth, licking deeply with a purpose.

Beatrice’s hands are roaming with single minded intention now, trying to locate the zipper at the base of her back. She huffs by Ava’s ear angrily in frustration. It tugs at her heart just how dorky and sexy Beatrice can be all at once. She doesn’t have time to let the thought linger because Beatrice aggressively spins her around in an attempt to pull the zipper down a few times, even jostling it to loosen it, but she can’t seem to. With another sigh she leans her head into Ava’s shoulder blade, puffs of air tickling the skin there.

“Rip it off.” Ava exhales, voice gravelly and after a few seconds she feels Beatrice nod in response. 

Beatrice’s hands gather by the zipper and Ava feels her tendons flex with the fierce tug. Her dress splits at the seams. A strangled gasp comes from her mouth at the action. Beatrice’s hands smooth up the length of Ava’s back without hesitation, like the wanton desperation has finally caught up with her. She slides her fingertips underneath the shoulders of the dress before pushing it down Ava’s arms who hurriedly tugs her arms out of the dress and steps out of it, the dress pooling to the floor. Beatrice kicks it aside. 

Turning back towards Beatrice, her eyes are intense in their gaze but there’s no time to figure out what emotion is going through her head. Surging forward, Ava bunches up the organza material of Beatrice’s dress in one smooth movement, raising it up and over her head and onto the floor.

Reaching out, Beatrice grabs Ava’s ass and hauls her towards her while lifting her upwards. As Ava’s legs wrap around Beatrice’s waist, Ava’s hands go to her chignon twist, pulling out the bobby pins and letting her hair spill down her back. It’s all happening so quickly that she will need to revisit the fact that Beatrice can carry her weight, and she knows, she knows Beatrice can, but this is different, this is Ryan Gosling in The Notebook levels of holy shit she can carry my weight during sex.

Supporting Ava, with an arm wrapped around her waist and the other cupping a butt cheek, Beatrice walks them to the bed, falling down with Ava on the bottom. 

Panting, Beatrice hooks Ava’s leg around her waist, trailing her hand down to rest at the material of Ava’s thong. Pausing, and looking at Ava, Beatrice croaks out, “May I?”

Ava nods furiously, choking out a “Please.”

Beatrice sits back on her knees to ease the garment off Ava, throwing it behind her. Beatrice’s eyes drink her in, hair fanning out, flushed chest rising rapidly with the speed of her breaths. Beatrice is exploring, hands gently roaming along the expanse of Ava’s body, leaving a trail of goosebumps and the need to be touched there again, and again. The kisses start at her navel and slowly make their way upwards, all causing short inhales and exhales. Both of Beatrice’s hands come to her breasts then, kneading them for a few seconds before a mouth replaces a hand, sending fresh new signals to spread through her body, all culminating somewhere deep down in her gut. Beatrice is gentle as she spreads her attention between both breasts, lips eventually moving upwards, up her chest, collar, and finding the perfect spot on her neck to bite. And it feels amazing, but Ava can tell Beatrice is being gentle, too gentle with her. “You can do it harder.”

Beatrice stops, flushed warm cheek nuzzling against her own, “I–I don’t want to leave a mark.”

She wraps her arms around Beatrice, fingers and nails scratching up and down the expanse of her back, her mouth trails along Beatrice’s jaw, making its way towards her ear. “I want you to,” Ava murmurs. And it’s all the permission Beatrice needs to go back to the spot, sucking and biting hard until her skin feels numb under Beatrice’s lips. 

Beatrice’s left hand comes to rest by the side of her head as lips find hers once again. Incessant with their need to tug deeper, faster. Ava’s hands have slipped inside Beatrice’s underwear, each cupping a butt cheek, tugging Beatrice closer. She feels a hand begin to slip downward, determined, like nothing is going to stop her. This is it. Ava opens her legs as best she can in anticipation, Beatrice’s legs straddling one of hers for support. The hand passes her stomach causing it to quiver and quake, brain a puddle. Hips jerk up automatically as Beatrice’s hand runs smoothly down, a finger lightly touching the flesh she finds there. 

It’s tentative at first. Exploring. Teasing. Enough to drive Ava a little insane with the need for the touch to be stronger, more repetitive. One of her arms drapes around Beatrice’s neck pulling her down for a series of kisses which she hopes translates into how desperately she needs Beatrice’s fingers to stop fucking around.

“Darling,” Beatrice coos, pulling back from their kiss unbearably softly, nose nuzzling down Ava's neck to her pulse point. And honestly the revelation of the pet name alone is enough to push her over the edge at this point.

Ava forgets for a moment to answer, what comes out is a strange sort of noise along with a, “Mmm?”

“Do you want me to?” Beatrice asks, and Ava has no idea what she means and doesn’t really care at this point. So she nods repeatedly bringing Beatrice’s lips back to hers, both bruised by this point and extra plump. Beatrice too nods into the kiss, the finger that was once teasing is now very much strongly holding the spot hostage, circling around the clit so vigorously that Ava has to stop kissing. Has to stop everything and focus on those small rapid circles. 

She feels Beatrice smile into the kiss as her hand slips away from Ava’s clit, Ava letting out a strangled whine at the loss that abruptly turns into a gasped babble as Beatrice strokes through her before entering her with two fingers. Beatrice thrusts gently before picking up speed and curling her fingers to hit that perfect spot inside her, palm pressing over her clit. Her left hand tangles itself into Beatrice’s locks while the right has a bruising hold on Beatrice’s bicep. And Beatrice must know it’s coming because the lips leave hers, she can’t physically open her eyes anymore, but she can feel Beatrice staring. Can feel the puffs of air on her lips as both their breaths intermingle, struggling to intake oxygen. She pulls Beatrice down by her hair where she fits herself in the crook of Ava’s neck, letting out a long strangled moan by Beatrice’s ear a few seconds later.

The orgasm washes over Ava. Chest contracting so quickly that she can barely get a breath in. Beatrice holds perfectly still, allowing her to finish, Ava’s body jerking in place for several long seconds as Beatrice’s fingers stay buried inside, palm keeping the pressure but not moving. When she can feel her hands again she finds that they’ve dug into Beatrice’s back, fingers clutching at her muscles for dear life. Ava soothes her hand along the expanse of Beatrice’s toned back for a few seconds as they both catch their breath.

Moments later, Beatrice props herself up on one elbow, draped across Ava’s body and peers down at her. Blowing out a deep breath, Ava pushes Beatrice’s sweaty hair off her forehead, stroking her hand down her cheek and cradling it. Beatrice turns her head and kisses the inside of her wrist, closing her eyes and leaning into Ava’s hand. They linger for a few minutes, Ava tracing her thumb across Beatrice’s eyebrows, down the patrician slope of her nose, across the apple of her cheek and smoothing across the bow of her lips. 

Now trailing her hand down Beatrice’s back, Ava’s hand grips the all too available butt cheek, squeezing hard. “Take it off,” She commands, shoving the material of Beatrice’s underwear down as far she’s able to with her hand. 

Beatrice nods wordlessly, using her leg to ease it off completely then drops her entire naked body onto Ava’s. They both gasp at the sensation of every contact point pressed warmly against each other. Ava can feel the slick heat of Beatrice’s center pressed against her. Tensing her stomach muscles, Ava gathers herself before sitting up in one fluid motion, clutching Beatrice tightly against her and encouraging her to straddle her legs. 

Upon settling into position, Ava comes to the delightful realisation that her mouth is perfectly aligned with Beatrice’s breasts. Nosing at a nipple, Ava sticks out her tongue and licks it while looking up at Beatrice. Beatrice moans and tips her head back, exposing the long line of her throat. And everything is screaming at her to go for the throat, because it’ll be a religious experience to finally taste the skin there, to leave her mark, but she can only focus on one thing at a time and she has two very promising options in front of her already. All in good time. Ava sucks the nipple into her mouth and molds her hands around Beatrice’s butt cheeks, pulling her as close as possible. 

Her hair along with her head is tugged back abruptly, lips immediately consumed by Beatrice’s eager ones as her right hand begins to graze further and further down in between Beatrice’s legs. She’s dripping wet when Ava confidently enters her, the other hand firmly grips and kneads at Beatrice’s butt encouraging her to ride her hand. Fingers thread through Ava’s hair, alternating between stroking and pulling hard as they kiss. As the pace increases, Beatrice wraps her arms around Ava’s neck and Beatrice must be close because there’s tiny little whines by Ava’s ear every time she moves her finger away from a certain spot, but she won’t tease too much though, that can be for another day. 

Beatrice's grip around her shoulders becomes so strong that catching her breath is becoming laborious. Beatrice cries out loudly as she comes, shuddering, tucking her head down into Ava’s shoulder, still clutching her tightly in a vice grip and falling heavily into Ava. Ava gives herself a mental fist pump at eliciting such a delicious and loud noise. Ava loops her arms around her sweaty body, going with the motion as they fall back onto the bed.

It takes longer than expected but when Beatrice finally relaxes her grip she gets a chance to breathe and Ava’s brain adjusts to what has just happened. There’s a ringing in her ear and slight concern goes to Beatrice when she doesn’t feel her breathing on top of her. “What was that? Are you alright?” Ava asks between shallow breaths.

Beatrice’s stomach trembles as a strange, high pitched kind of giggle escapes her. “I have no idea. I’ve never done that before.” 

Beatrice is breathing now, it hardly counts as breathing, but it’s enough that Ava can focus on everything else other than Beatrice’s immediate safety. There’s really only one thought in her head and she can’t stop it from slipping out, not that she wants to, not anymore that is. “I love you.”

Beatrice’s breathing stills again. She lifts herself slightly with the help of her hands, “Did you just post coitus ‘I love you’ me?” Beatrice says laughingly, looking into Ava’s eyes. The kiss that lands on her lips is feather-soft but filled with so much adoration, “I love you,” Beatrice states before going back for seconds and thirds, drawing out several giggles after each one. 

“I wished for you with one of my grapes.”

She sees realisation spread across Beatrice’s features. Ducking her head shyly, Beatrice whispers “I wished for you with my grape.” They stare happily at each other for a long moment. 

Unexpectedly, a devilish smile dances across Beatrice’s face. Leaning into Ava’s ear, Beatrice hums lowly, “ Mmm, hentai ,” as she begins to shift herself downwards. 

Her hand shooting out to grab at her, she arrests Beatrice’s movement. “Please. Nope! No you won’t, no you won’t right now because if you do that, I will die.”  

“Oh. Okay. Of course.” Beatrice starts to shift back up, gazing at her adoringly. As she passes by Ava’s heart, she presses a gentle kiss to it, “Sana, sana, colita de rana. Si no sanas hoy, sanarás mañana.” The ñ sound is not quite there but Ava feels like her heart is about to burst out of her chest. Beatrice’s palm is resting on top of it, face contorting into several emotions, she doesn’t say anything though, she just reaches for Ava’s hand, bringing it close to her own heart instead. Beatrice’s heart is keeping in tandem with her own, it’s erratic and frenzied and before the moment passes she’s hauling Beatrice up to kiss her soundly, but it’s momentarily broken by Beatrice as she mumbles, “I will be better,” against her lips. 

Eventually, Beatrice burrows her head into the warmth of her chest, Ava bringing her arms up to loosely cradle her. It’s not long before Beatrice breaks the peace that has engulfed them, “How long are you in London for? Do you have any schedules while you are here?” 

“I leave the day after tomorrow but I don’t have anything planned while I’m here. Alice is headed home to visit her family… what about you?”

Beatrice lifts her head to look at Ava, “I have a meeting in the afternoon to discuss the concert logistics but it shouldn’t take too long. We’re in London for a while as we finalise the details of the tour.”

Hesitantly, Ava asks “Do you want to give me your schedule?” 

Instantly, Beatrice is nodding in reply. 

Clambering off the bed, Beatrice manages to swing a leg down before Ava grasps her around her wrist, “What are you doing?”

“I’m going to go grab our phones so I can give you my schedule.” 

“Baby. We can do that in the morning. I’ll send you my updated schedule then too.” Beatrice’s head has jerked towards her in response, a crescent eyed smile spreading its way across her face, cheeks pinkening.

“Say that again, please.”

“Baby. Come back here please.” Ava pats at her chest, huffing out an ‘ooft’ as Beatrice burrows back down.

“Will you stay?”

“Yes.”

“Thank you.” Beatrice’s back is erupting into goosebumps as Ava’s hands lazily dance around, mapping out several spots that cause any kind of reaction. There’s a big uptake of air before Beatrice’s voice vibrates against her chest, “Darling, while I can’t overstate how much I want to fall asleep next to you and wake up next to you, I’d very much like to taste you now if you’ll let me?” Beatrice’s voice lilts upwards at the end in question, seeking consent. She eagerly nods in reply, Beatrice barely feeling the motion before she’s on the move.

Kneeling between Ava’s open legs, Beatrice gently lifts each leg to hook over her shoulders before dropping downwards to position herself. Beatrice’s eyes meet hers, hovering right above where she needs her the most, Beatrice’s eyebrows dancing in response to her gaze and in her sheer glee.

“Ready?”

Without waiting for a response, Beatrice licks deeply into Ava’s folds. A moan rips its way out of Ava’s throat, her hips canting upwards involuntarily. Beatrice quickly grabs at a hipbone, applying an insistent pressure to keep her pressed into the mattress.

The sounds turn lewd fast as Beatrice laps at her, alternately sucking and licking at her clit. Ava’s hands can’t seem to rest, flitting between grabbing and yanking at Beatrice’s hair, palming at her own breasts, and slamming to the side to grasp at the bedsheets. As Beatrice continues her ministrations, Ava is all but sobbing out her cries, begging and babbling at Beatrice like she’s a deity, “Please, Please, oh, Beatrice, oh—” Beatrice also moaning out her response to Ava’s exclamations.

Abruptly, Beatrice seems to slow and gentle in her licks, teasingly nipping at Ava’s flesh. Her hands blindly search upwards, finding and cradling Ava’s breasts, thumbing and pulling at her nipples. Ava can feel the burn in her gut begin to slow in its growth but not lessen. She’s filled with irrational anger. Beatrice is teasing her

Extending her hands downwards, Ava forcefully grabs at Beatrice’s hair, firmly tugging hard. “Don’t fucking tease,” Her voice is harsh in its demand and scratchy from her utterances. Aggravatingly, she feels a smile spread across Beatrice’s mouth before she resumes the previous vigour, sucking hard at Ava’s clit.

Finally, Ava can’t take it anymore, body pulling as taut as a string, hips straining into the air beneath Beatrice’s mouth, Ava comes with a strangled yell. 

Body heaving like she’s just run a marathon, she bodily grabs Beatrice by the shoulders and hauls her upwards, depositing her on the mattress beside her. Even in her muddled state, she can’t help but admire the sheer magnificence of Beatrice’s nude body beside her, breasts moving as she too draws in her breaths, toned abdominal muscles covered in a glistening film of sweat from her exertions. Beatrice runs the back of her hands along the sides of her mouth, sending several spasms down to her already overworked libido.

She feels a sudden wave of exhaustion take over her. Beatrice has truly wrung every last drop from her body.

Rolling over onto her side and staring at her profile, Beatrice must also come to the same realisation. Tenderly, she reaches out her hand, brushing the back of her index finger down Ava’s face. “You can sleep, my love. We have time.”

Ava’s eyes begin to flutter shut in response. 

Suddenly, Beatrice shoots upwards, leaning over Ava and blindly grabbing at something.

Beatrice brandishes a piece of tissue paper before her heavy eyes, “Contacts. Take out your contacts first. Then you can sleep.” Ava blearily nods, hands lifting up automatically in its nightly routine of taking out her contacts and depositing them into Beatrice’s waiting hand. 

Beatrice does the same before leaning over Ava again and lobbing the tissue at the small bin.

Plopping back down, Beatrice pulls Ava into her arms, tugging at the duvet that has bunched close to the wall and covering them with it. With one last content sigh Ava tucks her face into the crook of Beatrice’s neck and together, they fall asleep.

Groggily Beatrice registers that Ava is wiggling about in her hold, an insistent palm gently easing her onto her back. Ava is shuffling around under the duvet. Cold air creeping inside their warmth. Her eyes shoot open in the dark, the fogginess of sleep instantly erased when she feels Ava lick at the skin by her belly button.

It’s still dark outside.

Ava’s resting her jaw by her pubic bone now. Waiting. Not patiently though. Ava’s hands are drumming by her sides, encouragingly. 

“Hi,” Beatrice croaks out, lifting the duvet to look down, voice rough from sleep and their prior activities. Activities that Ava now seems to want to continue.

“Hi,” Ava breathes out, pressing a kiss into her skin crease. “I’m sorry for falling asleep earlier but now I’d like to make up for lost time.” Ava jiggles her shoulders up and down excitedly.

A bell-like laugh springs forth from her mouth, ringing out into the dark of the night. London is asleep and here Ava is, wide awake, alert, and joyously doing a small dance. 

She didn’t think it was possible to fall further but of course Ava is proving her wrong .

Then the warmth of Ava’s mouth meets her and her mind becomes incapable of anything other than base thoughts.

Solo tú

(Only you)

Solamente quiero que seas tú

(I only want it to be you)

Pongo en tus manos mi destino, porque vivo para estar, siempre, siempre, contigo, amor

(I put my destiny in your hands, because I live to stay eternally, eternally, with you, my love)

Ava can sense Beatrice’s gaze even before she opens her eyes, she’s so close that she can feel Beatrice’s even breaths fanning across her face as she exhales, their legs entangled.

“Good morning, darling.”

Even with her face pressed against the mattress, an uncontrollable grin spreads at Beatrice’s words.

Beatrice is stroking along her back, fingertips caressing each ridge of her spinal column, and along the slope of her shoulders.

“Good morning, baby.” A squeal escapes out of her unbidden, startling the both of them. She feels the mattress begin to vibrate beneath the force of the two of them giggling. “You seem to have a fascination with my back. I’ve noticed you looking several times.”

Beatrice has scooted even closer now, nose burying into the side of Ava’s face and inhaling at her hair there before responding. “I’m just obsessed with you. All of you. You’re beautiful.”

Arms now loop around her, pulling her pliable body onto Beatrice’s own. She goes all too willingly. 

Hands languidly brush up and down skin, stroking and mapping, as they trade kisses and nuzzles, welcoming the late morning sunshine streaming through the window, wrapped up in the blissful cocoon of finally being together.

Sometime later, their bodies’ natural urges make themselves known. The beast will not be denied further . With one final kiss, Ava eases her body off Beatrice and allows her to get up from the bed. Standing up into a stretch of sunlight, Beatrice stretches, fully nude. She looks like a goddess. Donatello and Michelangelo themselves couldn’t do this sight justice. Countless sonnets and songs have been dedicated to trying to capture sights like this. 

(*)

I had a dream, or was it real?

We crossed the line and it was on

We crossed the line, it was on this time

Walking over to her closet, Beatrice pulls out a t-shirt and slips it on. Internally, Ava pouts a bit . Turning towards her, Beatrice is proffering a shirt to her and must see acceptance in her countenance because she drapes the folded shirt on the bed for her, quickly kissing her, before leaving the room. At least, Beatrice hasn’t put on underwear or shorts yet, her cute little pert butt bouncing along with Beatrice’s jaunty steps towards the bathroom and then the kitchen.

I've been denying how I feel, you've been denying what you want

You want from me, talk to me, baby

I want some satisfaction, take me to the stars

Just like ah-ah-ah, ah-ah-ah

Ava is left alone to bask on the bed. She slips the shirt on before stretching out her arms above her head arching her back experimentally. A few muscle aches and twinges make themselves known deliciously. A byproduct of the night before. 

A wide smile curves its way across her face. She can feel it welling up inside of her. The urge to maniacally laugh and shout the news from the nearest rooftop. There’s clattering coming from the kitchen, and something that sounds like humming or very soft singing. She bounces to her feet, shoving the duvet aside and standing up on the mattress in one move. She begins to jump up and down on the bed, chuckling and letting out small squeals of unbridled happiness as she continues to bounce.

I wanna cut through the clouds, break the ceiling

I wanna dance on the roof, you and me alone

I wanna cut to the feeling, oh yeah

I wanna cut to the feeling, oh yeah

I wanna play where you play with the angels

I wanna wake up with you all in tangles, oh

I wanna cut to the feeling, oh yeah

I wanna cut to the feeling, oh yeah

“Ava! Oh my God, be careful!” Beatrice has rushed back in, spatula in her hand, anxiety creasing her features. “The bookshelf Ava! Be careful please, I just got you back, I can’t lose you to book assassinations.”

Cancel your reservations, no more hesitations this is on

Can't make it stop, give me all you got

Bounding forward, Ava bounces off the bed towards Beatrice, Beatrice catching her mid-flight, spatula falling from her grasp. Laughing wildly, they fall forward onto the bed again. 

I want it all or nothing, no more in between, now give your

Everything to me, let's get real, baby

Guffaws slowly subside into chortles. Beatrice is eyeing her, love shining through. She seems like she’s thinking about voicing something. “Will you be my girlfriend?” Beatrice looks nervous, teeth gnawing on her bottom lip as she waits for an answer. 

Nodding furiously, Ava is blurting out a “Yes, yes. I’d love to be. Alice has been saying we are and we’re just fooling—anyways. Yes. YES!”

A chemical reaction, take me in your arms

And make me (hey) ah-ah-ah, ah-ah-ah

The breath gets pushed out of her in the tightness of Beatrice’s hug. Finally

Beatrice’s head pops up out of her spot by Ava’s cheek, sniffing the air. Scrambling, she untangles herself from their intertwined bodies. “I’ve got to get back to breakfast, I think something’s about to burn.” Pressing a kiss to Ava’s cheek, she reaches down and playfully smacks at Ava’s bare butt cheek. Bending down to scoop up the fallen spatula, she hurries out of the bedroom again.

Take me to emotion, I want to go all the way

Show me devotion and take me all the way

Take me to emotion, I want to go all the way

Show me devotion and take me all the way

Take me, take me, take me all the way, ah-ah-ah

When she arrives for their meeting the band members are all at different locations in the expanse that is their rented sound stage. A massive space housing what will be their concert stage, which is at various degrees of being built. There’s a half finished spiral staircase on the left, walls and windows to look like the inside of a home, and on the right a protruding triangular roof and front door. 

Camila waves at her arrival, an action she returns, the smile already there extending to Camila. It’s impossible not to smile. She’s smiling so much that the taxi driver asked her how long her vacation was for. And honestly, forever, forever sounds great.

Camila is next to her in seconds, keeping pace, “Bea! Are you sure everything is alright?” 

The meeting is about to start and she can see the other members heading in their direction.

“Everything is perfect,” She replies easily because it is. 

Camila lifts an eyebrow though, eyeing her suspiciously. “Remember, I’m here for you if you want to share.”

“I know, Cam.”

They arrive at a table, it stretches long and houses a lot of their team members already. Suzanne and Levy are at one end surrounded by their lawyer, publicist, marketing team, booking agent, tour manager, production crew, sound/lighting leads, the hair/makeup team and their stylist, leaving only five chairs left at their end.

Camila puts the massive concert score on top of the table, and it thuds loudly catching everyone's attention but Suzanne’s. It carries within every notation for every instrument they’ll use during the concert, it has time signatures, it has music cues, it has lyrics, it has ad libs, it has prepared speeches, it has everything. She wants to scoff because she’s called pedantic and thorough but here’s Camila with a goddamn manifesto-esque monster.

“Does that have our bathroom breaks written somewhere?” She asks, jokingly.

Camila considers the question only for a second before turning seriously towards her, “It’s on page 76. You go after ‘ Stuck ’.” Beatrice blinks a couple of times, taken aback by the fact that Camila has planned their bathroom activity. “I’ll email you a copy tonight.”

She should have known better.

They sit and Camila begins to edit a few things from their previous rehearsal session, madly scribbling with a pencil along the edges of the page. And by some miracle tomorrow the same page will be replaced by a clean beautiful print out with all the new changes. 

Mary and Lilith wave hello before sitting, leaving only Yasmine to take the last seat next to her.

Suzanne stands, drawing everyone’s attention to her. “Alright everyone, thanks for coming. As we all know our first date will be here in London so let’s start with an overview…”

Most of the meeting is spent reiterating things that are already concrete and approved. With Suzanne doing the fine balancing act of keeping all the teams from getting on each other's nerves. Levy has a three ring binder in front of him all colour coded and organised for the different aspects of the concert. Lighting, music, wardrobe, hair, makeup, even their dietary requirements.

They discuss the many venues they will be playing, the booking agent updating everyone on the progress of applications for every permit they need. The production crew go through stage lighting, sound checks, set designs…the list is endless. Even the merchandising manager comes in for a quick update mid-meeting. 

Beatrice’s phone on top of the table lights up catching her attention as the tour manager talks about the logistics of city hopping and the movement of the set and equipment once the concert starts in Europe. 

It’s Ava.

[Hi.]

Then several seconds later.

[Oh my God. WTF. Beatrice my—]

[It’s—]

[I can’t even type out a message.]

Ava has unblocked her. Which means…

[How many—]

[Did you seeeeeeend?]

[!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!]

Beatrice bites the bottom of her lip to keep from laughing. Ava is being bombarded by text messages. 

One every day since the Met Gala.

[Okay, I think it’s over.]

[My phone actually stuttered for a few good minutes.]

[Hi!]

[Hi!]

[Hello!]

[Hiiiiiiiii!]

[I love you.]

[I love you.]

[I miss you.]

[I miss you. Come home to me.]

[Soon.] 

[I’m counting down the minutes.] 

[What are you up to?]

[Finding your deepest darkest secrets.]

[No! Not my Teletubbies costume!]

[Kinky. I can be into that.]

[Maybe you can put it on]

[-winky face-]

“Beatrice.” Yasmine is sliding a music sheet across to her. “Can you have a look at this later? I want you to approve the last edit for the beginning of ‘ Dynasty ’ like we said.”

Camila lifts her head at that, reaching to snatch at the sheet. “All final approvals go through me, I have the concert book, I do the approvals!” She leans forward to quickly grab the music sheet before Camila can take it. As she does, a wince crosses her face as a muscle twinges with pain. 

Lilith snickers.

“Aren’t you too busy with our bathroom breaks?” Yasmine bites back, she means nothing by it though, just teasing Camila.

“I’ll have you know that bathroom breaks are important. You better not miss your cue after ‘ Phantom ’.”

“Ladies,” Suzanne projects her voice from across the table, “I’ll need a list of potential openers. We need to start contacting their management.”

They all nod. There’s a list already. They just need to all be in agreement.

[Can we get dinner from the Indian place I like?]

[Do you want butter chicken again?]

[Yes, please!]

“Are there any concerns?” Levy is speaking now, eyes searching through the table, “Anything we need to address today?”

The wardrobe lead holds out her hand to get his attention. “We need to do a few fittings for Beatrice. The sooner the better. Preferably today. We need to start replying to the designers.”

Eyes go to her.

“I apologise, but not today. I have plans that I cannot set aside.”

“It wouldn’t take too long, just a couple of outfits.”

“I’m happy to reschedule for tomorrow.”

“Right. Of course that’s fine too.”

Cam is narrowing her eyes at her, a curious tilt to her head. 

Once the meeting concludes, the others are all sitting on the stage as they need to go through the names of potential openers. And Beatrice knows this is important. A decision like this can help an upcoming artist or band immensely, but it’s taking longer than expected. She has to suppress the impatience and frustration welling up inside of her lest it leak into her tone. Lilith and Mary have an idea of what they want and they’re not letting up.

She begins to lower herself gingerly to sit cross legged on the stage, her muscles are now screaming at her, on fire. 

“I just think we should be more alternative.” Lilith states for the hundredth time.

Camila is shaking her head, an annoyed sort of sigh escaping. “You’re aware we do pop/rock right, that’s not exactly alternative.”

Yasmine nods and adds, “Also, we’re on the top 100 charts, there’s a certain expectation. Our fans are not going to sit through sludge metal, Lilith.”

“Fine. Whatever. It seems like you guys have made a decision anyways so what’s the point?”

Beatrice puts her initials next to a name on their list. “Mary.”

“Mmm?”

“I like your choice for the psychedelic soul one, for the Munich show.”

“What! How does that get the okay?” Lilith says petulantly, arms already crossed.

“It’s Germany! They have amazing taste in music.” Yasmine grabs the page, adding her initials next to a few names.

“I’m going home!”

Camila is falling forward trying to grab at the page. “Do you guys want to have an early dinner?” She asks, head down going through the list of names.

No.

Mary snatches the page from her. “Camila, it’s 4:37pm how early do you want dinner to be?”

“I just figured we would hang out!”

They all spring up. The pure horror of being wrapped up in whatever plans Camila has dreamt up.

“Oh, absolutely not!”

“You’re trippin’. I’m not spending more time with you than I need to.”

“I’m leaving.”

“Me too!”

“Bea?!”

“Bye, Camila!” The roadrunner has nothing on her. Meep meep .

(*)

Love, I do

Love, I do

Ooh-ooh-ooh

I blame it on your love

Love

Beatrice stops dead in her tracks as the sound of a harp being plucked resonates down the street. Then, a discordant autotuned voice joins twittering bird noises. Charli XCX. She squints at the windows of her flat as she breaks into a jog in the direction of the racket. Internally, Beatrice groans, knowing the culprit behind this noise. I’m going to get a noise complaint

Every time you get too close, I run, I run away

And every time you say the words, I don't know what to say

Back, back to the beginnin', really wish that I could change

I do, I do, I do

As Beatrice unlocks the door and heads up the stairwell, the low synths begin to rattle the walls. She can feel the vibrations deep in her chest. Is this what I’ve signed up for? 

I blame it on your love every time I fuck it up

I blame it on your love, I do

I blame it on your love, I can't help it, I can't stop

I blame it on your love, I do

Beatrice rushes up the flight of stairs, flinging open her door in her eagerness and pure panic. Upon walking through the doorway she is met with an excited Ava bounding towards her. She closes the door behind her, “Hi, I’m h—” Her words are cut off in her mouth as Ava reaches her, tugging her forcefully into a rough and spine tingling kiss.

Sorry, I'm a little scared

But no one ever really cared

I took you for granted

Just a big misunderstandin'

I just wanna spend the night

Fuckin' in your bed tonight

Watch a little TV

I love it when you need me

Ava backs her up hard into the closed door, Beatrice jolting forward at the contact. She feels Ava fumbling at the clasp of her pants, struggling to undo the button. Once the button is undone, Ava rips her mouth off Beatrice’s and leans up to whisper hotly in her ear, “I’m going to fuck you now.” 

Beatrice nods so hard she slams the back of her head into the door.

Ava’s hand snakes inside Beatrice’s pants, bypassing her underwear before slipping her fingers into the waiting heat. Beatrice jerks in place, biting back a moan at the feeling of Ava filling her. 

Ava’s lips find hers again, impatiently tugging and pulling, bruising the already tender skin there. Beatrice’s arms loop around Ava’s neck, doing away with the messy low bun. 

Sorry I blame it on your love, yeah

(I blame it on your love every time I fuck it up)

Sorry I blame it on your love, yeah

(I blame it on your love, I do)

I'm gonna blame it on your love, yeah

(I blame it on your love, I can't help it, I can't stop)

Sorry I blame it on your love, yeah, I do

(I blame it on your love, I do)

Beatrice cannot believe that she’s about to have sex to this mess of a song, but admittedly it is adding to the overall experience. And honestly, what’s a little noise complaint. 

She can’t help the way her hands travel down Ava’s body, bunching the T-shirt’s fabric as she seeks skin. Skin to trace, skin to scratch, skin to hold. It’s not surprising that Ava hasn’t managed to find underwear while she’s been away, and she can’t find it in herself to care as her hands scoop a butt cheek each, pulling Ava closer. 

Ava’s fingers are moving quickly, running through and over, already knowledgeable to the spot that makes her truly squirm. And this isn’t fair because Ava is matching her pace along with the song and by this point the build up is so strong and her body is jerking strangely in the position they’re in. And it’s coming.

“Mmmm….mmmm,” Beatrice begins to moan into their kiss and Ava breaks it, no doubt wanting to hear every possible sound she makes. Ava’s hot mouth comes to her neck, sucking at the skin there waiting. Waiting. A few seconds later when the circles do away with the last bit of her composure, Beatrice groans long and lowly into Ava’s ear before the orgasm takes over her entire body. 

Beatrice feels her knees buckling as she starts slipping down the door.

“No. No. No.” Ava props her back up with her arm, She nods dumbly in agreement. After ensuring Beatrice can remain propped upright, Ava sinks to her knees, pulls her pants down in one swift motion, kissing below Beatrice’s hipbone before sliding her underwear down. Beatrice can feel her muscles contract and quiver as each kiss lands. Ava continues her ravishments as small sighs escape her. The first suck is enough for Beatrice to grab the back of Ava’s hair, pushing her head closer, the second causes her to tug, and the third causes an involuntary thwack of her other hand against the door.  

Beatrice is pretty sure her brain has turned to goo because she can’t think long enough to form a thought that isn’t about how hot Ava’s tongue is against her or how fervent every lap is. She’s trying to draw it out and that’s frustrating everything inside Beatrice. Hands have nowhere to be but in Ava’s hair, urging her, but Ava is relentless in her teasing and her body is squirming. The yearning for release overwhelms her all at once as Ava repeatedly flickers her tongue at her clit for several seconds and then with one final suck she’s pushed over the edge, body spasming, another offensive noise escaping her throat without inhibition. 

Ava doesn’t stop though, she keeps going. The hands that were once holding to her hips have now slid behind to her ass gripping hard enough that if Beatrice checks later she may find marks there. Beatrice is mewling, pulsing, and Ava is unrelenting. She can’t breathe. The ringing in her ear is all-consuming from the lack of oxygen entering her body and brain. She doesn’t even realise she’s finished again until Ava pulls away to admire her from below. 

Ava licks at the sweat beaded on the crease by Beatrice’s groin, humming happily as she wipes around her mouth then licks it off her hand. Sitting back onto her thighs proudly.

Shakily, Beatrice finally slides bonelessly to the floor, gasping for breath, Ava grinning in success and delight. 

As their eyes meet Ava bends forward to unlace Beatrice’s shoes, setting them to one side and pulling her pants and underwear off her all in one go. A hand begins to run along her thigh. “Mercy. Please.” Beatrice says slightly strangled, still catching her breath. 

Ava crawls her way up to her open arms, nuzzling against her cheek. “I missed you.” She excitedly wiggles herself under Beatrice’s chin as they lay on the floor by the entryway.

Ava pulls the shirt over her head, her hand gripping Beatrice’s own as she slowly puts one leg inside the bathtub and then the other. The water is the perfect temperature, the bubbles are bubbling and the door is shut to keep the warmth in.

They’re both sticky with sweat and smell like sex.

Ava is cheekily shimmying towards her in the water. She can see the little glint in her eyes. “Nope! No. You stay. Stay on your side. Hands off. Hands off!” Under the water Ava is making her way up her thighs. 

“Awww come on!”

“Ava, I literally can’t feel anything down there. We have to rest.” 

“Fine.” Ava’s bottom lip purses petulantly but she obediently stays across from her, legs slotting in between her own. 

The bubbles are attaching themselves to the bottom of Ava’s curly locks. It’s hard to look away from her and the way her perfect eyebrows arch, how bruised her lips are—something in her own face must betray her because a hand is crawling up her thigh again. “You’re being very cute right now and I am fighting every urge not to kiss you so please just stay still for like five minutes or long enough for us to at least wash our hair.” 

Ava’s hand reaches out to interlace their fingers. “Alright, alright! Tell me how the meeting went.”

“Good. Mainly just listening to people’s updates and confirming things. Cam scheduled our toilet breaks… and I have to look through a few openers.”

Ava nods solemnly in response. “Scheduled pee breaks are very important, Bea. You need to get the timing down pat, you don’t want to be missing your cue.” Ava grins widely at her, cheeks flushed from the heat of the water. “But isn’t it exciting? Discovering new artists. You get to hear new music and hope that it may end up being their break. I think it’s my favourite part of touring, other than interacting with the fans.” A twinkle enters Ava’s eye and a sense of apprehension tingles along her spine as she awaits whatever cheeky comment is about to spill forth. Ava continues, “After all Bea, maybe if you had taken up the offer of being my opener, we could have been doing this years ago.” 

Oh, she went there.  

Beatrice leans in closer and speaks huskily, “Could have been doing what? Taking a bath together in post-coital bliss?” A shiver visibly trembles through Ava’s form, her throat working to swallow. Oops. She might have gone a little too far in dropping her voice into that timbre as Ava is now shifting forward again, pupils dark. Throwing an arm out, she prevents Ava from advancing. “No, no. Stop! I’m sorry, I shouldn’t have done that. Later, please?” Thankfully Ava settles back again onto her side of the bathtub, eyes still dark and silently regarding her. A distraction is needed . “Do you wanna do it together? Go through the openers on our shortlist? 

Ava nods in reply. “That could be fun.”

“Um. Ava. Earlier at the meeting, when I saw the band…” She nervously chews at her lip as she contemplates how to continue, “I didn’t say anything. Not because I want to hide this! Us. From them,” hurriedly blurting out that part whilst wringing her hands in case Ava misunderstands. “It’s just so new and right now it’s us in our own little world and I just selfishly wanted to keep us there for a little longer. Although I don’t think I’m doing a very good job at not revealing anything. The taxi driver kept asking why I was so happy. He thought I was on vacation here because I couldn’t stop grinning. And then Cam kept looking at me strangely. And yes. Okay. I’ll stop word vomiting at you now.” She shakily inhales a long breath.

A smile is tugging at the upturn of Ava’s lips as she regards her following her monologue. “It’s okay. I understand, I also want to keep this just between us for a little…but um. About that. I already told Alice.” Ava is sheepishly smiling now. “I texted her back this morning and reported that I was indeed alive and not dead in a ditch. And asked her to get my stuff from the hotel before checking out tomorrow. She also needs to collect me before heading to the airport. I’m so sorry.”

Oh

“That’s fine. Alice is Alice. She would’ve figured it out right away with her spidey senses anyways.” Beatrice ventures forward, “Since we are talking about this topic, I also know that we need to let Suzanne and Emilia know. But I also want to make sure I tell the band before I tell Suzanne. And possibly Levy, though I’m sure he and Alice are in cahoots.” She begins to fidget again. “And Ava? I don’t know if Emilia said anything to you but I saw her. That night of the Gala. I was knocking at your suite and she answered the door. I didn’t know how much she knew, if anything. I tried to be careful about what I said but I think she maybe sort of knows. I didn’t mean to overstep if I did.”

“It’s okay. Emilia did tell me about you showing up that night, thank you. You didn’t overstep. I ended up speaking to her and telling her a lot about us when I was trying to figure everything out. Whether or not I wanted to give us another chance. She actually seems to like you.”

“Really!? Because she sort of scares me. Although there were times that she seemed like she was laughing at me. But she’s so intimidating.”

Ava sighs. “She probably was poking fun at you. She’s actually quite a prankster.” Ava pauses for so long a moment that Beatrice doesn’t think she will say anything more on the topic.

“But, she can come across like that. Particularly when she’s putting on her Emilia the manager persona. It’s the only way we’ve managed to make this work. Emilia... is complicated. I don’t think she ever envisioned that she’d have to step up from being the fun aunt at 26 years old to take care of a 7 year old kid. She just had it thrust upon her and she’s done it the best way that she knows how. It’s been a lot of trial and error. We’ve learnt that we need to completely split apart our personal selves and our work selves so that she can continue to manage me. And I haven’t exactly made her job easy. So she worries and rages as an aunt and a manager. That’s why she can come across really abrasive at times.”

Beatrice clenches her fists. She knows she needs to bring it up but she’s apprehensive. Inhaling deeply, she expels it before looking at Ava dead on. “Darling. When we were apart, there were all these headlines and articles. I know that what we see in the media isn’t always true but…but I also know you like to drink a bit. And party a little. Are you okay? Was it exaggerated or should we be talking to someone? Is there anything I can do?”

Ava stills. It’s clear from her face that her natural inclination is to run from this topic of conversation but she seems to gather herself before answering. “It’s sort of true. I definitely had days where I drank too much and partied, people saw and the news seized upon it with sensationalist headlines. But I’ve tried to be better. I haven’t neglected my work, I’ve shown up. The tour dates weren’t delayed because of me, we had some logistics to sort out but social media pretended it was. Emilia and Alice have kept a close eye on me. I know it’s one of my weaknesses. A crutch. I don’t like to think about things that upset me, it just…. it helps. I’m doing my best not to fall back on bad habits. I know it worries you and I will be more conscious. For me. And for you. For everyone.” 

Now it’s Beatrice’s turn to loosen a sigh. “I’m very relieved to hear that. I just want you to be safe and healthy. Unfortunately it’s probably all too common in our industry and it’s easy to fall into it but you can’t let it be your coping mechanism Ava. If something triggers you or if something is wrong, know that I’m here for you. You can talk to me. I promise I will do all I can to help.”

The frown on Ava’s face clears and she reaches out to hold Beatrice’s forearm. “This is also a two way street. We know this isn’t going to be easy. You need to talk to me. You need to communicate anything and everything. I need to know. I want to know if anything is bothering you or if you’re thinking about something. Not just me either. But Cam and the band. You have to let us in. You can’t just continue to bottle everything up. It’s not healthy. I am very grateful you have taken the step of starting therapy though. It’s obviously helping. And in your writing too. Phantom is amazing.”

She nods because it’s the truth. A truth she can no longer ignore. “We should probably talk about us as well… I’ve got a tour coming up and so do you. We can’t ignore the fact that we don’t have a lot of spare time on the horizon for the next year or so of our lives. And we’re just about to begin. What are your expectations for me? For us?” She feels it coming again, the need to word vomit her thoughts. They’ve been circling in her mind since the morning, left unattended for too long. If she’s honest with herself, this has been on her mind since the Winter storm. “Do we just compare our schedules and work out all the times that we can see each other? Do we fly back and forth? I’m still in London for most of this month and the next. How long are you in Madrid for?”

She can tell she’s overwhelming Ava because her eyes are downcast, focused on a spot in the water. She’s fidgeting with the water spout. “Yes, but I can try to shift things around as well. If something’s not urgent, I can ask Alice to see what can be moved.” Ava’s voice is hitching as she speaks, a wobble working its way out.

Beatrice reaches forward for the hand on the spout, firmly clutching the hand into her grasp and tugging Ava towards her into a backhug. Resting her chin atop Ava’s shoulder, she soothes the top of Ava’s hand, rubbing circles into the skin. 

“I’m sorry, that was a lot. I shouldn’t have overloaded you with that. Ava, thank you for offering but I don’t want you to do that. That’s not fair to you and everyone else. Let’s just have a look at where we can find some time. After all, everyone but us seems to think we’ve already been dating and we figured it out then. We can talk and text every chance we get and just try our best to play it by ear. I know I can’t wait that long to see you again.” Beatrice presses a kiss into the skin of Ava’s shoulder. She speaks with emphasis now, projecting the words with a confidence that hopefully quells Ava’s nerves. “We will figure it out. I have faith in this. In us. I want you.” She concludes with a firm squeeze to Ava’s middle.

By now the bathwater has cooled significantly and they still haven’t even washed up. Pulling at the stopper Beatrice waits for some of the water to drain before filling it again with hot water. Grabbing the bottle to squirt some shampoo into her hand, she gathers Ava’s hair up to begin to lather it with the shampoo, working her fingers in to scratch at her scalp. Ava releases a puff of air in contentment. “Lean forward a bit please.” Ava complies, Beatrice keeps massaging at Ava’s forehead and down by her neck, peppering it with kisses. 

Once Ava’s hair has been shampooed thoroughly and rinsed, Ava turns to shampoo Beatrice’s hair too, pressing kisses into the freckles on Beatrice’s face. 

“Come on. We can’t get dinner if you shrivel up like a raisin,” She says in the hopes that Ava, who has laid comfortably against her again will stand so they can begin to dry up.

Ava turns to face her, a pitiful little pout beginning to form. “We didn’t even do anything naughty. How could we forgo such an opportunity?”

“I’ll let you grope me once.”

“Hell yeah!” Ava expresses before reaching over with both her hands, squeezing both boobs unsuspectingly.

Beatrice huffs. Of course . She’s standing before dinner can be delayed any further. A crisp smack reverberates through the bathroom as Ava’s hand makes contact with one of her buttocks. “Ava!”

“I couldn’t resist!”

She’s out of the tub now holding a towel up for Ava, who has stood but isn’t facing her. “Turn around.”

(*)

Every now and then I get a little bit lonely, and you’re never coming around.

“Oh my God! Turn around!”

Every now and then I get a little bit tired of listening to the sound of my tears!

Beatrice rolls her eyes.

Turn around, bright eyes!

Every now and then I fall apart!

Turn around, bright eyes!

Every now and then I fall apart!

AND I NEED YOU NOW TONIGHT! AND I NEED YOU MORE THAN EVER!

AND IF YOU ONLY HOLD ME TIGHT! WE’LL BE HOLDING ON FOREVER!

I don't know what to do and I'm always in the dark! We're living in a powder keg an— ” The kiss stops Ava instantly and it’s enough of a distraction to towel her down. It doesn’t last long though because Ava breaks free and grips her hand, tugging them both into the bedroom. “ I REALLY NEED YOU TONIGHT!

Notes:

Ya filthy animals.

Chapter 13: I Just Called to Say I Love You, I Just Called to Say How Much I Care

Notes:

I was planning to take a break, but I guess that's just impossible.

Here is the playlist and mood board.

(See the end of the chapter for more notes.)

Chapter Text

“Hoodies…check! Coats…check! Beautiful girlfriend…check!” Beatrice looks up from the floor where she’s lacing her shoes, bestowing her with heart eyes in response and she’s helpless against the urge to lean down and kiss her just because she can. That’s something she can do now. After several lingering pecks Ava returns to the task at hand, wiggling her toes about in her new thick woolen, pumpkin coloured socks that Beatrice had presented her with shyly. “Shoes…I need shoes.”

She needs to get Beatrice a bench, a small one where she can sit and put her shoes on. 

“Just wear my gumboots.” Beatrice grabs the boots off the wooden shelf, depositing them by the door before standing and holding out a hand for Ava to balance with as she slips them on. 

The boots are a little large on her but it will do. Dinner is only a few streets away anyway. “I feel like a marshmallow,” She says, twirling a little in place, already swimming in the grey hoodie and the coat just adding on to the overall layers. 

Beatrice does a quick glance over her person before adjusting the coat a little more snuggly. “A very cute marshmallow.” Says the person looking incredible in form fitting clothing, and complementary black and brown. 

“Alright! Butter chicken here we go!” She grabs Beatrice’s hand, pushing through the front door, down the stairs and out into the cool Autumn night.

Beatrice locks up behind them. “Do you remember the way?”

“Do I remember the way?! How rude of you. How dare you insinuate such things?” She pretends to huff as she takes several steps down the footpath, “I’ll have you know that I–”

It takes a few seconds but Beatrice laughs before tugging her in the other direction. “This way.”

“Right! Right! That way.” She holds Beatrice’s hand firmly in her own, thumbing at the warm wrist, and begins to lead the way again. 

The walk to the mum and pop Indian restaurant isn’t long, She’s excitedly pointing out the display windows of familiar stores as they pass. In a moment of quiet, Ava notices that Beatrice is looking down at their clasped hands pensively.

“Bea?”

“Hmm?”

“Is something wrong?”

“No. Nothing’s wrong… I just…um…wanted to check with you…what you are comfortable with?” Ava furrows her eyebrows. Beatrice clarifies, “Now that we are dating… what are you comfortable with us doing in public, as in signs of affection? Or rather, what do you not mind other people witnessing or if any paparazzi catch us? Don’t get me wrong, I love holding your hand and walking with you like this. But now, we’re actually together together, not just gal pals.” Beatrice’s face breaks into a grin, trying to introduce a moment of levity to the situation. 

Ava barks out a laugh in response, “And they were roommates…” Ava squishes Beatrice’s hand in between her hold while looking down at her careful footsteps in the gumboots, “We’ve been photographed before and it’s been fine. I don’t think we need to overthink it. I’m okay with us like this, right now.”

“Yes, but Ava, we’ve now starred in a music video together. As love interests. And people know we are friends. You get noticed by people. I’m hardly ever recognised but people see you and they react. It’s different. Especially now since there’s truth to it all if there is any speculation.”

Ava can see the restaurant sign up ahead of them now, she quickens her footsteps. “Bea, I think we can just play it by ear. Noone’s going to pay attention to us holding hands, it’s fine. We can talk to Suzanne and Emilia about any rules we should follow if you’re concerned.”

Inaudibly blowing out a deep breath, she reaches out to swing the door open, ushering Beatrice inside the warmth of the restaurant and effectively putting an end to the topic. Beatrice seemingly hesitates before she walks past Ava, a slight drop to her shoulders as she enters. 

Thankfully it’s late enough that the restaurant is a bit emptier when they arrive. They take their usual seats at the back, slinging their coats on the back of the chairs, and Beatrice heads up to the counter with the menu to put in their order. When she returns she sits next to Ava, both facing the kitchen, their backs to the shop window.

“Did you get samosas?”

“Yes.”

“And extra naan?”

“Yes, darling.”

Beatrice’s shoulder is the perfect height right now. She needs to actively restrain herself from leaning in and curling her arms around Beatrice’s waist to pull her in for a snuggle in full view of everyone in the restaurant so instead, she busies herself with organising their silverware and napkins.

“You know earlier you said I could bring up things that bother me or things I’m thinking about.” Beatrice is pouring water from the pitcher into their cups. 

“Mmhmm,” Ava murmurs, turning to catch Beatrice’s eye. 

“I don’t…I don’t want you to misunderstand, and I also don’t know how to bring this up without sounding like a twit, but when you dropped the album and the teaser was released I was with the band. They had already watched and then they watched with me. Mary and Lilith, they couldn’t even look at me. They literally looked at the ceiling the entire time. And then after Camila showed me I couldn’t look at any of them. They knew. I told them that night, but they already knew before that… except Cam. The others had already figured it out at different times. I guess what I’m trying to say is that I was unprepared to be in a room of people having seen you being–” Beatrice moves her hand erratically above Ava, “being so arousing.” Beatrice has now turned a very interesting shade of pink. “And at the festival, it was confronting to be in a crowd of people who were probably thinking the exact same thoughts I was. God, I sound like an absolute ass. I’m so sorry. Please ignore me, clearly the issue is with me.” Beatrice’s voice peters off at the end, shame colouring her tone. 

She wants so desperately to tease Beatrice because this ramble is just so Beatrice, and it's unbelievably endearing. She is aware that some of her most recent creative choices have been risqué, deliberately so. “Thou shalt not covet, Beatrice.” A confused expression crosses Beatrice’s features, eyes going back and forth between her own like she can’t make out if Ava is trying to be silly. She decides to spare her though, reaching out to place her hand atop Beatrice’s, giving it a quick squeeze. 

“It’s okay to bring this stuff up with me, I want you to. My family is the same. It’s kind of an unspoken rule. If I do something a little scandalous they prefer to be warned first or for me not to show them anything. It’s easier for them though they can just ignore it, but not you. You’re in the industry, you can’t avoid it and I recognise that.” Beatrice nods but keeps quiet. “A warning beforehand then?”

“Yes, that’s all I ask. I would never stop you from doing the things you love. I’m sure you have your reasons for your creative process. It’s more of a preparedness and state of mind thing. If I know what to expect then I can keep a straight face or maybe not blush to the point of being compared to a tomato.”

“Like now?”

“Yes, like now.” The freckles are doing that thing she loves, when they have the perfect backdrop of pink behind them. She has to curl her fingers inwards to suppress the urge to trace them.

Their food arrives, momentarily distracting them from the conversation. They dig in right away, the hunger catching up with them. 

She dips her naan into the curry, emitting a delighted squeal the moment her taste buds catch up to the delicious buttery taste. “What kind of perverted thoughts have you been having? Any fantasies you want to make happen?” She nudges Beatrice carefully with her shoulder. 

“We cannot have this conversation here, that’s dangerous.” Beatrice’s eyes won’t meet hers, solely focused on the food in front of her.  

“You mean you’re avoiding the topic completely, you don’t want to have the conversation at all. Come on, you can share…you’ve seen me naked. You know me biblically now. Surely you can tell me you find me hot.” Ava cannot contain the glee from spilling forth as she needles Beatrice.

“Ava! Shhh, someone might overhear.”

“So you don’t find me hot?”

“You know that objectively speaking you’re ridiculously attractive!”

“Am I?”

“Of course you are.” Beatrice’s shoe nudges at her gumboot underneath the table, looping it around hers. “And I literally can’t stop thinking about you.”

“Right back at ya.”

“Should we look through our schedules?”

“Do we have to? I don’t want to be reminded that I have to leave. I just want to sit and have dinner with you.”

“We have to if you want to see me again.”

“Oh, I definitely want to see you again…preferably without clothes on.”

“Who’s the pervert now?”

“I never said I wasn’t a pervert. In fact, when it comes to you I’m plenty perverted…you should have heard some of my discussions with Alice.”

“Ah yes…the hot librarian discussions.”

“I mean, yes. Hot librarian definitely, but also, I waxed eloquent about many many things including things I wanted to do to your neck alone. Alice was a very unwilling participant. She threatened to throw herself out of the moving vehicle several times.”

“I think you’ve done enough to my neck, thank you.” Beatrice tugs on the strings of her hoodie, burrowing inside it even more. “I don’t even know what I’m going to say to the team when they see the state of it. No amount of concealer is going to save me.”

“Don’t worry, you don’t have to say anything at all given that people have sex all the time.”

“What about you? Last I checked you didn’t fare any better.”

“I’ll wear my love scars with pride… and lots of concealer!”

“Schedules? Please? I need to know when we can see each other.”

“Alright…alright.”

They’re waiting to pay, the restaurant owner lending a helping hand in the kitchen with a sudden rush of mobile orders. Her hands have found their way inside Beatrice’s hoodie’s pocket, tugging their bodies together. 

“I love your hair like this,” Beatrice says, hand softly running along the soft waves of her long hair.

“Long?”

“Yes.”

“You know I'll have to cut it once the tour starts.”

“Aww. You’ve got cute little curls at the ends.”

“Maybe I’ll keep it for a little longer then. Until Summer hits and then it’s getting the chop!”

So I heard you found somebody else

The song comes through the restaurant's speakers, it’s low and can hardly be distinguished from the sound of everything else happening in the kitchen, but it instantly catches both their ears. 

Beatrice physically recoils for a few seconds before her eyes go in search of the owner, feet already moving in that direction, “Excuse me, I’d like to pay the bill, please.” She raises her voice, “Excuse me!” There’s no reply though. Eyes meet hers, “Would you like to wait outside?”

She shakes her head, “No, I would not.”

“We don’t have to both listen to it.”

“I’m not leaving you.” 

Beatrice’s head is low now. Waiting. “I’m sorry.”

She hates that the song has this effect on them. That something so silly can completely shift their mood within seconds. That can’t happen. She won’t let it happen. Not now. Not anymore. “ And c'mon baby .” 

Beatrice looks up, “ I know .”

This ain't the last time that I'll see your face.”

And c’mon baby.

I know.

A small chuckle escapes them. “ Cause we are just gonna keep doing it every time!!! ” 

Heads turn in their direction causing them both to quiet down.

The restaurant owner emerges from the kitchen with a quick apology and they pay. 

They swing the restaurant door open and rush out, at least avoiding the other half of the song.

Beatrice interlaces their hands, pulling her close. “ Get someone you love? ” 

“Yes!”

Get someone you need?

“You!”

The streets are quiet as they make their way back to Beatrice’s flat, but there’s a nagging thought that just won’t leave her now that they’ve heard the song. And if Ava is being honest, it’s been a thought that she’s had every day since New York. Looking at Beatrice now and how happy she is, she couldn’t possibly ask. She can’t bring it up without shattering something. They need to move forward though, and this subject can’t be avoided for much longer. They’ve agreed to be honest even if it means revisiting old wounds.

She holds the hand in hers tighter in the hopes that it conveys whatever her words can’t. “Beatrice.” 

“Ava.” Beatrice replies in that tone that says she knows something important is about to be brought up. 

“I need to know if you’re okay with the JC thing. I’m sorry if that’s blunt. I don’t know how to bring this up delicately. I don’t even think it’s possible.” Beatrice sighs, but remains quiet. “Can we talk about it? I know I hurt you that day. That my actions hurt you. But if now isn’t a good time then I understand.”

The echoes of their footsteps are the only sound for a while, but then Beatrice brings their joined hands up to her lips, placing a kiss atop Ava’s hand. “I was hurt, yes, but I also know that I had a part to play in all of it as well. I think…no–I know that if the events of the Gala had played out differently then I wouldn’t have reacted the way I did. It’s something I thought about a lot in the days that followed. At the time I remember being so angry with myself and the way I behaved. I knew better, I should have been better. My initial reaction was to go to you, to speak to you, but then he grabbed my hand and you know the rest.” Beatrice is rubbing soothing circles into her palm now, her touch a balm for the both of them.  “I wasn’t fair to you. He poked at my insecurities and I took it out on you. He wanted to cause me pain and I fell into it, like an idiot. I fell right into his trap. I struggled with that for a long time. I should have put your feelings first. I should have been doing that long before the Gala. I hope I can begin to earn your forgiveness, Ava.”

They’ve been at it for a solid hour at this point and if you ask Ava that’s 59 minutes too many. Even though she loves doing this, will do this for hours on her own, she can’t put up with another round of it while being this close to Beatrice looking so cute in her pajamas. They’re sitting across from each other by the coffee table, papers spread along the carpet, drinks on coasters, snacks in bowls, and both phones actively playing a bizarre mix of electronic and metal.

“I absolutely hate whatever ‘vaporwave’ is.” She says while doing the air quotes. “What kind of music genre makes you feel both anxious and on the brink of an asteroid hitting? And then aliens breaking loose, killing all the small town residents.”

Beatrice lifts her eyebrows, “You’re still stuck on that? If I’m being honest the ‘scenecore’ person actually shrunk and expanded my brain at the same time and now it’s just screaming ‘Charli xcx is the greatest artist of our generation’.”

“Well, look who finally agrees with me on the genius of Charli, and all it took was you orgasming three times to ‘ Track 10 ’.”

“I am ignoring you.”

“What happens if I put Charli right now? Will the positive reinforcement be enough to get you to listen to Pop2 with me?”

“You know, you only have to ask.”

“Really?”

“Yes.”

“Can we listen to Pop2?”

“No.” Beatrice pokes her tongue out at her. 

“I knew it! How could you lie to me like that?” Ava mock-scowls at Beatrice, shaking a fist at her before abruptly changing the topic. “Actually, I’ve been wanting to play a game with you.”

“What kind of game?”

“It’s not really a game. It’s more of a revelation sort of thing.”

“Revelation…?” Beatrice is doing that adorable head tilt thing she does when she’s perplexed. 

“We look through your vinyls and we pick a song that describes the way we feel about each other.”

“And how do you know I have the song you want?”

“I have no doubt in my mind that you have it. But also I looked through earlier. And I can see that someone has taken a great liking to musicals and artists that weren’t there last time I was here.”

“I don’t know what you’re talking about.”

“Thank you for purchasing all my albums by the way.”

“You’re welcome. They’re my favourites. Shh. Don’t tell the other albums. They might riot.” Beatrice has lowered her voice to a whisper.

“So what do you say?”

“A song each that describes how we feel about one another?”

She nods. “I’ll go first.” 

She stands, socks sliding across the wooden floor easily. The vinyl is grabbed and stripped of its protective sleeve quickly. The needle catches the end of the previous song, causing Beatrice to stand and head in the direction of the record player already recognising what’s about to play.

It’s Oh So Quiet !” Beatrice’s smile is wide and meets her eyes. “The way you feel about me is this song?!”

The soft first few notes come through the speaker, immediately taking her back to their first meeting last year. The quiet of the green room as their eyes found each other. As she repeated Beatrice’s name, wanting to, no, needing to ingrain it into memory. Heart knowing then what her head couldn’t begin to fathom.

(*)

Shhhh, shhhh ” She mimics Björk’s intro bringing a finger to her lips.

It's oh, so quiet, Shhhh, shhhh

It's oh, so still, Shhhh, shhhh

You're all alone, Shhhh, shhhh

And so peaceful until

The bombastic sound of a full jazz band bursts through. And Beatrice anticipates it, keeping her eyes fixed on Ava, nary a worry towards the volume levels of the speaker. It’s big, bursty, and brassy, a reflection of Ava’s feelings about them. Moments of quiet interrupted by all out boisterous explosions of emotion. Walking around Paris and London. How unexpected Beatrice had been. The expression on Beatrice’s face is beatific as she listens intently to the lyrics of a song that she knows well, hearing the lyrics in a new light.

You fall in love. Zing, boom!

The sky up above. Zing, boom!

Is caving in. Wow, bam!

You've never been so nuts about a girl. You wanna laugh, you wanna cry. You cross your heart and hope to die. ” She crosses her heart for added effect, blowing Beatrice a kiss as she slides away from Beatrice’s attempt at a grab, cheekily avoiding her. “ Till it's over, and then…

It's nice and quiet, Shhhh, shhhh

But soon again, Shhhh, shhhh

Starts another big riot!

Ava’s thoughts go to Madrid after their kiss and all those nights spent trying to finally understand her emotions. Discover how deep they ran. How these feelings had become so entrenched, new and real. To finally give attention to the meaning after months of just letting it happen without stopping even for a second to realise them. To feel them.

You blow a fuse. Zing, boom!

The devil cuts loose. Zing, boom!

So what's the use…

Wow, bam! ” She grips Beatrice’s hands pulling her close.

Of falling in love? ” Beatrice is singing along, joining in on a badly put together tap dance.

The sky caves in

The devil cuts loose

You blow, blow, blow, blow, blow your fuse!

“Aaaaah!” They both scream.

When you fall in love!

The song ends and the crackle of the dead wax begins to loop. 

Beatrice wraps her into a tight squeeze before releasing her. Walking to the vinyls, she slides her fingers through the spine of some of the ones on the top level, choice already made. “I don’t know how I’m going to top such a great pick, but this song was all I listened to after we met. It was so overplayed that it was the top song on my end of year wrap and that’s saying a lot since I’m pretty sure it all happened in a stretch of like three months.”

“KYLIE!” It’s Fever. Beatrice has pulled out Fever . She knows the album, she knows what song in particular is on there. She hopes Beatrice is about to put THAT song .

“I was so embarrassed that it was my number one that I refused to share my wrapped highlights with the band last year. They kept pestering me to reveal it. Cam tried to sneak a peek a few times over my shoulder.” 

Beatrice puts the record on and puts the needle exactly at the beginning of the song she’s trying desperately to manifest. 

The start of the dance-disco track causes every muscle in her body to spontaneously burst into a happy dance right away. The song she has danced along to in clubs and solo late night hotel room dance parties will now forever hold a much deeper meaning other than being a great jive. She squeals, already making grabby hands at Beatrice who doesn’t fight her at all, willingly coming to her as the beat of the first verse begins.

(*)

Thought that I was going crazy

Just having one of those days, yeah

Didn't know what to do

Then there was you

“You pretend like you’re so above it all but deep down you are pop trash, Beatrice Young! I love you! And I love this song.”

Beatrice doesn’t reply, only starts flapping her arms like a chicken in response to her shoulder shimmies, too caught up in how cute her girlfriend is to continue to tease her. 

And everything went from wrong to right

And the stars came out, filled up the sky

The music you were playing really blew my mind

It was love at first sight

Shimmying up to Beatrice, Beatrice leans down to kiss her right as Kylie sings ‘ It was love at first sight ’. Neither of them can fight the smile that spreads across their lips. Breaking the kiss Ava leans up to nuzzle at Beatrice’s lips, grazing their noses together. “I love you.”

The electric slide and disco fingers start as they do a full circle lap around the living room.

She’s doing the robot when Beatrice begins to sing along to the second chorus, “ 'Cause, baby, when I heard you for the first time, I knew we were meant to be as one ,” gently tugging her into an under the arm spin, which turns into arms wrapped around her waist, moving around in a silly slow dance on the spot.

Everything went from wrong to right

And the stars came out, filled up the sky

The music you were playing really blew my mind

It was love at first sight

Love at first sight, love at first sight

Love, ooh, it was love, it was love at first sight

Ava starts nudging Beatrice towards the couch before tackling her into it. 

“You can’t tell Lilith. I won’t hear the end of it,” Beatrice says, sprawled underneath her.

“It’ll be our little secret.” Ava pops her head up to seal it with a kiss.

Several minutes later, Ava begins to wriggle the upper half of her body off Beatrice, keeping a strong grip around her bicep as she reaches towards the coffee table, easing her phone towards them by the tips of her fingers. 

“Success!” She begins to cheer, giving herself a pat on her back.

“Did you need to text someone?”

“Nope,” Popping the ‘p’ sound. “I just need to do this.”

Ava then abruptly turns herself around atop Beatrice, resting supine on Beatrice’s front before opening the camera app and raising her phone above them, “Smile and say ‘I want to lick Beatrice’s biceps!” 

“Ava!” 

“What? It’s the truth. Well I mean that’s not all I want to lick but you told me I needed to behave so–” 

“Ava!

You’re incorrigible. And I love you.” Beatrice’s head knocks into the side of her head, pressing a kiss into her cheek.

She rapidly hits the shutter button to capture every moment. She’s sure the plethora of photos she’s just taken of herself and Beatrice are nauseatingly cute. In the best way

“Will you send me those?”

She vigorously shakes her head. 

“No?” Beatrice’s hands are skating up her side now, tickling her gently, raking up and under her shirt, causing goosebumps to erupt as the hands caress up and down. “Why not?”

“Because you still haven’t sent me those pictures that I took in New York, and my Lilith blackmail material!”

“Oh. Right. Those. I’m so sorry my love. I haven’t looked through my DSLR since New York. If you’ll let me up, I will go grab my camera right now.” When it seems like Ava won’t budge, without a sound, Beatrice is gripping her by the waist and lifting her into the air before squirming out from underneath Ava, strength wavering and her arms wobbling a tad before clumsily plopping Ava back onto the couch. Throughout this seconds-long maneuver, Ava is completely supine and motionless, stunned into utter silence, arousal erupting all over. 

Holy f–.      

Before she can even fully compute what just occurred, Beatrice is loping back into the room, holding the DSLR with one hand and her other hand behind her back. 

Setting the DSLR down onto the coffee table, Beatrice’s free hand now joins the other one behind her back, fiddling with something. Beatrice’s teeth are worrying at her lip again, and she looks a little nervous.

Concerned, Ava raises herself into a sitting position. “Bea?”

Beatrice seems to be pumping herself up. “Okay! So. I had prepared a birthday present for you. But that day in Madrid…I didn’t think it was appropriate to bring it to you. And I actually– I, I haven’t been- I wasn’t sure that we’d be okay again. And I wasn’t sure if I’d ever get to give this to you. So I’ve had it stowed away in my desk. It’s probably a bit presumptuous of me to think you might want to have this but um–um, it just seemed like the right thing to give you? Oh god, please stop me. I’m rambling again.

Here.” With that, Beatrice brings forth the wrapped present from behind her back and thrusts it at Ava. It’s beautifully wrapped, crisp edges and lines and she’s managed to find wrapping paper with carnations on it.

She rips into it eagerly. It’s a picture.

Her hand flies to her mouth unbidden. “Oh my God.” A sob is choking up out of her throat.

“You hate it. Oh my God you hate it. I’m so sorry. I shouldn’t have given you that—please. Give it back to me. I’ll get it out of your sight.”

“No!” She’s clutching it fiercely to her chest now. Tears are streaming down her cheek. “How?”

It’s a picture. Of them. The moment . At the Grammy’s rehearsal when she had laid down on Beatrice’s leg and they were twirling the matching amber and jade flower ties on each other’s wrists. The first inkling they each had that they just might be, maybe , falling in love with each other. It’s a bit grainy, a little blurry but it might be the most beautiful photo she’s ever beheld.

She’s tracing the photo with trembling fingers as Beatrice speaks.

“Well, since Levy had to stay behind to wait for me to finish with rehearsal, he was by the side zoning out but then he noticed us in the corner. He said he thought we looked cute. So he took the picture but then forgot all about it. It wasn’t until after he found out, that he remembered it and he came up to me and showed me. But by then it was too late. I’d already screwed everything up. So I had it printed and framed when I was feeling hopeful.”

“Bea? It’s perfect. You’re perfect. Please thank Levy for me.”

“I will.”

“Bea? I’d like us to go to bed now please.”

“Of course. Are you tired?”

“I would like to…you know…”

“What?”

“You know…”

“No. I don’t know.”

“You know.”

“I’m pretty sure I don’t—Oh!” Beatrice’s teasing ends abruptly in a loud exclamation as she seizes the front of her pajamas and tows her towards the bedroom. 

“She’s on her way,” Ava says, shutting her phone screen. 

A heavy sigh escapes Beatrice. It’s time for Ava to go. She shuffles a bit in their hold, she needs to make Ava something to eat. The weight of the realisation too much to bear with Ava in her arms. It’ll at least distract from all the thoughts that are rushing through her head. It will take her mind off not being able to see each other for a while.

“Stop. Stop. Just stay. Just hold me.” Ava shakes her a little, her hand grabbing at her back in a vice grip. 

“I should make you breakfast. You need to eat before you go.” Ava nuzzles her head into Beatrice’s chest keeping her there.

“No. I’ll grab something at the airport.” Ava says, and then much quieter, “I won’t have you. I need to spend as much time with you as I can.”

All she can do in response is to pull the duvet around them and hold Ava closer, even if it’s just for a little longer.

They’re in the living room now. A blanket wrapped around Ava, sitting on the couch, hands fiddling with the jade flower of the hair tie on Beatrice’s wrist. And it’s quiet. It’s as if one of them speaks, time will pass by faster. 

“You’ll text me before you take off and once you land?”

Ava nods.

“And I’ll call tonight after rehearsal.”

Another nod.

“Do you want to take anything with you?”

“You.”

“No.” Beatrice scoops up Ava, chin coming to her shoulder. “Don’t say things like that. If you say things like that I won’t be able to let you go.”

Ava nods again, arms wrapping around her neck.

Knock. Knock.

They both exhale, unwillingly coming apart. Ava whispers, “If we don’t answer, maybe she’ll go away.” 

She stands and Ava follows looking like a fajita under the blanket, socked feet slipping across the floor.

She pulls the door open and Alice’s face greets them. 

Alice bobs her head back in greeting, before dropping the duffle bag off her shoulder and throwing it inside towards Ava. “You guys are exhausting.”

“Hi Alice.” She hopes the greeting is neutral enough not to trigger a sassy retort or a potential double homicide. 

“Beatrice.” Alice deadpans as Ava pulls the duffle across the floor without lifting it, the scraping noise filling the room with awkward energy.

“You cut your hair. It’s nice. It’s a nice bob. Very sharp…very slick.”

Alice does a side glance around the flat, eyes taking in the space. “Uh-huh. It’s because you guys are so aggravating that I needed a haircut to channel my angst.”

“Okay… anyways, I’m going to go get changed. You guys deal with whatever this is,” Ava says, scurrying away, duffle bag being pulled across the floor. Of course Ava would leave her at the mercy of Alice. Traitor .

She begins moving towards the kitchen, “Would you like some water? Something to drink? I can do a pour-over?”

Alice snaps her fingers. Once. Index finger pointing at the spot she’s standing at. She halts immediately, absolutely stock-still in response. Then, Alice lifts that same hand and stretches out her fingers into a high-five. “It’s okay. I’m letting you do this just this once.” They high five and Beatrice doesn’t really know what to make of it. “I was rooting for you all along, lovergirl.”

She draws in air and releases it just as quickly. “I thought you were going to kill me. I think I peed a little.”

“By the way, great plan. I loved the part where I got an earful from Emilia when Ava disappeared from the charity dinner. As if I could have prevented it. I don’t know what she wants from me at this point, I’ve tried the toddler collar, it ended with both of us wrapped around a lamp post.” 

“I panicked.”

Clearly. ” Alice’s tone has shifted back to the no bullshit one, “I want a raise.”

“I don’t pay you.”

“Put in a good word though.”

“I will. Thank you for giving me her address.” She makes an attempt at a hug, which Alice doesn’t reject, but it’s stiff enough that neither really enjoy it.

“Okay you can–no–let go of me now.”

She lets go. “You got it.”

“Beatrice!” Ava’s voice calls from the bedroom.

“I’m going to go–”

“No one is stopping you.”

Inside the bedroom Ava has changed into brown Corduroy pants and a dark navy t-shirt. There’s a coat thrown onto the bed waiting for Ava to slip into. 

Ava crouches down to the duffle, sifting through and haphazardly pulling clothing out, not keeping them in their folded state. She starts to hand them one by one to Beatrice. “I’ll leave these here.”

She knows she’s grinning like an idiot as the clothes begin to pile up in her forearms, underwear and bras uncaringly bunched up between shirts and pants. The Totoro shirt she once wore joining the pile as well as some pajama shorts. 

She drops the clothing onto the bed, gingerly moving around Ava to reach into the open closet, grabbing a bunch of hangers. Carefully, Beatrice begins to drape the clothing onto each hanger, keeping them from forming any more creases.

Ava stands and observes what she’s doing. “Stop being so perfect.”

A small chuckle escapes her. “You and I both know that I’m not perfect. Not by a long shot.” Ava runs a hand under her shirt, rubbing her back. “Do you want to take some of my clothing with you?”

Ava just picks up the duffle from the floor placing it on top of the desk chair. “Put anything you want me to take.” 

Once Ava’s clothing has been put away and Beatrice’s clothing has been neatly folded and placed inside the duffle, they’re both standing silently by the open bag, too emotional over their impending separation. 

“Can I take this with me?” Ava says, gripping at the seam of Beatrice’s sleeping shirt. She pulls it off instantly, presenting it to Ava without questioning it. Ava smells it, features shifting to a more happy one. “It smells like you.”

She nods, any words at this point are going to trigger tears and she won’t cry. If she cries then Ava will cry. And Ava must know the tears are imminent because she pulls Beatrice down into a kiss and she sinks into it as if they’ve never kissed before. They kiss once, twice before Ava pulls away to gently lay her sleep shirt inside the bag before zipping the duffle closed.

“I’ll bring the duffle out.” Ava nods, moving to the door. “I put your dress into a garment bag, it’s on the kitchen table.”

When she manages to pull herself together and slip a shirt on, she slings the bag onto her shoulder and joins Alice and Ava in the living room.

Alice is peering at the dress inside the garment bag when, “WHAT THE ACTUAL FUCK!? What is wrong with you people!? Animals! This is Armani you know? We needed to give this dress back. Now what are we going to do?” Rounding on Ava, Ava’s eyes growing wide, “Emilia is going to kill me. Emilia is gonna kill you!” And now twirling towards Beatrice, Beatrice quickly steps back, hands up placatingly, “And you! You’re supposed to be the sensible one.” 

“Not in the heat of the moment, she's not!”

“Ava!” Beatrice yelps scandalised. “I’m sorry Alice, I couldn’t help it.”

Alice narrows her eyes at the two of them, pointing at Ava, “You get to explain this one. Don’t make me withdraw support for Avatrice!” With that, Alice seizes up the garment bag and flounces out the front door. “Say your goodbyes and come meet me at the car. Don’t be disgusting in front of me.”

A dry chuckle escapes the two of them as they watch Alice’s rapid departure. Knowing exactly what she was doing in adding a moment of hilarity to the otherwise somber atmosphere. 

Before she knows it, Ava has seized her into a tight, vice-like hug, burrowing her head into her neck and breathing deeply. She can feel it with the way that Ava’s shoulders begin hitching, “Shh, shh. Please don’t cry. It’s not that long until we see each other. You’re so busy that it’ll be over in a flash,” Kissing the side of Ava’s head now.

“Don’t cry. If you cry, I’ll cry and I’m an ugly crier.”

Ava’s head pops up to begin protesting but she doesn’t even let her get a word out before leaning forward to capture her lips in a kiss. They kiss like Armageddon is coming. They kiss like two melodramatic teenagers being forced to part for the summer. They kiss until they literally need to break apart for air. 

Eventually, they recognise that they need to head out to the car otherwise Alice will storm back into the flat and drag Ava out.

They’re wrapping up the promotional photoshoot for the tour when Ava calls out to Emilia as she’s packing up. “Emilia, can you wait a second?” Emilia seems puzzled but nevertheless nods an acquiescence. “Do you have time this evening? I’d like it if you could come back to my apartment and we could have dinner? I have something I’d like to speak to you about. Please.” Emilia settles back into one of the chairs to wait for Ava, as she finishes getting dressed back into her own clothing.

Arriving back at her apartment, Ava rushes into the bathroom to quickly shower, rinsing off the heavy makeup from the photoshoot while Emilia makes herself comfortable. 

Coming out of the bedroom, clad in casual wear, Ava finds Emilia standing in front of a picture on the wall, silently contemplating it.

Turning towards Ava on approach, Emilia arches an eyebrow at her, “Do I have Beatrice to blame for why we’ve needed to have that Armani dress fixed before we send it back to them?” 

Startled, Ava chances a sideways glance at the picture. Shit . Emilia’s seen the picture of them on the couch with Beatrice kissing her cheek. Nervously chuckling, Ava just nods in reply. Squeaking out, “Yes? That's what I wanted to tell you. Not—not the dress part. But Beatrice and I are dating.” Gathering a bit of her composure, Ava heads towards the couch, “Come sit down, then we can chat properly.”

Collapsing down on the couch, Ava’s shoulders drop in relief, in part at Emilia now being informed and in part at having finished her schedule for the day. She can call Beatrice after they’ve had dinner and Emilia’s left. 

Can’t wait to hear her voice and see her fricking adorable face on camera

“Cariño, I’m so happy for you. Truly. ” Emilia has plopped down onto the couch next to her, drawing her legs up and underneath her, gazing at her with fond eyes, a smile creasing her face. “I’m glad you’ve decided to give Beatrice another chance, to try and see where this takes the both of you. You already know where I stand about you feeling all these things for her.” Reaching up, Emilia boops her on the nose with her finger. “However,” And at that, a serious expression settles on Emilia’s face as she leans back into the couch, “I now need to put on my managerial hat and talk to you about the logistics of you two dating.”

“I’ll allow it.”

“You can gush about Beatrice later if you want to. Child appropriate details , thank you… Seriously Ava? Ripping the dress? Who raised you! Oh wait, myself. Hah.”

“I thought you were going to be serious.” 

Emilia lifts that manicured eyebrow again, claps once then starts, “Alright so, I will need to speak with Suzanne about all this so we can get some plans together. Make sure that Beatrice has informed Suzanne before I call her to discuss the two of you. I presume the two of you are wanting to keep this private yes? Date in private? Not that I would allow anything else at present.”

She squeezes in a nod, knowing full well she won’t be able to speak until Emilia’s train of thought ends.

“Ava, you can’t let yourself get carried away with this. You have a sold-out world tour coming up. This is not to change anything, do you understand? You are not to disappear again like you did the night of the charity dinner, you cannot run off with Beatrice without a word. Beatrice cannot distract you from your job, this means turning up for each and everything you are scheduled for. I will not accept any cancellations unless you are on your deathbed. And trust me, I will be checking.”

Another nod.

“And Ava? You and Beatrice need to be very careful when you are in public. Don’t act like a couple. In public you are friends. Act like that. Nothing more. I am saying this more for you to remember. I believe Beatrice can restrain herself. You on the other hand…”

Ava’s eyes shift to the tile floor.

Emilia sighs heavily. “Ava, you’re also contracted as the face and spokesperson of giant international brands. It’s the unfortunate truth that in this current climate, we don’t know how they would react to any rumours of you being in a relationship with another female. It’s unfair and it’s not right. But it is reality. I need you to remember this and consider this every time you are with Beatrice outside the comfort of your homes.”

“I understand.”

“We already took a huge risk in allowing you to help out the Cruciforms with their music video. While some of your fans reacted well, others have not. We cannot be blind to this alienating part of your fanbase. I never want it to stop you from falling in love though. With whomever you wish.” Emilia runs a hand along her forearm, encouraging. “I want you to have something beyond this career and if Beatrice can offer you happiness and love, I want you to seize it with both hands. Please just be careful. That’s all I ask of you. Of you both.”

Ava nods again. “Yes. Thank you. We will…can you make me guiso?”

With that, Emilia draws back, staring at her with narrowed eyes, “This is why you asked me to come to the apartment isn’t it?” Clambering off the couch, Emilia stalks off towards the kitchen, “You better have all the ingredients already. I’m not going grocery shopping.”

They’re at the label’s headquarters signing vinyls. And it’s not just a few. It's a thousand vinyls, a thousand personalised vinyls. It feels like they’ve been at it for hours, three to be exact, and they have only managed to get through ⅖ th of it. The boxes of vinyls are all piled in the corner of the office set aside for them, sharpies spread along the middle of the table for when it's time for a new one.

Beatrice’s hand is about to literally detach itself and find a new host body. The music is at a moderate level now from before and everyone has just agreed on Stevie Wonder. There’s peace now. Or rather, surrender. All too annoyed and exhausted to even argue on the order of signatures anymore. They’ve developed a system: Yasmine grabs a record from the box next to her, signs it, passes it to Lilith, Mary, Camila and then Beatrice, whose sole job is to make sure the vinyl goes back into the waiting box with the personalised request and name of the fan. No one else is being trusted with this.

“I think that it’s all about the shoulder strength, not the wrist.” Camila chances at a conversation. Rotating the body part several times. She’s being delicate because she has been twice burnt now by Lilith, whose patience had dissipated by vinyl number ten.

Lilith doesn’t look up but does bite at an attempt at a conversation.“Do you think we can order a stamp with our signatures?”

“Personalised...” Yasmine mumbles.

“Yeah, but like at this point I’m about to put lipstick on and start kissing the vinyls.”

(*)

No April rain, no flowers bloom

No wedding Saturday within the month of June

But what it is, it's something true

Made up of these three words that I must say to you

The door to the office swings open and Levy walks in tugging a manual hand trolley full of boxes behind him. “This should be the last of it.”

“What do you mean, this should be the last of it?” There’s a tone in Lilith’s voice, but there's always a tone there.

“What? You just expected me to have a thousand vinyls ready for you right away? What kind of universe do you live in that you assume I’m that beefy?” He pushes the trolley into a corner, fixes his outfit and huffs. “I’m leaving. I will leave dinner up to you guys, Uber, dine-in, get takeout, starve, I don’t care!”

They continue the process, ignoring his outburst.

“Also, I’m doing interviews tomorrow. I can’t continue to do a five person job on one salary. If you want an assistant, raise your hand.” They all do except for herself. “Perfect. Do we have preferences?”

“Can they be unbearably attractive? I want to have a secret romance for the media to sensationalise.”

Levy glares at Camila. “Any other delusional requests?”

“I can make my own assistant if I really wanted to.”

Levy does a weird throat noise that sounds an awful lot like a curse word in Yasmine’s direction.

“Levy.”

“Beatrice.”

“Can you still be my assistant?”

“Of course.” He says with so much honesty that she has to do a double take. “You’re my favourite anyway, Descartes.”

“Aww man I wanted Levy!”

“I will not be the secret romance for the media to sensationalise!” He retorts, punctuating it with an angry slam of the office door.

I just called to say I love you

I just called to say how much I care

I just called to say I love you

And I mean it from the bottom of my heart

[I just caaaaalled to saaaaaaaay I love youuuuu.]

“Who can draw a penguin?” Yasmine inquires, reading through the invoice order. 

“Someone asked for a penguin?”

“Yeah.”

“I’ll do it, just leave space for it somewhere.” She replies, hand going through the motion of her signature, or something that resembles it at this point.

[I just caaaaaalled to saaaaaay how much I caaaaare.]

Thinking about Ava just reminds her that she needs to talk to them. And she will, she plans to do it today, but she needs to tell Camila. Camila needs to hear it first from her this time. Not last because she’s only recently back, tentatively, in Camila’s good books.

“Cam?” Camila’s head snaps up. “Do you want to go grab some takeout with me?” She doesn’t even reply, already bouncing out of the chair and grabbing her coat.

They make it down to the ground level where security buzzes them out. The final rays of sunlight peeking through between the buildings as they continue down the street. Her heart feels unstable in her chest with the anticipation of what’s about to come out of her mouth. This is it. It’s just the two of them, this will be good. Camila will be happy for her…or at least she hopes she will be. Camila loves Ava. Camila loves Beatrice. It all translates to a good reaction.

“I have something to tell you.”

Camila stops. “You’re quitting the band.” She stands stock-still, like she has been expecting this for some reason. “Beatrice. You can’t. You’ve worked so hard. What can I do? How can I help?”

Beatrice is standing absolutely still, shellshocked that Camila’s first thoughts are of her leaving them. “No, Cam. No. That’s not. I would never do that to you guys.”

Camila is blinking, processing the information. Then, shrugs as if it didn't happen, the bounce back in her walk. “Okay! You scared me there for a second.”

And she’s having to break into a semi-jog to catch up again. “What I’m trying to tell you is that there’s an update in my life that I want to share with you, that I want you to know. First.”

“You’re getting bangs!”

“What? No. I don’t think I can pull off bangs.”

“Beatrice, have you seen you? You can pull off anything.”

“Thank you, but that’s–you keep distracting me!”

“Sorry! I’m sorry. Please go ahead.”

“Okay, I’m going to say it and I want you to kind of scream quietly with me. I haven't had a chance to yet and I know you will happily do it with me.”

Camila stops again, this time looking up at a billboard spanning along the length of the building across from them. “Ava!”

It’s Ava. 

It’s Ava in an ad for Cartier.

“Ava and I are dating.”

Beatrice can actually see the moment Camila’s brain short-circuits as her eyes go from the advertisement to Beatrice, like she can’t quite process the information in real time.

“My heart keeps doing these little cartwheels, Cam. I actually can’t stop smiling. All the time. Even telling you right now is causing all these emotions to erupt out of me. I need you to be happy with me. I need someone to know now and I want it to be you.”

Camila moves in quickly for a world shifting hug. Nearly pushing them both into a double-decker that has basically flown by. She’s pretty sure Camila can feel just how madly her heart is beating because she pulls back and looks at the spot, hesitating, before bringing her hand there and nodding along to the rhythm. “BEATRICE! Your heart is going crazy!”

“I know!”

“Stop! That’s so cute, I’m going to cry!”

“No! Don’t cry because I will join you and I don’t want to cry.”

“AAAAAAAAAAHHHHH!!!!!!” Camila screams, alerting several people around them. They shoot her dirty looks. She laughs because they just go back to whatever they were doing. “Scream!”

“Aaaaahh!” It’s not at Camila’s level, but it’s there. It’s a little scream.

“BEATRICE! SCREAM!”

“AAAAAAAAAAAAAAAAHHHHHHHH!!!!”

“AAAAAAAAAAAHHHH!!!!”

Now everyone is actually looking at them with concern. 

“I need to call Ava.”

“No, Cam. She’s busy with rehearsals.”

There’s no stopping her though. Camila has been unleashed and she can’t be stopped. They’re walking again, the pizza place where they’ve submitted their order still a few streets away. The Autumn leaves rustle past them as Camila’s phone goes to her ear. “Ava!” She says in that Spanish way that completely changes the way Ava’s name sounds. She can’t hear Ava but it must be a hello because Camila has jumped into quick pleasantries before, “Dime que Beatrice me está diciendo la verdad. ¿Es verdad? ¿Están juntas?”

“Why are you asking as if I’m lying!”

“Tienes la mala maña de no decir lo que sientes.” Camila replies in Spanish, forgetting who she’s speaking to. “Shit–I’m sorry…I mean that you have a bad habit of–”

“I know what you said.”

Camila glares. The sudden revelation sending her mind into a state of ‘how much does Beatrice understand mode’. “Ava, creo que estamos comprometidas,” Camila’s eyes are searching hers. She needs to play dumb, Camila is gauging her Spanish skills.

“Hi Ava!” She says into the speaker. Distract. DISTRACT! “I miss you.”

Camila physically pulls away, “Sí, ya sé que es chula. Con ella sí que lo lograste.” Camila is nodding along, “Si, es tonta. Te deseo suerte, la vas a necesitar.”

“What did Ava say?”

“She says you’re cute.”

Liar. 

“Tell her she’s cuter.”

“La idiota dice que eres linda.” There’s a pause as Ava replies. “She said cute though, I don’t know how she means it, it could be either way now. She’s your girlfriend, shouldn't you know how she means it?” Camila pulls the door to the pizza place open, not bothering to hold it for her. “How do you mean it?” She tugs Beatrice to face her.

Beatrice stretches her hand out for the phone, “Give me the phone.” Camila hands it over, attention going to the man at the counter. “I mean it in the you’re so cute way.”

“Hi.”

“How’s rehearsal?”

“Good. Almost done. I have to go into vocal rest afterwards so you’ll be doing the talking tonight.”

“That’s okay. I’m happy to just be on the phone with you. Maybe we can get through some of the albums in our backlogs.”

“Sounds like a date.”

Camila is awkwardly waving from underneath a pile of pizza boxes. “I need to help Cam with the pizza, I’ll call you later.”

“Dairy free one for you?”

“Nope! You’ll have to put up with me later.”

Ava laughs, then says, “I love you.”

“I love you.”

Camila looks like a child that has been given cocaine, pizza boxes resisting a sudden influx of pressure as she presses her arms inwards in silent delight.

When the pizza has been consumed and the rubbish thrown away, they go back to signing the vinyls. Beatrice knows this is her opportunity to let the band know about Ava. On the walk back Camila and her had discussed when best to tell them. Camila had suggested today, which was oddly mature of her given that Camila always wanted to keep secrets like this to herself, at least for a little bit. It meant that Camila recognised just how important this was for Beatrice, to share her good news with the band.

She clears her throat, only managing to get Camila’s attention. 

She tries again. Nothing. They’re in the zone.

“Did you guys know that Britney Spears didn’t wear a sheer bodysuit when she filmed ‘ Toxic ’?” Camila is about to grab everyone's attention for her. “Contrary to what everybody else remembers, the diamonds are actually directly glued to her skin.”

Mary stops signing and looks up, “You’re joking.”

“Banana the snake once had an entire Tumblr post about it. It was very insightful.” Yasmine adds on to the conversation. 

Lilith looks up then, “Banana the snake?”

“The snake.” Yasmine repeats, like it answers the question.

“The snake from the performance at the MTV music awards?’

Camila nods, “That’s the one!”

“The snake’s name is Banana? Why is that so oddly appropriate?” Mary is scooching over to Lilith who is pulling out her phone. 

“I don’t believe you.” Lilith types into the phone, “Glued to her skin?”

Phone now in the middle of the table for all of them to look at. They awkwardly sit through a thirty second KFC ad.

“I know you can afford YouTube premium…” Camila says impatiently.

“It’s about the principle.”

The high-pitched strings begin as the jet plane scene plays. It doesn’t take long for the ‘outfit’ in question to make an appearance.

“Oh my God,” Lilith says, pressing the back button several times. “My life is a lie.”

“Ava and I are dating,” She blurts out.

All eyes immediately bounce to her, music video forgotten.

Yasmine is up from her seat in seconds, arms wide open to engulf her in a hug. “Beatrice, I’m so happy for the both of you.”

There’s a pat on her back from Mary who also joins in the hug, followed by Camila who couldn’t possibly be left out on such a monumental occasion. 

Lilith comes too, but she waits for the others to disentangle themselves before offering a quick hug of her own. “Good.” Not lingering, but intently looking Beatrice in the eyes, before saying, “If she hurts you I know people that can get the job done within seconds.”

“That…is so kind of you Lilith. I will keep it in mind.”

Yasmine and Camila are now doing a strange kind of celebratory dance that looks like a whisker shrimp cleaning a tank on steroids, hands above their heads and bodies doing a wave.  

It’s difficult to settle back down after telling them because they keep asking questions. They’re very precious about it as well. Camila brings up whether Ava would be around them more often now. Yasmine asks if Ava would mind catching musicals with her. Mary recalls being steamrolled in a conversation once and how she enjoyed the way Ava managed to make her talk without much fight from her. 

“Look, I’m happy for you or whatever, but if you start using words like ‘babe’ unironically, I’m staging an intervention.” Lilith is teasing, but it’s adorable because she can’t help the smile that crosses her face so she looks a little deranged.

They only really manage to get through half of the vinyls that night, which means tomorrow is probably another full day of the same. Their arms are numb and impossible to lift and everyone is already fantasising about the cool pads that will adorn their limbs once they’re all home.

Camila is the first out the double doors. She stops, then looks back at them concerned. “Hi,” She waves excitedly at something outside and it takes a moment to register what Camila is looking at. 

It’s fans. They’re outside the building waiting for them. At least a hundred of them. All holding up merchandise and phone cameras facing them. 

The security guard at the door is apprehensive.

Mary grabs Camila’s elbow, tugging her back inside the safety of the double doors.

“I’m going to call for a car.” The guard says, phone already by his ear.

Camila is looking at the fans outside. “We should at least interact with them.”

“That’s not a good idea, we don’t have security with us. There’s only one door guard.” Lilith retorts as if it should be obvious for Camila to understand the possibility of the situation escalating.

Yasmine is waving now too. “If we keep them waiting it could be bad for our image though.”

“Open the door and go outside”, She voices resolutely, without any kind of inhibition, which surprises her as well.

Lilith grips her forearm, “What are you doing?”

“Yasmine is right, we can’t just ignore them.” Camila is trying to urge them into action, but the decision is split down the middle.

“The car should be pulling in now.” The security guard offers, not involving himself further. 

Lilith is tugging now, “Great. We do a quick wave and we get into the car.”

“No, I want to take the Tube home. I enjoy having moments to myself.”

“Beatrice.” Mary sighs, also grabbing on to her, like she’ll make a run for it. “They will follow you to the train. You can’t.”

Camila and Yasmine go through the doors first, big smiles and waves. Mary and Lilith beside her as the attention suddenly focuses on her. They’re screaming for them, but they’re also chanting her name. 

They all wave and greet them. 

No barricades. The lone security guard between them and the crowd. As if that would stop them.

The fans are all speaking on top of each other between shouts of ‘I love you’ and ‘You guys are amazing!’. 

They need to get to the car. 

She’s basically shoved into the waiting car with Lilith following quickly behind, then Yasmine and Camila. The last person in is Mary who slams the car door shut. The driver pulls out into the street, leaving them in complete silence. 

They’ve been driving for a few minutes now, having dropped off the other members and it’s only Mary and her left in the car.

“You can’t do that again.”

“Do what?”

“Pretend like you can still go about your day like nothing has changed.”

“I’m perfectly capable of getting home.”

“Not on the Tube you’re not. Things have changed Beatrice, you of all people should be aware of this.”

“It’s just a fluke, it’s not like that happens often. Word probably just got out that we were all at the headquarters.”

“True. But we’re getting recognised more and more each day, we need to be mindful. Even more so now that you and Ava are dating. What would Ava say if she knew you might be endangering yourself because you insist on taking public transport? She probably uses private cars.”

Beatrice heaves out a sigh. She’s been reluctant to admit it to herself. She has been conscious of more and more people pointing her out in the streets. 

“And Bea? I want to emphasise how happy I am for you and Ava. But I just want you to go into this with your eyes open. It’s really tough juggling a relationship and our career. Especially hard because you’re both in the industry. We’re so busy all the time, we can’t always make time for the other person. And that can lead to resentment and fights you don’t intend to happen.”

Beatrice reaches out to lightly touch Mary on the arm. “Are you and Shannon having problems? Do you want to talk about it? Is there anything we can do—” 

Mary’s shaking her head before Beatrice can even finish her words. “No. No. I just need to make more time for her is all.”

“Thank you for the advice. I know it’ll be tough but I’m determined to do right by Ava. By myself and the band. Ava and I deserve to see if we can make it.”

Before ducking out of the car, Mary gives her a quick squeeze, whispering a “Good luck” into her ear. 

[If I were Dr. Seuss I would drop the bestest rhymes.]

[Oh?]

[I love your laugh, I love your face, I love your butt all over the place.]

[You tickle my brain like a mongoose in shoes.]

[You whisper weird nonsense like ‘toaster canoe’.]

[And somehow I melt every time I see you.]

[Okay, that’s unfair.]

Notes:

Am I making all of you into pop trash? Show of hands...

Chapter 14: You're the Coffee That I Need in the Morning, You're My Sunshine in the Rain When It's Pouring.

Notes:

We have Ava's concert this chapter. You'll know when it happens! Click the links and enjoy!

(See the end of the chapter for more notes.)

Chapter Text

Ava has left her little notes around her flat. 

Beatrice has managed to find the obvious ones easily enough, but Ava insists that there’s at least a hundred.

You’re the cutest person brushing their teeth right now.

(Inside the bathroom’s medicine cabinet.)

There’s a calmness to the fluorescent lit hallways of Madrid Airport, almost as if all the travelers have come to a collective covenant for peace and quiet, punctuated only by the music blaring out from the restaurants and the clanging of dinnerware as people down their late-dinners and imbibe in a drink or three. 

The mad hustle and bustle of departures is over for the night and now there’s just the lingering stragglers in the International terminal dragging their carry-on luggage behind them as they pace to their allocated gates, or those folded uncomfortably into the seats in the waiting areas.

Ava pulls the navy beanie, temporarily pilfered from Beatrice, more snugly down and around her head, sneaking a furtive glance at the bodyguard a few meters away that’s keeping a watchful eye on her until she boards the plane. Thankfully it appears that everyone else is too bleary eyed or stressed to notice the incognito celebrity in their midst.

Pulling out her phone, she sneaks a quick selfie before sending it.

Babea

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[What are you up to?]

[I’ve been looking for that!]

[Nothing much. I’m just watching Great British Bake Off while I wait for you.]

[I can’t wait to see you.]

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[Awww. Baby. You look so cute all snuggled up like that, like a Babushka doll.]

40 minutes until boarding. 3 hours give or take until she lands in London. Less than 4 hours until she can wrap herself around Beatrice again.

Ava can feel a yawn coming on. Exhaustion is weighing heavy on her face and body. It’s been a long day of concert finalisations, meetings with the studio executives and new outfit fittings. Any other time, she would have headed straight home and crashed into bed after hurriedly scoffing down some takeout and a quick shower. Instead, she’s on her way to London, desperate to see, touch, smell, just be, with Beatrice . Their first in-person visit after finally , finally choosing each other. 

[I can’t wait to kiss your freckles.]

[Counting down the minutes.]

[OMG.]

[The souffle!]

[Not the souffle!]

[Oh the humanity, Ava. They dropped it!]

Spotting the newsagent up ahead, she quickens her footsteps, sensing the bodyguard keep pace but with enough distance to not arouse interest. Perhaps she can grab a snack or two to keep herself awake until she’s on the plane. Perusing the selection, she grabs a bottle of vitamin water to balance out the chocolate she’s about to select, already hearing the nutritionist tutting in her head and harping on about nutritional, balanced meals being the foundation for success blah blah blah. She mentally pokes her tongue out as she secures the Toblerone. 

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[Hydrating. See? I’m being good]

[I can see the distinctive corner of Toblerone, Ava.]

Passing by the magazines and world newspapers, Ava ducks her head further down lest anyone make the connection between the figure in the navy beanie and baggy cream coloured cable knit sweater and boyfriend jeans and the face on the cover of Vogue España. She walks briskly past the display. That is until her eye catches on a familiar face. It’s Beatrice. Her girlfriend. Gazing alluringly out at her from the cover of Pitchfork

Beatrice is striking a power pose, seated on a chair, charismatically looking to the right of the camera, the black and white of the photograph highlighting the strong planes of her face. The magnetic force of Beatrice’s countenance and being unconsciously drawing Ava closer to the magazine. Surreptitiously, she reaches out to pluck a copy from the stand, mentally counting how many copies remain, how many copies remain for her irresistible girlfriend to attract innocent passersby. 

On second thought… maybe she should buy all of the copies so no one can see Beatrice oozing sex from a magazine stand. Ava mentally bats the crazy thought away. No… who would be that jealous and insane… she can control herself. And besides, what would she do with 20 copies of Pitchfork? Other than build a shrine to Beatrice… tempting but also asking for Alice to mock her endlessly . Before pivoting away, she blindly reaches out to grab another magazine off the rack, all the better not to attract focus to her purchase .

Keeping her head ducked down the entire time, Ava internally prays that the bored worker continues to barely pay attention, loudly cracking their gum as they lazily scan her purchases. Beep , water, Beep , Toblerone , Beep , Pitchfork, Beep , …Home and Country… Lovely

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[!!! Excuse me?! A little warning next time, please.]

[Oh! It’s out.]

[Grabbing your in-flight entertainment I see.]

[(>ᴗ•) !]

[(⸝⸝⸝>﹏<⸝⸝⸝)]

Ava can’t fight the jitters as the town car draws closer to Beatrice’s flat, her heart beating so loudly she’s half worried it's audible to the driver above the soft whine of the engine. 

It’s nearing 2am and all is calm in Beatrice’s quiet corner of London.

As the car draws up the final meters, its headlights sweep across the maisonette, highlighting Beatrice waiting, still as a statue, in the doorway to the stairwell, lit dimly by the exterior lantern above the door. 

Ava swings open the door before the car can even come to a complete stop at the curb, much less before the driver can exit to open her door for her. She hurriedly thanks the driver before she’s slinging her bag over her shoulder, walking briskly to the gate and swinging it open, fighting the urge to break into a sprint lest she look like a loon and the driver pays too much attention to the figure waiting at the door for her. 

Before she’s even cognisant of it, Ava is colliding bodily into Beatrice, burying her face into the warmth of her neck. She smells like home . In those few intervening seconds, Beatrice has bundled her inside the doorway, slamming it shut and clicking the lock into place before lifting her up into a tight squeeze. Her bag falling to the floor with a thump. There’s zero space between them, every inch of their upper bodies pressed together but it still feels like it’s not close enough. It feels like it’ll never be close enough.

“I’ve missed you.”

“I’ve missed you so much.” Their hushed tones overlapping as they murmur their sentiments, pressed into the other’s head.

Pulling back slightly, Beatrice noses a kiss onto the exposed tip of her ear, trailing kisses onto her cheek, whispering a quiet, “Your skin is so cold. You need to be wearing more,” before easing Ava back onto her feet. 

Finally, their mouths meet in an unhurried kiss, languidly pressing and slanting together, Ava’s left hand coming up to thumb at the hollow of Beatrice’s throat, fingers tracing along the tendons of her neck before cupping her jawline, drawing Beatrice down into increasingly fervent kisses. 

The urgency of their kiss escalates, teeth clashing together as they chase each other’s lips, nipping and pulling, intaking short puffs of air as they meet again and again. Beatrice now fumbling with an arm sliding up the banister, blindly pulling Ava with her as she slowly stumbles backwards up the stairs. 

Meanwhile Ava’s doing her darndest to distract Beatrice, tracing the tips of her right hand along the lines of Beatrice’s rib cage, a tremor wracking through Beatrice’s body in intervals when Ava hits a spot that makes her squirm. 

They’re getting closer to the top of the stairs now. Ava’s willing to make a bet they won’t make it to the bedroom, that is, until… until Ava’s own body betrays her. She can’t fight the yawn that crawls its way across her jaw, stretching her mouth wide open, in full view of Beatrice’s gaze. 

Shit

“You saw nothing!” Ava exclaims quickly, reaching forward with both hands to continue pushing Beatrice up the stairs. 

Sadly, Beatrice is nimbler and far more sensible, already shaking her head in response.“Nope. I definitely saw that,” while backing up out of her reach. Instead, Beatrice is now reaching forward to clasp Ava’s hand to walk her up the rest of the stairs, “Darling, it’s late and you need to rest. You’re exhausted.” As they cross the threshold into the living room, Beatrice is urging her forward with a warm palm at the low of her back, “Go on, I’ve already pulled out a set of pajamas for you and put toothpaste on your toothbrush. You should shower to get warm and get in bed. I’ll go grab your duffle and lock up.” 

Ava can only obey in rueful resignation, the yawns coming faster and faster now, her nose doing the sniffly thing. 

By the time she exits the bathroom with a puff of steam billowing out into the corridor, Beatrice is bouncing on her heels by the door, a glass of water in one hand, waiting impatiently, adorably, for her.

The beam on Beatrice’s face is contagious, her own face splitting into a wide answering grin.

She gets to fall asleep next to Beatrice tonight, not just to her small snuffles and snores through the phone

She slips her right hand into Beatrice’s outstretched left hand, Beatrice leading the few steps from the bathroom into her bedroom, the bounce in her gait a complete contradiction to the lateness of the hour. 

After placing the water down on the desk, Beatrice is sweeping back the neatly made duvet cover, smoothing down the fitted sheet and plumping the pillows, presenting the bed to her with a flourish, “My lady, your bed awaits.”

“Does it come with a beautiful girlfriend to snuggle?”

“Hmm…”, Beatrice is furrowing her eyebrows in thought, contemplatively tapping at the tip of her nose for a few seconds before brightening, “I believe you’re in luck your ladyship, just for you, it does.”

“It is to my liking.”

With a content sigh Ava is scooting under the duvet, laying down on the now familiar bed, breathing in the faint scent of Beatrice’s laundry powder, nuzzling into her pillow, and reaching out to pull Beatrice into her arms.

Now face to face, her eyes drink in Beatrice’s features, her heart giving an answering thump at being so close to this face, this person that she adores with her entire being. In a manner befitting the stillness of the night, Ava whispers, “I still can’t believe I get to call you mine. How lucky am I?” 

At that, Beatrice ducks her head, a slow movement of pink spreading across her cheeks, visible up close, even in this darkness. Beatrice replies with an answering whisper, “I’m the lucky one. Thank you for wanting me back. And being so patient… I love you, Ava.” 

“I love you.”

Cocooned together, Ava and Beatrice trade whispers, updates on their days, passing observations, and speak of their affections until their voices slur, their eyes close and slumber drags them under. 

And in the morning, Ava is woken by Beatrice pressing close, planting kisses down the length of her nose, the column of her throat and across her clavicle, hand fisting into her sleep shirt. The fog of sleep lifts instantly when Beatrice urges Ava onto her back, Ava’s legs moving apart to bracket Beatrice’s hips in answer. 

Be a badass. Do music world domination shit. 

(In her planner.)

(*)

You don't know, babe

When you hold me and kiss me slowly

It's the sweetest thing

Ava is humming a random tune as she prepares Beatrice’s morning pour over, waiting for the coffee grounds to properly bloom, determined to finally get it right this time and pour steadily in a circular motion instead of dumping all the water in one go. Beatrice was fanatic over the precise art of a good pour over and she swore Beatrice had a stray tear in her eye the last time she had forgotten to use the gooseneck kettle. 

You're the coffee that I need in the morning

You're my sunshine in the rain when it's pouring

Won't you give yourself to me?

Give it all, oh

“Is it ready?” Beatrice asks as she nuzzles into the nape of Ava’s neck, pressing a kiss into the bare skin beneath her ear lobe. Ava merely nods in reply, keeping a watchful eye as she mentally counts down the last seconds of the 4 minutes, waiting for the water to drain completely. Beatrice has just stepped back into the kitchen, briefly excusing herself after plating up their breakfast of scrambled eggs topped with chives and buttered shokupan, setting down the cutlery at the small dining table.

Barely breathing as she maneuvers the v60 onto a waiting plate, careful not to tip the filter and its grounds, Ava turns around to present the prepared cup of coffee to Beatrice with a flourish and an accompanying “Tadahhh—What’s that?” only to draw up abruptly at the sight of Beatrice holding out a small box adorned with a bow sitting atop her outstretched palms. 

I just wanna see

I just wanna see how beautiful you are

You know that I see it, I know you're a star

Where you go, I'll follow, no matter how far

If life is a movie, then you're the best part

Beatrice jiggles the box in her palms a bit, “A gift for you,” before nudging it onto her right palm and reaching out to accept the coffee with her left hand. 

It's this sunrise

And those brown eyes, yes

You're the one that I desire

When we wake up

And then we make love, yeah

It makes me feel so nice

Ava’s eyeing Beatrice carefully, tracking her minute expressions. She reaches out to undo the bow of the present before gently lifting the lid of the box. It’s her hair tie, or rather the jade flower of the hair tie, now also transformed into a bracelet. 

Beatrice is smiling her crescent-eyed smile, her freckles standing out in high relief in the sunlight streaming through the kitchen window. “I commissioned a bracelet that incorporated the jade flower for you. This way we can switch back and you can have the whole flower and I’ll wear the amber flower—” 

Ava is shaking her head in response before Beatrice can even finish her sentence, even as she’s stroking her finger against the smoothness of the jade flower. “No. Beatrice. This one is yours, please keep the jade flower safe for me. I want to keep your amber flower. It’s beautiful exactly the way it is. I want to keep you close to me. Always.” 

And then she’s reaching out to pull the bracelet out from the box, feeling the weight of it against her palm, the coolness of the jade flower and the silver of the bracelet before unclasping it to fasten it around Beatrice’s right wrist. 

The moment feels charged. Like the world is holding its breath for this second. The amber flower and the jade flower knocking into each other, rightfully next to each other. 

Then Beatrice is stepping into her, pressing a fierce kiss into her lips, conveying all her emotions into the one kiss. 

“I’m so in love with you.”

If you love me, won't you say something?

If you love me, won't you?

Love me, won't you?

You fill my heart like this mug fills with tea.

(Inside her favourite mug.)

“Cam’s on her way,” Beatrice says from the kitchen, tidying up the few items Ava had used to make their dinner. “I told her not to get dinner, she’s suspicious.”

“You didn’t spoil it did you?”

“Of course not.” Beatrice is walking into the living room and then settling on the couch behind her. Ava takes that as her cue to lean back against Beatrice’s legs, journal resting on her propped up knees. “Ava, I saw you add what was probably four cups of olive oil to our food, I am quite concerned for our health.”

“You worry too much.”

Beatrice leans forward, peering over her shoulder. “I thought the journal was a gift for me.”

“It is. And now I’m using it. Don’t worry, I am using my best penmanship. No chicken scratch for your journal.”

A little giggle escapes Beatrice. “Are you writing a song?”

“Mmhmm.”

“Show me.”

Ava shifts, blocking the journal from view. “It’s not ready yet. No peeking.” 

Beatrice doesn’t give up though, her hands already soothingly rubbing at Ava’s head and neck in an attempt to distract her. “Pleaaaase,” Beatrice pleadingly coos. And when that doesn’t work, a kiss is placed on Ava’s shoulder, which admittedly does distract her. “ Cherry?

“Hey!” Ava chastises, closing the journal. “Don’t be naughty.”

Beatrice settles back against the couch. 

The picture of Beatrice with a pout adorning her lips and folded arms in an attempt to appear grumpy is so tangible in Ava’s mind that she has to hide the small grin on her face. But the peace doesn’t last long because Beatrice is lazily sliding off the couch to sit next to her on the floor. “I promise I won’t look, I just want to be next to you”, Beatrice says with a comical over exaggeration of a frown, reminiscent of Alice when she doesn’t want to do something, no doubt having picked up a few tips from the best. Internally she sighs , she already knows she’s going to cave to Beatrice, weak against her pretend peevishness. But she can at least try to put up a fight

She tuts, too amused by all the pouting that Beatrice is putting on. “I know you’re going to look, at least have the decency not to lie to my face.”

Beatrice’s bottom lip is fully out now, she’s even throwing in a quiver or two, “I would never do such a thing” she says, now fluttering her eyelashes for the extra effect.

“Wow…” Ava exclaims dryly, “I see someone paid attention in her drama lessons.”

With that, Ava reaches out with her hands grabbing at Beatrice's cheeks, squishing them between her palms before hauling her in for a kiss. She feels Beatrice’s fake pout give way to a smile with an upturn of her lips. 

After a few minutes, she unwillingly extracts herself from the kiss, leaving Beatrice hanging midair. Camila is mere moments away, she has keys to the flat and Camila is definitely not above letting herself in if they don’t let her in within a minute of her arrival. On second thought… maybe they should scar Camila for life and preemptively ensure she never ever attempts a break and entry.  

Beatrice sits dumbly for a few seconds, eyes caught somewhere in the proximity of Ava’s mouth, before visibly shaking herself and opening the journal. 

It’s quiet as Beatrice reads through out loud, face impassive, apart from her eyebrows beginning to draw down, a crinkle forming as she continues.

“Down the subway, you looked my way

With your girl gaze

That was the day everything changed

Now it's something else

Even though I'm satisfied

I lead my life within a lie

Holding onto feelings

I'm not used to feeling

'Cause, oh, they make me feel alive”

“I… I don’t quite understand,” Beatrice is looking closely at her now, trying to figure out the lyrics and how it pertains to them, “Whose perspective did you write it from?”

“Mine.”

“Oh.” Beatrice doubletakes, before dipping her head to read through again, her lips moving along as she quietly reads to herself. The words sinking in. 

Beatrice is still. Her face is void of expression but a slight downturn of her lips betrays a sadness. Beatrice’s stillness is enough to unsettle her into action. “I was hoping you would sing it?”

“It’s your song. You wrote it. Don’t you want to sing it?”

“You know I can’t sing it,” she says, hoping that Beatrice understands. That she can comprehend the amount of pressure she’s under. To perform. To behave a certain way. “You can sing it for both of us?” a lilting tone to her voice as she poses the question. 

Beatrice doesn’t reply right away, she just turns the page of the journal, picks up the pen and begins to write. 

It takes a few minutes but the journal eventually slides in front of her. 

“Come here, my stranger in the dark

Don't need nobody in my arms

Got my imagination running wild

It's all that I can do

Lucid dreams, lucid dreams 'bout you

I've been searching for a lonely pleasure

Ever since that day, I'm not the same

But this kind of pain is kind of treasure

I won't take it slow”

Now she’s the one that’s confused. “Do you want to add this to the song?”

Beatrice shakes her head, pen moving again. “It’s my response to your song.”

“It sounds sad.”

“So does yours.”

“They don't need to be.”

“Because they’re pop songs?”

“No, because they’re our songs.”

They sit in silence again.

 Beatrice continues to write. 

She’s a little perplexed by Beatrice’s mood but enough to know she’s feeling a bit sombre .

“I remember the first time I wanted to kiss you,” She says, stopping Beatrice’s hand and sliding their fingers together.

Beatrice shifts closer, their hands resting on her thigh. “When was that?”

“You didn’t notice?”

Her girlfriend’s eyebrows shift for a second in thought and Ava’s right hand does something so natural now, it comes to the crinkle, smoothing it out this time beneath the pad of her thumb. 

Beatrice's eyes roam to the window by the baby grand piano. “By the window. The first snow.”

A smile effortlessly emerges at the memory. “I wanted to, yes. But that wasn’t the first time.”

“Tell me.”

“No. You tell me when you wanted to.”

“By the window. The first snow.” Beatrice repeats, sending little jolts up her spine. “Tell me.” Beatrice implores, eyes serious, as if it’s a revelation she’s been waiting for. 

Cheeky little. And she always gets her way. 

Down the subway, you looked my way… ” she sings, and recognition dawns on Beatrice’s face.

“I would have let you.”

“Yeah?”

“Yes.”

A moment passes where she recalls that night and the series of events that led to her standing inside her rental grasping at her chest. How unexpected Beatrice had been…continues to be. And then suddenly her brain attaches itself to a thought. Beatrice would have let her in the subway. Her girlfriend is telling a white lie.

“Tell me when you really wanted to kiss me.”

Beatrice covers her mouth and coughs, caught red handed. “I thought you wanted to by the window and I was too embarrassed to admit just how soon it was for me.” She turns, fully facing Ava now.

“I’ll let you get away with the lie this time, but only because you’re so endearing.” She bumps Beatrice’s shoulder when it doesn’t seem like she’ll say it. “Come on, tell me.” 

“When you stumbled in St. Dunstan’s.”

“You wanted to then?”

“Without a doubt.”

“Thinking about it now, I must have noticed or at least thought something was up. I remember feeling out of sorts but just thought it was due to my lack coordina—”

Beatrice leans forward, stealing a quick kiss. But that’s not enough, because it’ll probably never be enough. Ava sighs, palming Beatrice’s face and guiding her back to her mouth. Eventually, pulling apart but just enough to breathe again. 

“Making up for it.”

“Oh well, in that case I have a few to make up for as well—”

The doorbell rings. 

Beatrice scrambles up and pushes the door to the living room open, her quick thumps down the stairs the only indication of her hurried steps to unlock the door for Camila downstairs.

Ava waits for them at the top of the stairs. Camila looks harried, out of sorts, curls not quite landing where they usually do. Her chest is puffing out erratically as if she’s outrun a potential murderer. 

They climb the steps quickly and Camila pulls her into a bone crushing hug. 

“I’m sorry I took so long!” Camila’s voice involuntarily rises as she speaks, still weirdly jumpy.

Beatrice delicately pushes them both inside the flat all while in the middle of this very long hug. “I did think you were taking longer than usual, everything okay?”

“When I got off at your station there were a few fans waiting for their train and they recognised me. I stopped and spoke to them for a bit, but got concerned that they might follow me out of the Tube. I kind of chose the opposite direction and ran all the way here while making odd turns. I don’t think they actually tried to follow me but I was just worried about it. I know you’ve been having trouble on your morning runs and I didn’t want to lead them here.”

Beatrice freezes. Completely still. Eyes sharp as she eyes Camila as if telling her off. Panic is emanating off her. 

Hmmm.

“Cam, what do you mean trouble on her morning runs?”

“I mean the fans that have been stopping her when they see her and following her during her exercises.”

“Beatrice.” Ava enunciates her name crisply, an icy tone to the syllables.

Beatrice audibly swallows and Camila must clue in as well with her eyes as wide as saucers.

“SO!” Camila exclaims loudly. “Beatrice I have a bone to pick with you!” Camila swings towards Beatrice, already gesticulating wildly. “You know Ava and I were meant to madly fall in love with one another? Ignoring the pesky issue that I’m not into girls but I could see myself… for Ava.” Camila pauses for a second, attempting to read the atmosphere. She must see the silent communication happening between Beatrice and herself, she knows her eyes have narrowed and Beatrice is cowering because Camila forges forward. “Ava, I cannot believe you would fall for an anti-fan. Did you know she prohibited us from listening to the Top 100, including you? But don’t worry, we all did behind her back—.” 

“DINNER! DID YOU KNOW AVA MADE YOU DINNER!?” Beatrice is yelling her words, struggling to drown out Camila, pivoting on her foot and making a break for the kitchen. “DARLING. What was it called again? Sal—sal—.” 

“You made salsa!?” 

“SALMOREJO. I made you Salmorejo.” Ava shoots out her hand to grip at Beatrice’s hoodie sleeve, keeping her in place and leaning closer, “This conversation is not over.” 

Beatrice whimpers. 

I miss your cuddles. 

(Inside her pillow.)

Beatrice has been standing in the oddly warm hallway of Ava’s apartment for what feels like an eternity. Or it could be the layers she has on, or the nerves, or honestly anything. The building is old, having lived through various fascinating historical moments. And this is the first time she’s had a chance to truly appreciate its architecture from both the streets outside and from within as she ascended the stairs, the previous visit not allowing for such musings. 

It’s not a building that immediately screams Ava the singer’s style, modern and slick, but then again, she’s been wrong about Ava before and has quickly learnt Ava Silva is not what she projects to the world. From the little she had seen of Ava’s apartment and especially her office, she liked old things. Art frames hung above a well loved upright piano, a small lamp on the left the only source of light at the time in the office. The bathroom and kitchen are filled with well worn and loved pieces. The rest of the apartment was a mystery that still needed to be discovered.

According to her schedule, Ava’s final tour meeting should have been over an hour ago but chances are the team has gone out for a celebration dinner, something she should have accounted for or at least texted Alice about, but this is meant to be a surprise and she wasn’t about to spoil that even though the time on her watch was quickly counting down to her own schedule that she needed to make.

Ava is not expecting her. This thought is sending a mixture of emotions through her. Anticipation. The excitement of getting to see each earlier than planned is filling her heart with hope. Hope that they can make this work. That their relationship can withstand the frenzy that will be the both of them on tour, a notion that fills her with trepidation if she lingers on it for too long. Beatrice knows it’s still too early to call and things will change, but she is hopeful. They will both be in Europe in the beginning but as their tours take them to separate parts of the globe it will become much more difficult to schedule calls, keep on top of video dates or fly to one another. It’s something she will need to work hard at, and keep on top of. For both herself and for Ava.

The last minute cancellation of their SNL appearance was a fortuitous gift, meaning that she was now free for the next few days and able to come to Madrid. Something Suzanne had allowed provided that she was back in London on Monday morning at 9am sharp and ready for the last stretch of rehearsals before the holiday break.

Ava’s neighbour has come out twice now, inquiring who she was and why she was loitering in their shared hallway. She pretended not to understand and basically pulled out Google maps more than once to show the lady she was clearly looking for an address, but to no avail. Any minute now she half expects her to chase her away with a broom in hand. She can hear the shuffling behind the door at the far end of the hall, which means the nosy woman is looking through her peephole again . Not learning a colourful word in Spanish is a big regret right now. That and she’s much too polite to swear at a total stranger.

The heavy double doors swinging open downstairs echoes up, announcing the arrival of people. Beatrice chances a look down the spiraling stairwell from the top level, heart drumming in her chest in the hopes that it’s Ava. When she spots a blonde bob first, her mind races because it’s maybe Alice. It’s Alice. And then Ava comes inside, she’s wearing a brown plaid suit jacket with a cream knit sweater dress and has her hair down, those beautiful love curls cascading down her back. The sight of Ava, mere moments away from her, is too endearing a sight and looking so devastatingly good to put into proper thought.

“—I told them I didn’t want to wear the sheer one anymore. Can you have the team order more of the vest with the rose embellishments? Maybe black and red? I definitely want red. Maybe we can do something like I did for Lollapalooza.” Ava’s voice continues the conversation as Alice and her linger at the base of the stairs.

“You liked the leather jackets though, right? Because it’s too late to go back on those. I know they’re cropped, but—”

“Yeah, those are the aesthetic so I’m definitely still wearing them, but I’ll add lycra underneath.”

Alice grips the banister and begins to take a few steps up followed by Ava, who’s looking down as she climbs. “Look at you! So grown up, there’s a literal tear coming out of my eye,” Alice fake sniffs a couple of times to be annoying.

They move swiftly, having done this often enough that it has to be second nature by now. The cadence of their steps familiar with every imperfection of the stairs and odd grooves of the shaky banister.

“Alice, you’re such a pest. It’s going to be cold. It’s already cold!”

“Uh-huh. Sure, that’s why we're suddenly changing a lot of the tour looks…the cold weather.” Alice stops ascending the steps as she makes eye contact with Beatrice and smiles. She turns back to look at Ava who is still absorbed in conversation, not looking upwards in Beatrice’s direction. 

“I’m not owning up to it, I know you’ll gloat for all eternity if I do.” Ava’s voice turns mocking, an overexaggerated attempt at an English accent, “Your girlfriend has you absolutely hen-pecked, Ava. You can’t even come to a decisions about your hair without taking her into accoun—”

“Where did you say Beatrice is?” Alice has come to a complete standstill on the stairs, waiting for Ava to realise.

Beatrice is waiting at the stop of the steps, smiling from ear to ear, counting down the seconds until Ava notices. Stomach doing little swoops every time Ava takes a step without looking.

“On a plane to New York. We won’t get to talk until tom—” Ava stops, finally making eye contact. It takes her a couple of seconds to actually register what she sees. Taking in that it is in fact her girlfriend standing just a few paces from her. Ava’s grip on the banister is released with so much force that Beatrice is sure Ava used it for forward momentum as it rattles slightly upon release.

Ava doesn’t say anything as she reaches the top of the steps, body crashing into Beatrice’s own. The silence stretches for so long that it’s a bit concerning. That is until Ava’s arms wrap tighter around her neck and a heavy contented sigh escapes her. “You’re really here.”

“Hi, my love,” Beatrice says, wrapping her arms impossibly tighter around Ava. 

“Beatrice,” Ava breathes into her neck. “How? When did—? What happened to New York?”

“SNL cancelled. I got on the first plane here.”

“How long?”

“I have to leave early Monday morning.”

“Four days!”

“Yes, four days.”

Alice clears her throat, breaking them from just how close both their faces have gotten. 

Ava’s face lingers in proximity, pondering something but thinking better of it. “You’re mine for four days?!”

Beatrice places a quick peck on Ava’s cheek before stepping back to a friendly distance, replying with, “I mean, I’m already yours.”

“Okay, foul…I’m leaving. Clearly, team gossip has been cancelled and I’m about to have four days to myself! I wonder what I’ll do first? Maybe update my list of names, move a few around as they’ve changed in priority…finally water that one cactus in the corner of the living room before it screams ‘feed me, Alice!’…make a beef wellington, an arduous prospect to be sure but a delicious end result nonetheless…the possibilities are endless it seems, but I’ll be forthright. I’ll probably just lay in bed and think about life and its complexities before realising I don’t have time to have an existential crisis and then get up and have crisps,” Alice says in one swift breath, before reaching into her bag and throwing the keys to Beatrice who almost misses them. Ava and her just kind of stare at one another following Alice’s monologue, shrug, then turn back to Alice who makes a nauseated look before swiveling to head down a few steps. “Use protection!” she yells from a flight of stairs down, her steps echoing in the space.

Ava lets them inside the apartment, fingers interlaced tightly with Beatrice’s. The door closes behind them, backpack drops directly on the floor, and lips meet hers. It is sensory overload within seconds. Ava’s fingers eagerly pulling at the blouse from the neat tuck in her pants, seeking skin quickly, almost too quickly. Her lips are only being released to gain access to her neck. 

“A—Ava not the neck, not the neck!” 

Ava whines in response, but adjusts herself to just leaving behind open mouth kisses instead, panting against her skin. 

Beatrice winds her arms around Ava’s waist, pinning her arms to her sides and holding her in place. Pulling her lips back from their inspection of Beatrice’s neck Ava asks, “Why are you containing me?”

“I have a meeting in…” Beatrice releases her left hand from around Ava to look at her watch, “Eight minutes.”

Ava’s face drops slightly, a cute pout emerging, “You come with conditions. I should have known!”

Beatrice leans down for a kiss, hand stroking along Ava’s smooth cheek afterwards. “Just for an hour. The band and I need to look through and do final approvals for the concert interludes and backdrops. And afterwards I promised our stylist I would look through outfits. They’ve given me a three ring binder and everything, it’s all very serious.”

“Fine, fine.” Ava pushes off her, “I’m going to shower. Did you want to go into my office for the meeting?”

“Any flat surface will do.”

Ava is tugging her in the direction of the dining room, lights turning on, purse thrown onto the table without a care. “Is this okay?” 

“Perfect, thank you.” 

Returning to the entryway, Beatrice is toeing her sneakers off, setting them neatly by the door before picking up her backpack and heading back towards the dining room. 

Beatrice pulls her laptop out of the backpack, setting it on the table. The device springs into life as she turns in every direction looking for an outlet, cable in hand. Ava glances at the plug and chuckles before giving her a look, like she can’t believe something like this is about to unfold before her. “Do you have a converter?”

“Do I have a—” Of course. How could she have forgotten this? “No…no I do not.”

Ava walks away, taking a right into her bedroom. 

She hears rustling for a few seconds. 

“Baby?” Ava calls out and she has to physically fight the smile that takes over her face. Lilith would be mocking her right now if she knew of the pet name she was growing way too fond of. She wouldn’t tell Ava that detail though, lest she use it in a public setting. 

It feels a little strange coming this deep into Ava’s apartment. The only other time she has been here they weren’t exactly on the best of terms, both in a state of tears. 

Her eyes catch a few framed photographs hung up along the wall. Plenty of Ava and her family at huge gatherings, a young Ava encircled in Emilia’s arms, there’s one of Alice asleep with marker all over her face and Ava sticking her tongue out - no doubt the culprit, and one of just a woman in her 20’s. She looks like Ava and this is clearly Ava’s mother, hair long and curly just like Ava’s currently. Interspersed in between the rest of the frames there’s two of her and Ava, one on the couch and the other of their time in Ithaca, New York.  

The shut balcony shutters and the bed are the first sights that greet her, the latter neatly made. Suspicious behaviour. Ava is crouched on the other side of the bed by the bedside table, drawer open. A drawer that is bursting with cables and plugs. The shame drawer.

She walks around and crouches down next to Ava. “Need some help?”

“Which one do you think?” Ava holds up two white cords, both exactly the same. 

“I think I just need this bit here,” She points at the end of the plug before removing it with one quick pull. 

“Oh.”

Beatrice's eyes trail upwards to the top of the bedside table where Ava has placed the picture frame of them together at rehearsal. Ava notices where her eyes have landed. “I have to restrain myself from kissing it every time I see it.”

“Me too. It’s basically the first thing I see when I wake up and fall asleep.”

Ava stands, smoothing her hand along her dress, “I’m going to shower. Would it be okay for me to come sit next to you afterwards?” Ava is being cautious. This isn’t a simple question. Ava wants to know if she can be around when the band is around. “I can get some work done while you guys do your thing…I just want to be near you.”

“Of course. The band wants to say hi by the way. Actually, it was expressed several times before I left that they wanted to see you. Especially Camila, even though I’m sure you guys are up to something behind my back.” Beatrice hopes that it conveys just how much it means to her for Ava to interact with the band members, to be comfortable with them again. 

“Good. I want to see them as well.” Ava smiles, pulling her in for a hug. “Also, Camila and I are always up to something and that should scare you.”

Beatrice is deep into her meeting when Ava emerges from the bedroom wearing sleep shorts and a colourful knitted sweater. The voices from her bandmates fading into the background at the sight of how soft her girlfriend looks in her sleepwear.

Ava deposits her laptop beside her own, turning to plug the cable behind them. She hopes her incessant need to blink in stunned silence doesn’t convey the thoughts going through her head as Ava’s laptop wakes, if you could call it that , in front of them. The thing is barely holding it together. She’s pretty sure the thing just entered the BIOS screen in a cry for help. She tugs one of her headphones off and muting herself, “Do you…umm…have an antivirus?”

“Beatrice, I don’t even let it have access to the wifi. You never know which little rodent is scouring around for unreleased material.”

Ava is looking like she doesn’t quite know what to do with herself, so Beatrice unplugs the headphones from the laptop and loops her arm around Ava’s waist in one swift move, pulling her close enough for the camera to capture them in shot 

“Ava!” Camila shouts upon catching a glance of her.

Ava waves a little awkwardly before finding her voice, “Hi Cam! Hi guys.”

They all greet her happily and without realising it, they’ve all crowded towards their screens.

Beatrice pulls the chair beside her closer and Ava takes that as her cue to sit.

“Ava, blink twice if she’s holding you hostage!” Mary teases.

They burst into laughter and something settles deep in Beatrice’s heart. The band is okay with this. Ava is okay with this. Everything is okay. Ava and them can exist together. And she knows it wouldn’t matter if it wasn’t so, but just knowing that everything is okay has her releasing a mental breath.

“Hey Ava, on a scale from 1-10 how ridiculously lovestruck would you say Beatrice is?” Lilith asks with a bit of smugness. Yup, it’s exactly as she suspected, Lilith was going to mock her to death.

Their eyes meet briefly, Beatrice shrugging, before Ava answers. “Maybe like a nine?”

“A nine?!” Beatrice yelps, outraged at the injustice.

“If I say ten then you have nothing to work towards.”

Mary laughs. “That’s right babygirl. You gotta keep her on her toes.”

“Beatrice, you didn’t tell us you guys were this cute. You’ve been hiding a whole rom-com!” Yasmine dogpiles on the torment at her expense.

“Ava,” Lilith calls out, catching Ava’s attention. “Look, I like you. But if you hurt Beatrice, I will know and I will show up with a shovel and good alibi. And then I’ll probably write a murder song about it and join the greats like ‘ Goodbye Earl ’ and ‘ Miriam ’”.

Everyone is eerily silent afterwards. Even Lilith who is looking intensely at the left corner of her screen where Beatrice’s assumes is where both Ava’s and her face are.

“Did I—” Ava stutters, “Did I just get shovel talked…by Lilith?! That was so cool!”

“Don’t worry, Ava, I will handle Lilith!” Camila assures, hand stretching off screen and then smacking at Lilith’s head in Lilith’s camera view. 

After a few more minutes of joking at her expense, Ava stands, giving them all a quick wave before walking towards the kitchen. They resume their conversation from before Ava’s arrival, Yasmine sharing her screen as the interlude from ‘STFU’ plays. They’ve decided to open the song with the scene from the beginning of the MV where the actor is mockingly transgressing through several stereotypical racist remarks. 

Ava returns a few minutes later, balancing a plate of cut vegetables, two slices of Spanish tortilla and a cup of tea in her hands. An action so cute and unexpected that she has to shift out of the camera’s view to tug Ava into a hug, head nuzzling into her tummy.

“Eat,” is all Ava says, hands running through Beatrice’s hair before lowering herself for a kiss.

“WE CAN HEAR THAT!” Lilith shouts and they all cackle.

She’s halfway through the three ring binder, showered and in her pajamas when Ava begins to act up. If she’s being honest, she’s already astonished by Ava’s restraint. It’s taken longer than she expected. She’s surprised she even managed to get through half of the outfits or that Ava’s patience has stretched this far. 

Ava walks behind her, pulling her sweater off and throwing it on the chair beside her, but Beatrice won’t give in, or at least won’t give in that easily. She needs to even out the playing field so she continues to work as Ava starts rummaging about. There’s a little exasperated sigh sounding from the bedroom which she elects to ignore.

Beatrice can hear Ava as she walks through her bathroom and into the kitchen. She pokes her head back carefully, peering into the hallway where she can see Ava walking into her office barefoot and only wearing one of Beatrice’s white dress shirts. 

Ava is up to something.

(*)

Low brassy notes that sound a lot like a ship’s horn emerge from the office.

Ava steps out the moment the nasty beat drops, one foot first followed by the other shortly after.

Get the fuck up, Simon says get the fuck up

Throw your hands in the sky

Queens is in the back sippin'

Yak y'all what's up?

Ava doesn’t make eye contact with her as she ever so slowly walks towards the dining room, hips swaying lewdly. Beatrice actually loses her balance for a second with just how far she’s leaned back with the chair, flailing her arms wildly to regain balance. There’s a loud clunk as the chair comes back down, hands coming down to delay her momentum against the table. She forces her head to look at the outfit on page 37 of the binder. Determined not to look at Ava’s approach. Page 37 is a beautiful Givenchy ensemble that is unfortunately…not as interesting as her girlfriend.

New York City gritty committee, pity the fool that

Act shitty in the midst of the calm, the witty

Ava comes bodily against her in order to grab the plate next to the laptop. Their eyes lock, a subtle smile curving Ava’s lips—knowing full well the effect she was having on Beatrice’s concentration. Without saying anything at all Ava turns deliberate and unhurried towards the kitchen. 

The Universe is testing her. 

And most importantly Ava is testing her.

You all up in the Range, then your shit's inebriated

Phased from your original plan, you deviated

I alleviated the pain with a long-term goal

It’s not at all a surprise that her eyes follow Ava’s bare ass as she walks away with the same strut as she did walking over. Unable to look back down at the binder. 

Of course

The tap runs for all of two seconds.

I'm soon to motivate the room, control the game like Tomb Raider

Roc-clock dollars flip, tips like a waiter

Style's greater, let my lyrics anoint

If you holdin' up the wall, then you missin' the point

Ava is coming back and this time Beatrice is prepared. She will not let Ava best her. She quickly stands, affecting a casual lean against the dining table, arms crossed, anything to keep her thoughts and hands at bay. There’s a moment of confusion as Ava steps back into the room, Beatrice not where she had left her, but then their eyes meet again.

Ava opens her mouth to speak the next lyrics. “Get the fuck up. Simon says get the fuck up.” Except Beatrice is already up, an eyebrow arched teasingly.

“You know…this song is very inappropriate,” she leads them into a conversation knowing it would absolutely exasperate Ava.

“But it’s so sexy .”

Ignorant minds, I free 'em

If you tired of the same old everyday you will agree

I'm the most obligated, hard and R-Rated

Stated to be the best, I must confess the star made it

Ava makes a move forward and Beatrice holds her hands up, halting her midstep. The moment stretches unbearably long and she can see Ava begin to lose her composure. “I didn’t say Simon says, Ava.”

Ava’s eyebrows shoot upwards, “Oh?”. A dangerous smile now curving its way across her face.

Beatrice is the one to step closer now. Hands coming to rest on the buttons of the dress shirt, but not undoing them. She begins to think she should unbutton the buttons but then a wicked thought comes to her instead. “Simon says, undo one button.”

And Ava does so right away, almost like she expected Beatrice to say that. “Just one?”

“Mmhmm.” 

It’s enough to already free Ava’s collar which means she hadn’t bothered to button the shirt all the way. 

Beatrice brings her lips down to Ava’s neck, feeling the gulp the moment her mouth makes contact with the warm skin there. 

Ava’s hand comes up to the other buttons but Beatrice quickly grabs her hand, holding it in place. “I didn’t say Simon says. Are you going to play the game?”

Ava exhales, “Yes—yeah I’ll play.”

“Simon says, undo the rest of the buttons.” Ava obediently does as she’s told and there must be a glint in her eyes with the reveal of the bare skin underneath because Ava’s fingers come to toy with the hem of Beatrice’s sleepshirt. Simon didn’t say, but she’ll allow it. “Simon says, take off the shirt.”

The dress shirt slides languidly down Ava’s shoulders, pooling on the floor by her feet. Beatrice’s eyes sweep along the expanse of her girlfriend’s body, a sight that scatters all her thoughts within seconds. They all converge back and culminate on one thought and one thought alone. 

Beatrice doesn't really know how much longer she can bear to extend this foreplay before the actual foreplay can begin. 

Ava’s chest rises and falls. Waiting. Anticipating what Beatrice will do and when the seconds draw out and nothing happens she pleads, “Please touch me.”

A wicked grin spreads across her face. 

Mission successful.

Without much fanfare, Beatrice tugs her own pants off followed by the shirt and Ava audibly moans. She steps to the side of Ava, careful not to make contact. Then, she walks briskly into the bedroom, quickly enough that Ava won’t be able to react in time or fast enough that Ava won’t get a chance to slap her ass.

But this is Ava and she should have anticipated it because the moment she reaches the bedroom she’s being tackled onto the bed. “I didn’t say Simon sa—”

They’re laying in bed hours later, chests rising.

“Your neighbour…”

Ava chuckles beside her. “You’ve met Esperanza.”

“She’s very…”

“Chismosa.”

“Chismosa?”

“Nosy. But with an extra level. Like, it runs deep in her veins. Years and years of perfecting it.”

“She’s intense and wouldn't stop coming out to ask what I was doing.”

“Are we really going to talk about Esperanza while I’m cupping your buttcheek?”

“Yes. Does she know about you?”

“Mmm…even if she does she won’t admit it. Though she has tried to introduce me to her nephew many times. I don’t think she likes me very much, I tend to blast music and sometimes she slams the side of the walls in protest.”

“I got a noise complaint by the way.”

“I told you you moan loudly.”

“Not for my moaning! Because of your need to play everything at a deafening level!”

“If Esperanza slams on the walls after I’m through with you then it’s because you moan loudly.”

“We do not need to test that!”

“But now I want to know!”

How’s it going hot stuff? 

(Inside the microwave.)

A torrential downpour greeted them the moment they exited the airport and ran into the first available taxi. Now, they’ve reached a stretch of congested streets, the ride no longer capable of getting them to their destination and they’ve gotten out to run to the venue. Their footsteps splash into every single possible puddle of water as they precariously sprint through the cobblestone paved streets of Madrid. The skies above grey and thunderous. 

Buoyed by the anticipation, Beatrice bounds towards the arena, barely bothering with Camila who is straggling behind, actively grumbling but also determinedly forging ahead. A walking, or in this case, a running contradiction. Vacillating wildly from complete happiness to ‘Beatrice, my curls, they can’t deal with the rain. I can’t be seen like this!’ every few seconds.

The front of the arena is completely empty when they arrive, the crowds already inside.  

“We’re gonna make it, Bea!” Camila yells from behind. 

They were in fact not going to make it. And even if they did, they were in a serious state of drowned.

They had both rushed onto multiple connecting flights from Los Angeles in the hopes of making it to Ava’s first concert. 

They had nothing with them, but passports and a dream. 

A dream that was slowly or maybe quickly falling apart.

Beatrice’s watch was stuck at 8:57, broken from water damage.

The concert had probably started. They were going to miss it. 

This was insane. How were they even going to get in? They didn’t have tickets. Alice wasn’t answering her phone, obviously incredibly busy. And Beatrice couldn’t blame her for not picking up, they didn’t even know if they would make it, let alone inform Alice to expect them.

Beatrice heard Camila’s foot slide before she heard the shriek and then the smack on the wet pavement. She stops, whirling around to look at Camila, making sure she’s okay. 

“GO!” Camila yells, from the floor, where she has sprawled out, looking a lot like a starfish. “Leave me! I am a liability, go on without me! See Ava for both of us!” she says as if at the receiving end of a mortal wound, which might be true given that Camila is in fact Ava’s biggest fan. Well, second biggest fan.

A chuckle escapes Beatrice at the absurdity of it all. 

Walking over to Camila she extends her hand, pulling her best friend off the floor. She grabs both of Camila’s shoulders before making eye contact, “WE’RE HERE! WE’RE GOING TO GET IN! Listen to me! We have made it this far, we’re going—”

Her phone is vibrating in her butt pocket. 

“WHO IS IT?” Camila is patting at her butt, attempting to pull at the phone as well, intently staring at the device the moment Beatrice pulls it out. As if it’s a miracle sent by a divine entity somewhere. “IS IT ALICE?”

“IT’S ALICE!”

“ANSWER IT GODDAMN IT!”

The phone is slippery in her hands. There’s several failed attempts at sliding the stupid answering thing across. “HELLO! ALICE!”

“Beatri—”

“I’M HERE!”

“You’re here?!” Alice actually sounds happy to hear this.

“CAMILA AND I ARE HERE!” 

“WHERE IS HERE? BE SPECIFIC, I’M COMING TO GET YOU.”

“FRONT—ARENA FRONT!”

“Stay there!” Alice hangs up.

Camila cackles. Then shakes her hair like a wet dog, water bouncing off the ends of her curls and landing all over Beatrice, but at this point it doesn’t even matter. “WE FUCKING DID IT!”

“We did!”

She’s going to see Ava. She’s going to be here for Ava, on her big night. 

Ava is going to be so happy to see her. 

Shit. 

She didn’t get flowers. Should she have bought flowers at the airport? People give flowers in concerts. How could she have forgotten about flowers?!

“Oh my God.” Camila’s hand comes to her heart, “I’m going to pass out! I need caffeine, I need something, my heart is slowing down too quickly. SLAP ME!” Camila hysterically jumps on the spot, creating energy from nothing.

“Camila! We made it.” She shakes Camila again, holding her still. The adrenaline finally subsiding, finally letting her breathe again. “Should I have gotten flo—”

“You guys are fucking mad!” Alice is yelling from one of the entry doors, hand frantically beckoning them to her. She has towels draped along her other arm. 

“ALICE!!!” Camila rushes to the entrance, Beatrice forgotten, singularly focused now on Ava and getting to Ava alone.

Inside the arena they towel themselves down as they walk a few steps behind Alice who is going at a rate triple of their own. They take several doorways, ending up somewhere backstage where the crew is briskly walking past, all at varying states of stress. The concert doesn’t appear to have started yet, which is a little concerning but a much needed victory. 

“Ava is about to go on. I can get you guys into one of the boxes, but you won’t be able to see her until the end of the show.” Alice stops suddenly, pulling a door open. It’s a room full of tour merch. “Grab whatever you want.”

They begin to change inside. Wet clothing slapping onto the floor without a care. Camila tugs several tour shirts up to her chest, going through each of them as if the decision is of the utmost importance and the concert isn’t about to start.

“I can ask Ava to give you all of these, you know? Literally, you can ask Ava for these yourself.”

Camila stops to consider her, eyes serious. “I cannot believe you want me to rush this decision. Of all things Beatrice!”

Her phone vibrates from where she’s managed to balance it atop her satchel.

Darling - Voice Message

The concert is delayed and Ava has sent a voice note.

Instantly, the phone is by her ear.

Hello to the world's most beautiful, talented, brilliant, incredible, amazing, and loving girlfriend. I’m about to go on stage–don’t worry, everything is fine. I just ran into a slight wardrobe issue. I just wanted to say that I miss you and desperately…DESPERATELY want to see you right now. I think you guys are almost finished and you’ll be getting on flights soon so please be safe and call me once you land. I don’t care if you wake me…just call, okay? I wish you were here…sorry I didn’t mean to–you know what I mean. A no pressure ‘I miss you’. I love you.”

Camila stops looking through the shirts. “Something wrong?”

“No, just Ava wanting to say hi before going on stage.”

“Aren’t you going to respond?” Camila blinks several times, a duh evident in her tone.

“I’m not sure what to say…like, ‘hi, guess what I’m here’...she might do a runner.”

Ava would. Ava would open every door backstage and find her.

“Just be cute! I’ll put my fingers in my ears if you want.”

“No you won’t,” she deadpans the response.

“No…I will not, you are right about that.” Camila winks, then says, “She probably wants to hear from you before she starts.”

And that’s all the encouragement she needs to press the record button on her phone.

Hi my love. You’re going to be absolutely breathtaking and phenomenal.” She’s trying to ignore the pest in front of her who is making kissy faces all while wrapping herself into a solo hug. “I miss you, Ava, and I’ll see you soon. I promise I will. Have an incredible time tonight, I love you.

“Who are you and what have you done with my emotionally inept best friend?”

“I love her,” Beatrice replies without hesitation, the thought and feeling incapable of being restrained anymore.

“I know you do.”

Camila doesn’t understand though. No, but then again neither did she. Not until she ran off the flight and proceeded to push through the throngs of passengers leaving their gates. Not until she bodily pushed Camila up stairs and into a taxi. And not when every puddle threatened to slow her down. “No, Cam. I love her.”

Oh. ” Camila is unusually quiet. Long enough that Beatrice is sure that she may have actually had a mini stroke from lack of adrenaline. But then she’s moving close, a hand reaching for her own, “Did you know that there’s a peace in your voice every time you speak of Ava? I’ve never really heard it before. It’s hard to describe…you’ve always loved so quietly, Beatrice, but now it’s fierce and unabashed. Always the one holding others up, being strong for all of us. It’s beautiful to see someone finally hold you, love you and care for you—truly, I’m so happy for you.”

“I am terrified of admitting it, or even saying it out loud, it feels like I’ll jinx it. You’ve—you’ve known me my whole life, you know how much it has taken me to open up like this. And I think this might be it . I feel so calm around her, everything just slows down, but it’s also intense and all-consuming as well. She sees me. And I hope she knows I see her too.”

Alice impatiently slams on the door a couple of times. “Hurry up! What do you think this is, a Madonna concert?! Ava is a diva but she’s not a diva .”

Camila goes back to deliberating but Beatrice doesn’t miss the cute faces she keeps making towards her. 

She blindly grabs at a white t-shirt, settling it onto her torso.

Camila stops again and glares. “TAKE THAT OFF! YOU’RE NOT WEARING THAT NEXT TO ME!”

When she looks down the words that greet her are: So, so, so, so, so, so good…good…good…

Beatrice looks down at the pile of shirts, turning one around to see the back: Mmm, hentai.

The shirt is off her as if suddenly set ablaze.

Her shoulders make an involuntary embarrassed shake before moving on to a different pile and pulling out another shirt, this one is of just Ava’s album cover, with just the helmet and nothing else and the tour dates on the back. 

Small wins

Camila gives her the thumbs up from underneath a red bucket hat, decision on the shirt made as well. They don’t have much choice for their bottom half other than shorts that say ‘ Tu Bizcochito ’ across their butts, but it will do, stares be damned.

Alice impatiently greets them again, already grabbing at the wet clothing and towels. She points at a security guard next to her, “This gentleman here will take you to your box. You are to remain there until I come to join you. Understand?”

They both nod and Alice storms off. 

(*)

They make it to their box a few minutes later as flashes from the overhead lights on stage and around the venue begin. The crowd roars as the dancers and Ava come out wearing the same motorcycle helmets from Lollapalooza, but now glowing a deep red. There’s two massive screens at either side of the platform, both projecting the same purple white noise background as triple M’s flash at the center, framing the bodies which have now arrived at their spot upstage.

Ava’s in the middle of the dancers, slowly lifting herself upright as her helmet takes over the screens. ‘ Saoko ’s’ distinctive rev of engines burst through the arena’s speakers, immediately throwing the crowd into a frenzy. There’s a moment where everyone in the arena screams, the music overwhelming and the lights at seizure inducing levels. 

The dancers part slightly and Ava walks through. She’s wearing black from head to toe, with Lycra covering most of her body. The equally black leather accessories adding to the overall look, with a sort of skirt at her waist, gloves that stretch up to her shoulders, and knee length high heel boots. Her long hair is perfectly straight and loose, the wind from the fan by the edge of the stage already oscillating in her direction.

Ava unbuckles her helmet and removes it, microphone coming to her mouth, “¿ Madrid, que dices?

She can see the entire stage from where they are, but they’re far enough away that Ava won’t be able to see them. There’s a strange sort of energy that everyone has been enveloped by, almost as if Ava has turned into the brood mother and the hive is eagerly awaiting her orders.

Yo soy muy mía

(I’m very much myself)

¡Yo me transformo!

(I transform)

Una mariposa

(A butterfly)

¡Yo me transformo!

Makeup de drag queen

(Drag queen makeup)

¡Yo me transformo!

Lluvia de estrellas

(Falling stars)

¡Yo me transformo!

Pasá' de vuelta'

(I comeback)

¡Yo me transformo!

Como Sex Siren

(Like a sex siren)

¡Yo me transformo!

Me contradigo

(I contradict myself)

¡Yo me transformo!

Soy to'a' las cosa'

(I’m everything)

¡Yo me transformo!

“Beatrice.” The voice behind her has the insane ability to send a shiver down her spine every time.

She turns, eyes meeting Emilia’s intense gaze. “Emilia. How—how are you?”

“I’m well, thank you.” Emilia takes a moment to look down at her ‘outfit’ taking it in, “Big fan?”

She gulps. “Very big, yes.”

“Those shorts are… a choice.” Emilia softens, “It’s good that you made it, she’ll be happy to see you.” With that Emilia makes a twirling gesture with her fingers, asking Beatrice to turn back around and watch the show. “Enjoy the concert, Beatrice. And do try to restrain yourself in public.” Now dismissed, Emilia turns to the group next to her, nodding along to their conversation.

(*)

¡Desde el día en que naaaaaaací! ” Camila shouts along beside her. 

Then, both, “ Ta-ra-rá, ta-ra-rá, taaaaaa-tá! ” They laugh, bouncing together. “ Ta-ra-ra-taaaaa-tá!

The distinctive sound of what is probably her favourite part of the concert begins. Not that she’s seen it, of course, but she knows the sequence of songs that are about to unfold before them. She knows the edits Ava has done to make the flow appear seamless. 

(*)

(Watch until 18:56. It's gotta be seamless or Beatrice will cut you.)

The flamenco infused electro-R&B ‘ De Aquí No Sales ’ echoes across the arena, as Ava’s pre-recorded voice loops. Then, she begins to sing.

Yo que tanto te camelo y tú me la vienes haciendo

(I, who treat you well and you, who keeps hurting me)

Que tú, de aquí, no sales

(From here you won’t leave)

A singular spotlight is on Ava and she delivers the vocally heavy song as the revving of motorcycles engines start again. The dancers soon join but keep their distance as she crosses between them, back and forth.

Mucho más a mí me duele de lo que a ti te está doliendo

(This hurts me much more than it hurts you)

Conmigo, no te equivoques

(Don’t you dare test me)

The rhythmic clapping begins and everyone in the arena joins in the traditional palo . They’re in the perfect setting here in Spain for the next song ‘ BULERÍAS ’, which has flowed in perfectly after Ava’s belt. 

Ava holds the position of a flamenco dancer, left hand with the microphone resting by her stomach while the right one is held above her in a half ‘O’, fingers wiggling prettily. Then, she begins to move around the stage erratically, as if possessed.

Yo no tuve que hacer na'ita que yo no quisiera

(I didn't have to do anything I didn't want to do)

Y aunque ahora nadie lo ve

(And even though no one sees it now)

¡Dale!

Yo no tuve que hacer nada que me arrepienta ni de que yo lamente ahora

(I didn't have to do anything to repent or to lament now)

Para mantenerme en pie yo me maté 24/7 eso e' lo que tuve que hacer

(To stay on my feet I killed myself 24/7, that's what I had to do)

The traditional structure of the song allows Ava to fully use her vocal power and emotion, bringing to life the contemporary lyrics. The dancers shift around her as the percussion and motorcycle noises reverberate out of the speakers adding aggression to the song. Then, Ava stops singing, allowing her dancing to continue to build on the emotion as the clapping continues, dancers circling around her, arms flailing about. 

¡Olé!

There’s barely a moment to recover as the next song starts. A diluted form of ‘ Motomami ’ begins eventually mutating into the full song, fully wrapping up the segment. The dancers move strangely around the stage as Ava snaps her fingers. Then, they begin to form the shape of a motorcycle, which Ava boards and begins to sing.

A cada copia que ves tú dale tu bendición

(To every copy you see give them your blessing)

Y yo no quiero competir si no hay comparación

(And I don't want to compete if there's no comparison)

“That’s so fucking cool! What the fuck!” Camila is practically screaming this into her ear, eyes fixated on the stage. 

The background behind Ava making it appear as if the human form motorcycle is traveling a mountainous desert expanse. 

( This section is basically nonsense! )

Okay, motomami

Pesa mi tatami

(My tatami is heavy? lol)

Hit a lo tsunami

(Hits like a tsunami)

Ooooooooooooooooh!

Okay, motomami

Fina, un origami

(Fine like origami)

Cruda a lo sashimi

(Raw like sashimi)

Ooooooooooooooooh!

All the lights in the arena begin to flash at once, the bass consuming every sound around them. 

MOTOMAMI MOTOMAMI MOTOMAMI

MOTOMAMI MOTOMAMI MOTOMAMI

MOTOMAMI MOTOMAMI MOTOMAMI

MOTOMAMI MOTOMAMI MOTOMAMI

MOTOMAMI MOTOMAMI MOTOMAMI

MOTOMAMI MOTOMAMI MOTOMAMI

“Just hear me out…on the stage, the dancers will turn into the motorcycle.”

“Ava, how does that even happen? They’re going to be motorcycles?”

“You don’t see the vision!”

“I think you’re crazy, but also I encourage your crazy.”

‘You’re going to think it’s so cool when you see it, Bea. I’m excited!”

The song ends and Ava’s description of it finally…finally makes sense. And it is cool…but the previous songs are still her favourite.

Alice pulls the black curtains to their box halfway through the concert and walks in, drink in hand. She seems agitated. But all things considered, this part is probably the most stressful aspect of her job, apart from dealing with them as a couple.

“What do you guys think?” Alice nudges her way between them before taking a few sips of her drink.

“THIS IS THE BEST CONCERT I’VE EVER BEEN TO!!!!”

“Ava is incredible!”

Camila’s effusive reply completely drowns out her own.

“I haven’t told her you guys are here, but if you guys want to you can come down for ‘ Despecha ’. There’s a few VIPs that will go up and dance with her.”

Camila’s eyes bulge at the potential. “YES! I would definitely want to go, count me in! Take me, I'm yours! When do we go?”

Alice chuckles, emptying her glass before peering at Beatrice, waiting for her response. “No. No, you guys go.” This is for the best. Whatever space she can manage to create between them in such a public setting is the best course of action.

“Alright.” Alice turns, gesturing for Camila to follow.

It takes two songs and an outfit change to a more delicate pink sheer number. Then, the dancers are bringing various VIPs onto the stage. There’s several celebrities she recognises along with Chanel and Zori, Ava’s label mates. They all start dancing along to the infectious merengue/mambo fusion track. This song alone solidified Ava in the history books, breaking records in numerous countries along with complete chart dominance all Summer long.

(*)

Yeah-yeah…yeah-yeah ,” Ava joins the dancing, quickly finding Camila among the crowd onstage, a huge smile adorning her face. 

Ava begins to swivel her head searching through the faces on stage, but doesn’t spot what she’s looking for. It pangs at Beatrice’s heart, she knows Ava is seeking her out. She can see the moment Ava’s face drops as she looks back to Camila in question and her heart throbs in response. Ava thinks she’s not there. Probably thinks only Camila had the availability or something came up and Beatrice couldn’t be there. 

Ava quickly gathers herself, catching the first verse of the song slightly delayed.

Baby, no me llame' que yo estoy ocupá' olvidando tus male'

(Baby, don’t call me I’m busy forgetting your betrayal)

Ya decidí que esta noche se sale con toda' mis motomami', con toda' mis gyale'

(I’ve decided I’m going out tonight with all my motomamis, with all my girls)

The dancers with the VIP dance along as the crowd cheers. Even more phones are being held up now, trying to catch footage and photos of all the celebrities in attendance. Saying no to Alice was the best decision. 

Ava’s eyes are now determinedly looking through the audience first and then the boxes spread across the stadium. 

Zori and Chanel come up to her then, dragging her into a group dance, which Ava allows.

Y ando despechá', oah, alocá'

(And I’m heartbroken, oah, going crazy)

Bajé con un flow nuevo de caja, baby, hackeá'

(I came with a new flow, baby, I’m hacked)

Lo muevo de la'o a la'o y a otro la'o

(I move it side to side and to the other side)

Ava slings her arm across Camila’s shoulder as the song continues pulling her into a cute choreography, where they step side to side, then burst into a salsa. An in-ear comes off as Ava leans into Camila’s ear, microphone pointed to the floor. Camila nods vigorously in reply, a full smile taking over her features as Ava jumps out of pure joy, Camila joining in her little jumps.

Mira qué fácil te lo v'y a decir

(Look how easy it is, I’ll tell you)

A, B, C, one, two, three

Mira qué fácil te lo v'y a decir

Que esta motomami ya no está pa' ti

(That this motomami is not yours anymore)

Mira qué fácil te lo v'y a decir

Que esta motomami ya—

Ava leans towards Camila again as the song ends, who looks directly in the direction of their box, before nodding towards it.

Ava follows Camila’s gaze, eyes squinting at the box. She must see some blob that she recognises as Beatrice because her girlfriend smiles, all toothy and cute, to the point that the little creases of her eyes come out. Ava brings her hand up to her lips blowing a kiss towards her. She knows Ava can’t see her but she holds up a hand to catch the kiss anyways.

She hears Emilia sigh behind her. 

There’s a few heads swiveling in the crowd towards the box, having followed the direction of Ava’s kiss. Though Beatrice knows it's too dark and they’re too far away, she still ducks her head, lowering her face to the floor to avoid a searching eye or the focus of an overpowered phone camera. 

Camila returns, too giddy and energetic having just stepped off stage. “Ava says and I quote ‘Beatrice, I’m really, really happy. I’m so glad you’re here’.”

“No, she didn’t.”

“No, she did not, but she said other things that I don’t feel comfortable relaying to you because as I would like to remind you, Beatrice, I don’t need to know. I would also like to pretend you’re both nuns who just give charged glances to one another across courtyards and nothing else.”

(*)

One, two, three, four, five, six, seven, eight, nine, ten

Eleven, twelve, thirteen, fourteen, fifteen, sixteen, seventeen, eighteen, nineteen, twenty, 

One…one…one…one one one one one one

The closing song starts, a clattering deconstructed jumble of a song, with a unique blend of electronic and ballad elements. Controlled chaos would be the most apt description of it if Beatrice is being frank. And probably the closest a song comes to describing Ava as an artist. It’s not surprising at all that it’s the last song, as it encapsulates the album and the concert’s energy. From the high to the lows of the middle to the complete mayhem that is the end. 

Ava comes to the center of the stage, hair sweaty and curly from hours of dancing. The dancers move frantically around her with no obvious dance to follow. Though the energy is still high, Beatrice is pretty sure Ava is about to collapse from exhaustion.

Se creen especial como un año en Miami que nieva

(They think they're as special like a year in Miami when it snows)

Como una autopista sin flecha'

(Like a highway without an arrow)

Como una utopía sin brecha'

(Like a utopia without a gap)

Yo quiero ver la mariposa' suelta'

(I want to see the butterfly be free)

Emilia taps her shoulder, it’s a struggle to tear her eyes from the stage. And when she doesn’t turn back, Emilia yell-whispers into her ear, “Let’s go. We’ll need to get backstage before she finishes the song.” 

And she wants to object because Ava would want her to see the end. And she too wants to clap along with the audience and give Ava a much deserved standing ovation. 

Keep it CUUUUuuuuuute!

Emilia lingers by the curtains waiting, not willing to take no for an answer.

Keep it CUUUUuuuuuute!

Beatrice steps to Emilia, tugging Camila along, who isn’t coming willingly.

“But Bea it’s not finished!” Camila hisses, head still poking around the curtains to peer down at the stage even as Beatrice steers her away.

Emilia is on the move and then so are they. “Once we’re backstage it’ll be a mad scramble of getting Ava to change. The cars are already waiting for us to leave before the crowd does.”

They keep quiet as they go down flights of stairs and through several doors, Ava’s voice echoing and bouncing off the bare concrete walls. 

Mariposas sueltas por la calle

(Butterflies* free on the street)

Para verla' tienes que salir

(To see them, you have to come out)

Mírala', no pierda' detalle'

(Look at them, don’t miss their every detail)

Habrá quien te falle

(There are those who will let you down)

Pero yo siempre estoy ahí

(But I’ll always be here)

* The singer compares herself to a butterfly often.

Once backstage, Alice waves. Bags already slung across her shoulder. She tosses Camila one which must contain their wet clothing.

From the angle they’re standing in, they can see from the left side of the stage as the ballad section finishes and the tempo of the song begins to pick up again. The dancers consume Ava as she tries to fight off their relentless hold. 

A de alfa, B de brava

C de Charlie, angelada

Crashed, Lady D

Llévame lejo' de aquí

(Take me away from here)

Then, Ava breaks free, finishing the song and concluding the concert. She doesn’t wait around, giving a heartfelt thank you before bowing, as the crowd’s boisterous applause takes over the entire arena.

Ava is bounding off the stage, the rush of euphoria and delirium keeping the exhaustion at bay. As she spots Beatrice and company waiting in the wings, the wide grin on her face gets impossibly bigger, making a direct beeline for Beatrice. She melts into Beatrice’s waiting arms, throwing her entire body weight against her. The sudden weight causing her to grasp Ava tightly to keep her upright.

After a few seconds, Emilia is stepping up next to them. Her tone brooking no argument as she says, “You need to change. And leave with Alice in your town car. Camila and Beatrice. Come with me.”

“Umm, your honour. Please. I’d like to stay. Chanel and Zori invited me out after.” Camila shoves the bag of clothing at Beatrice, quickly grabbing Ava into a side hug. “Good show. Amazing. 100 out of 10,” barely breaking stride as she runs back the way they came. “BYE!”

“Beatrice, with me.”

There’s silence in the car. 

Beatrice is suddenly hyper aware of her breathing and how loud each inhale and exhale seems in the confined space. Emilia and her both seated at the window seats, the middle taken up by the bag holding their wet clothing and her satchel. She’s making an extreme effort to keep her breaths measured and steady so that Emilia doesn’t judge her and pick up on her nerves. 

She’s rubbing her clammy palms against the material of the shorts when Emilia finally breaks the silence. 

“Beatrice.” She’s turning towards Emilia now, eyes widening, a slow and steady bob to her head in acknowledgement. She’s still nodding. She needs to stop. Emilia must think she looks like an idiot. Stop. Okay. Stop. Any second now. Emilia is baring her mouth in what she assumes is meant to be a comforting smile. Except she’s showing too many teeth. Oh my god. She looks like a shark. She knows I’ve defiled her niece. Her adoptive daughter. She wants to kill me. It was a mistake getting into this car. The driver is in cahoots and my body will just be disappeared into the catacombs. 

“Thank you for coming tonight. It means a lot to Ava that you’d show up to her opening concert, make the effort to do so. I appreciate it too.” Emilia extends her hand across the seats and awkwardly pats at Beatrice’s forearm twice before withdrawing. “I also wanted to acknowledge you choosing not to go on stage for Despecha . I know Suzanne has already spoken to you about our expectations, how to keep this under wraps but I appreciate that you were conscious of the attention it would have generated. I… I know that Ava can be impulsive and careless. She might not want to think of the consequences of some of her decisions. As a child, she was always carefree. ”

By now Emilia has turned back around and is staring hard at the partition screen. A fierce frown etched on her face. “Or, at least, she’s very good at pretending to be carefree even when she’s hurt. I- I love Ava very much. I think Ava has told you a little bit about our family history. It hasn’t always been easy. So I thank you for taking care of her. Please continue to take care of her. And be patient with her.”

When the town car draws up to the door of Ava’s apartment building, both Emilia and Beatrice let out a giggle at the sight of the double doors opening slightly and Ava’s head poking out to peer at them. 

As Beatrice scrambles to get out of the car, looping the strap of the bag and her satchel around her hand and unbuckling her seatbelt, Emilia is bidding her farewell with a wave of her hand, “Goodbye Beatrice, have a good evening. Don’t make me regret this. I will take great pleasure in chopping you into pieces if you hurt her…Oh, and Beatrice? No more ripped dresses,” before breaking out into chortles. Emilia is still laughing to herself when Beatrice closes the door on her, cutting off the sound. Face pale. 

Ava’s swinging the door open for her as she walks up the few steps to the entrance and stepping into the lobby. “What’s wrong?” Ava’s eyes are anxiously scanning her face, raising up a hand to cradle Beatrice’s cheek. “Emilia threatened to kill me. And she knows about the dress.” 

Ava starts laughing, her laughs echoing through the lobby and bouncing off the stairwell. 

It sounds like Emilia’s laugh. These Silvas are terrifying…

Did you know that I’m truly, madly, and deeply in love with you?

 (Inside one of her boots.)

Notes:

Guys watch the full concert. It is my life's biggest regret to have missed it.

Chapter 15: Y más y más de ti yo me enamoro, tú eres lo que quiero, tú eres mi tesoro.

Notes:

Here is the playlist and mood board.

Chapter Text

Beatrice Young and Camila Delcán of The Cruciforms, Spotted Singing Along at Ava Silva's Opening Night in Madrid

Babea

{BY-Outfit2x02}

[Possible final outfit choice.]

[aadsfgh]

[Jesús Cristo.]

[I’M IN PUBLIC. ANYBODY COULD HAVE SEEN MY SCREEN.]

[BEA YOU CAN’T.] 

[I can’t handle any more competition.]

[Darling. There’s no competition.]

[I AM AWARE OF THE DOUBLE STANDARDS. But NO. You can’t.]

[You can’t wear that.]

[I forbid you.]

[My eyes only.]

[Hah.]

[I’m joking. We’ve vetoed it.]

[Oh.]

[In that case… can you bring it home? I have a sudden need for you to step on me and fuck me while wearing that.]

[Not necessarily in that order.]

[I don’t want to stomp on you!]

[Maybe just gently walk uponeth me.]

[...maybe.]

[Give me a second.]

Outgoing video call

“Bea? Are you wearing it right now? Show me.”

“Hi my love. No, I’ve already changed out of it but I thought you might enjoy seeing the outfit.”

“No shit! Well, that’s a shame. Show me what you’re wearing anyways…Oh? One second. Lilith just sent me a link or something on Instagram.”

“NO! AVA. Don’t check that.”

As Beatrice continues to make chopping movements and frantically asking Ava not to check Lilith’s message, Ava taps on the notification of Lilith’s DM. There’s no message, just a link to her story, which Ava follows. As the story plays out it’s a video of Beatrice wearing the outfit.

The voice from one of the stylists is heard over the pops of the camera flashes, “Beatrice, please just—can you manage to at least take one step. Just one step.”

“Yeah, Beatrice, take one step…” Lilith’s voice can be heard closest to the phone, smug amusement coating her tone. 

There’s a giggle afterwards, a giggle which Ava recognises as Camila’s.

Even while standing still Beatrice’s legs wobble like a person on stilts, but if the stilts were made of soft noodles. 

Both Camila and Lilith snicker as Beatrice tentatively takes a couple of steps, her arms braced midair in front of her, wobbling back and forth the entire time.

“Look at her…a delicate newborn doe, an intoxicated gazelle, such poise, such artistry, such—OOP THERE SHE GOES,” Camila says, all while holding in her laughter.

Beatrice has taken too wide of a step, her knees giving out and the forward motion causing her to awkwardly tumble forward, meeting the floor with a thwack.

The video is shaking back and forth, trembling with the force of Lilith’s cackles and wheezes. “What a fucking dork!”

Camilla is bellowing in the background. 

Then Lilith has clearly edited the video to repeat the moment of Beatrice’s tumble a couple of times as the message ‘Don’t DM me with Beatrice thirst anymore! Embarrassing.’ covers Beatrice’s face as she falls to the floor over and over again. Thwack thwack thwack!

Ava can’t help herself. She’s doing her best to hold her laughter in, covering her mouth as her shoulders shake in mirth, tears leaking out the corners of her eyes from the effort. 

Beatrice is watching all of her reactions in the small video window in the upper part of her screen, face dismayed and displaying all the betrayal she feels in the moment. 

Ava is sputtering away until she finally reaches the end of her ability to compose herself for Beatrice’s sake, a loud guffaw ripping its way out of her throat until she’s openly laughing at Beatrice. “I—I—I’m so sorry. I can—can’t help it, Bea. You just look so— HAHAHAA. I’m trying to—whew. Calm. Ava. Calm. I still find you very sexxxx—HAHAHA.”

As Ava takes several deep and calming breaths in an effort to stop laughing at her girlfriend, Beatrice brings the camera closer to her mouth, her lips enunciating, “Judas. The Betrayal.”

It sets Ava off all over again.

The Ava of My Eye

[We need to come back to this.]

[The vibe. It’s missing the vibe!]

[truetruetruetruetruetrue]

{6035192.jpeg}

[You’re welcome!]

[My Babea!]

[She won’t reply to me anymore.]

[She just finished with wardrobe for the day.]

[She’s walking around aimlessly looking a little delirious.]

[Let me go tease her.]

[Comme des garçons!]

[Like the booooooooooooooys]

[Wait! Ava! That’s it!]

[What Bea is wearing?]

Comme des garçons…like the boys, like the boys!

Bea’s so confident!

[OMG!]

“Beatrice, this simply will not do.” Ava is looking around her flat, duffle bag still slung around her shoulder, with one shoe off, one shoe very much still on and straying a little too far into the living room for Beatrice’s comfort. “When we agreed to spend the holidays together I thought that meant festive cheer…not your flat giving winter blues.”

“Shoe!”

“Yeah…yeah!” Ava lazily kicks the other sneaker off, hands immediately on her hips as she paces around. “Where are your decorations? I’ll put them up myself.”

“I don’t—”

“What do you mean you don’t? You don’t have decorations? A tree? Lights? Mariah Carey blasting from the crack of dawn to the late hours of the evening?” Ava looks more and more appalled with every shake of her head, as if Beatrice has taken this hypothetical tree and set it ablaze herself as an act of protest.

It’s been three weeks since they’ve last seen each other and instead of a cute reunion she has been pushed aside the moment Ava arrived, Ava rushing up the stairs while commenting on all the holiday things they could do together with only one sad little kiss placed on her lips. The sheer disrespect! As if Beatrice hadn’t been eagerly waiting for hours. 

“I’m not a big Christmas person. The most I do is gift exchanges with the band and dinner with mum,” is her reply, and it must be the wrong one by the thunderous look on Ava’s face. 

Ava takes in her answer, nodding along, but not in the least bit understanding her. Ava is a huge Christmas person, correction, Ava and her family are huge Christmas people. Big parties. Decorations everywhere kinda Christmas people. Beatrice has seen the pictures, they were intense. Not the pictures, though bountiful they are not the intense part, the intense part was the all hands on deck food everywhere type of gathering where she was sure you couldn’t be heard over the amount of celebratory noise and music going on. 

Ava throws the duffle and it slides into the small hallway leading to Beatrice’s bedroom before she flings herself face down onto the couch dramatically. “This is it isn’t it? This is why we break up. I left everything all cute back home for you and I’m here greeted with nothing!”

Beatrice chuckles, walking over and sitting cross-legged in front of the couch. She runs her hand through Ava’s hair, carefully tucking a few curls behind her ear. “Darling, how did you even have the time to decorate?”

Ava abruptly sits, her face now a full pout. “Priorities! It brings me happiness.” Before she can even reply, Ava is up and walking to her shoes, “We’re leaving. We’re getting a tree, lights and ornaments. I cannot stand to be here for another second without it looking like Christmas exploded!”

They’re inside one of the small shops nearby and she has already lost Ava. Ava had eagerly grabbed a basket and dashed towards the Christmas section with nary a thought for her. 

On their walk over a compromise was reached. No tree. Or at least Beatrice thinks they’ve reached a compromise.  ‘Absolutely no tree, I haven’t the space to store it after the holidays’ being met with Ava’s reply of ‘That’s fine, we can just leave it out all year!’. 

The thought of having a Christmas tree out all year actually scares her. The dust that would settle. The spiders that would make the tree their home. The nightmares potential ornaments would give her.

“I just remembered that there’s two trees in your living room!” Ava appears out of thin air, basket already full with various felt ornaments: a squirrel, a fawn, multiple mushrooms of various colours and sizes, and an assortment of stars. “Come pick some decorations with me.”

“I don’t know… it looks like you cleared out the stock already.”

Ava ignores her and just begins to walk away again. Beatrice follows with a small shake of her head. “Are we decorating both trees?”

“That’s the plan. No lights though, I don’t want to damage them.”

The selection of ornaments is actually quite vast for such a small shop. From the look of the contents of the basket Ava seems to prefer a more rustic style. “What about this one?” Beatrice says, holding up a little penguin with a red scarf. 

“Great choice. What about the gingerbread man?”

Beatrice nods enthusiastically. They go through most of the selection, probably picking every single variation and even grabbing a few repeats of their favourites. 

“I’ll see you outside,” Ava says, thrusting the basket into Beatrice’s hand.

The store clerk is an older man who takes his time scanning and writing down their selection into  his bookkeeping book. He doesn’t pay Beatrice any mind, the radio behind him low and tuned to the BBC where they’re playing an old rerun of Charles Dickens’ “ A Christmas Carol ’.

Ava waves from outside the shop display window, heat from the radiator inside and the cold from the outside making it dewy with perspiration. Beatrice spins, bringing her arms up to form a quick heart above her head. Ava smiles, pulling out her phone signaling for her to keep the pose a little longer while she snaps a few pictures.

It’s beginning to snow now, the first signs of it already obvious on their walk over. It won’t last, but it was already enough for Ava to start coming up with crazy ideas of snowball fights and snowmen. The current plan being to hunker down for the night and decorate. And if it snows enough then maybe they can revisit Ava’s plans.

Ava’s looking down at her phone when Beatrice steps out of the shop. She grabs hold of Ava’s hand instinctively with her free hand. “I think we have enough, but there’s some more shops we can walk to if you’d like.”

“One second…Camila is making progress…” Ava replies, typing into her phone with one hand, a task proving to be more difficult than it should be. She’s still typing as she continues, “A wreath…I was—a wreath, we should get a—”

“Hi, Beatrice.”

Beatrice doesn’t recognise the voice. Instantly a cold sweat takes over her body and Ava must instinctively know or can sense what’s about to unfold because she drops Beatrice’s hand and actually bolts away, faster than she can even begin to wrap her head around the situation. Ava clears the corner of the street before Beatrice gathers the strength to turn around.

A group of five girls or in this case young 20 something year olds greet her. They all wave awkwardly, but make no move to step back from their position, which is entirely too close in proximity for Beatrice’s comfort. One she recognises right away from her morning runs, or what used to be her morning runs. The rest are new, but equally excited to be here.

“We were wondering if we could take a picture with you.” One of the girls speaks, phone in hand the others nod along, all with huge smiles adorning their faces. 

“I—”

“We’ve been hoping to come across you and finally—”

“That’s not…” She wants to turn to look in the direction that Ava had headed in, just to check if she had truly managed to escape, but she knows it would give the girls a reason to look as well. Where had they even come from? How long had they been following her? Hoping to come across you. Actual annoyance is quickly turning into fury. This is not okay. Especially not when Ava is around. She can’t let this happen. She can’t let them keep doing this.

“Are you having a good holiday so far?”

She needs to calm herself. They’re looking at her expectantly, like she owes them something. It’s not subsiding though, she can feel the heat in her neck, the tremble in her fingers. Breathe. Breathe. Breathe— “Going well,” she replies. Keep it short, keep it courteous. Give them what they want so they have no reason to speculate who was next to her.

“That’s good to hear! Are you doing some last minute shopping?”

“I am.” They’re amicable, which means she can probably get through a few pictures quickly enough and hopefully send them in the opposite direction of Ava. “Pictures?”

They all nod, scrambling to gather their phones. After several photos and autographs, they cheerfully chatter amongst themselves while throwing additional questions her way about the start of the tour and if new music is expected. She can probably make her exit now. 

“Before I go I want you guys to know that this, this interaction, is not in any way okay with me.” She needs to be delicate about this, even if every fiber of her being is screaming at her to protect. To protect Ava. And to tell them off for violating what should have been a private moment in her life. “While I appreciate meeting you and all your support, I just want you to understand that this is…this is my neighbourhood and I need to know that I can do things and go about my life here without there being an expectation.”

Their faces shift, they look at one another confused. 

“We just wanted to say hi.”

“We’re sorry—”

“At the studio, that’s fine. At the label headquarters as well, but not here.” She’s hoping her face is coming off neutral, but from the looks she’s getting they might as well be getting reprimanded by a headmistress. “I’m going to go now and I don’t want you to follow, okay? Have a happy festive season but please remember what I’ve asked of you.”

They nod.

Beatrice nods back and turns on her heel.

“We’re sorry!” They yell.

She doesn’t look back as her legs move along on autopilot. Her phone is by her ear within seconds, ringing Ava, but it’s going straight to voicemail. Actual panic is starting to set in. She needs to find Ava, they need to get back to the flat and assess the situation. She keeps walking along, head surveying the surroundings for Ava while she keeps calling her number. 

It doesn’t take long to find her girlfriend sitting on a bench outside of the small community park, head low, curls draped around her face as she speaks on the phone. 

When Ava spots Beatrice in her peripheral vision, she quickly hangs up on whoever it is on the other line with an abrupt “I’ve gotta go.” 

Beatrice isn’t sure how to even begin the conversation that they’re probably about to have. 

She knows she’s caused this. Ava knows she has been reckless.

“Ava, I’m so sorr—” she starts to say but Ava just stands, looping a hand around her arm and pulling her in the direction of the flat.

The walk home is quiet, which is unexpected given what just occurred. Beatrice had been mentally preparing herself for a heated discussion or argument. Like her, Ava looks behind them every so often, just to make sure they’re not being followed. The action is distressing, coated with a fear that neither of them should be having to feel right now, a fear that shouldn’t be hanging like a dark cloud over their precious time together. Whatever cheerful mood they had earlier has all dissipated now.

As they walk, Beatrice silently berates herself. Beatrice should know better. Their circumstances are complicated. Ava, whether unwillingly or deliberately out of trepidation, has chosen to keep their relationship a secret. A secret Beatrice herself has agreed to have and to keep. A set of circumstances that Beatrice tries very hard not to linger upon, her mind inevitably leading her to thoughts she’s trying very hard to bury, thoughts that seep in every once in a while when Ava is not there to keep them at bay.

Ava’s career means everything to her. Beatrice knows this. Ava is dedicated to being the very best she can be, has been crafting an image of herself for years, an artist that is sought after and appreciated both for her talents and charm. Unlike Beatrice, Ava has not had years of experience to deal with this new part of herself. Beatrice can empathise with that. She does empathise with it. She wants to support Ava in any way she can. Knows all too well the fear. The potential rejection. The reactions to Ava dating a woman would be mixed at best. But she would be lying to herself if this wasn’t starting to affect her. 

Ella Fitzgerald’s ‘ Have Yourself A Merry Little Christmas ’ is playing low from the record player and Ava has taken it upon herself to rearrange the furniture so that both trees are on either side of the baby grand piano. The books have been placed underneath the coffee table, leaving room for the meticulous organisation of all the ornaments. And it’s so unlike Ava but so intrinsically Beatrice that she had to take a quiet moment to appreciate the effort that her girlfriend puts in for her, even when everything is probably telling Ava to just haphazardly dump the ornaments onto the table.

Beatrice places the lid on the pot of their pumpkin and cauliflower soup, waiting for it to boil. The roasted potatoes in the oven still require a few more minutes to be ready. 

Venturing into the living room, Ava catches her eyes before bouncing in her direction. “Can we have hot chocolate later?” It’s the first words Ava has spoken in close to an hour since their return.

“Of course.” Beatrice checks Ava over, two long sleeves should be enough with the radiator on. “Are you warm enough? I’m going to close the shutters.”

“NO! It’s snowing and everything is perfect. It’s so atmospheric.” Ava panics and walks in front of her, shaking the little penguin ornament at her, keeping her as far from the window shutters as possible. “Decorate with me?”

“After dinner?”

Ava nods, she’s seemingly fine but there’s something there, it’s hidden under her smile, but Beatrice can tell. Beatrice has begun to notice Ava’s tactics to disengage from situations that make her uncomfortable. ‘ She’s very good at pretending to be carefree even when she’s hurt ,’ Emilia’s warning now at the forefront of her mind.

The flat is warm and glowing with holiday cheer as the record is replaced by Ava’s Christmas playlist, a mesh of contemporary voices and old ones alike. After they’ve eaten through dinner, Ava cleans the dishes to Kristin Chenoweth’s ‘ Christmas Island ’ all while doing a choreographed jig and singing in that high pitched Chenoweth way. Beatrice can’t delay the mind vomit turning into actual word vomit any longer.

“Are you okay?” Beatrice asks the moment the final dish is placed in the drying rack.

Ava turns and has the audacity to look confused by the question. “Yes. Why wouldn’t I be okay?”

“Earlier with the group of—”

“Don’t do that.” Ava throws the dish rag next to the sink before crossing her arms, already apprehensive about what is about to transpire.

“Do what?”

“Projecting. You’re projecting your feelings onto me.”

“That’s— That’s absurd! You’re deflecting. You’re overcompensating and pretending it doesn’t affect you.”

Ava nods a few times, eyes searching the ceiling. Beatrice would hazard a guess at looking for patience. 

“Beatrice, is that what you want to hear? That I’m upset? Yes. Of course I’m upset, but not to the point where I’m willing to let this ruin our evening. We already don’t have a lot of time together, I don’t want to spend it talking about things that will stress us out.”

“Well, I don’t want you to pretend something is okay, if it’s not.” A sigh escapes Ava, and then she’s shuffling past Beatrice. She follows, the conversation cannot be over, that’s not how it works anymore. “I think it’ll be okay.”

Ava spins in place and Beatrice almost smashes into her. Her eyebrows lift, “What will be okay?”

“The girls. I chatted and took photos to appease them. They didn’t seem to be concerned with whoever was next to me. I let them know that following me around my neighbourhood is not okay with me.”

“How do they know where you live, Beatrice?” Ava’s eyes are now considerably bigger. Shit. Her tone irritated.

Now she’s the one scrambling with a need to run away from this conversation. “I—they must have followed after one of my runs. I recognised one of the girls, she may have told the rest…I’m not sure.”

Her girlfriend's eyebrows are now scrunched up in complete astonishment. “You’re still going for your runs? Even after I asked you not to? Even after I told you that it worried me?”

“I’ve been waking up earlier to do them when no one is around. There are things that I still want to keep from my life before all of this .”

Ava scoffs. “Are you aware that you’re well past that? You cannot keep pretending like your life hasn’t changed. You’re on the cover of Rolling Stones, you’re there at the dead center, your name is in bold letters. I passed a billboard with your faces on the way to your flat. What do you not understand about your circumstance? Our circumstances?”

“Why do I need to completely change who I am to fit into the mold this industry wants me in? I can still be my own person.”

“I’m sorry, did you not want this? You thought being a musician wasn’t going to change your life? You thought you, Beatrice, could exist exactly as you are?”

Okay, but how did Ava just completely flip the script to the conversation she was going to lead. In a span of a few sentences Ava has been able to zero in on the fact it wasn’t at all about the girls seeing them, but about what she’s been feeling lately instead.

“No, that’s not—”

“I apologise if maybe this is too blunt for you, but Beatrice, your life has changed. Especially now with me. I’m involved. You can’t continue to be careless. Not with me and not with yourself. I know I’m not the only person that has given you this warning. Look at today, that can’t happen again.”

“I just don’t want to lose myself. I feel like every day I lose something. Every aspect of my life is up for debate by the team, by Suzanne, by the press, even the fans have their opinions. I can’t go five minutes without being prodded or told what to say or how to behave. I can’t go back to feeling like I did when I was younger. I can’t.” Ava is quiet, paying close attention to everything she’s revealing, as if it’s something Ava can herself fix. “I actually jerk away when our stylist touches my hair sometimes. I know it’s silly, but if I can keep small things, like my morning runs then I want to do that. I have already adapted in other ways, I haven't taken the train, I’m careful when I’m alone. What else do I have to give up?”

“I can’t say that I relate to what you’re feeling. I wish I could, even if it’s just to tell you that things won’t stay this way, but I can’t. I have always lived this way, I don’t know anything else. The sacrifices you’re making now were made for me long before I knew what I was giving up.” Ava’s running her hand along Beatrice’s arm, smoothly coaxing her near, “I do know that to keep even just a small part of myself then I need to be private. There has to be a detachment of me the person and me the artist. You know this. You know the way I present myself is not who I am. I’m not saying that you need to do the same, I could never ask that of you, but you need to come to some sort of decision for yourself. What would benefit you in the long run, what will hurt you if it continues.”

“I’m trying. I’m really trying here. Can we talk about it? Not now, but maybe a bit later when everything is not so confronting and daunting.”

“That’s okay. We can, whenever you want. We can figure out what things you can still keep doing that keep you you and that make you feel okay with all of this .”

“Yes, I’d like that.”

Ava is taking a few steps back towards the coffee table where their collection of ornaments await, ready to be hung. She grabs the little penguin again, lifting it up for Beatrice to grab. 

They go about hanging up the felt decorations, and by ‘ they ’, Beatrice means Ava, who has turned into a dictator, unhappy with Beatrice’s placements and adjusting them as they go. The squirrels need to be next to the holly just in case they get hungry and the penguins need to be next to each other because ‘Bea, did you know they mate for life?’. And Ava absolutely loses it when Beatrice grabs the gingerbread man and says, ‘Not the gumdrop buttons!’ along with all the hysterics. 

It’s much later when they’re snuggling on the couch under layers of blankets and watching Christmas with the Kranks that Ava pulls Beatrice closer, worried eyes meeting her own and says, “I’ve heard you. I understand you. Do you understand me? Do you understand why I need to keep things private? Why I need to keep us private?”

“Yes. I know what a future for us requires.”

Camilamenomenon

[Bea’s done waiting, anticipating, keeps going and going!]

[Yeah, Bea’s just in it, born to win it, keeps going and going!]

{5072231.jpeg}

[ELEVATE YOUR VISION WHEN YOU PUT HER ON THE COVER!]

[Write her name up in the sky from Paris to Shibuya!]

The Ava of My Eye

[Touch her butt for me.]

[She’s on to us.]

[She saw me coming and picked up her pace.]

[Her little pigeon ankles are working over time.]

[Like the boys, like the boys!]

[Bea’s so confident!]

Camilamenomenon

[Anything to report?]

[All is quiet General Silva. The target is keeping her promise.]

[Excuse her ego, can’t go incognito.]

[Every time they see her, it’s like winning big in Reno.]

The Ava of My Eye

{ JC Getting Destroyed By Beatrice Edit }

[We can laugh about this now, right?]

[LMFAO]

[THIS SHIT IS BANANAS!!!]

[B-A-N-A-N-A-S!]

[I knew you’d appreciate it. Unlike SOME people.]

[Don’t fuck with her, ho, take you down like aikido.]

[Wait…]

[That doesn’t flow…]

[Take you down like judo?]

[We don’t have to be that accurate.]

[Plus, it’ll be fun hearing Beatrice correct us later.]

[‘I don’t do judo…it’s all about having the right defense.’]

[Fucking nerd!]

[HEY!]

[Make it rain, Bea’s taking names from London to Meguro.]

[She’s gonna take your name.]

[You wouldn’t let her!]

[You love me!]

[DO I!?]

London Sighting Sparks New Music Rumors for Ava Silva, Too Soon?

Back in the Booth: Ava Silva Spotted in London During the Holidays, New Music Already?

The sun is shining, the birds are singing, and the world is glorious. Ava feels like breaking into song a la a Disney Princess as she flings the window shutters and balcony doors open, letting in the waning December sunshine and light breeze swirl into the dining room of her apartment.

Tempted, she opens her mouth and lets a trill ring out, dramatically casting out her arms, half expecting birds to land onto them.

After spending Christmas with her mum, Beatrice had arrived mid afternoon the day before. 

“What the heck are you doing!?” Beatrice calls out from the bedroom, still sounding groggy with sleep, no doubt having been startled awake by Ava’s Disney Princess-levels perfect trill.

“Calling the birds to help around the apartment!”Ava yells back. 

There’s a pause as Beatrice absorbs her words. “There’s going to be a swarm of disease riddled pigeons heading towards us now.” Beatrice’s voice getting louder in volume and closer in proximity as she exits the bedroom and approaches Ava, all rumpled and warm from sleep.

All is right in Ava’s world as Beatrice snuggles closer to her; arms winding around her waist in a hug, in the middle of her apartment which currently smells of pine and the apple honey butter candle, during the holiday season, Beatrice dressed in her matching Leonardo Ninja Turtle t-shirt to Ava’s Donatello one and the plaid pajama pants her mum had bought her for Christmas. She would even venture as far as to call it a perfect core memory moment. 

Ava would count sleepy Beatrice as one of her top ten. No . Maybe five? Eight? Top eight versions of Beatrice. Sleepy Beatrice is currently burrowing deeper into her neck, breaths already beginning to slow again and deepen in response to Ava running her palms soothingly up and down her back as she cradles her girlfriend in her arms. 

“Darling?” Beatrice’s voice is barely more than a puff of sound just under her ear. 

“Mhmm?” Ava hums lowly. 

“Bed? Please? I’m so sleepy.” 

This is the side of Beatrice Ava is one of the privileged few to ever get to see or know of. While normally disciplined with her morning routine and a go-getter, give Beatrice a rare day off with nothing but time ahead of her and she will happily sleep in until mid-morning and spend the day loafing around.

Ava presses her smile against her girlfriend’s head, brushing a lock of hair to tuck behind Beatrice’s ear and dragging the back of her knuckles along the apple of her cheek before replying. “I thought you wanted to get Miguelitos and go see ‘ Las Meninas ’ before the crowds show up?”

The seconds tick by as Beatrice struggles to compute Ava’s words in her sleepy state. Eventually, “When does del Prado open?”

“10am,” Ava now gently rubbing her cheek against Beatrice’s head and hair, a perfect blend of her coconut and Beatrice’s lavender shampoo.

“What time is it now?”

Ava squints at the clock on the far side of the dining room, numbers barely legible without her contacts in. “8…50? 8:50. I think. Come on, if you get ready now we can probably get the food and come back here to eat before we take the town car to the Museo.”

Reaching around and down, Ava gently pats at Beatrice’s butt. Barely resisting the urge to grab a handful and squeeze firmly. “Bea, it’ll be difficult to find another time for you to go during this visit since they’re on reduced hours for the holidays. Come on. Chop chop, I don’t want to risk upsetting the beast.”

“I don’t like you when you make sense,” Beatrice grumbles out as she reluctantly emerges from Ava’s neck, a furrow to her brow as she draws back and regards Ava silently. Ava leans forward and presses pecks, once , twice , thrice , to Beatrice’s lips before bodily turning her around towards the bedroom and giving her a gentle shove. And because Ava is Ava and she cannot resist Beatrice, who can blame her if she gives Beatrice’s tush a parting squeeze . “Hey!”

As they exit the apartment, Ava locking the door behind them, Beatrice reaches out to intertwine their hands. 

Pulling her hand back out of Beatrice’s reach, Ava has to shake her head at her, “I’m sorry, Bea. We can’t, not here in Spain.”

“Oh. Yes. I forgot.” A shadow seems to pass over her girlfriend’s face before it’s quickly cast aside, Beatrice walking ahead to lead the way down the stairs. 

Internally, Ava heaves a sigh. Beatrice is upset. And it’s absolutely warranted.

They’re walking quietly side by side, shoulders brushing, towards the cafe. The streets are just now coming alive as businesses draw their doors open and everyone groggily seizes the day. Chairs and tables are being brought out by restaurant staff members and specials boards updated with the day's menu item. 

It’s a quiet side of Madrid, with all the familiarity of living in the big city without all the bustle. Ava can go somewhat unnoticed here. The demographic is on the older side which she prefers, one of the main reasons for her choice in apartment a few years ago. But even then she can’t let her guard down. 

Beyond the brim of her cap she can see Beatrice’s face as she looks at their surroundings, taking in every detail, from the pots of plants hanging from balconies to the amusing colours of scooters lined along the sides of the street. 

The smell of baked treats permeates the air as they get closer to the cafe and while Ava would love to stroll hand in hand with Beatrice down the street, she’s too conscious of the unwanted attention that simple gesture may attract. 

Rushing the last few meters ahead of her, Beatrice is pulling the door to the cafe open for an exiting abuelita.

“Gracias mi vida. (Thank you, my life*.)” *Something sweet older people say.

“De nada (You’re welcome.),” Beatrice replies cheerily as she waits for Ava to catch up. 

As she passes by Beatrice, she can’t deny herself or her girlfriend anymore, reaching out to run her index finger along the delicate exposed skin of Beatrice’s wrist and brushing far closer to Beatrice’s solid warmth than a friend would. 

(*)

Ave María, ¿cuándo serás mía?

(Ava Maria, when will you be mine?)

Si me quisieras, todo te daría

(If you loved me, I would give you everything)

Ave María, ¿cuándo serás mía?

Al mismo cielo yo te llevaría

(I would take you to heaven itself)

“¡Por favor mujer, baja esa música! (Woman, please lower that music!)” 

Dulce slaps her husband 's hand as he reaches for the dial on the small radio next to the coffee machine. “Que ni se te ocurra tocar el radio porque te cojo por los—¡Ava! ¿Cómo estás? (Don’t you dare touch the radio because I’m going to grab your—Ava! How are you?)”

“Hola Dulce, buenos días. (Hello Dulce, good day.)”

“¿Lo crees? Quiere quitar a David Bisbal. (Can you believe him? He wants to take off David Bisbal.)”

“¡No! Con sus rizos perfectos. Me gustaba mucho cuando era pequeña. Creía que me iba a casar con él un día. (No! With his perfect curls. I liked him very much when I was younger. I thought I would marry him one day.)”

“¡Si! Siempre fue tan bello. (Yes! He was always so beautiful.)”

Beatrice’s attention which was perusing the glass cabinet in front of them has turned to Ava instead, an amused smile on her face. “Marry him, huh?” Ava has to do a double take, eyes narrowing at Beatrice in question, but Beatrice is then turning away, pulling out her phone and taking pictures of the pastries.

“¿Cómo te puedo ayudar (How can I help you?)” Dulce asks, already setting up a white box for them.

Dime tan solo una palabra que me devuelva la vida y se me quede en el alma

(Tell me only one word to bring me back to life and stay in my soul)

Porque sin ti no tengo nada

(Because without you I have nothing)

Envuélveme con tus besos

(Wrap me with your kisses)

Refúgiame en tu guarida

(Shelter me from danger)

Beatrice bounds forward at Dulce’s words. Bemused, Ava is stepping to the side, lingering close by in case Beatrice needs assistance or has trouble conveying herself, only to feel her jaw drop open. She can scarcely believe her own ears. 

“Hola, buenos días.”

“Hola,” Dulce is indulging, but she seems hesitant in addressing Beatrice.

“Si, para llevar, dos Miguelitos y dos café con leche, por favor. (Yes, to take, two Miguelitos and two lattes, please.)”

“Vale. Juan, prepárale los cafés. (Of course, Juan, prepare the lattes.)” Both Ava and Dulce are stunned into a brief moment of silence before Dulce continues; intrigued,  “Que bien hablas el Español. ¿Lo has aprendido aquí? (You speak Spanish very well. Did you learn it here?)”

“Bueno, un poco cuando vengo a Madrid pero el resto del tiempo práctico sola o con mi mejor amiga. (Well, a little bit when I visit Madrid, but the rest of the time I practice alone or with my best friend.)”

“Me agrada tanto cuando las personas lo aprenden. Tienes que seguirlo. (It makes me incredibly happy to see someone learn it. You need to keep going.)”

“Sí, me encanta. (Yes, I love it.)”

Y cuando yo te veo, no sé lo que siento

(And when I see you, I don’t know what I’m feeling)

Y cuando yo te tengo, me quemo por dentro

(And when I hold you, I burn inside)

Y más y más de ti yo me enamoro

(And I fall more and more in love with you)

Tú eres lo que quiero, tú eres mi tesoro

(You’re who I want, you’re my treasure)

Now turning back towards her, elated expression on her face, Beatrice proudly shakes the box full of pastries, “Look, Ava! The tia even gave me some roscos to try. I think she liked me? I think she understood everything I said!”

“Did you…Bea.” There’s a lump in her throat. She’s almost finding it hard to verbalise the words. “Did you learn Spanish?”

“Yes? I mean, I’m trying to. I think I’m getting better at it now. Last time when I got lost and rained on, I think I just kept getting the words wrong and then I got nervous and rambled… that must’ve been why they sent me in the direction of a Polish restaurant. I’ve been diligently doing lessons everyday on the app and then listening to Spanish songs as well as watching soaps to immerse myself. I really want to be able to communicate while I’m here and be able to understand your lyrics,” Beatrice is starting to ramble.

Maybe she’s being too presumptuous but maybe? “Did you learn Spanish for me?”

“Yes. Is that okay? I—I’m just really frustrated that I can’t help you with the Spanish parts when you write lyrics. If I write in English then you have to translate. And I really wish I could just understand your songs better and not have to rely on online translations or Reddit comments. I also want to be able to speak to your family too. Plus, it’s a beautiful language.”

Ava is floored. Beatrice has learnt Spanish. For her. 

Sin ti me siento tan perdido enséñame la salida, llévame siempre contigo

(Without you I feel so lost show me the way out, always take me with you)

Protégeme con tu cariño

(Protect me with your tenderness)

Enciéndeme con tu fuego

(Light me with your fire)

Y ya más nada te pido, nada te pido

(And now I won’t ask for anything else, anything else)

Ava’s standing in the middle of the cafe just clenching and unclenching her hand. 

Her hands, her body, every fiber of her being , gripped with the overwhelming need to just feel Beatrice, to touch her skin, to just be with her. Overcome by an almost unbearable urge to embrace Beatrice in public. But she can’t. She knows she can’t. And at once, she’s awash with a profound feeling of sadness, of feeling so so much for Beatrice and being unable to openly shout it from the rooftops. 

Ava comes back to herself at the feeling of the tray of the café con leche being nudged into her hand, then a warm grip at the crook of her elbow, lightly tugging. It’s Beatrice. She’s steering her out of the cafe, pushing open the door and stepping out into the daylight. Then Beatrice is quietly murmuring, “Let’s go home,” just loud enough for Ava to hear.

As they make their way back to the apartment Beatrice is speaking next to her, “Hay una librería allí. ¿Podemos ir después? (There’s a library there. Can we go later?)”

Ava has to clear her throat a few times before she can respond to Beatrice. She can’t prevent the wobble in her voice as she replies, “No es una librería, creo que es una tienda. (It’s not a library, I think it’s a shop.)”

Tears burn at the corners of her eyes with the way that Beatrice loves her, the quiet ways in which she expresses her love. Like she had told Emilia so many months ago, Beatrice notices everything. Like now. Beatrice has recognised the complicated torrent of feelings swirling inside her and is doing her part, to not minimise Ava’s feelings but also not allowing her to sink too deeply into the hurt. 

“¿Y allá? ¿Una tienda de antigüedades? (And over there? There’s an antique shop?)”

“That’s a big word.”

“Me puedes enseñar más palabras grandes. (You can teach me more big words.)”

“Te voy a enseñar todas las palabras que quieras. (I will teach you any word you want.)”

Ava is swinging open one of the doors to the apartment lobby now, balancing the café con leche with Beatrice filing in after her. They ascend the steps in tandem. Beatrice is halfway through her Miguelito, powdered sugar coating each side of her lips. Ava needs to know. She needs to know if Beatrice can say something that isn’t conversational or that can’t be learned from a language book. So she asks, “Dime algo que no espero. (Tell me something I won’t expect.)”

“Me siento lo más feliz cuando me despierto a tu lado. (I feel the happiest when I wake up beside you.)”

In the quiet stairwell, they are alone. 

In the solitude, Ava dares. 

She halts a few stairs away from the top, stopping Beatrice in her tracks too. Turning towards Beatrice, she reaches a hand up to gently , achingly , brush the powdered sugar off Beatrice’s lips, thumb lingering at the corner of Beatrice’s lips.

Staring deep into Beatrice’s eyes, Ava imbues her next words with as much fervour as she could possibly convey into two words that depart her lips as barely more than a movement, no sound behind it. A prayer to the universe. “Te amo.”

Ava’s eyes are searching Beatrice’s, beseeching her to understand, “Please know this.”

They linger on the steps for a long drawn out moment, the air heavy with what is loud and unsaid but mutually understood.

A clang below wakes them out of their momentary stupor, with Beatrice hurriedly towing Ava the rest of the way to the apartment and unlocking the door. 

As the apartment door swings shut behind them, Beatrice is turning directly into her, looking down into her eyes, body to body, soul to soul , loudly declaring “Te amo.”

Camilamenomenon

[I have a terrible one!]

[Tell me! I’m begging!]

[Hot like a fever, make you a believer.]

[OMG. She’ll never say yes, but I love it.]

It’s New Year’s Eve and they’re running late.

Beatrice is already dressed and is currently crouched on the bedroom floor tidying up her drawer of cables. She’s already organised the bathroom drawers while waiting for Ava to finish getting ready.

“Baby?” Ava calls out while trying to draw her eyeliner on with a steady hand. 

“Yes?”

“Can you grab my phone for me and open up Instagram?”

“Where is it?”

“I think I left it in the living room. Can you bring it here and begin to type the post out for me? I want to wish everyone a Happy New Year in advance and thank them for the year.” 

She hears Beatrice’s footsteps recede and then come closer again while calling out, “What’s your passcode?”

“1703.” She waits a second for Beatrice to enter the passcode. “Are you ready for me to start telling you what to type?”

Silence.

It begins quietly then Beatrice’s laughter grows exponentially in volume until she’s in hysterics just outside the bathroom door. 

What could possibly be so funny.

She tries again. “Baby?”

Beatrice continues to laugh, the laughs hiccuping out of her but they are starting to slow and lower in volume.

“Beatrice!”

“Yes? Beatrice underscore Es Mia 34 underscore 35? Can I help you?”

FUCK.

The gasp that jolts out of Ava at the horrifying realisation has convulsed her hand so wildly that her eyeliner is now a black gash on her face, felt eyeliner hastily abandoned in the sink. 

Face furiously reddening in her embarrassment and bursting out of the bathroom in a flurry of movement into the bedroom, she’s drawn up by the sight of Beatrice leaning cooly against the wall, smug grin spread wide across her visage as she casually scrolls through the posts. 

Beatrice meets her eyes with a mischievous twinkle, drawling out “My, my… if I didn’t know before, I definitely know now about your infatuation with certain parts of my physique. I confess I wasn’t aware that my forearms caused you to, what words did you use? Oh yes… quake .”

As Ava has advanced, furiously making grabs for her phone, Beatrice has retreated backwards, backing out of the bedroom and into the dining room all whilst holding the phone aloft, out of her reach as she teases her. Beatrice’s shirt has come untucked with all the movement, revealing a tantalising strip of the abs that so often sets her fans, Ava included, aflutter. 

Coming to a stop now by the dining table, Beatrice allows Ava to get closer, lowering her arms to pull Ava against her before handing her the phone back. Pressed close, Beatrice strokes Ava’s hair lovingly. “In all seriousness, darling, I don’t want you feeling jealous or upset by any of those posts. You don’t need to be keeping an eye on the comments on some of those thirst posts, I saw that you have quite a few, um, arguments ongoing with some of those fans. Honestly. Where do you even find the time?!”

“It’s kinda fun! I get to fangirl over you and swear at the unhinged ones. Plus. Unlike them, I get to do this.” Ava is sliding her hand under Beatrice’s shirt, palm pressing firmly into Beatrice’s abs. 

“We’re already late Ava—”

Diego doesn’t like Beatrice. 

He’s been watching her since they arrived, trying to understand who she is and in particular, who she is to Ava. His eyes keep tracking between them like he thinks he’s nailed it but refuses to admit it just in case he’s wrong or worse, that he’s right. And Ava is too amused by her little cousin and this dynamic to want to change it.

Beatrice has gone from being absolutely thrilled at meeting Ava’s family to quickly realising that she also has to interact with them for more than a few minutes at a time or in Diego’s case currently, more than an hour.

They’re playing Mario Kart on the living room TV as the New Year’s Eve party continues outside. Diego is at that awkward age where either everyone is too old to want to spend prolonged time with him, afraid of being asked too many questions, or too young to be left alone with him. But Ava knows that even though Diego appears young and he is by all means an eight year old, there’s a certain maturity she sees in him that almost mirrors her at that age. 

Toad hits another banana and Beatrice’s eyes flit to hers right away, Ava can feel the annoyance pouring out of her girlfriend as Diego’s character Bowser Jr., passes her yet again. Diego’s tongue pokes out, mocking her while making direct eye contact. Eight year old antics aside it hasn’t stopped Beatrice from trying to win him over. Ava has noticed the lack of aim with the fire flower and the unnecessary amount of times Beatrice has “fallen” off a mushroom into nothingness. But so has Diego and Diego isn’t stupid. 

“Are you actually going to try?” He says, handily winning another race. “I can’t imagine you’re actually this bad. Even Ava isn’t this bad.”

“Dude, I’m cruising and Tokyo Drifting let me live my life,” she replies to his snide remark but holds her breath for the actual reply from Beatrice.

Beatrice chuckles but doesn’t fall prey to his ploy to trigger her. “I don’t know what you’re talking about, some people are just not good at video games.”

Diego’s eyes narrow as he glares. “I’m saying I don’t believe you and I don’t enjoy being lied to.”

At that Beatrice actually shifts in her sitting position. She’s taking in Diego’s small form, shoulders slightly slumped. He doesn’t like to be treated like a child and Beatrice has finally caught on. Ava could have helped of course but where would the fun be in that. 

“Fine.” Beatrice says, twisting back around to face the TV, game face very clearly now on. “Let’s do 200cc. You should probably fix your vehicle Diego, I don’t think your metal tires and Hylian Kite are going to cut it anymore. Also, Bowser Jr.? At least have the nerve to pick something more threatening, like Toad.”

“Bowser Jr. is plenty intimidating.”

Ava would love to find any of that sexy, but it’s far too accurate which means Beatrice has been holding in whatever Mario Kart monster just came out of her for far too long. They go through with choosing their vehicles and decide on ‘Special Cup’. Why? It has Rainbow Road and Beatrice is itching to prove something.

They start on Cloudtop Cruise and Ava gets buttchecked by Princess Peach the moment the race starts. It sends her off the course within seconds and she gives up. There’s no coming back from that. Surprisingly, Diego is in the lead, but that appears to be Beatrice’s strategy since she is purposefully slowing down to not get blue-shelled. At some point towards the end of the race Beatrice manages to grab three green shells, which she hoards. And right as Diego is about to cross the finish line, each shell is released in his direction triggering several spins. Beatrice crosses the finish line and the instant replay is Princess Peach ramming Ava’s Yoshi off the vine.

Diego is quiet. 

Beatrice is quiet.

Ava is internally laughing, but also furious at Princess Peach. She’ll get her. This has now turned into a ‘how many times can she ram Princess Peach off the map’ race.

The next two maps go by slowly. Painfully slowly. Diego hasn’t said a word and Beatrice has not torn her eyes from the screen once, even when Ava ate her with a piranha plant. It’s a dangerous thing to do when the stakes of beating an eight year old are so high. Beatrice wins both races.

As the track for Rainbow Road loads, Beatrice speaks. “You should have made the changes I suggested.”

“Bea, you can’t kick a man when he’s down.”

“Rainbow Road is all or nothing, I’ll show her!”

“We’ll see,” is all Beatrice replies as her burnout goes perfectly and she speeds off to grab an item. But unlike Beatrice, Ava’s doesn’t and Princess Peach actually manages to ram her off the course yet again. Motherfucker. And she sees red because how could this little shit be on such a manhunt for her!

Ava squid inks all the racers, earning harmonised groans from both idiots beside her. 

On the last lap Diego stands close to the TV, he’s in second place and there’s a significant lead between him and Beatrice and it’s all leading to her winning, but then Ava gets shoved into an item box and out of habit just smashes the trigger button. The blue shell goes off and hits Beatrice off the map, Diego passing her within seconds. And it’s like Beatrice knows it was her somehow because the angry eye daggers in her direction are actually a little frightening.

Diego jumps up and down, celebrating his win. “I told you! Rainbow Road is all or nothing!”

Beatrice claps for him and extends her hand for a shake. “Alright, a fair game is a fair game.”

He shakes her hand then sits between them again. “Can you show me which are the better upgrades?”

“Of course.”

And that’s Ava’s cue to leave them and scope out the party.

“Cariño,” Emilia catches her off guard, momentarily sending her on a scramble to figure out what exactly she has done to warrant such a surprise. Emilia is suspicious of her by nature so it isn’t remarkable that her attention goes to the living room where Beatrice and Diego are deep in conversation. “What did you—”

Hands come up in defense right away, “I didn’t do anything!”

Emilia’s eyes search her face for any kind of weakness or tell before settling into her normal expression, “Come help abuela and I cut turrón.”

“That sounds like a ploy to get me in a room with you two.”

“Abuela wants to ask you more about Beatrice.”

“Nope. Not going to happen, it was mortifying enough the first time.”

“She keeps looking over and saying Beatrice needs to eat more, she handed me a plate of food and everything. I had to take a lap outside and discard it without her noticing, you know she has a sixth sense about these things.”

“She didn’t use those words I’m sure.”

“She said, ‘La novia está demasiado delgada y necesita comer más. Una ráfaga de viento la levantará y se la va a desaparecer.’(The girlfriend is too thin and needs to eat more. A gust of wind is going to pick her up and take her away.), and honestly I laughed more than I should have.”

“¡Abuela!” 

“¡¿Qué?! (What?!)” Her grandmother replies right away, she has the ears of a bat with the reflexes of an old elephant. The matriarch of the family will not be tested, even Emilia knows that.

“¡Mi novia es perfecta tal como es! (My girlfriend is perfect just the way she is!)”

“Está bien, está bien. De todas formas, nadie me escucha. (Fine, fine. No one listens to me anyways.)”

That exchange gets Beatrice’s attention, she’s all smiley and dopey now, her focus on Diego waning as he is, no doubt, bombarding her with questions. Her heart lurches with the significance of this moment, her emotions surging forth, the party going silent in her ears. Seeing Beatrice at ease in her childhood home, interacting with her family, as if she has always belonged here. 

Ava’s grandparents had been delighted to meet Beatrice, had become enamoured at their discovery of her ability to communicate with them in Spanish, and completely besotted by the keen interest Beatrice has taken in their conversations. Although the rest of the family isn’t aware of their relationship, they had nevertheless welcomed Beatrice warmly and plied her with food and drink.

It’s a bizarre experience, to witness something that is so wholly beyond your imagination, a circumstance that you had never dreamed of, indeed, have never actively wanted, but to watch it unfold before your eyes and realise that it feels like a foundation stone is being laid, a puzzle piece of your life story slotting into place.  

Emilia is just as quiet beside Ava, silently watching Beatrice with Diego, Beatrice with their family throughout the night. Neither daring to acknowledge that Ava had brought someone home for the first time. That Ava has wanted to bring someone home. Someone who hasn’t even realised just how easily she’s won over her family. And she can say that with certainty now because Diego is looking at Beatrice like she strung up the stars.

Emilia rests her hand on Ava’s shoulder, effectively grabbing her attention again. “Will you three go outside and dance or something? Don’t teach Diego bad habits. You know a family party means spending time with each other.”

“I was heading out there before you jumped out at me!”

“I didn’t jump at you. It’s not my fault you constantly think you’re guilty before you even commit the crime.” Emilia blows her a kiss before she disappears back into the kitchen.

Ava’s walking back to the couch to collect the two of them when Beatrice and Diego’s conversation reaches her ears.

“Ava says you play the piano, will you teach me? My dad keeps pressuring me to learn guitar but I don’t think my fingers can take any more guitar lessons.” He’s showing Beatrice his fingers and she’s nodding along, taking it all very seriously.

“Are you learning flamenco? That’s a very hard start. You must be even better than me.”

“Thank you. It is hard. Did you know Ava doesn’t know how to play the guitar?”

“I’ve actually taught Ava a few songs. Between you and I, she’s not very good, but she tries and I love that about her.”

Diego makes a face. “Gross. Beatrice, I thought you were cool.”

Ava arrives just in time to burst into their conversation. “Beatrice is the coolest. She’s even cooler than me on stage. I’ll show you some videos later.”

“I know how to use YouTube Ava…plus, she’s not cooler than you.”

“You’re right. No one could ever be as cool as me.” Ava extends her hand out for Beatrice to take, but it’s Diego who grabs it.

“Let me guess, tía said to go outside.” He tugs her out of the living room, making a point to turn his head to Beatrice who is following closely behind. Ava catches them poke out their tongues at one another.

They’re near the terrace double doors as the bass from the music outside begins to rattle the glass. 

(*)

Dale a tu cuerpo alegría, Macarena

Que tu cuerpo es pa' darle alegría y cosa buena

Dale a tu cuerpo alegría, Macarena

Hey Macarena, ay!

Ava twists the handle, but stops halfway through, a devilish expression taking over her features, “You hear that? It’s like they know we’re about to make an entrance.”

“No! Not Macarena! I don’t want to go outside now, everyone will want to dance with me! I can’t deal with another year of cheek kisses from old ladies.” Diego lets go of her hand then and gets behind Beatrice. “I’ll stay with Beatrice! She’s too cool for Macarena.”

Macarena tiene un novio que se llama

Que se llama de apellido Victorino

En la jura de bandera del muchacho

Se las dio con sus amigos, ay!

Beatrice is in fact way too cool for Macarena, but Beatrice is also her loving girlfriend who will do anything for her with just a flash of the old puppy eyes. Which is exactly what happens when Ava begins to do the first motions for the start of the dance, one hand outstretched the other quickly following before going behind her head and Beatrice follows along, swinging her hips from side to side before spinning in place.

“This song is not appropriate,” Beatrice says while still doing the dance.

“No, it is not. But we’re going to go outside and pretend like it’s the pinnacle of human creation.”

Diego is looking between them in confusion. “Why isn’t it appropriate? Doesn’t it mean that Macarena brings people happiness?”

Beatrice snorts and Ava replies, “That she does my dude.”

When Ava opens the terrace doors, the music becomes impossibly louder as the chorus from the song starts again. The small area set aside for dancing is suddenly full of family members, some willing, some unwilling, all in a weird mesh of synchronicity, young and old alike. The old women make a grab for Diego but he has found refuge between Ava and Beatrice, joining along with the dance.

Dale a tu cuerpo alegría, Macarena

Que tu cuerpo es pa' darle alegría y cosa buena

Dale a tu cuerpo alegría, Macarena

Hey Macarena, ay!

“Cinco!”

“Cuatro!”

“Tres!”

“Dos!”

“Uno!”

At the stroke of midnight, the entire family erupts with a chorus of ‘¡Feliz Año Nuevo!’. Beatrice barely sparing the time to yell out the greeting, squeezing Ava’s hand in lieu of a kiss before she’s shoving grapes into her mouth at an alarming rate.

Diego is watching Beatrice’s dogged determination to get the 12 grapes down before 12:01 in mystification, his own grapes forgotten, “Ava… how, how is Beatrice coming up with her wishes so quickly before she eats the grape? She does know she has to make a wish right? Not just eat the grapes.”

Meanwhile, Ava is silently making her wishes before calmly popping a grape into her mouth and chewing slowly. “She’s had her list of 12 wishes finalised for weeks now. And memorised it all.” Ava reaches out and smacks Beatrice between the shoulder blades as Beatrice chokes on her penultimate grape.

Beatrice lets out a cheer as her last grape disappears down her throat. 

Beatrice’s self-congratulatory cheer is cut short as her eyes grow large, eyeing the number of grapes Ava has left and the dwindling seconds left before 12:01. “HURRY AVA! HURRY!”, Beatrice is gesturing frantically.

Ava and Diego continue to sedately eat their grapes, taking their sweet time as the New Year ticks over into its second minute. 

Beatrice needs to get downstairs. 

A task that is proving to be far more difficult than it should be. First, Emilia’s bedroom is right next to hers and Emilia wanders. Or at least Emilia would call it wandering, snacking is the far more correct term. It’s like clockwork, every few minutes the door opens, Emilia steps out, Beatrice hears the distinct crunch of chips as she comes back upstairs, and then the door closes again. 

She has managed to do precisely one quick scope of her surroundings before sneaking back into the guest bedroom like the prisoner she currently is. Having the grandparents in the same house along with other close family members meant that she and Ava had to sleep apart for the evening. 

The discussion between Ava and Emilia over sleeping arrangements had almost erupted into a fight when Ava found out that Beatrice would have to sleep apart from her for their last evening together. Ava throwing out threats of leaving right then and there and declaring that she would not have turned up for the New Year’s Eve party had she known. The burgeoning fight only brought to a sudden end by a cutting glare from Emilia and her announcement of ‘Well then you and Beatrice better get married this instant, Ava. And seeing how that isn’t possible, well then this is what is proper. Or at least it’s what your grandparents think is proper. You are sleeping separately.’ Emilia had walked away without another word, leaving Ava with her mouth agape and a cute blush across her face.

The door of Emilia’s room closes as she walks back in. 

This is it! This is her chance! It’s now or never!

Beatrice delicately turns the handle of her door, gingerly stepping out the room on her tiptoes. With a lot of effort she closes the door silently behind her and begins to sneak around like a common criminal, the Mission Impossible theme song starting an endless loop in her head. 

She can see Diego sleeping on the couch below from the balcony above. If she can make it down the steps and into the room on the right she’ll have made it to Ava’s bedroom. This is an old home, and with every step she takes it creaks, alerting anyone nearby of her intentions . The first few steps down go perfectly, but halfway through one of her feet slides because of her socks and she almost…almost slips. Luckily, her reflexes are as sharp as ever and the mission is pumping her with so much adrenaline that she easily catches herself before her butt hits the step.

She’s at the bottom of the steps when Diego’s voice echoes into the stillness of the night, mere meters away from her. “What are you doing?”

“I’m—I’m going to the bathroom,” is her panicked reply, and she regrets it almost immediately because Diego isn’t going to fall for that.

She can barely make out his face in the dark, but she’s sure his eyebrows are bordering on skeptical. “There’s a bathroom upstairs,” he says dryly.

“Yes…yes I know there’s one upstairs…I just need to get some water, yes, water before I go.”

He nods, seemingly buying her lie. “That happens to me sometimes as well. It’s very confusing.”

“Very.”

He places a hand on the metal banister, a few centimeters from hers. “I’m going to go to sleep with Abuela, Tia keeps coming downstairs and she looks like the Crypt Keeper with pasty white goo on her face.”

“That is a great idea, Diego.”

He ducks underneath her arm, whispering a quick ‘goodnight’ before climbing up the stairs. 

“Ava,” Beatrice murmurs by the door to Ava’s room. 

There isn’t a response. She can hear a door open upstairs, the now familiar footsteps of Emilia thumping above her. “Ava!” She says again, louder and more insistent. “Ava, open the door!”

It won’t be long before Emilia begins her descent and panic is starting to set in. She cannot be at the receiving end of an Emilia scolding, not now, not when she has managed to get on her good books. 

Ava’s door opens, an arm reaching out to grab her sleepshirt, pulling her in. 

“Why did you take so lo—” Ava’s hand covers her mouth, eyes trained on her door, ears following the movement outside as Emilia heads towards the kitchen.

“I fell asleep waiting for you. You were taking too long.”

“Emilia is like a guard dog, how do you even manage to be so you with her around.”

“Hey! I take that as a compliment. Plus, it’s years of practice.”

“Diego saw me by the way, you may need to pay him off in the morning.”

“I can handle Diego, don't you worry about him, he's not a squealer.” Ava’s pulling back the duvet for them, “You were really good with him. It was cute seeing you interact with him. I know he was hesitant at first but he warmed right up to you.”

They settle into the sheets, Ava already burrowing as close as possible against Beatrice.

“It also helped that you hit me with the blue shell though, I think my competitive side would have made him cry.”

Ava’s cold feet immediately attach themselves to Beatrice’s calves like a magnet. And everything is perfect. Ava and her always cold feet. Ava and her tendency to seek her warmth. “I don’t know…I think you would have made the ultimate sacrifice in the end,” Ava says with such certainty, as if it was never even up for debate. 

“Yeah?”

“Yes. You’re going to be such a good mum Bea, I can see it. You’re so patient and careful when others need you. You put your own feelings aside to help. I’ve seen you do it with Cam and the band, and with myself several times. And tonight with Diego.”

It’s quiet for a few seconds, the honest compliment not one Beatrice was expecting to hear. Had ever expected to hear. “Oh. I’ve never—it’s not something I’ve ever thought about. For myself.”

Ava’s head snaps up at that, looking directly at her. “Children?”

“Children?!” Beatrice’s eyes must be huge because Ava giggles before settling down beside her.

“Okay…one… one child.”

“Nope. Not even the one.”

They both must find the ceiling above them very interesting because the room is quiet again. 

“Have you?” Beatrice asks, turning to face Ava, making sure to push the pillow down to see her girlfriend’s face.

Ava doesn’t reply right away, considering her question. She doesn’t turn to face her either, still lost somewhere in the ceiling. “Umm… sometimes. In passing. The thought never lingers. It’s hard to think about something like that with everything going on in my life. When I was younger I did. I wondered if I would be a good mum like my mum and Emilia were to me.”

“You’d be a perfect mum, Ava. You have this superpower of knowing exactly what is going through someone’s head. The kid would never be able to get away with anything. Not to mention that you’re incredibly caring and supportive.”

Ava turns then, facing her, hand coming up to grip her own on the pillow. “You say that as if you’d let them get away with much. You and your strict planning and proper meal times! If anything we’d have to be so sneaky to even get a well rounded meal with all the necessary junk food groups.”

“Ava! You can’t teach our kid to disregard the rules! Proper food first then we can discuss dessert in moderation.”

Ava is smirking. “Our kid, huh? First talks of marriage by Emilia and now a kid. This is moving very fast.”

That’s enough to rush blood to Beatrice’s face, heart pounding uncontrollably. “I’m going to sleep! Clearly we’re both sleep deprived!” She turns to face the other side, arms crossing at her chest.

“Uh-huh,” Ava teases while sliding her arms around Beatrice’s waist and pulling their bodies closer.

@Ant-Beaia

You guys. I need to share something with you, but you're going to think I'm crazy.

@AnythingwCam

Dude...you always say the dumbest shit, but I'm here for it let's go.

@Ant-Beaia

Hear me out okay. I think...and this is a big big I THINK. I think Beatrice and Ava Silva are dating.

@LilithFan16wwwn

That's actually the dumbest thing I've ever heard.

@AnythingwCam

Okay, no but wait, you have my attention.

@Ant-Beaia

I've actually gone back to almost a year ago and I think I'm on to something. But what actually started it all was the shirt Beatrice was wearing when she came back from Madrid after New Years. I didn't think much about it at the time, but I was looking through popheads and a photo of Ava was posted with the exact same shirt a few weeks earlier.

@LilithFan16wwwn

You know they get given clothes for PR purposes. It could have just been that the brand reached out to both of them.

@AnythingwCam

Hmmm...Ava does live in Madrid though. Why would Beatrice even go there for New Years?

@Ant-Beaia

THAT'S WHAT I'M SAYING!

@Alms4theCruciforms

I’m keeping a keen eye on this thread.

@LilithFan16wwwn

Camila’s family lives in Spain. Maybe she was with Camila?

@Ant-Beaia

Camila was in London!

@AnythingwCam

Do you need help? We can set up a Discord server.

@Ant-Beaia

Waaaaaaay ahead of you, mate.

@Alms4theCruciforms

Send over the link! 

The Ava of My Eye

[She keeps rejecting the group invite.]

[Give me a second.]

Pigeon Ankles has joined the group chat.

[What could be so important at 1 AM in the morning?]

[Ava and I have written a song for you.]

Pigeon Ankles has left the group chat.

[I TOLD YOU!]

[I can’t overcome this blatant rejection of our craft!]

Pigeon Ankles has rejoined the group chat.

[Grab the microphone in your closet and record this instant!]

[How could I possibly do that with you on the phone?] 

[And while getting text messages every few seconds!]

[I’m hanging up!]

[Nooooo!]

[Finally!]

[Some progress!]

[I’ve only been begging for weeks!]

Pigeon Ankles has left the group chat.

[OH MY GOD!]

(*)

Beatrice’s hands are anxious and clammy as she runs them down her dress. The nominees for Album of the Year are currently being cycled through on the stage in front of them, but she can’t look away from Ava. And Ava can’t look away from her. She knows Ava is nervous and apprehensive about what losing could mean for the future of her album releases. Yet, Ava is bringing her hands up, just enough for Beatrice to see, they go up and down a few times in what should be a soothing motion. Ava is trying to calm her. 

The band is eager beside her, they’re also nominated. This could have the potential to be a difficult night to maneuver for all of them. The only saving grace being the incredible talent that they’re all also up against. 

“As selected by the thirteen thousand voting members of The Recording Academy, the Grammy for Album of the Year goes to… Ava Silva for ‘ Liturgia ’.” 

Their table goes from civilised to complete chaos within seconds of Ava’s win. Camila is physically being held back by Lilith, who is holding on to the table for dear life as Camila attempts to wiggle out of her hold to rush to Ava. 

Beatrice stands, keeping her attention on Ava’s table, joining the others in applauding. The cameras are crowding Ava, eager to get the immediate reaction to her win. And she wants to see it too, but can’t manage to even catch a small glimpse. 

Michael’s blond head pops up and Beatrice knows he’s beside Ava. He’s leaning down, holding out his hand for Ava to take. They’ll both go up for the award, Michael being Ava’s main producer for the album and fellow writer, second to Ava and Beatrice herself. They’ve agreed in advance that she won’t go up with them. Beatrice is resigned to the fact that they’ll need to stay separated for the evening, so she lingers by the table she shares with the band, watching as Ava ascends the steps with Michael’s help, the cameras still solely focused upon them.

Ava oozes confidence as she walks on stage to accept the award, her sparkling flowy gown trailing behind her. It’s not long before their eyes meet, a fond smile taking shape on both their faces. Mary slaps at her arm, extending her congratulations to Beatrice as well, with Shannon next to her raising her arms, still clapping along with the rest of the arena.

The crowd doesn’t settle as ‘wooooos’ and the odd yell goes off once it dies down, creating an endless cycle, which makes Ava laugh. Michael is standing beside Ava now, urging her to commence her speech. 

“Seriously, I think I’m in shock. This is the last thing I expected, I swear to God. Pfftt. This album has honestly been such a rollercoaster for me and my team. There’s always so much uncertainty when trying something new, and hoping and wishing that it’s understood. That your craft is understood. I want to thank my producer Michael Salvius whose help was essential and oftentimes the only person keeping me on track. And Beatrice Young who, without meaning to, became a vital part in the process of this album, her creativity and relentless musical savviness knows no bounds. Thank you to my team, my family, my loved ones, it’s with your support that I am able to do the things I do.”

Ava is bounding back to her table within seconds of coming off stage. Michael is yelling for her to slow down as he struggles to keep up. The stage hands ushering her through the backstage area, taking the award from her hands without her even realising it as it's passed over to be engraved. 

By the time she makes it back to the main seating area the nominees for Record of the Year are about to wrap. Beatrice’s head is bobbing around searching for her, Ava promised to be there, she promised she would rush back to be there for them. This award isn’t as important for her, but it’s everything for them. Winning this would validate them as artists of a certain calibre. And she desperately wants them to win.

“As selected by the thirteen thousand voting members of The Recording Academy, the Grammy for Record of the Year goes to…‘ Somebody Else ’ The Cruciforms!”

Ava stops in her tracks with the announcement, a wild yell ripping out of her throat in utter joy. Beatrice and her maintain eye contact all the while. Beatrice is dazed. The Cruciforms are dazed. They’re all still remaining in their seats, caught up in their disbelief and seemingly, as if they have not realised they’ve won. 

Then it’s as if with a snap of a finger, the news dawns upon them, there’s hands pounding on their backs in congratulations and the band blurs into motion. The Cruciforms are clutching at each other and hugging in joy, Yasmine has tears streaming down her face. Beatrice’s head tilts into view again, gaze searching for Ava’s. 

Ava is seized by the overwhelming compulsion to run to Beatrice, to throw her arms around her, offer her congratulations and kiss her for all the world to see. Yet she is rooted in place. It’s reminiscent of the first time, almost a year to the day, that she had watched the Cruciforms win their first Grammy from backstage. 

Except this time, she knows she should be there. Her rightful place is next to Beatrice. She should be seated beside her, be holding her hand as they announce the nominees, then be the first to sweep her up in her arms, to pull her into a kiss, tell her how ridiculously proud she is and to feel Beatrice’s heart beating out of her chest. 

But she can’t. She’s relegated to watching from afar . To being kept away from Beatrice. 

She sees it. Mary pulling back from the group hug to pull Shannon into a firm kiss, Shannon lovingly cupping Mary’s face in her hands as she leans back to kiss at Mary’s cheek and murmur something into her ear. Everything she wishes she could be doing right this instant with Beatrice

Ava and Beatrice’s eyes meet again, a heartbroken and tremulous smile exchanged between them. 

She mouths an ‘Te amo’, hoping it conveys what she physically can’t give or do. Beatrice opens her mouth to reply but looks back to the camera, apprehension clear in her features, and Ava’s heart pangs because she can’t give Beatrice something as simple as an embrace without the world’s eyes upon them. 

Beatrice nods once, accepting that this is all there can be. Camila grabs her hand then, urging her to them as they all gather at the foot of the steps. And she can’t bear to look as they accept the award, the tears finally breaking through the last of her resolve. She wipes at them quickly, feet moving her the last of the distance back to her table. 

Beatrice’s steady voice takes over the arena, but she doesn’t process any of the words, her mind and heart having a furious battle within her. 

Ava is gripped with a sudden and violent realisation

She can’t give herself wholly to Beatrice. 

She can’t give Beatrice what she’s looking for. 

Chapter 16: All These Minor Feelings Are Majorly Breaking Me Down

Notes:

How we doin'...

Here is the playlist and mood board.

(See the end of the chapter for more notes.)

Chapter Text

(*)

Not like I'm countin' the days

But it's been twenty five

You're out there killin' the game

But damn, I miss you tonight

Darling

[Did it get there? Did it arriveeeeee?!]

[No? Did what get where?]

[Nothing.]

[(⇀‸↼‶)]

[Wrong number. Who dis?]

Beatrice arrives home to a nondescript box sitting on her doorstep. She suppresses an eye roll. Of course. This must have been what Ava was referring to. 

Peering down at the shipment label, it confirms her suspicions. It’s addressed to a ‘Long J. Silver’ but to Beatrice’s address. This time she really can’t suppress the eye roll. One of Ava’s rotating nom de plumes. 

Bending down to lug the hefty box into her arms, she carries it up the stairs before depositing it by the doorway. Looking at her wristwatch she does some quick mental calculations, she has just enough time to unpack whatever Ava has bought before taking a quick shower and heading to her mum’s for dinner. She’s mentally salivating at the thought of a home cooked meal, sick of all the subpar hotel room food or the sustenance hastily crammed down backstage before a concert commences. 

Grabbing the letter opener, Lilith’s half-hearted attempt at an undercover tactical nuns joke, she makes quick work of the tape around the box. Nestled inside the careful packaging is a small wooden stool with a dark green crushed velvet like-corduroy cushion, the perfect size for them to sit upon as they put on their shoes. 

Delicately, Beatrice shifts the stool into position, formerly occupied by her shoe shelf, sitting back on her haunches to admire its placement and how much it suits her flat before fishing out her phone to snap a pretty photo of the stool for Ava. 

Darling

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[I didn’t know pirates had such great taste in home decor.]

[Thank you, my love. It’s perfect.]

It’s while she’s blow drying her hair that Ava replies.

[It looks exactly like I pictured it! I can’t wait to use it.]

[I’ll get a matching one for my apartment.]

[Headed to dinner at your mum’s soon?]

[Just about to.]

[Have a good night.]

[I think I’ll still be rehearsing at the venue when you get back home.]

[Good luck tonight. I’ll call in the morning.]

Babea

[Are you feeling better?]

[You didn’t sound good on the call yesterday.]

[Just having lots of liquids and resting when I can.]

[Emilia wants me to go forward with the show later.]

[Did you talk to the music director to tone it down at least?]

[Yes. All done.]

[I’m going to nap until sound check.]

[Alright, I love you.]

[I love you.]

“Beatrice you can’t just correct my Spanish, I’m sure that’s like a big no no,” she says, eyes focused on the tablet in front of her. Beatrice is painstakingly going through their earlier text messages. Both have managed to find some free time to sit and chat in their hotel rooms for a bit. 

Her girlfriend sighs and she sighs too because she wants to see Beatrice, not the back of Beatrice’s phone which is blocking Beatrice’s beautiful face. “When you text sometimes you don’t bother with the proper accents, how am I supposed to practice under such a lax environment?”

“No. No!” she retorts passionately, “Not even native Spanish speakers bother sometimes, you’re just a stickler for the rules.”

Beatrice places the phone down seemingly done with her perusal of their past texts and ready to continue with whatever she has turned this date into. Ava has never agreed to continue the Spanish lessons into their video calls but has, on this singular occasion, begrudgingly caved to Beatrice’s request and her pouty lips. Video calls should be strictly for spending time together, Spanish lessons be damned. “Rules are important, Ava. If rules didn’t exist we would all descend into chaos. Look at the current state of the world. We are falling more and more into entropy each day.”

“Si sigues hablando de lo malo que es mi español, no te mostraré mis pechos. (If you keep saying my Spanish is bad I won’t show you my boobs.)”

“Por lo menos no fuiste vulgar. (At least you weren’t vulgar.)”

“¿Quieres que sea vulgar? (You want me to be vulgar?)”

“No!” Beatrice’s face instantly turns a shade of pink. Ava wonders if she could actually shift this impromptu lesson date into something else much more interesting, but then Beatrice clears her throat, pulls out her notebook and says, “Concentrate.”  

Beatrice is waiting for her to continue their lesson. “Fine, fine.” Back to the tongue twisters. “Ready for the next one then?”

“Yes.”

“Un burro comía berros y el perro se los robó. El burro lanzó un rebuzno y el perro al barro cayó. (A donkey was eating watercress and the dog stole it. The donkey brayed and the dog fell into the mud.)”

Beatrice flips the page of her notebook as she nods along, writing it down meticulously, probably, Ava assumes. She’s sure, no, she is positive that Beatrice has written the date on the top right corner as well. It takes a minute or two and three rough and adorable repetitions of the tongue twister for Beatrice to get frustrated. “Why do you guys roll your R’s so much, and then sometimes you don’t. Makes no sense.”

“Beatrice, you speak French. You roll your R’s.”

“Not as much. And they’re lazy R’s. Lazy rolling R’s.”

Ava has spotted an opportunity and she will not let this one slide. “I’m going to roll my R’s so hard when I see you that you’re going to like that we roll our R’s.”

“Ava!” Beatrice chastises, but Ava knows she’s got her because the notebook closes and her girlfriend leans back on her chair expectantly. 

And I'm out at a party, they're playin' our song

I cry on the dance floor, it's so embarrassing

Don't send me photos, you're makin' it worse

'Cause you're so hot, it's hurtin' my feelings

Darling

{5072805.jpeg}

[NO!]

[NOOOOOO!!!!!]

[The injustice!]

[(つ╥﹏╥)つ]

[Who knew cutting my hair would cause such a visceral reaction.]

[But…the love curls!]

[How could you!]

{5072806.jpeg}

[Look! The dead body!]

[Low blow.]

[I’m going to cut mine as a sign of protest.]

[DON’T YOU DARE!]

[Beatrice Young!]

[Do not cut your hair!]

[Ava Silva!]

[THE DOUBLE STANDARDS!]

[I’ll do it! When you least expect it]

[No! This conversation is over!]

[You look beautiful.]

[Please ignore my hysterics.]

[I will attempt to pull myself together.]

[Stop being adorable!]

“Helloooo,” Beatrice answers.

“Hey! I’m just calling to let you know that I won’t be able to make our video call later.”

Oh . Okay, that’s fine. Did something come up?” Her girlfriend’s voice goes from happy to dejected to forced understanding within seconds.

“No. The crew and I are just going to go out for the evening.” Beatrice is quiet so Ava continues, “I’ve been putting it off for a while and I don’t want to appear rude by saying no when they ask.”

“Of course. Please enjoy yourself and be careful.”

“I will. You guys are about to head to the venue?”

“In the middle of it no—HI AVA! Ava, when are you coming? Camila, give me the pho—,” there must be some running happening because when Camila continues she’s slightly out of breath, “I—correction we—want to see you. Come soon, okay? Bea misses you—STOP—she’s all pouty—Camila, I will put hot sauce in your mouth while you sleep—she desperately wants to see you!”

“I’ll come soon. I promise.”

“Yeah?” It’s Beatrice’s voice now, she must have grabbed the phone off Camila. “I do want to see you.”

“Yes, Bea. I promise.”

“Will you text me when you’re back at the hotel?”

“I will.”

“I just want to know that you’re safe.”

“I know.”

Before the X rated dreamin'

Back on the coast to coast life

You know I live for the hustle

But damn, I miss you tonight

Babea

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[Heading to the beach!]

[Gosh. I have a pretty girlfriend.]

[How is it possible for you to look like that?]

[Argh! I just love your face so much. It’s just so gahhh.]

[I have this overwhelming urge to punch something cute.]

[Send me pictures? Have a good time!]

[I will.]

[Also, I am concerned. I will be asking Alice to keep an eye on you.]

[Have a nice dinner with the crew.]

Once they get settled on the sand, Beatrice snaps a quick picture of the picturesque French beachside, sending it to Ava before settling back down onto the lounge chair, removing her loose linen button up as she did so.

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The balmy breeze blowing through the beachside, the warmth of the sun’s rays, the comforting scent of the salt laden sea air coupled with the rhythmic whoosh of the waves rushing ashore creates such a peaceful atmosphere that Beatrice finds herself dozing off.

What seems like hours later but must surely only be an hour at most based on the sun’s movement across the sky, Beatrice startles awake to the steady heat and burn of the sun on her exposed skin and Mary clapping a wet hand onto her calf. With loud movements, Mary’s collapsing back into the lounge chair next to hers, puffing with exertion, water droplets beaded on her skin from her frolic in the waves. “C’mon Bea, stop napping the day away. Get up and have fun please. Some of the other tourists have set up a game of beach volleyball. I just played a set and Lilith has tapped in now. You should go join in.”

With a sigh, Beatrice reluctantly sits up. She knows that Mary is right. She really shouldn’t squander their day off at the beach and with such a beautiful view in front of her. “Actually Beatrice, before you go, can you go to get us some drinks and ice cream or something?” Yasmine speaks up, nose deep in ‘ The Tipping Point ’, her chosen book for the day.

Leaning down to pick up her button up to drape across her head and shoulders, she plops her sunglasses on top of the makeshift sun protection before snapping a quick selfie to send to Ava. 

{1042374.jpeg}

With that done, Beatrice drops her phone onto the chair before grabbing her wallet and heading off in search of food. 

“God, I’m so full. Why did you let me eat so much?” Alice complains, patting at her stomach as they walk back to the hotel. 

Ava scoffs. “You did that to yourself. Nobody told you to order a second dessert.”

“That lady’s pistachio tiramisu just looked really good, okay!? But when they brought it out, it just looked so gargantuan and then none of you would help me eat it. Selfish bastards...” Alice’s hands were flying around as she relived the size of the pistachio tiramisu and harangued them all over their refusal to help her demolish the second dessert, content instead to watch Alice suffer. 

Ava’s phone vibrates in the back pocket of her jeans. As she pulls her phone out to glance at the notification screen, Alice’s voice and tirade fades into the background once she sees that it's a text from Beatrice. When the incoming photo loads, she feels herself choke on air, her tongue suddenly feels too big for her mouth and if it was a literal possibility, her eyes would have fallen out of their sockets. 

A warming heat is quickly suffusing her body. 

“Hey! What are you doing? Why are you walking so quickly?!” Alice is yelling at her now, “I can’t run with this food baby!” Unconsciously, Ava has broken into a brisk jog, the sole focus on her mind is to get back to the hotel and get Beatrice on the phone, preferably on video chat, as soon as fucking possible. Turning her head back, she yells back at Alice, “You can’t be here right now! Go away! I’ve got to get back to the hotel!”

Once Ava turns forward again and breaks into a sprint, she hears Alice’s departing words fade into the wind, “WHY IS YOUR FACE SO FLUSHED!? DID BE—BEETLE TEXT AND YOU’RE ABANDONING ME YOU–.” 

She’s calling Beatrice repeatedly as she runs to the hotel. An internal mantra of pick up, pick up, pick up, pick up the fucking call scrolling through her head, hoping that Beatrice gets the mental beams she’s all but broadcasting out into the universe.

Beatrice does not answer. 

By the time she’s in the hotel lobby and swiping her room card on the elevator for her floor, her hands are clammy as she repeatedly mashes the ‘22’ floor and then at the ‘close doors’ buttons. She can feel her leg jogging up and down as she alternates between watching the numbers climb, calling Beatrice and glancing at the photo. She can only glance at the photo in short increments lest she burst into a puddle of horniness in the hotel elevator. Ava can only pray to a unknown deity that no one gets into this elevator and makes her journey all the more excruciating. 

The doors open on level 17 to an old woman who asks, “Is it going down?” as she walks in. Ava lets out a mental scream of fury. 

She shuts the phone, holding it against her chest. Doesn’t bother to reply. Not that she can manage to articulate anything at all right now.

When Beatrice finally gets back to their spot, arms laden down with drinks and snacks, the other band members have all converged back at the lounge chairs and cheer at the sight of her. Dropping the food into their outstretched hands, she plops back down into her chair and picks up her phone. Her phone screen greets her with a notification of 28 missed calls from Darling.

Her phone is at her ear instantly as she calls Ava back, a sudden fear gripping at her that an emergency has occurred and Ava couldn’t reach her.

Ava picks up on the third ring.

She can’t even get her panicked question out before she’s greeted with a loud pant and moan of ‘ Beatrice ’ in her ear. She sits bolt upright. Her eyes darting to the rest of the Cruciforms, just in case they heard it too. Noone else is reacting.

Ava is moaning directly into her ear again, her breaths coming through in frantic puffs. 

With that, she’s up on her feet and fleeing down the beach, phone pressed tightly to her ear. Once she deems that she’s far enough, “Ava?”

Ava is humming a response.

“Are you—?”

She’s sure the shade of her neck and face right now would put a tomato to shame.

Only once Beatrice thinks she has composed herself enough does she walk back to her bandmates. When she arrives back, they’ve set up a portable speaker and Janet Jackson’s ‘ All For You ’ is blaring out.

(*)

It's all for you

If you really want it

It's all for you

If you say you need it

It's all for you

If you gotta have it

It's all for you if you make a move

Yasmine is opening her mouth to greet her but shuts it at the sight of her. The loud crunching of chips and chit chat comes to a screeching halt. Camila who was in the middle of singing abruptly stops, eyes scrutinising her.

“My my, Beatrice, is something the matter? Why so red?” Lilith teases between bites of her food, smirking as she slowly chews. “Cat got your tongue? Or is your tongue otherwise occupied mentally?”

All my girls at the party, look at that body

Shakin' that thing like you never did see

Got a nice package alright

Guess I'm gonna have to ride it tonight

She flips the bird at Lilith as she throws her phone and linen button up onto her lounge chair. Okay, so clearly she had not composed herself as well as she thought . A cold dip in the sea should aid in her attempt to quell the urges controlling her body right this instant. Or at least buy her enough time from their prying eyes and incessant teasing.

“Finally decided to go for a swim?” Mary inquires, but from the look on her face she knows exactly what she’s doing. 

As she turns to head towards the waves, Mary and Lilith exchange a high five. She’ll find a way to exact her revenge later

It's all for you

Tell me I'm the only one

Soon we'll be having fun

Come over here and get some

Soon we'll be having fun

Darling

[My love, our flight just touched down on the tarmac now. I don’t think I’m going to be able to call you in time before you start the concert.]

[Baby!]

[There was a weird wind draft or something and we kept descending but we couldn’t land and then we just kept circling and doing it again.]

[Lilith vomited. And then a cacophony of dry heaving started around us.]

[She just hit me.]

[Oh my god! Are you okay? Do you feel nauseous?]

[I know you don’t like seeing people vomit in front of you.]

[It’s okay about the call. Don’t worry. I can call you after?]

[Yes, I’m fine.]

[We’re getting ready to de-plane now.]

“We need to talk.”

Ava almost leaps out of her skin as Emilia’s voice sounds from right behind her. “¡Joder! (Fuck!)”

Emilia ignores her outburst as she steps into the dressing room after her and closes the door behind her. “Do you need to be quite so dramatic, Emilia?” She has a foreboding sense of what Emilia is about to bring up and would desperately like to steer clear of the topic. “Would you like me to go play some ominous organ music to really play up the moment?”

“First of all, you never learnt how to play the organ so I really doubt it. And secondly, I know exactly what you’re trying to do. Sit down, Ava.”

One look from Emilia quashes any complaints about to bubble out of her mouth. 28 years old and she’s still reduced to that teenager that got caught sneaking out of the house for the first time whenever Emilia looks at her like that. 

“I’ve listened to the recording of ‘ TUYA ’ and you can’t release that. ‘ Solo esta noche eres mia, mia ’. Really, Ava? You either need to get rid of the song or you need to change the lyrics. The label is not going to agree to this.” It’s hard not to keep the anger from mounting as Emilia speaks, this is exactly what she had feared. After fighting so hard to break free of the mold and record ‘ Liturgia ’, she’s back to fighting for her music and the freedom to express herself.

“That’s bullshit!” bursts out of her. Okay. So her mouth has not gone for the calm route. “I released ‘ Hentai ’ and nothing happened then. Why are you censoring my music now? What’s the point of all of— all of this shit— that I have to put up with, to be a ‘celebrity’, if I can’t write my music and release it? If I now need to start censoring myself and changing my lyrics. What, all because I’m dating a girl? This is so fucked up. ‘ Hentai ’ is metaphorical. All my music is full of imagery. No one can pin me to anything because of how many metaphors I build in. Besides, ‘ TUYA ’ isn’t solely just in reference to Beatrice, I’ve added other stuff in–”

“You cannot be this naive, Ava. I certainly didn’t raise you to be this naive.”

“Emilia,” she grits out a warning.

Emilia raises a hand to calm her. “Okay. Okay. I know. Manager.” Emilia rakes a hand through her hair, her lips pressed together in an indication of stress as she mulls over her next words. “Ava. You can’t do this. You know you cannot. The circumstances are different now. You weren’t dating Beatrice when you released ‘ Hentai ’ but now there’s a truth to it all if anyone calls you out on it. The label was nervous enough over ‘ Liturgia ’ and sure, you proved them wrong with it becoming a critically acclaimed album but they need to be reassured that you continue to be marketable. That there’s an audience out there who will keep spending money on your music and who want to see you perform. You’ve managed to do the impossible and break into the global music market, beyond just the Latin market, but this is all a delicate balance. You, no , we, we have an obligation to the label. At least for the remainder of your contract. And if that means I need to ask you to change some words around or not release some music, then so be it.”

She can feel herself deflating at Emilia’s words. The truth of it all lands heavy. It’s a message that has been browbeaten into her over and over throughout her career. She’s a commodity, doomed to sparkle one day and fade in time. But she has to try. 

She’s fighting the need to pace around like a caged animal. 

“Emilia. Look at me. Tell me, who am I without my music? Without the ability to speak my truth through my music? This life is all I’ve ever known. This is the path our family steered me down. I really, really, can’t start this—”

“Suzanne and I have been trying to keep this from you and Beatrice but they’re speculating about the two of you, Ava.”

With that one sentence, that stark statement, Ava can feel a pit in her stomach. The pit grows larger and larger as the seconds tick by.

 Emilia’s pulling her phone out of her shoulder bag now, navigating to something on the screen before turning it around and shoving it in front of Ava’s view. It’s a screenshot of Cruciform fans theorising that Beatrice is dating someone, with one fan claiming that she must be dating Ava and linking to their so-called proof. As Ava looks through more and more exchanges, she can feel her entire body break out in sweat, her hands getting that dreadful, tingling feeling. It feels like her fight or flight response has kicked in. Her breaths are coming in short spurts. If she wasn’t already sitting, she might have sunk onto the floor by now.

“I think the music video and the clear chemistry between you and Beatrice really piqued their interest. They’ve been discussing your frequent visits to London, Beatrice being sighted in Madrid but without Camila around. They’re going so far as to compare your clothing and calling attention to the fact that you’ve been wearing each other’s clothes. And…” 

Ava’s hand flies to her bracelet before Emilia even finishes her sentence. Shielding the bracelet with her hand as if that will stop Emilia’s next words. Emilia’s eyes flitting down to the movement of her hand. “And, they claim you two have matching bracelets. That’s probably the most damning piece of evidence they can’t stop talking about.”

Ava feels like she can’t pull enough air into her lungs. Her eyes fixed to the bracelet, their bracelet, her one constant reminder of Beatrice being beside her, always. 

Emilia has sat down beside her now on the couch and is running her palm up and down her back, soothing her as she did whenever she had a bad day and had run to Emilia seeking comfort. 

While fiddling with the two broken amber halves, she whispers out, “What do I do? I’ve promised Beatrice I will go to her concert. Should I avoid seeing her altogether? Should I–.... I–I’m not ready for everyone to know and for our every move to be scrutinised. Do I go to the Cruciforms’ concert?”

Emilia’s hand comes into her view then, her hand reaching out to cover Ava’s own over the two charms. “I can’t make a decision for you, mi vida. You know I have two very different answers based on which role I am playing. You have to do what’s right for you… and Beatrice.” 

She feels Emilia press a kiss into the side of her head. 

Babea

[You didn’t call last night. Is everything okay?]

[Tired. I just crashed into bed.]

[Alice and I are looking for a last minute outfit.]

[Talk later.]

[Sure.]

3 missed calls from Babea

1 new voicemail

“Hey...I just wanted to hear your voice. I guess you’re asleep. Call me when you can. I miss you.”

Beatrice startles awake at the feeling of her phone vibrating underneath her face. Squinting at the sudden brightness, she taps at the screen, “Hmmm,” Beatrice murmurs into her cellphone. 

“Bea! Bea! Baby! Have you ever truly looked at Ryan Reynolds’ face?!” Ava yells. The music is loud and making it difficult to discern what Ava says afterwards. The sheer volume and noise coming from Ava’s end shocks her into immediate alertness.

She glances at the time. 5:27 AM. Which means it’s 11pm in Miami. “Ava, I thought you were resting after your flight.” She turns to look at Camila’s sleeping form keeping her voice low, careful not to wake her. They’ve all had a long night and they’ve been having difficulty getting enough sleep these days. She had made sure to put her phone on vibrate only before falling asleep to not risk waking Camila. 

“Some of the dancers and musicians wanted to celebrate—wait hold on—Nikky wait—where was I? Oh! Yes, to celebrate before we start again tomorrow,” Ava replies excitedly. Beatrice doesn’t want to assume or insinuate that Ava has possibly been drinking so she bites back the question. “Ryan Reynolds’ face looks like—looks like—what does it look like?” She hears the exchange before Ava continues, “Looks like a cow took a dump on his face and sat on it!”

“Right,” is her curt reply. Beatrice stretches her now tense neck, annoyed. 

Ava has been radio silent for hours before this call and this is what she has chosen to greet her with. Not only that, Ava is obviously drinking and out when she should be resting. Any other day this wouldn’t irritate Beatrice, but today it does. Ava has begun to act out recently and she’s trying really hard to ignore it or understand it, but calling like this draws the line.

THAT’S WHAT I SAID!” Ava is shouting above the music now, and Beatrice can hardly make out whatever other joke is being brought up.

(*)

We gon' fuck up the night, black lights

Spaceships fly, yeah

Unapologetic when we fuck up the night, fuck up the night

“Come on, Ava!” She hears someone shout near Ava.

We gettin’ fucked up tonight

We gon' fuck up the night

'Cause I feel like fallin' in love! I'm in the mood to fuck somethin' up…'Cause we gon' fuck up the night !” Ava jovially sings along with the song to Beatrice. 

She sits up, tossing the sheets off her. After grabbing the keycard off the bedside table, Beatrice steps out into the hallway of their hotel room. “Can you go somewhere quiet, please?” she asks calmly and lowly, trying to prevent the irritation from seeping into her voice.  

Go where nobody's been

Have you ever had fun like this?

I wanna go missin', I need a prescription

I wanna go higher, can I sit on top of you?

It takes a few minutes but eventually the music and the noise subside.

“What’s up?”

“Ava, what are you doing?” This question is of course rhetorical, but Beatrice is willing to give her girlfriend an out or at least hear an explanation. 

“Like I said, we’re out celebrati—”

“No. You’re out drinking.”

“I’ve had maybe two, three drinks tops. Nikky and Alex have had li—”

“I don’t personally give a damn how many drinks either of them have had, Ava. You’re calling me while drunk at 5 am in the morning. And for what? A dumb joke? You expect me to find your joke endearing?”

“Bea, that’s not why I called, I called because I mi—”

“You didn’t miss me last night when you ignored my call. Yet again might I add.”

Ava’s voice goes quiet. “That’s not fair.”

“Isn’t it?” With those few syllables, Beatrice can feel her ire and tone rising. When she’s met with silence from Ava, a few seconds pass when regret begins to set in. Beatrice has never really spoken to Ava like this, apart from that night at the Met Gala. She takes a deep breath before calmly informing Ava, “I’m going to hang up now. I expect you to go back to your hotel room and rest. You have a long day tomorrow. We both have long days ahead of us.”

“I’m so—”

She hangs up, taps the keycard against the door and walks inside.

It’s not long before her phone vibrates with a series of texts from Ava. She pulls the blanket over her head and unlocks the phone’s screen.

Darling

[What the fuck was that?]

[Did you just hang up on me?]

[We don’t do that to each other, Beatrice.]

[I called because I missed you.]

[We haven’t seen each other in two months and I just wanted to feel good so I came out to let off some steam.]

[You said you would stop drinking.]

[You promised me you would stop.]

[That’s not an excuse and you know it.]

[If you miss me then you answer my calls or text me back right away instead of hours later when I can’t respond.]

[I’m texting back when I can.]

[What about the other times you’ve been drinking? Did you miss me then as well?]

[Whatever. I’m going back to bed.]

[Do what you want.]

[Fine.]

[I will.]

Darling Incoming call

“Hey.”

“Beatrice, hi. I’m so sorry I’m late.”

Beatrice deeply exhales, in the middle of putting sneakers on, “I’m just about to head out.”

“Head out? Head out where?”

“Ava, I waited for you to call for over an hour for our date. I’m heading out to enjoy my day off, or what’s left of it anyways.”

“Bea, I’m sorry.”

“Are you? Are you actually sorry Ava? Because usually when someone says sorry they try not to repeat their mistake. This is not the only date you’ve missed lately.” Her girlfriend is silent and it’s concerning enough that Beatrice’s hand automatically comes up the rest on the hotel door for support. “Ava, what’s going on? Talk to me.”

“Nothing’s going on. I’m just tired, that's all. And busy. We’re both busy. It’s just difficult to balance everything.”

“Please don’t lie to me, Ava.”

“It won’t happen again, I promise.”

Babea

[The call dropped. I just got out of the shower.]

[It’s fine. We’re going to have lunch.]

[Oh.]

[I thought you wanted to talk.]

[I did. But it’s fine. We weren’t talking much anyway.]

[I’m sorry, I’m just tired.]

[I am too.]

[But you’ve been distant lately.]

[It’s hard to balance both of us in the different time zones.]

[That’s always the excuse isn’t it?]

[It’s not an excuse.]

[K.]

[Did you just ‘K’ me?]

[‘K’ is the universally agreed upon shorthand for the word ‘okay’.]

[You don’t ‘K’. You go out of your way to write the entire word every time so don’t you dare pretend like it’s normal.]

[Okay.]

6 missed callings from Darling

Outgoing call

“Hello?”

“Ava? I’m so so sorry. I just woke up. I didn’t hear my phone ring and I forgot to set an alarm. I guess I must’ve just passed out after my shower, I didn’t even get in my pajamas. I fell asleep with just my towel. I’m just so tired—”

“Bea? Baby. Baby. Slow down. It’s okay. I understand.”

“Yeah? Really? I’m so sorry.”

“Stop apologising, please.”

“But you tried calling so many times—”

“It’s okay. Seriously. It happens.”

“Okay—”

“Do you want to sleep some more? It’s still early-ish. I’ll stay on the phone with you until you fall asleep.”

“Can you? That would be really nice. Just talk to me? I miss your voice.”

“Of course Bea…”

Darling

[Which one do you prefer?]

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[Or?]

{1043002.jpeg}

[Hey! Sorry for the late reply. I love the olive outfit.]

[Did you end up choosing that one?]

[I went with the maroon one instead.]

[You’re awake?]

[It’s 3 am.]

[Yup.]

[We’re out with friends.]

Beatrice’s phone rings in her pocket with an incoming call. 

“Hi, Darling,” she answers. 

“Bea—where—you?” Ava’s voice comes through choppy and staticky.

“I don’t think that I have good reception here.” All she can hear is Ava's broken up voice and can’t discern what’s being said. “I’ll call you once we’re finished.” The call cuts off as she gets the words out and Camila pushes her into a crowd of dancing bodies.

It’s later once she’s outside the club and waiting for the others to join her that she glances at her phone. The early morning light reflecting off her screen and into her eyes. 

12 missed calls from Darling

4 new voicemails

Beatrice is about to hit play on the first voicemail when her phone lights up with Ava’s display picture. Ava in her bed, face against the pillow, sleeping serenely. 

“Hello?”

“What the fuck Beatrice? I’ve been calling for hours.”

“Why have you been calling for hours?”

“Are you still out?”

“Yes? I’m with the band. I told you.”

“I’ve done an entire concert and you’re still out?”

“We were celebrating . I thought that was okay.”

“You’re being frustrating.”

“Am I?”

“Yes, don’t play dumb.”

“Unlike you, I don’t have a show today. I can actually just go to sleep once we get back.”

“Once you get back?”

“We’re going to go get breakfast now. Do I need to give you the itinerary for the day or something?”

“Stop.”

“See. You don’t like it do you?”

“Are you trying to teach me a lesson?”

“No, I was just out with my friends. I don’t have a schedule. I’m not being irresponsible.”

Ava scoffs from the other end, it’s what she does right before she’s about to completely dissect her and Beatrice is just not in the mood for it right now. “Listen, I’m going to go have breakfast, I’ll call you once I’m back at the hotel.”

“Yeah? You better hope I’m awake for it then.”

Yasmine is in the middle of a joke as they’re having breakfast when her phone vibrates in her pocket.

Darling

{5073411.jpeg}

[I thought you were out with the band?]

[I said I was out with friends.]

[Who is she?]

[Ava, you know who that is. It’s Lucia. Our publicist.]

[Publicists don’t need to get that close to do their jobs.]

As irritated as she is with Ava right now Beatrice can’t bear to let her think whatever it is that Ava’s insinuating so she gets up from her chair and excuses herself. No one bothers to even acknowledge her departure, which is preferable on her part. She locks herself into the small toilet room and calls Ava, who answers on the first ring.

“What?”

“What are you doing?”

“What are you doing?”

“Ava, I love you. You know this.”

Ava exhales. “I’m sorry,” there’s a pause, “I’m being silly aren’t I?”

“You’re never silly to me. Well, maybe when you are intending to be silly, then yes, you’re adorable, but not now. Not like this.”

“I love you.”

“I know. I know you do, Darling.” Ava apologises again, which at least alleviates whatever hostility has managed to spring forth from them over the span of the last few hours. “We’re almost done with breakfast. I’m going to call you the moment I get back to the room. I’ll ask Cam to go sleep with Mary or something. We can have a date.”

“Impromptu video date? I like the sound of that.”

“Think of something for us to do in the meantime? We can watch a movie or go on another virtual museum tour. Or we can just lie down and talk for as long as you want.”

“Yay! Date night. Date day for you. I’ll do some quick research now.”

I get a little lonely

Get a little more close to me

You're the only one who knows me, babe

So hot, you're hurtin' my feelings

Can't deal

Babea

[I think I’ve been replaced.]

[???]

[Diego keeps asking about you.]

[Everytime we talk it’s Beatrice this, Beatrice that. When can Beatrice come play Mario Kart? ]

[When can Beatrice teach me piano? She’s so cool. Blah blah.]

[I think he might be a little in love with you.]

[Awww. That’s adorable. Tell him soon, I’ll come as soon as I can.]

[I might have to beat him on Rainbow Road to teach him a lesson.]

[My bets on Diego.]

[WHAT!?]

[What is this insolence?]

[Qué desubicados son los dos. (You’re both so out of line.)]

Babea

[Good morning! How did you sleep?]

[Did you get a chance to listen to the song yet?]

[Hello?]

[Maybe something came up, I’ll try to call you later.]

1 new voicemail

Beatrice is greeted with the sound of Ava's heavy breathing, breath wobbling a bit as she inhales and exhales. When she does begin to talk, there’s a slur to her voice. 

Ava is drunk.

I miss you. I miss you so much. During the day it’s easy— I can distract myself…sometimes, but at night I can’t stand it. And I lie there hoping to hear you but I know you’re busy and I know you can’t get to your phone and I know you want to hear me too. Bea, are you happy? I don’t think you’re happy. And I don’t know what I can do to make you happy. No... That’s not true. I know how I can make you happy. I don’t think I can do it though. I hated not being with you at the Grammys. I was so proud and all I wanted to do was to celebrate with you and kiss you. I know I hurt that night because I felt it…you felt it too. And in my chest there’s this war within and there’s like tiny cannons going off every time I think of you and then I have this overwhelming urge to get on a flight and come to you, but I know I can’t and I shouldn’t, which is stupid. All of it is stupid. And I’m trying really hard to just be okay with this…what we can manage but is it enough? I don’t think it’s enough for you. I don’t think it’s enough for me sometimes. I want you here. I just want you here with me, but then I feel guilty because I can’t give you what you want, you know? And I know you know. I know you don’t want to say it. A veces me pregunto si deberíamos habernos conocido más tarde para ser un poco más valiente. Creía que era valiente. Tú eres valiente. Estoy siendo tonta porque lo eres todo para mí y ni siquiera puedo decirlo lo suficientemente alto para que todos lo oigan (Sometimes I wonder if we should have met later so I could be a little braver. I thought I was brave. You are brave. I'm being silly because you mean everything to me, and I can't even say it loud enough for everyone to hear). Sorry if I say things I mean, but then close myself off and pretend I didn’t. I just… I think I’m hurting you. God– what am I even saying? I shouldn’t have called.

When Ava wakes up the next morning, blinking drowsily at the bright light streaming in through the windows, stale taste in her mouth and head pounding, there’s a notification of a singular message from Beatrice. 

Babea

[I’ve heard the voicemail. I know you probably don’t want to discuss it but we should when we see each other again in person.]

This is the Mona Lisa, an actual painting that exists in our world and on this wall. ” Alice and Ava sit back against the bed’s headboard utterly captivated by the dry British delivery, mouths open, tacos half eaten and abandoned. “ It’s Mona Lisa’s enigmatic character that draws people in. Like all women, you simply can’t tell what’s going on in their head.

“Philomena Cunk is the perfect kind of brain rot, don’t you think?” Alice asks, adjusting the pillow behind her. Ava opens her mouth to respond, but her phone vibrates from the bedside table. When the phone is ignored Alice looks at her sideways and speaks again, “Are you not going to answer that?”

Just looking at her prompts so many questions; who is she, what’s she smiling about, is she holding a balloon between her knees, and if so, what colour is it—

Alice has shut off the TV and reached for the phone. She holds it in her hand, looking at the lock screen then extends it out for her to take. “Ava, it’s Beatrice again, are you not going to answer?”

“She’s probably about to go into soundcheck or something, I’ll call her later.” 

Alice places the phone back down, but keeps her gaze. “I don’t mean to overstep, but your phone has been vibrating for a while, she probably wants your attention.”

She cools her expression as best she can and replies, “I’ll respond in a bit, I’m sure it isn’t anything urgent.”

And obviously it’s the wrong thing to say because Alice sighs, it’s long and drawn out, like she’s using that moment to think about her next words. “Listen, I know that I am your employee, but I am also your friend. We’re sitting in my hotel room having tacos in our pajamas while watching ‘ Cunk on Earth ’, so I think that maybe I can say this to you without fearing for my next paycheck.” Alice stops to read her features and she must find what she’s looking for since she continues, “I’m going to be straightforward, as you know nothing bothers me more than beating around the bush. You’ve been ignoring Beatrice.” Alice says point blank, which causes Ava to open her mouth in protest. Alice holds a hand up to stop the excuse before it’s out of her lips, “I’ve seen you actively do it in front of me so spare me the lie. What’s going on, Ava?”

The cuticles of her nails are suddenly very interesting. Ava knows that she can’t outrun Alice's question, especially since she has indeed caught her several times now. So she breathes in and on the release says, “We’re kind of fighting,” hoping that Alice will take pity on her and maybe bring this up another time. 

“Define fighting.”

Nope. Okay, this is happening now.  

“We can’t seem to stop getting on each other’s nerves about things. They’re little things, but they get under our skin. Or at least irritate us enough that we lash out. Everything just turns into a fight lately.” Alice nods in encouragement and Ava continues to carefully put her thoughts and frustrations into actual words rather than angry half awake half asleep internal monologues. “We’re struggling to balance everything. I think it’s part me just kind of drawing back, but also—”

Alice’s eyebrows draw down at that. “Drawing back? Why are you drawing back?”

“It’s hard to say. It’s hard to even think about it.”

“Try,” Alice shifts closer.

“I’m worried. Worried we won’t be able to make it through both our tours. I miss her, but I can’t tell her that because it’s not fair. It’s an expectation that neither of us can give right now. And it’s selfish of me to want her to drop everything for me.”

Alice is looking at her skeptically, and she should have known better. Alice is observant, it’s one of the many talents she possesses and the reason Ava had chosen her as her assistant all those years ago. “That’s not all of it though, is it? You and I both know you’ve had chances to see her. I’ve asked you several times if you wanted me to book tickets. I didn’t question it when you said you were tired or—”

Alice goes quiet when Ava’s hand taps her knee. “It’s starting to scare me. The relationship. Being seen together. Being found out. Her fans are piecing things together. They’re persistent. They know about the bracelets.”

Realisation dawns on Alice. “Is that—is that why you’ve stopped wearing yours?” She nods. “Does Beatrice know about the fans?”

“I’m not sure. We don’t talk about it. We don’t talk about it at all. It’s like this big unsaid thing. And I know it’s bothering her, having to hide, having to keep me at arm’s length when we’re together. But I can’t. I can’t risk my career.”

“But Ava, surely you must have anticipated that you would eventually have to be out with Beatrice. Did you just assume that you two would be able to hide forever?”

“No. Of course not. But I also didn’t think it would be this hard. I can’t believe that it’s already this hard. And if things are already so complicated then is it worth going through all the public scrutiny? Is it worth risking my career if we can’t even manage this? We can’t even see each other for longer than a few days. We’ve been dating for seven months, Alice, I can count on my hands how many times I’ve seen her, isn’t that sad?” 

“But Ava, that doesn’t mean you stop trying. You both knew what this was. You both agreed to this. Doesn’t Beatrice want this as much as you do?”

“She does. She’s not—she’s not the problem. I am. How do I tell her I’m afraid? But I'm also afraid of losing her.” Alice’s eyes are piercing, like she’s trying to put something together. “I keep having all these doubts. Not about Beatrice. Never about her, but of me. Whether I—whether everything I’ve worked for all my life can survive this. Maybe Beatrice was right, we will end up resenting each other. And I keep wondering if I should stop us now, while there’s still a chance for us to at least salvage a friendship.”

Alice laughs, but her features are serious. “You guys have never been friends, Ava. Even when you were you weren’t. Don’t fool yourself.”

The room’s phone rings and they both stare at it in complete silence. Alice leans over and answers after a few rings, “Yes?” Whatever is being said from the other end must confuse and concern Alice because she pulls out her cell phone to check something then looks back at Ava anxiously. “How many carn—I’ll come down right away.” When Alice hangs up she rushes to grab her sweater off a chair, throwing it on, and then grabbing the keycard from the desk. It isn’t until she’s by the door that she remembers Ava is in the room. “I think you should come.”

Pausing at the threshold, Alice taps her hand against the wood of the hotel room door once before turning around to face Ava, “I hope you know what you’re doing.” With that, she’s stepping into the hallway. 

When the elevator doors open the view that greets them is that of an ocean of red carnations and it sets Ava’s heart soaring. Every spot in the lobby is overrun by the flower. Staff members are precariously balancing vases and finding empty spots to place them down on. 

Alice marches onwards, she’s a woman on a mission, but Ava lingers behind taking in the explosion of love Beatrice has just conjured for her. The sight is enough to make her regret the words that flowed out of her mouth mere minutes prior.

With a quick glance at the time Ava estimates that Beatrice’s flight has yet to land in Germany. 

This didn’t just happen. This was planned. 

Alice is walking back, eyebrows pinched with annoyance. “They have advised that the flowers are a fire safety issue. I don’t think I’m equipped to handle this situation. What do I even do? Do I call local event places and ask them to take the flowers? Maybe there’s a wedding at the hotel and they might want them? I don’t think shelters would be happy with a flower delivery. Maybe a hospital might be willing to—”

“No.”

“No?”

“Beatrice sent them to me. They’re mine.”

“Ava, there’s more than a thousand, that’s unreasonable.”

“Is there a card?”

“Not that I can—” 

“THERE’S A CARD!” One of the staff members yells, he trips over one of the bouquets, but catches himself before handing the card in its envelope to Alice who thanks him.

Another staff member joins them and Ava takes a step back, finding a seat nearby. She can’t help the smile on her face at the pure chaos currently happening in front of her. The delivery person is back with more flowers and the staff members groan as he goes back to the truck for more. Alice is attempting to communicate with the hotel staff, but looks in her direction, and her smile must say everything considering the eye roll she receives.

Minutes pass and everyone must have come to an agreement because Alice is walking towards her, with a smirk while flapping the envelope around. “Everything is under my name,” Alice clarifies.

Grabby hands come out for the card but it’s pulled out of reach. “I want to read it.”

“You have to wait.” Alice pockets the card. “I’m going to grab a bouquet for you and bring it upstairs. The rest I’ve asked the delivery person to take back to the shop to be resold. The hotel won’t allow for much else.” She frowns at Alice who is quick to add, “I’ll grab a really nice one. I’m told there’s 100 per bouquet.” 

She pouts. “Just one?”

“They’re not even yours! They’re technically addressed to me!” 

“How dare you insinuate such things? Do you want to die?” Alice lifts a singular eyebrow, in ‘try me, bitch’ mode. “Fine,” she relents, but only because she’s desperate to read the card and call Beatrice.

You’re not just my heart, you’re the rhythm it keeps. 

The voice that comforts, the voice in my sleep. 

I find myself homesick for a place that doesn't even exist. 

I hear your footsteps, I imagine you, and when I reach out I feel you beside me.

– Beatrice

Alice NoLastNameProvided

[A little warning would have been nice.]

[I told you I would send flowers before I got on my flight.]

[Yes, well, I assumed you would send a reasonable amount.]

[What do you mean ‘a reasonable amount’?]

[I sent her a bouquet of 100.]

[Beatrice, the lobby was swimming in flowers.]

[Fuck.]

[FUCK.]

[I lost signal.]

[Oh my God.]

[Yeah…]

[We won’t speak of this again.]

[I don’t bind myself to such restraints.]

[Alice, not a word to Ava.]

They’re standing in the arena parking lot, the car is idling away next to their tour trucks and Beatrice cannot believe what she is hearing. “What do you mean she’s asleep?”

“Like a rock or is it like a log? I forget which idiom is the correct one,” Levy replies, hands on his hips. “I asked the car driver to take a break, I have been waiting—” he looks at his watch, “for 24 minutes, Beatrice.”

They’re both looking at the closed car door. 

Both hesitating to open it. 

She takes a few steps, but is stopped by Levy’s hand on her arm. “What?”

“Be careful. I woke her up once during the music video shoot and she bit me. I think my pinky is still missing a chunk.” He checks the said finger over before glaring in the direction of the car. 

Beatrice clicks her tongue, but takes extra care when opening the car door. 

“I can’t watch, remember you still have a show to get through”, Levy mutters anxiously before walking away, hands on his forehead. 

Ava is leaning on the far door, breath fogging up the window and hoodie wrapped around her like a blanket. And it’s the cutest sight of her girlfriend Beatrice has probably seen so far. Okay. Maybe not, but it’s pretty close to being a top one. 

She painstakingly climbs on board, careful not to wake Ava. 

Beatrice leans forward, hand coming to caress Ava’s warm cheek gently. Her girlfriend's eyes slowly blink open and realisation sets in slowly. There’s a content sigh, before arms wrap around Beatrice’s shoulders, “ Hi …I missed you.”

“Hi, stranger,” Ava replies, pulling her closer.

Beatrice can’t help the joy that seeing Ava brings her. It swallows her like a raging wave, impossible to swim out of and without enough oxygen to know if you’ll make it through it. After months of texts and phone calls, her girlfriend is finally here. The need to nuzzle into her neck is so strong that Ava giggles when Beatrice’s nose tickles her skin and breathes her in. 

“I missed you,” Ava says, hands pulling her up, thumbs tracing her cheeks before guiding their lips together. 

It isn’t a long kiss, not by their usual standard, their current circumstances not allowing for it, but it sure felt like it. The moment is drawn out, as if they could make up for all the time lost. No stray thoughts ran through Beatrice’s head as it happened, only that Ava was here and she could finally stop imagining her.

“Are you alive?” Levy inquires after a few moments, head popping inside the car to check.

Her hand meets his face as she pushes him back, “I’m fine, thank you.”

Ava climbs out from the other side of the car, backpack in tow. Ava promptly deposits the strap of the backpack into her hand and she’s the one having to sling it across her shoulders. 

“Rehearsals are starting, why don’t you give me that?” Levy stretches out his hand for the backpack, “and I’ll take it to your green room. Ava can keep sleeping in there if she wants to.” 

Ava’s arms wrap around her own, “Ava wishes to stay with her girlfriend, please and thank you.”

She’s looking down at Ava’s watery eyes and sleepy face, concern surging ahead of every other selfish want. “Are you sure? It was a long flight, I’m happy for you to get some rest.”

“Bea, I want to be with you.” 

They make their way through the arena's intricate maze-like hallways, she’s in the lead with Ava just a few steps behind. There are several tour workers scrambling about doing last minute set ups, security guards making their rounds and members of their team chatting amongst each other. They wave or nod to her as she passes them, some even throwing out the odd comment and encouragement for tonight’s show. Ava keeps her head down, careful not to draw attention to herself.

They follow the sound of Yasmine’s drums as she goes about starting out their sound check, something that is becoming so increasingly familiar to Beatrice that it might as well have always been a soundtrack to her daily life.

“Ava!” Camila yells, as they arrive on stage. 

The arena is empty apart from sound engineers and the light crew, who will need to run through several songs and sequences so that everything is ready for later that night.

Camila is about to make a run for them when Suzanne, from the stand on the right, clears her throat causing her to stop in her tracks, standing absolutely still. The other band members wave at Ava enthusiastically from their spots, not even bothering to attempt what Camila had tried to do.

“Ava,” Suzanne says, patting the chair beside her. “Come join me.”

Ava nods, pulling Beatrice towards her, “Bea, do ‘ Octopus’s Garden ’ during warm up for me.”

— 

They were strange, Beatrice’s hands. They were soft and without any of the roughness that should accompany her career. It was something that Ava had noticed before, of course she had, but lying beside her on the couch, fingers running along her skin, it was everything. Little moments like this, the stillness of it all. 

Ava has never known this before. How you could just lay beside someone, saying nothing at all and have the rest of the word fade away. And knowing that the person next to you feels the same. 

“You’re awfully quiet today,” Beatrice says before placing a kiss on top of her head.

“I’m just happy to see you.”

“I am as well.” Beatrice’s hands trace her arm, in what Ava has realised is an attempt to get her to go back to sleep. And it’s working, her eyes are beginning to droop at the soothing, ticklish sensation. As her eyes flutter and mind begins to drift, Beatrice's movements stop. “Your bracelet. You’re not wearing it.”

The observation sends a sharp jolt to her stomach. “I—I brought it with me, it’s in my backpack.” Beatrice is quiet. The hand on her arm continues its earlier caress. “I can go get it—”, she makes an attempt to untangle themselves to go retrieve it but Beatrice holds on to her.

“Is it because of my fans?”

Beatrice knows.

Beatrice probably has known as long as she has.

She won’t lie. “Yes.”

“I understand,” is all Beatrice says in reply, her eyes downcast now, eyelashes sweeping against the tops of her cheekbones. 

Show me the banana… ” Camila sings as she makes her way into the green room, not bothering to acknowledge that both her and Beatrice are having a conversation or at least attempting to. “ Na-na-na-na-na…show me the banana…na-na-na. ” With her back against the couch, Ava can see over Beatrice’s shoulder that Camila has no intention of letting them be. “ Show me the banana…na-na-na-na—

“Can I help you, Camila?” Beatrice huffs out.

“Oooooouuuuu are we cuddling? Can I join?” Camila says, now coming closer and hovering above them.

Beatrice turns, pushing out one of her legs to prevent Camila from getting any closer. “Absolutely not.”

Camila tuts, but walks back to the door. “We have to start getting ready! I just came to make sure you didn’t sleep through your alarm or something.” She leaves them just as quickly as she came in, saying something about helping Yasmine with her outfit. 

Beatrice swiftly stands, tugging her shirt off. It lands on the makeup chair. “I’m going to have a quick shower before the team arrives for hair and makeup,” she says, halfway through undoing the button and zipper of her jeans. 

The adjoining bathroom door closes behind Beatrice and Ava is left alone to process whatever exchange just went down. Their unwillingness or in this case hesitance to talk about it is becoming increasingly apparent. 

There’s a screech of metal as the shower tapware is turned and the curtains are drawn back. Beatrice begins to go through her scales. The vocal warm up, aided by the echo of the bathroom acoustics now filling the room with her girlfriend’s voice. 

It’s not long until Beatrice comes back into the room with a soft “Hi”, only a towel wrapped around her. Drops from her wet hair slowly trailing down her shoulders. “I was thinking that in July when we have our break that we should go somewhere.”

“Do your scales.”

“I can’t do my scales and talk to you.”

She stands from the couch, grabbing the bathrobe draped on the makeup chair, holding it out for Beatrice to put on. “Where do you want to go? To Madrid or London?”

“No. Somewhere nice,” Beatrice replies, kissing her cheek in thanks and slipping into the bathrobe. “I’d like to go to the beach with you.”

“Oh, but that’s—it wouldn’t be private.”

“We can rent somewhere private. Like a villa or something with beach access. I can handle it. The booking, I mean.”

Beatrice sits down onto the chair, the blinding bulbs from the mirror in front of her highlighting the dark bags under her eyes. And Ava's heart fills with empathy for her girlfriend, the band has been working hard. They’ve done more shows in Europe than she has. It’s different for her, she can pick and choose, but the band, on the other hand, are at the mercy of their label and doing as many back to back shows as possible. They need to make back the label’s initial investment.

“What do you think about Lake Como?”

“Beatrice, are you taking me on vacation?”

“Well since we will both have some time off, it would be nice to decompress and spend time together, so why not do it somewhere scenic?” Beatrice pushes forward with her question, undeterred. She seems to have put a lot more thought into this than she had initially led on.

“We will need to be careful.”

“I know.”

“Then, yes. We can do that. I would love to.”

Mary and Yasmine join them soon after, both already dressed and ready. They catch up with her as the band’s makeup and hair team file into the room, ready to attend to Beatrice after having finished with the rest of the band. The stylist comes in with Beatrice’s dress, scrutinizing every bit of it as her girlfriend puts it on, removing any loose threads and attending to any creases the moment Beatrice so much as shifts in a certain direction. Ava does get odd looks from them all, but they’re professional and so used to seeing celebrities that they ignore her or at least pretend to ignore her after a quick hello. 

When Camila comes back into the green room, they all burst into conversation, she being the sole provider of tour crew gossip and everyone’s latest exploits. It helps the four of them pass the time with Beatrice listening and laughing along while using her steamer. 

As Ava and Beatrice exit the room, Lilith is striding down the hall towards them and Ava does a double take at the sight of Lilith’s outfit. It’s the same one that Beatrice wore, or attempted to wear before sadly falling to the floor. “You’ve got to be kidding me,” spills out of her mouth before she can restrain it. 

The look of confusion on Lilith’s face clears quickly as comprehension dawns. Never one to miss an opportunity, Lilith is winking at her and tutting her tongue as she passes by them, “Now now Ava, my eyes are up here. You really should have held onto me in the music video shoot instead of choosing this clumsy buffoon.” Lilith smoothly dodges the punch Beatrice jokingly aims at her, not even breaking pace as she continues down the hallway.

Ava is eyeing Beatrice out of the corner of her eye. “I thought I asked you to bring that outfit home! Now my memories are marred by the sight of Lilith wearing it!”

“...and I am appalled that my baby girl has turned into a selfish duplicitous whore—oh hello!”

Levy all but shoves her into a seat. “Ava, these are my parents, John and Moira. They have graced us with their presence this evening.” A blonde woman and a man with massive ashy eyebrows hidden behind tiny glasses wave dismissively. Levy sits next to Ava, completely avoiding his parents, but keeping her nice and snug between him and them.

“Son, I don’t understand why we’re here specifically, you’re not the one on stage.” Levy’s dad has pulled out his phone, attempting to take a picture of the stage, which is in complete darkness apart from a curtain with the band’s name. The flash goes off, making the people in front turn around with scandalised faces. It doesn’t even phase John, who just puts the phone back into the pocket of his suit and crosses his arms. The concert is taking too long to start in his books.

Levy sighs, but answers, “You’re here supporting your son . You know, as parents should.”

“I love the stage! I always have, right John?” Levy’s mother says, eyes glistening, hands under her chin in complete delight, dismissing Levy’s reply. 

“That’s right, honey.”

Levy is looking between his parents like the behaviour is normal and not some sort of cry for help. “Ignore them.” The dynamic between Levy and his parents illustrates him as a person almost too quickly. “I meant to ask earlier, but you fell asleep within seconds of picking you up—how do you do that by the way? Where is my nemesis?”

Ava chuckles. “Alice laughed me out of her hotel room when I brought up coming today, which is concerning seeing as I pay her. Well, if I might add.” 

Levy nods, lips tight, eyes narrowed. “I see how it is, she didn’t even want to make the effort to come and see me…” 

Ava laughs at Levy in reply, “And the sleeping thing? You gotta do what you gotta do. I can sleep anywhere.”

He folds his arms petulantly. “I guess, tell her I miss her or something.”

“You can tell her that, you know? I’m aware you guys communicate.”

“I don’t want it in writing. She scares me. She might find a way to bring it up to prove a point. And we can’t have that—”

The lights around the arena begin to dim, causing loud screams to erupt around them. Phones pop up instantly, everyone waiting to record the first few moments. The curtains concealing the stage cascades down from above and the streetlight that is part of the set on stage buzzes to life. It casts a small glow around the deconstructed white home, with just enough details interspersed to make it appear real. The screen behind the set now showing a picture of the dark night’s sky, stars glistening with a strange eerie calmness. The sound of actual crickets is all that is heard for some time as everyone waits with bated breaths.

The porch light from backstage turns on as footsteps are heard. Keys jiggle and the front door opens. A hand turns on the lights, illuminating that section of the home. It’s Beatrice. She’s wearing a colourful corset dress that reaches about mid thigh and pastel pink platform boots. Her hair is split at the center with a long pristine braid coming down one of her shoulders. She takes a second to look at the audience, a cute smirk emerging before she takes a step and stops. The crowd cheering every time she so much as moves a few centimeters.

Beatrice brings the microphone to her lips. “You know…I always feel uncomfortable when I enter my ‘home’ with shoes on,” she does the finger gestures at the word ‘home’. 

Ava laughs and so does the audience. 

“Someone’s feeling extra perky today,” Levy says, not at all bothering to hide his own amusement as Ava’s eyes meet his.

“Come on, you probably hear that every night.”

He keeps her gaze, willing her to understand, “No. We do not.”

Oh.

Beatrice is now walking along the set, turning on various lamps and lights, humming as she does. As the lights turn on, more of the set is revealed. There’s a couch to the right with an old television, there’s plants on top of shelves, knick-knacks placed on top of small tables and there’s rugs, chairs, vases with flowers, it goes on and on. The instruments are interspersed between the two levels of the make believe home. 

There’s a chair by a large shuttered window on the second level and Beatrice sits. 

The sound of distant music starts as she brings the microphone to her lips again. A singular warm spotlight on her.

(*)

How am I supposed to feel

When you're telling me that nothing in my life is real?

When you throw your words and hide behind a plastic shield

I just sit and smile

Writing my own fairytales

Building forts between the sofa and the windowsill

Dreaming of the day I'm tall enough to save myself

But I was just a child

Ava knows all of Beatrice’s songs by heart, can probably recite them if challenged, but the serene melodic phrases feel all the more impactful now, in this setting. In an arena full of people stunned into silence with the brutal honesty the song delivers. She physically and emotionally feels present in the memory Beatrice is conjuring for them all. 

What it takes to recognize

Emotions that I try to hide

The more I keep them all inside

The more they bury me alive

A high-pitched vibrato of violins leaves the entire arena anxious for release. Beatrice’s voice begins to multiply, in a cacophony wishing, wanting to be heard. The tension hangs in the air leaving everyone in suspense.

All my life, I've felt out of place

All my life, I've been saving face

For all these minor feelings are majorly breaking me down

The song builds with the help of Lilith with her guitar who has now walked onto the stage, standing to the right of Beatrice. Camila is also on the stage at this point, standing to the left behind her keyboards. It isn’t long until Mary and Yasmine join at the second level and as they do so Ava has realised that the audience has not even noticed their presence, too caught up in whatever trance Beatrice has put them under.

All my life, you took me for a fool

All my life, you told me what to do

All these minor feelings are majorly getting to me now

Beatrice stands and the arena holds their breath, Lilith’s plucking reverberating in the air. The lamp lights on the stage flicker and turn off, leaving the imaginary house in complete darkness for a few seconds. Beatrice walks down to the mic stand at the center of the stage and deposits her microphone. Lilith’s plucking turning into the repeating intro of ‘ Your Age ’. The moment Yasmine kick starts her drumming, green lights begin to pulsate, transforming the once serene home to that of something more unsettled and rebellious. 

(*)

Not a secret, not a problem

Not a symptom or cure

Not a villain, not a mistake

Not in the eyes of God

Not a weakness, not a failure

Not a savior, oh no

Not a secret, not a problem

“Make some noise!” Beatrice demands and the audience screams the upcoming adlibs. 

Levy’s parents groan as they’re forced to stand, their views now effectively blocked by everyone’s excited jumping and dancing.

Moira is leaning forward then, looking past her husband and Ava. “Levy, I have an urgent concert related question.” Levy is trying very hard to dissociate beside her. “Is this one of those turbulent tirades against the tyrannical forces of these trying times?”

Ava snorts, and Levy glares in the direction of his mother. “A drink perhaps to lighten the mood?” 

Levy shifts, but doesn’t get a chance to move far before his father grips his arm. “One for me as well, son.”

Decisions were not mine

You closed me off, a jail personified

A disembodied voice from behind her shouts “Beatrice can take me to jail anytime!” She fights the urge to turn around and roll her eyes at their stupid interpretation of the lyrics. 

'Cause I'm not a secret

And I'm not a problem

Being face-to-face to Beatrice’s sincerity is distressing. Lyrics she knows, lyrics she has heard countless times, from its inception to now, in its full realised strength in front of thousands disarms her instantly. Even with so many around her Ava feels alone and signaled out by Beatrice herself. She knows that’s not Beatrice’s intention but the message is too close for comfort. The lyrics not only recount the strain of her girlfriend’s relationship with her parents but now with her as well. In many ways, Ava has turned into the jail keeping their relationship a secret.

Levy returns not too long later with three drinks in hand, his parents quickly grabbing at the plastic cups, without a murmur of thanks. As he goes to drink from his own cup, Ava reaches for it, taking it from his hand and chugging it down as quickly as she can before he even thinks to protest.

“Of course! Why did I even assume I could have a peaceful drink!?”

“I was so thirsty!”

After several songs the mood of the concert shifts to something more comforting. The lamps along the stage are back on and the peaceful scene of the family home has returned. Camila is playing a soothing melody on the keys, a small segue into the next section of the setlist. 

Beatrice drinks from a bottle of water on the coffee table behind her. “Now that we’ve gotten some of the melancholy out of the way, what do you say we do a few happy songs?” she says, walking back to the microphone and removing it from its stand. The crowd applauds and Beatrice smiles. “This song is all about learning how to fall in love. And most importantly allowing yourself to.”

 

(*)

She showed me what love is

I'm actin' like I know myself

Oh, in case you didn't notice

“I like it!” Beatrice is doing a cute dance on stage, her smile big and dimpled. She’s shimmying towards Lilith who is doing everything in her power to move away. Beatrice raises her hand swatting the air in front of her, before poking her tongue out at Lilith. “Lilith on the guitar everybody.” The audience cheers and Lilith winks.

A shrill pterodactyl-like scream pierces the air. “Lilith, Stomp me!”

Beatrice visibly cringes away from Lilith at the prolonged scream. Camila cackles loudly, missing the cue for her back vocals. 

Oh, oh, I would go blind just to see you

I'd go too far just to have you near

In my soul, I've got this feeling, I

Didn't know until I seen ya

The pre-chorus hits and the audience sings along.

My, my, my, oh, my, my, my

You mind my mind, you mind my mind

Oh, my, my, my, you mind my mind

Oh, my, my, my

She's insatiable is what she is

Beatrice is making her way up to Mary on the second level, the happy dancing continuing as she climbs the steps. Mary wiggles her shoulders in beat with Beatrice, her bass coming through louder than before for emphasis. “Mary on the funky bass!”

Her body's like a modern art

Take it out in front of me

I've gotta stop messin' it up because I'm

Feelin' like I'm messin' it up

Because I'm callin' out your name and God help me

'Cause, oh, I'm never gonna love again, 

Hey!

I'm never gonna love again, 

Hey! 

Oh!

Yasmine is next in the series of introductions, she hits her cue for a drum solo the moment Beatrice reaches her. Beatrice lingers as the solo continues, her hips moving along to the beat Yasmine has created. 

“Yasmine Amunet on the drums! When she’s not killing it on the drums, she’s hacking into secure government servers…wait. Maybe I shouldn’t have said that.”

Show me your love

Why don't you grow up and see?

Show me your love

Why don't you grow up and see?

Show me your love

Why don't you grow up and see?

Show me your love

Why don't you?

Then, Beatrice is hurrying down to Camila who is excitedly playing the last few chords before Beatrice takes over the keys and Camila pulls her saxophone from the stand underneath them. It takes a few seconds to get herself sorted, and then her solo begins, causing the arena to burst into cheers at the unexpected revelation. 

“My oldest friend Camila, who couldn’t resist adding a little jazz to the album.”

The song continues as the entire band harmonises along with each other, the audience taking over the remainder of the song with prompts from Beatrice where needed. 

“What do you think so far?” Levy asks her some time later as Lilith’s guitar solo on stage starts, Beatrice has run off, possibly to change outfits or take a much needed bathroom break. The rest of the band is playing along, but making sure that Lilith is the focus of all the attention. 

Ava opens her mouth to answer but is cut off by Levy’s mother who leans forward again and says,  “You know what I would love right now?” she asks and waits for a reply and when none comes continues, “A nice cup of hot tea.”

“Chamomile would be rather nice to soothe whatever unruly sentiments have been shared this evening,” John says, not missing a beat.

“I am not getting either of you hot tea! This is a concert Goddamn it!”

It takes a few moments but when they’re back to being distracted with whatever is happening on stage Ava leans into Levy’s ear and yell-whispers, “I’m so sorry!”

Overwhelmed by her honest words and genuine pity towards him, Levy wraps her into a crushing hug repeating the words ‘thank you…thank you’ over and over again like a prayer. 

The stage goes dark again as the sound of crickets return.  There’s a lone figure atop of the spiral staircase on the left side, barely illuminated by the spotlight behind her. The familiar synths of ‘ Somebody Else ’ begin as the back screen behind the stage plays a slow mo section of the music video. The part in which Ava and Beatrice are walking on opposite sides of the street not initially looking at each other, but when they both glance up in each other’s direction the crowd goes crazy. It lasts only a few seconds before the spotlight behind Beatrice intensifies, casting her in a warm glow, but also keeping her hidden under shadows.

(*)

So I heard you found somebody else

And at first, I thought it was a lie

“You sing it,” Beatrice says, holding the microphone out for the crowd.

I took all my things that make sounds

The rest I can do without

“You ready Munich?” The crowd answers with a deafening roar.

I don't want your body

But I hate to think about you with somebody else

Our love has gone cold

You're intertwining your soul with somebody else

Beatrice descends the spiral staircase slowly as the chorus continues, she barely has to sing it, the audience too enraptured by the song’s popularity to even let her continue.  She’s on the bottom level now at the center, occasionally dancing along to the 80’s beat.

And c'mon baby 

I know!

This ain't the last time that I'll see your face

And c'mon baby 

I know!

You said you'd find someone to take my place

I just don't believe that you have got it in you

'Cause we are just gonna keep doing it every time

Levy turns to her. “So! Will you be staying with us over the weekend?” He’s trying to distract her from the music, a touching gesture that she greatly appreciates. 

The crushing reminder that her stay with them is short takes over her again. Not being around Beatrice for an extended time has finally had a moment to settle within her. Long gone are the days where they could easily fly to one another. 

“I can’t. I need to fly out to New York early in the morning to continue the tour,” she answers, voice not quite able to get past the lump forming in her throat. “The only reason this was even possible was because it was a Thursday show.” 

“That’s…” Levy starts, but she finishes.

“Intense.”

“Yeah.” 

Being able to be here for Beatrice is important, Ava knows this. They all know this, that’s why they were so happy to see her arrive in the early afternoon. “By the time I make it back I’ll have to start getting ready for the show that evening.”

Levy keeps eye contact for what feels like an eternity, the sympathy evident on his face.

“This side!” Beatrice’s voice grabs her attention as the song begins to come to an end. The crowd work she’s doing is too endearing to be ignored.

Get someone I love?

Get someone I need?

Fuck that, get money!

I can't give you my soul

'Cause we're never alone

Get someone you love?

Get someone you need?

“This side now!”

Fuck that, get money!

You can't give me your soul

'Cause we're never alone

“It’s over?” John speaks up, clapping once before wiping at his dress pants.

Levy reaches over to tug his father back down to his chair. “Sit down dad! We still have the encore to watch.”

“I didn’t know artists still did those. The attention span of your generation is so diminutive,” Moira says, pulling out her phone and scrolling through what Ava assumes is an app for old people.

Yasmine and Camila walk back on to the stage waving happily, followed by Lilith and Mary carrying their instruments. They all take their places again leaving only Beatrice to walk back and take her spot at the center.  

“They usually do a surprise song for the closing, something old most of the time, you know how they are,” Levy is letting her know, not bothering to acknowledge his parents who appear anxious with the news of more concert to sit through. “Beatrice has a surprise for you though.” Ava smiles at that, eyes going back to the stage instantly, eagerly awaiting the return of her girlfriend on stage.

The crowd goes absolutely insane when Beatrice enters through the front door again. She’s done a quick outfit change as well, now wearing chrome waist length pants, a black bra and a distressed ‘top’ that is barely covering anything at all, and Ava glares because what was even the point of it if didn’t do its job in hiding Beatrice’s perfect body from wandering eyes. 

She might as well have just walked out naked for all the world to see at this point.

Beatrice runs her hand through her loose hair, attempting to settle it into place, but the longish bangs land by her eyes again anyway. “We have a surprise for you tonight, I know that you guys have noticed we usually end on a oldie, but we’ve had some time to record while on the road, and by we, I actually just mean Camila, Yasmine and I, who have sat for hours creating these two songs while Lilith and Mary bang on our hotel walls to get us to shut up.”

“I cannot imagine anyone wants to hear this, Beatrice,” Lilith speaks into her microphone with an added eyeroll for effect and everything.

“Can the sound engineers please mute Lilith? She will only protest the entire time,” Camila says quickly, pointing at the sound engineer nestled within the crowd.

“That is a filthy li—” The band and the audience all laugh as Lilith’s microphone is effectively cut off.

“Alright. Thank you for that, much appreciated.” Beatrice’s eye smile is out on full display now. She takes a moment to search among the crowd and Levy stands holding out the screen of his phone in her direction. She squints towards them before doing a quick wave. “Let’s dance then? This is ‘ Cherry ’ and ‘ Lucid ’.”

Levy quickly flashes the message on his screen at Ava before he shuts it. ‘I’m with stupid’, with an arrow pointing in her direction. Ava slaps at his shoulder in retaliation. 

Yasmine starts them off on a midtempo R&B-pop beat with Camila adding on the synths and the plucking of Mary’s bass reverberating in the background.

(*)

So won't you? 

Will you be my cherry?

So come on talk to me, talk to me

Will you, will you be mine?

One, two, three, let's go

Down the subway, you looked my way

With your girl gaze, with your girl gaze

That was the day everything changed

Couldn't stay the same

The butterflies in Ava’s stomach are fluttering away at the sweet gesture of hearing the song she wrote for Beatrice come to life for thousands to hear. And she can’t help the feeling of falling in love with her girlfriend once again, whether on the subway or in this case as she dances confidently on stage.

Even though I'm satisfied

I lead my life within a lie

Holding onto feelings

I'm not used to feeling

'Cause, oh, they make me feel alive

The lyrics ring true as Beatrice sings them, but they’re missing something. 

Ava should be singing them instead. The layers of excitement and uncertainty at what a future could possibly look like for her if she were to just place a foot outside the metaphorical closet she has found herself in. The internalised shame takes over her and she stumbles to keep pace with Levy’s dancing next to her.

When they tell you that you've got to stay the same

Even though you're not yourself

And you've got somebody else

When they tell you that you've got yourself to blame

Even though it's not your fault

But your heart just wants to know, know

Camila has grabbed her microphone and is making her way to Beatrice as the tempo of the song changes, mutating into the next one. Suddenly, they both burst out into a choreographed dance as they approach each other, all while Lilith walks to them from the right without her guitar.

(*)

Ooooooh…Ooooooh

I've been lucid dreaming just to see you

I've been taking all this medicine, yeah

Are you real or a hallucination?

I, I got to know

Lilith’s tapping on her microphone increases as the sound engineer forgets to turn it back on. “—Mate, thank you, bloody hell!”

Hey girl, you are what I've been looking for, oh

You're what I'm dreaming of 'cause

Hey girl, you are what I've been dreaming of, oh

Dreaming of, dreaming of

All three of them are singing along now. And Ava wonders what it took for Lilith to join in on this ultra clubby pop song, but she’s smiling which means she’s not completely hating every second of it. Ava takes her phone, zooms in on Lilith’s face and snaps a few pictures for her blackmail folder. 

“I’ll be dreaming of Beatrice in this outfit all night long!”

“Why would you even bother with clothing?” 

The same irritating and disembodied voices sound from behind her again and Ava starts to swing back towards her, an angry retort on the tip of her tongue before Levy grabs at her shoulder, forcing her back around. 

“Let me at them! I want to claw their eyes out,” Ava yells. 

“NO!” Levy answers resoundingly, a little bit of fear creeping into his voice. 

She wonders how many of her Instagram enemies are present tonight. 

Come here, my stranger in the dark

Don't need nobody in my arms

Got my imagination running wild

It's all that I can do

Lilith has taken over the crowd work now, “Alright, hold your fists up in the air! One! Two! Three! Let’s go!” 

Camila and Beatrice walk to opposite sides of the stage.

“This side over here say: ‘Ooouuuu oooouuuu’,” Beatrice encourages as the chorus turns the entire arena into a dance party.

Ooouuuu oooouuuu!

Then it’s Camila’s turn, “How about this side? ‘Ooouuuu oooouuuu!’’

Ooouuuu oooouuuu!

Lucid dreams, lucid dreams 'bout you

Lucid dreams, lucid dreams 'bout you

Lucid dreams, lucid dreams 'bout you

You are my weakness

Lucid dreams, lucid dreams 'bout you

No, no, no, no, no, no

Lucid dreams, lucid dreams 'bout you

Confetti bursts into the air, signaling the end of the concert. As the sparkly paper descends upon the crowd she can hardly make out the stage anymore, but she can see that all three are dancing as the song continues to play.

Ava is being unnaturally quiet after the concert.

Even after their eventful shower.

The blow dryer hisses next to Beatrice’s ear, the hot air irritating the skin on her neck. Ava is applying lotion on her face next to her, an unreadable expression as she does. Beatrice wonders whether she should ask, but hesitates. There’s a lot to talk about and having this precious but short night Ava is everything for her, for them. 

“Darling?”

“Hmm?”

“Get closer so I can blow dry your hair.” 

Ava does as she’s told, coming to sit down on the closed toilet lid. 

They’re in their pajamas now, getting ready for bed. It’s been a long day for both of them, probably even longer for Ava who hasn’t been able to rest properly. Beatrice had watched over her shoulder as she set multiple alarms for 3 am. In just a few hours Ava needs to be on a flight back to the U.S. for the next tour stop. 

As she runs her hands through the short locks, Ava’s head comes to rest by her belly, arms wrapping around and pulling her closer. A long drawn out yawn comes out soon after, but Ava shakes her head, trying very hard to keep the tiredness at bay. 

“We can sleep soon.”

“No, I don’t want to sleep.” Ava is looking up at her now, cutely nuzzling her nose into Beatrice’s tummy. “Can we stay up until I have to leave?”

She wants to laugh at the pure absurdity of it all. Beatrice doesn’t even think they have energy to make it more than a few more minutes without just collapsing into bed. 

“You know we can’t. What would we even do? No! Don’t look at me like that. We’re both about to keel over any minute now.”

Ava stands petulantly, hair still half wet, but Beatrice turns off the hair dryer. It was more than she expected to get through anyway. When she looks towards the bed Ava is tossing the extra pillows onto one of the chairs, that same look on her face. Deep in thought, but reluctant to voice them.

It only takes a few steps and she’s next to Ava, reaching out for one of her hands. Ava stops fluffing the bed to hold her gaze. “What are you do—”

Before she can second guess herself, she embraces Ava around the waist, pulling her into a half hug half slow dance. And Ava must be as shocked as she is at the sudden switch up of plans, from going to sleep to an impromptu dance, because her arms hang dumbly by her side for just a few seconds until they come up to wrap around her neck. They fall in step, letting the lack of rhythm control their movements. And it lasts for less than a minute before a small laugh escapes both of them when she accidentally steps on Ava’s foot. 

“How are we meant to dance without music?” Ava murmurs into her ear, nuzzling into her neck and breathing in, but she doesn’t stop swaying. And it’s the invitation Beatrice needs to draw them closer together.

You're not even gone I already miss you ,” she sings, leaning in, “ what's going on? I've never been through this all-consuming fire fuming, cursing at the moon and losing all control and crying. 'Cause I think I'm falling.

“Ah yes…the song that wasn’t about me,” Ava says with mirth in her voice, settling her head on Beatrice’s chest. Then Ava’s head is nudging over minutely, and she’s placing a kiss on top of Beatrice’s heart, her lips lingering on the spot. “Keep going,” Ava says, “Please.”

You bewitch me every damn second you're with me, ” she holds her arm up for Ava to spin, stepping back to watch as her girlfriend does a cute twirl before excitedly crashing into her again. “ I try to think straight but I'm falling so badly, I'm coming apart. You wrote me a note, cast a spell on my heart—

Ava cuts her off with a kiss. It’s soft, featherlight. They didn’t need to make it more grand than it already was. The moment carrying that sensation where you can feel your heart in your chest, thrumming away as if about to break loose. 

When Ava is finally asleep hours later, Beatrice remains awake, eyes captivated by the curves of Ava’s eyebrows, the pout of her lips, her button nose and the small baby hairs along her forehead. She can feel Ava’s chest rising steadily, hers aching to match it, to allow herself to sleep as well, but Ava’s alarm is about to ring. 

Their peace is about to be broken.

Notes:

٩(˘◡˘)۶

Chapter 17: I Try Real Hard, but I'm Caught Up by My Insecurities, I See Myself and I Look Scared and Confused

Notes:

Here is the playlist and mood board.

Chapter Text

(*)

I have to go, I'm so sorry

But it feels so cold in here

I am just now realizing, they don't care

I try real hard, but I'm caught up by my insecurities

Pour me one more, watch the ice melt in my fist

When it happens Beatrice would like to say that she doesn’t expect it, but it’s the only logical outcome. 

It began small, with only a bit of hoarseness. She ignored it as she always did with things that kept her from what she needed to do. Her responsibility to the band, to their team, and to their label, paramount. Even over her own wellbeing. 

When Ava brought up the choppy voice and raspiness, she had initially excused it as exhaustion, but of course Ava kept pushing as she usually did when Beatrice wasn’t looking after herself. Beatrice had then claimed sickness and sidestepped any venture into the topic whenever Ava brought it up, her girlfriend’s doubt and exasperation crystal clear through the phone. Despite Beatrice’s best efforts, Ava had continued to voice her skepticism of them going through with the festival. Texted again before Beatrice went on stage asking her to reconsider. 

For the last two weeks she had kept her talking to a minimum, willing her voice to let her be, conserving whatever she had left for Ava’s calls or the odd comment during conversation with the band. The pain began to present itself before the flight to London and still she kept on. When they landed and made the drive to Glastonbury she drank water and swallowed Pei Pa Koa as if it could balm the now constant ache away.

When the musical director and the sound engineers enquired about the changes in her pitch and bringing everything down an octave, she shook her head and blamed it on a cough. She was adamant that she would do her warmups and scales and everything would be fine.

Everything was in fact not fine.

Glastonbury is in full swing when it happens. They’re in the middle of their set when the pain in her throat radiates to her ears. She pulls on one of her in-ears, attempting to acclimatise, every swallow feels like a knife slicing down her throat.

Camila is quick to notice her discomfort, eyes searching her face.

She tries to talk. She tries to say something, but nothing comes out. And fear takes over her immediately. 

What has she done? 

In the time that it takes her to stumble backstage the music has stopped, but no one follows at first and it’s just Levy standing there, staring at her. The crowd’s chants thrum in her chest. She needs to go back out there, she needs to finish their set. 

“Are you alright?” Levy is by her side, his eyebrows are drawn down with concern. “Beatrice, you’re pale.” She opens her mouth to speak, but again no sound comes out, the pain surges through her throat, this time angrier than before. And Levy must catch on because he’s sliding a chair across and pushing her into it. “Stay there. I need to get Suzanne.”

As he rushes through the back parts of their temporary stage the band members emerge one by one, spotting her right away. Lilith and Mary shove their guitar and bass to any waiting hand. Yasmine and Camila forge ahead, reaching her first.

“Bea!” Camila says in a panic, running her hands along her face, then her throat. Camila knows. Camila has been watching her skeptically for days. “Don’t talk. Don’t say anything.”

“I noticed it too, but I just didn’t think it had gotten this bad. What do you think it is? Laryngitis?” Yasmine says, “Where’s Levy? I’m going to go get Suzann—” Yasmine stops when she reaches for her, nodding in understanding.

Mary is afraid. There’s a frantic uncertainty surging through her instead of her usual composed demeanour. Her eyes are searching between them all, trying to come up with something to do, a need to keep herself busy. “Lilith,” she says, tugging on Lilith’s arm, but Lilith’s gaze doesn’t leave Beatrice’s, “We need to go speak to the audience. We need to tell them the show can’t go on.” 

Lilith nods still staring at Beatrice, eyes luminous and scared as she blurts out “You shouldn’t have kept this from us,” before Mary is pulling at her again and they both leave.

Suzanne rushes in with Levy closely following behind, phone by his ear. If Mary was scared then Suzanne is terrified. Her eyes are huge and piercing. Beatrice has avoided Suzanne recently. Careful to not draw attention to herself whenever she is with them. Suzanne is all too aware of the implications of such an injury. What this could mean for Beatrice, what it could mean for the band, and the rest of their tour. 

“We’re leaving,” Suzanne instructs, grabbing a hold of her arm and pulling her up. “We need to get to a hospital.”

I feel so unstable, fucking hate these people

How they're making me feel lately

They're making me weird baby, lately

I feel so unstable, fucking hate these people

How they're making me loathe

They're making me loathe, yeah

The sight that greets her as she enters the green room, with cheers of the crowd still echoing through the hallway behind her, is that of apprehension. Alice’s stare is fixated at the far wall, visibly vibrating with some sort of emotion she can’t read. Her assistant defensively crosses her arms as Ava gets closer, leaning back against the wall, she looks at Emilia then drops her head down as if afraid to watch.

“What’s wrong?” Ava asks, anxiety creeping up her spine. “Did something happen?” She has a sense of foreboding, somehow knowing exactly what they’re about to tell her. 

Emilia runs her hand through her hair a few times before speaking, an immediate tell that something is, definitely , wrong. “I’m going to tell you something. I expect you to behave like an adult and be level headed about this,” Emilia enunciates every word so that her voice is clear and there can be no miscommunication, “Beatrice was taken to the hospital a few hours ago.” 

Ava’s breath catches in her lungs. There’s a sudden and unstoppable uptick in her heart rate, and it grips at her chest, a cold sliver of dread and fear dripping down her sternum. “Wha—what are you saying?” her voice cracks, and she can feel her muscles tighten involuntarily, it feels like all of her clothing is working to constrict her, to bind her in place, worried and helpless.  

Emilia exhales, taking a few steps towards her. “Suzanne called while you were doing soundcheck. Beatrice is alright. She had to be rushed into surgery for vocal strain. I have been in constant communication with Suzanne and Levy as things progressed. I’m due another update soo—”

The fury that overtakes her must be visible because Emilia recoils back after placing a hand on her shoulder. Ava feels like every nerve ending is standing to attention, a wretched anger saturating her tone and words, “You received a call during soundcheck and you're choosing to tell me now? Four. Hours. Later,” She’s spitting out the last few words.

Alice sighs, but remains quiet.

“You watched me go through soundcheck, dinner, hair and makeup and an entire concert and you didn’t tell me my girlfriend was in the hospital?!” Ava grits out through her teeth, she can feel the ruddy heat coming up her neck, quickly making its way up to her cheeks. “How fucking dare you?!”

Emilia's eyes bore into hers. “You need to keep your voice down.”

“No, Emilia I will not keep my fucking voice down!” Ava’s voice gets louder and louder with the delivery.

Without another word, Ava is pivoting towards her belongings, hurriedly grabbing at anything and everything within reach in her panic to shove things into a bag. “Alice, get me onto the next flight to London. Please. Whatever’s available and fastest.”

“Hey!” Emilia is ripping the bag strap and the tablet out of her hand. “What do you think you are doing?! You are not getting on a flight, Ava. You have concerts back to back. You can’t leave. This is exactly why—”

Emilia’s voice stops in her tracks as Ava whirls towards her, crowding into her personal space, “Why, what Emilia? Why, you chose to keep from me the news that my girlfriend is in the hospital having surgery and needs me?” In that moment it’s almost as if there is no height difference between the two, Ava is looking Emilia dead in the eyes, seething. “Get out of my way. I’m going to go be with Beatrice. And you are going to stay here and make all the excuses you need to. I don’t give a flying fuck what you need to say to deal with this—.”

“AVA! You cannot cancel these shows, the label is going to be furious, we are going to have to pay penalties to the event—”

“Fuck the money, Emilia. Do your job as a manager and get away from me.”

“Okay, Okay, You both need to calm down.” Alice is wedging herself between the two of them now, forcing them bodily apart. 

Ava rips the bag back out of Emilia’s hand and tosses it down. “I’m going to go get changed and then go straight to the airport. Give me my passport, Alice. Can you also pack up my hotel room and text me the details of the flight please?” Before Ava exits the room, hurrying to the ensuite bathroom, she turns around and looks at Emilia standing stock still in the middle of the room. “Emilia, you of all people should know better than to keep this from me. You know what I went through.” Emilia keeps her head down, in what Ava hopes is shame. “When I come back in here, you better be gone. I don’t want to see you right now.” 

@AnythingwCam

Did you guys see? Ava was spotted at Heathrow just a few minutes ago.

@Ant-Beaia

You literally cannot make this shit up anymore! Who just pushes back tour dates and goes to London out of nowhere? Do I even have to make a time log to confirm things? She’s obviously there to see Beatrice.

@LilithFan16wwwn

I can’t even deny it anymore. This is all very sus.

@Alms4theCruciforms

Do we know if Beatrice is back at home? Are we thinking Ava has gone to see her?

@Ant-Beaia

Of course she has! Just like she went to the concert last month.

@AnythingwCam

They are friends. The concert could be explained, but this? This is different. Friends don’t do that for one another.

@Ant-Beaia

THAT’S WHAT I’M SAYING! But also, no way that concert can be explained! What friend flies halfway around the world to attend a concert and then flies back immediately so they can still do their own concert in time? No sane “friend” would do that. It’s time to get organised.

I will lay down

But they're staring, their eyes like two shining stones

I see myself and I look scared and confused

Wait, did they just talk?

Why is it too loud?

Do they wish to run to me?

Am I a smoke? Am I the sun? Who decides?

The plane ride is excruciating and long. Nothing holds her attention long enough to distract her. Camila had stopped updating her sometime after the first hour. Beatrice is safe. Beatrice is now at home resting. The surgery went well. They’ve been careful not to leave her alone and unattended. Ava had begged them to stay beside her. To not leave her alone. To not let her dwell on her responsibilities. 

Do not let her spiral. 

When the town car pulls up in front of the familiar maisonette, it is late afternoon, and nearly 18 hours since the incident. Ava pushes the key into the door and rushes up the stairs. The guilt eating at her with every step and second that passes by without being able to be by Beatrice’s side. 

She swings the door to the flat open and Lilith scrambles to stand from the couch, startled. “She’s in her—” she begins to say, but Ava is kicking off her shoes in record time, too focused on her destination to yell at Lilith for leaving Beatrice alone.

Lilith doesn’t follow. 

She takes a breath outside the bedroom. There’s no light coming from underneath the door and fear grips at her heart. 

As she quietly pads inside, the shutters are closed and the steady stream from a humidifier is landing atop of Beatrice’s blanketed form. She appears to be sleeping except for the very apparent movement of her shoulders shaking. 

“Bea,” she says, voice small. There’s an uptake of air as Beatrice realises she’s there. Then her girlfriend is sitting up, arms outstretched for her. Ava clears the short distance to the bed in the span of a breath, wraps Beatrice in her arms, careful not to crush her with the amount of affection spilling forth out of her, all the love and care she wants to convey. Beatrice sniffles into her ear, chest shaking as she scrambles to breathe in and cry at the same time. “You can’t. You can’t cry. Crying will irritate it further.”

Beatrice nods, but the crying doesn’t stop. As she tucks her girlfriend's head into her chest she has a chance to look around the room. There’s medication organised along Beatrice’s desk, bottles of water at varying levels of full, and a small notebook and pen. There’s an unopened suitcase by the closet and clothing thrown carelessly on the chair.

“I’m going to go—” She tries to shift, but Beatrice wraps her arms even tighter around her. Face burrowing deeper and deeper. “I need to at least tell Lilith—” Beatrice shakes her head and Ava stays. Nuzzling into the top of Beatrice’s head, she feels a sense of peace wash over her for the first time in over 14 hours. Ava whispers an “I love you” into the thick waves of Beatrice’s hair, and feels Beatrice nod in response. 

There’s a knock on the bedroom door after a few minutes. Minutes of smoothing Beatrice’s hair back from her face and carefully wiping at her tears. Minutes spent reassuring her that everything will be okay. That she doesn’t have to think about her obligations. The only thing she needs to focus on is her recovery. 

After pressing a kiss at the crown of her girlfriend’s head, she turns to find Lilith standing awkwardly between the threshold of the hallway and the room. 

“Now that you’re here,” Lilith haltingly says, trying her best to school her features to something that isn’t dread when she looks at Beatrice, “I’m going to go. She’s had her medication and isn’t due for another two hours.”

Ava nods, disentangling herself from Beatrice and making her way to Lilith in the hallway. She closes the door behind her before meeting Lilith’s eyes. She knows she needs to keep herself calm but there’s an irritation lancing through her and she knows, she knows , Lilith probably doesn't deserve it. “I asked you guys to keep her company. She shouldn't be alone, not after what she’s gone through—what she’s going through.”

“Listen,” Lilith brings up her arms in defense, “She didn’t want us in there. We all tried. Camila barged in a few times trying to distract her, but Beatrice is Beatrice. She’s headstrong and wants things her way.” Lilith is of course right. Once Beatrice sets her mind to something, that's it, case closed.

They’re by the entry from the stairs to the living room when Lilith speaks again, this time with a small smile playing on her lips. “Thank you for coming. I know that you being here will make her happy. She kept asking us to keep you informed. She knew you would worry.”

“Thank you. I appreciated it, it made the flight here less stressful, but seeing her now terrifies me. I don’t know how much help I can be. I don’t think I can—” she stops herself from speaking further. Lilith doesn’t need to hear this. “Anyways, thank you. I’ll call you guys later?”

“Please do. All our phones are on loud and next to us.” They’ve made it to the base of the steps now and Lilith is pulling open the front door. “We’re just as distressed about this as she is. Unfortunately, I don’t think any of us can help.”

When Ava makes it back upstairs Beatrice is standing stiffly in the living room. Her eyes are glassy and red from crying and two sizes bigger than usual. She’s wearing one of Ava’s shirts, it doesn’t quite fit well, Beatrice’s torso being longer than hers so her tummy is peeking out at the bottom, the sleeves a little tight around the upper arm. 

Beatrice is holding the notebook and pen in hand, and at the sight of her opens it and starts to write.

What about your concerts?

Ava sighs, placing a quick kiss on Beatrice’s cheek. “It’ll be fine. I’m sure Emilia is handling it.”

Are you sure? You didn’t have to come. I know you have responsibilities.

“Right now my only responsibility is to you.” 

Beatrice follows as she opens the bathroom door, stepping out of her clothing and turning on the tap for the shower. “Please go lie down, I’ll come join you once I finish.”

Beatrice nods before walking into the bedroom.

As the warmth of the shower envelops her Ava finally has a moment to think about something other than just getting to Beatrice. She finds her mind drifting to a place long kept safely tucked away. To years ago when her world caved in on itself just like Beatrice’s had now.

It had been devastating, tearing one of her vocal cords. Something that she should have been careful about, but just like Beatrice is now, stressed under the weight of expectation, she had kept pushing the limits as well. And it’s far too easy to comprehend what is probably going through her girlfriend’s head because she thought the same thoughts then too. Beatrice blames herself just like she did. The heavy burden on Beatrice’s shoulders is possibly even heavier than her own. Beatrice is part of a band, they rely on her, she at least only had to account for herself. 

The soap gathers by her toes as she wiggles them, nervously biting her lips at what awaits her once she leaves the bathroom. The emotional avalanche that is about to swipe an unsuspecting village that is her emotions. Beatrice needs to know she’s not alone. She needs to know that this can happen to anyone. And Ava needs to be vulnerable if she wants her girlfriend to get through this.

When she enters the bedroom with only a towel wrapped around herself and opens the closet door for pajamas, Beatrice is patiently sitting in the middle of the bed. As Ava dresses she can see from the corner of her eyes that Beatrice is writing something down again.

Thank you for coming. It means a lot to me.

“Nothing would have stopped me.” Beatrice smiles. “I should probably tell you something. I think it’ll help, but I need you to understand that I had a hard time with this, enough that I developed habits I probably shouldn’t have.”

She’s on the bed now, sitting in front of Beatrice, hands coming to run along her girlfriend's thighs, in what Ava believes is comforting. “Before we met, I was kind of a mess. I still am sometimes, and for that I am sorry. I know that it upsets you. I'm working on it.” Beatrice nods in encouragement, interlocking one of their hands. “I tore one of my vocal cords after my first global tour. I had to have surgery and I wasn’t able to sing for a year.”

Why didn’t you tell me?

“I don’t like to revisit that period of time. I still have difficulty just thinking about it, let alone talking about it. I wasn’t in a good headspace. Singing was all I had then, and not being able to do it really messed with my head. There were a lot of things I contemplated. Things people shouldn’t immediately jump to. But I loved singing. I loved that it brought me close to my mum. It gave me a purpose and an outlet for all my emotions. And when you lose that everything becomes a lot more difficult to process.” When Beatrice remains still she continues, “I think what I’m trying to say is that, yes, this is terrible and I know the weight you carry is immense, but I need you to know that you’re not letting anyone down. This was bound to happen. You’ve been pushing yourself, which we will be talking about, and there were too many expectations about how many shows you guys were capable of doing.”

Suzanne has pushed the dates back until I’m fully recovered.

“Good. She is doing what is right. The priority right now is your health, the rest will come later.” Beatrice must catch something in her face because she pulls at their linked hands and kisses Ava’s wrist. 

Was that not how it was for you?

“No,” she replies, the heaviness of this topic rearing its ugly head. “I was not given a lot of grace. Emilia—Emilia was difficult. She pushed because she wanted me to succeed. I don’t think she recognises how much damage she causes when she’s focused on trying to do what she thinks is best for me, for my career. When it happened initially, I was blamed. I was told that I had been reckless. Even though Emilia looked after me and kept up with how I was doing, I still felt alone because she couldn’t just go back to just being my parent, she now also had to be my manager. Our relationship never really recovered after that, it wasn’t until recently that we’ve started to balance everything again.”

How did you handle it?

“The truth is that I didn’t. I cried myself to sleep most nights. I watched my friends continue their careers. My tour dates were cancelled and my only outlet was being a complete menace. I couldn’t touch music for the longest time. It was difficult to write and not hum or sing or anything.” She’s looking at Beatrice now, a serious expression on her face, “I don’t want you to do that. I know you’re sensible. This will be good for you. It’s a much needed rest after the rollercoaster that has been the last two years of your life. Write if that’s what you think will help. Compose. Sit on the couch and play Mario Kart with Diego. Just don’t let it get to you. It’s just three months. Before you know it you’ll be starting therapy and everything will seem a little less daunting.”

I know. But it’s okay to be sad, right?

“Yes. That’s a very reasonable thing to be right now.”

They move to the living room after that, of course, with a lot of encouragement from herself. She refuses to let Beatrice wallow in the darkness so they turn on the TV and cuddle on the couch.

“I haven’t properly seen Eurovision in years!” She exclaims as Sweden takes to the stage. “Loreen! Didn’t she win ten years ago? She’s back!”

Beatrice nods excitedly beside her. 

I love Euphoria!

Euuuuphoriaaaaaaaaaaa !”

The band and I try to watch it every year, even if we have to watch it later.

“How does that go? I can’t imagine you all agree on an entry.”

The camera cuts to the singer, who is lying down squished between the small stage underneath her and an LED screen just a few centimeters above her. It reminds Ava of a panini sandwich press. A thought she shares with Beatrice who narrows her eyes at the lame comparison.

It’s basically World War III until a winner is announced.

“Who do you usually root for?”

Depends. I have to hear the songs first.

“What! Not Spain? You always root for Spain, they bring the drama.”

Maybe now I can always root for Spain.

“Good. I was holding back my disappointment when that wasn’t your first answer.”

Did you ever want to do Eurovision?

“You’re going to think it’s silly given the circumstances and where I’m at in my career, but I was mortified at the idea of having to represent my country on a world stage. The sheer responsibility of it all. I couldn’t do it.” Ava thinks the expression Beatrice is giving her is deadpan, but can’t quite make it out under the puffy eyes. “What about you? Would you have wanted to represent the UK?”

Beatrice winces.

And get the dreaded 0 points? No, thank you. That’s demoralising.

“Touché.”

There’s a noise coming from downstairs and Ava’s heart jumps. They’re not expecting anyone and to her knowledge only Camila has keys to Beatrice’s flat. Camila and one other person. 

She stands, anxiety building as the stairs creak beneath approaching footsteps and the knob on the front door turns. Beatrice is standing now as well, socks shuffling against the wooden floors as she makes it to the door just in time for it to open.

For a second Ava thinks she’s seeing double, but that can’t be because she’s not delirious, jet lagged, yes, delirious, no. 

The woman at the door removes her shoes, placing them onto the rack underneath the wooden stool and it’s all well practiced, as if she knows exactly what she is doing. Beatrice waves, taking the handles of the shopping bags from the woman’s hands to hurriedly scurry into the kitchen, depositing the bags there before sliding back into the living room in record time.

The woman catches her eyes and smiles a small smile in greeting, then looks back at Beatrice perplexed. Her girlfriend grabs the notebook from beside the record player where she had placed it, and scribbles into it, before holding it up to the woman and then turning to show Ava.

Ava <3

“Hello Ava, it’s good to finally meet you,” the woman says, extending out a hand for her to take.

When she scrambles to move forward and shake the offered hand, the pieces of the puzzle fall into place amid her sluggish, jetlagged brain and she stumbles out with, “Vivian—it’s so—it’s a pleasure to meet you.” 

Vivian is Beatrice’s mother. 

“I didn’t know you were here,” Vivian’s eyes flit over to Beatrice who simply shrugs in response, “but I’m glad. Are you two hungry? I went and got some shopping done after seeing the state of Beatrice’s fridge this morning.”

Beatrice nods eagerly, not bothering to linger on, or bring attention to the fact that Ava has just found herself thrust into meeting Beatrice’s mother. So far, Beatrice has been sparing with the details of her mother and her relationship with her parents. Aside from the odd mentions of heading to Vivian’s for dinner or her drop in visits during the tour, in which Beatrice only offers small tidbits of recent discussions or mentions Vivian’s new interests and hobbies in passing. 

She knows from their conversation all those months ago that the two are working towards a better relationship, treating each other with grace and understanding, determined not to be further hampered by their past. Beatrice has been working hard, processing her emotions and memories through her lyrics and with her therapist. It’s with all of these thoughts flowing through her mind that she stands there in the moment, utterly unprepared to meet Beatrice’s mother. 

The momentous occasion is not lost on her. All sorts of weird tingles are running up and down her forearm, spreading to the very tips of her fingers, and her tummy is swooping with nerves. The intense and overwhelming need to make a good impression consuming her very being.

“Ava, why don’t you help me with dinner?” 

Beatrice opens her mouth to speak, but then writes in her notebook instead.

What are you making? I saw you brought chicken.

“Congee,” Vivian replies, putting her hair into a low bun, which makes Ava smile, it’s the exact same way that Beatrice does it. They all crowd into the small kitchen and Vivian bends down to pull out a bowl from the cabinet under the sink followed by the huge container of rice that is also there. “Beatrice, I’m only going to ask you once to go sit down on the couch and rest. I won’t repeat myself again,” she says as Beatrice begins to bring the groceries out of the shopping bags, Vivian’s tone brooking no argument. “I’m sure Ava can help me with this.”

As Beatrice turns to do as she’s told, thereby leaving her alone with Vivian, she can’t help the panic that rises up at the idea of being left alone in a small kitchen with sharp knives and her girlfriend’s mother. The terror must show on her face and Vivian is quick to notice, placing a cutting board down and settling the knife on top of it before gesturing for her to come closer. 

“I’m going to soak the rice while we get the rest of the ingredients together, it’ll help it cook faster. This is Beatrice’s favourite comfort food, you know,” Vivian says without being prompted. And Ava immediately understands what’s happening. Vivian is making an effort to try to get to know her. Vivian is also about to teach her how to cook this for Beatrice. She feels a grin take over her face, pulling at her features, relief coating her insides. At the very least, Vivian wants to equip her to take care of Beatrice. 

Vivian has turned away now, busying herself with washing the rice in the sink before filling the bowl with enough water to cover the grains. Vivian continues, in part talking to Ava, part musing to herself, “Though we probably have to be careful and make this more watery than usual, and we’ll have to blend the chicken and mushrooms for Beatrice,” at that, Vivian grimaces at the thought, “Which must be some kind of sacrilege and my grandmother will turn over in her grave. Not to mention she probably can’t have ginger.” Then she’s heaving a sigh, “This will be a very sad congee experience for Beatrice.” 

Oh. 

Mama Bea is cheeky too.

And all at once, Ava begins to understand. For all the hell Beatrice’s parents gave her, all the heartache they put her through, they had still cared in their own way. 

Vivian’s role as plant caretaker, her visits to drop off fruit and a new snack for Beatrice to try, her concise summaries and insights, sent through email, of all the books she’s read recently and her recommendations towards Beatrice’s reading list. These are all Vivian’s fumbling attempts at demonstrating her care, at showing that she’s present, a quiet and steady figure at Beatrice’s side.

Dropping her voice low, likely to ensure that Beatrice can’t hear them from her perch on the couch, Vivian’s enquiring, “Ava? Aren’t you still on tour? Is it… do you have time to be here with Beatrice?” 

Answering back in an equally low voice, Ava is quick to try to dismiss Vivian’s worries, “I need to be here with Beatrice. My team will figure the rest out.” 

However, as the words flow out of her mouth, Ava is not altogether sure how her sentiment will land. While Vivian might be glad to see her here with Beatrice, her career as a now-former diplomat has definitely instilled in her some rigid expectations of responsibilities and what one must do to meet those expectations, and Vivian may not take the shirking of what is her own responsibilities so lightly. “I see”, Vivian nods in reply.

Fuck. 

What does that mean?

As Vivian chops the ingredients, she patiently instructs her each step of the way, the proper way to cut the chicken to keep it tender, how to cut the rehydrated shitake mushrooms and the green onions. Ava can tell the amount of care and patience that is going into every direction. She can picture a young Beatrice beside her mother doing the same, carefully listening and waiting for the encouraging affirmation of a job well done. One that Ava herself is eager to hear as well, but likely won’t. 

It’s fine. 

“Did you make this for Beatrice often when she was growing up?” Vivian pauses before she replies, a shadow flitting over her features before it fades away. She’s very careful with her words as she considers them slowly. “The simple answer is no. Not as much as I would have liked. I’m not sure how much Beatrice has shared about her upbringing but her father and I had very busy careers, and I’m afraid I wasn’t around much. I wasn’t always present to make her meals. Or able to take care of her when she wasn’t well.” 

Vivian clears her throat, seemingly shaking herself out of the reverie, “Next time you do this, don’t forget to add ginger. Cut it thinly so it cooks well and of course you don’t have to blend the ingredients, congee is better when everything is in little chunks. We’ll have it how it should be, albeit without ginger and a bit watery, so you’ll know what it should taste like. You can even add a century egg once everything is finished.” 

Ava nods, committing everything to memory, every little detail. Soak the rice, cut the ingredients properly, thinly, marinate the chicken, when you cook the rice remember to add soup stock or bouillon for flavour. This is how Beatrice’s mother expresses her love. No matter their past, she is here, in this moment, making sure that Beatrice feels comforted and cared for. 

“Do you have exact measurements for everything that you put in? I’d like to write them down if that’s okay? Beatrice doesn’t really like it when I just wing it and don’t do things precisely.”

Vivian laughs loudly in response. “No! I just pour until my ancestors tell me to stop.” While still chortling, Vivian continues on, “But yes, Beatrice resembles her father in that sense. He was meticulous in every aspect of life, almost to a fault. And while I am too in some respects, this way of cooking is the way I was taught. I know you might be afraid to mess up but it’s okay to just add a bit at a time and adjust to taste.” 

Vivian’s keenly watching her with interest. Oh , she realises with a start. Vivian is, and has been, observing her every move and reaction. She fights the urge to tense her shoulders under the scrutiny… she’s never met a parent before, nor has she ever cared to. 

When they finally put the saucepan on the stove to cook, it is the first moment she has to look in the direction of the couch where Beatrice is. Almost as if Beatrice has anticipated her gaze, she’s also looking back at her. They regard each other for some time, a wordless exchange passing between them. 

Eventually, her girlfriend waves in response, but with an urging of her hand Beatrice encourages her to get back to work, likely warning her that distraction is not something her mother likes. She desperately wishes she could ask Beatrice how she thinks she’s doing in front of Vivian though. 

“I caught your concert,” Vivian says, rinsing her hands in the sink, “When you came to London. I was taken away by the level of emotion you’re able to convey, transcending language as a barrier.” 

“Oh,” her voice quakes a bit when it comes out, “I didn't know, Beatrice didn’t say. I would have—”

Vivian holds up a hand. “No. Don’t be silly. I didn’t tell her. She isn’t aware of it. I just wanted to let you know.” Vivian scratches at the back of her ear, and Ava has to press down a grin at the discovery of yet another trait Beatrice shares, “Sometimes it’s hard for her and I to communicate. We’re too similar in many ways. We can either talk for hours or end up at each other's throats within seconds.”

“In general, I think it’s hard for everyone, especially family, to communicate sometimes, but it’s good to keep trying.”

“I agree.” Vivian stops to watch her for a moment, mulling over something as though debating whether she wants to voice her thoughts then says, “I keep up with everything she does. I try to follow along with her career as it continues to flourish. I can’t say that I always understand and it’s certainly not the easiest of things to experience for me but she’s happy, she’s expressing herself and that’s made everything simpler for me.”

Ava can tell that this conversation is meant for her and her alone. It doesn’t seem like any of this has been shared with Beatrice. Vivian’s clear reluctance to communicate on these matters with Beatrice is strange and foreign because growing up, before all of this , anything and everything was important for her to share with Emilia and vice versa. It’s difficult to understand a relationship that is communicated strictly through acts of service rather than words, but then again, she has witnessed it time and time again with Beatrice throughout their relationship.

When the congee is finished and Beatrice’s portion is blended, they all sit at the dining table to eat in almost near silence. Vivian clearly isn’t much of a talker, yet another trait that Beatrice and her also seem to share. They both eat their food carefully, content to concentrate on the flavours and the simple act of eating. A marked difference to how she and Emilia eat their meals together. Theirs are punctuated with a lot of shared mannerisms, gestures and colourful language. And there’s always something to talk about. So this? This is strange. And slightly unnerving.

She decides to break the silence.

“Are there any childhood stories of Beatrice I should know about?” She asks not to fluster her girlfriend, but to stem the flow of awkwardness that is currently coursing through her.

Vivian chuckles into her spoon. “There are many.” 

Beatrice nearly chokes on her food when she hears her mother’s response, but she’s careful when she coughs. Reminding herself right away of her predicament. Then, she reaches over and writes on the notebook, only showing her mum.

Vivian clicks her tongue and rolls her eyes goodnaturedly. “I’m afraid if I divulge any stories she’ll have my head.”

“What—no! Bea, you can’t. I need to know.”

Beatrice huffs, but indicates that she’ll allow it. Hastily scrawling into her notebook again. 

Nothing too embarrassing, please.

And it’s all the encouragement Vivian needs to lean forward conspiratorially. “When she was in primary school she would sneak off to read by the banks of the river near our first home. She would be gone for hours. I pretended I didn’t know what she was doing of course, but I would watch her from an upstairs window. She read most of the time, skipped rocks, and played hopscotch by herself. Once, I caught her talking to a goose but then she must’ve gotten too close, ending with her scrambling to run away as it chased her. She tripped on some rocks and cut herself, but wouldn’t say anything when she finally came home. She pretended everything was fine all throughout dinner. I tried to wait it out as long as I could but at some point I walked up to her room and got so so angry with her. I didn’t understand why she wouldn’t tell me what was wrong and she didn’t want to acknowledge it.” 

“This all sounds very familiar,” Ava drawls out, playfully slapping at Beatrice’s shoulder.

“She’s still exactly the same,” Vivian says, clear affection in her voice, “Still has a healthy fear of geese too.”

Beatrice grabs her notebook and turns it towards them.

>:[ They are terrifying creatures . Vicious too .

The kettle goes off in the kitchen and Ava rushes to stand up from their impromptu Beatrice story time, which had continued from the dining table and onto the couch in the living room, a relief to her girlfriend who has sat for the last hour or so as her mother revealed story after story. From the time Beatrice had reprimanded her piano teacher over proper finger exercises and how necessary they were to a budding pianist. To the day that her and Camila had snuck out to catch a Janelle Monáe concert, because as Beatrice put it, or in this case wrote it, she’s underrated and should be as revered as her peers

Beatrice had padded off a short while ago to put the kettle on before washing and bringing out some of the fruits that Vivian had brought with her in the shopping bags. Vivian quickly peeling the pears with a paring knife before pushing a bowl of the softest, mushy but not yet bruised, pieces of the pears towards Beatrice and reserving the crunchier slices for herself and Ava. 

Clearing her throat, Ava directs her question towards Vivian, “Can I make you a drink? Some kind of tea? Beatrice has all sorts but—” then as if remembering herself, she waves a hand to clear the air before awkwardly muttering “—but of course you already know that.” She’s rocking back onto the balls of her heels as she waits for Vivian’s answer, feeling oddly like she’s just set herself up for a test that she now needs to pass. 

“Just one of her Senchas would be great, thank you. I’m happy to help if you need any assistance?” Ava’s politely shaking her head in response, indicating that Vivian should continue to sit with Beatrice. Before she scurries off she’s addressing Beatrice, “Bea? I’ll make you some honey water, is that okay? It’ll have to be lukewarm though to not aggravate your throat.” After receiving Beatrice’s answering nod, she excuses herself.

In the quietness of the kitchen and before she begins to gather all her ingredients and the necessary equipment, Ava releases a long breath. Again, she really wishes she could have had an opportunity to subtly ask Beatrice how she thought she was doing and whether Vivian liked her or not. Maybe ‘like’ is too high a bar for a first meeting . For all that she’s shared tonight, Vivian’s a bit of an enigma, she’s not quite sure what’s running through her mind. 

Mentally, Ava gives herself a quick pep talk, shaking off the self-doubt. She’s a Silva for Christ’s sake , they don’t back down from a challenge .

Chewing at her lip, she quickly checks through her phone’s notes again for her saved instructions on how to prepare the Sencha before gathering the loose leaf tin and the teapot. When she bustles back into the living room, one mug of lukewarm honey water and one mug of freshly brewed tea in hand, she’s met with the sight of Beatrice quickly flipping over to the next page of her notebook. 

Hmm .

Vivian’s sharp eyes are examining the colour of the tea as she brings the mug to her mouth before taking a conservative sip, enjoying the delicate flavours with her eyes closed. Her features brighten with a pleased expression. “This is wonderfully brewed, Ava.” 

Externally, Ava can’t hold back the small sigh of relief that escapes her nor the smile that spreads across her face, making sure to thank Vivian in turn, “Thank you, Vivian.” Internally, she’s whooping and skipping jovially through a meadow at earning a compliment. 

Beatrice seems just as pleased, beaming at her mum and Ava in turn.

(*)

Dearest, darling, my universe

Would you take me along?

To a place I can't dream with my poor imagination

With music playing at a concerningly low volume, Ava unpacks the suitcase Beatrice had previously pushed into a corner of her room. There’s piles of clothing on the coffee table and even more piles in the now almost full laundry bins. Ava has carefully gone through and used her tiresome but necessary laundry system. Delicates, whites, colours and then everything else that doesn’t quite fit. All placed into their protective mesh bags and ready for the wash.

Beatrice sits on the couch and watches as all this unfolds in front of her. She’s touched by the gesture, as unnatural as it all is for Ava—someone who barely even bothers to separate her whites and colours—to do all the laundry and remove any kind of reminder of what she had been doing all these months prior. Mere moments ago she had watched on, bemused, as Ava had held her beige shirt and swiveled between the piles of whites and colours before she had finally taken pity on her and indicated with her hands where it should go. Once the laundry is clean and has been put away, it’ll be out of sight and out of mind for Beatrice. And for that she is thankful. 

There’s a dull pain in her throat that she wants to claw at, the only reminder that things are amiss. The band has stopped texting her. Probably keeping up with her progress through Ava instead, which is probably also her girlfriend’s doing. An impenetrable, protective shield that has yawned more times than Beatrice would like during the last ten minutes.

“Bea?” Ava’s crouched down on the floor now, beside her position on the couch. Ava’s hand reaching out to fiddle with one of the cushions covers, eyes flitting up to hers, then away and then back to her gaze. Beatrice nods encouragingly. “Did I– How’d I do with your mum? Do you think she liked me, or… or… if that’s too much, she didn’t hate me right? I really did try. And–and, was it okay that I called her ‘Vivian’? I said it and then realised maybe I shouldn’t have and then I didn’t know how to politely ask if that was acceptable.” 

Internally Beatrice curses at herself for having this be the moment that she can’t speak, can’t leap to reassure Ava that she had done amazingly.

She complimented you, Ava. That’s high praise. I think she did like you, she gave me a smile when I asked if all had gone well in the kitchen. That’s about as enthused as she’s ever been in meeting a friend of mine (Cam included!). She’s never met a girlfriend before. And yes, it’s okay that you called her Vivian. She doesn’t mind. 

“Yeah?”

Yes.

Far away in the universe from Earth to Mars

Will you please go with me?

Wherever it may be, an old loneliness in search of its antonym

Ava has walked back into the living room after putting some of the clean clothing away, eyes watery from yet another yawn. Beatrice writes into the notebook then flaps her arms around until Ava notices.

There’s a chuckle before Ava makes her way towards her, pulling the message closer to her face in order to see.

Time to sleep?

“Not yet. I want to at least start a load.” With a shake of her head, Ava purses her lips and says, “ You should be in bed resting, you know? You’ve already had too much excitement today.”

One load then you come snuggle on the couch.

“I don’t negotiate with terrorists.” Ava turns to leave but stops when Beatrice’s hand grabs hers.

She hopes a pucker of her lips is enough to indicate what she wants, but when Ava raises an eyebrow and shakes her head in response she finds herself rushing to write a message out.

Not even a peck?

“Germs. You’ve just had surgery,” Ava replies.

Your germs are my germs.

A fond look is shot her way. “I don’t think that’s how it works, Bea.” 

The exaggerated pout she is pulling must be pitiful and endearing enough since Ava considers her for a few seconds before leaning down for a quick kiss. Then she’s gone just as quickly, grabbing one of the bigger mesh bags and heading for the washing machine in the kitchen.

Run away from the world, run on

Go to the end with me, my lover

Will it be a bad ending for us two, gone astray?

Die Forelle ’ chimes out some time later, an indication that the dryer is finished. Ava doesn’t even stir in her arms, breaths deep and even as she continues to slumber. They’ve both been in a state of endless sleepy haze and Beatrice cannot find it in herself to move either of them from the cocoon of their embrace and myriad of blankets. Instead, she tugs the throw further up Ava’s shoulders and wraps her arms tighter around her girlfriend, eyes drooping closed shortly afterwards.

Crush me in your arms

Give me a lovelier kiss, lover

Love is all, love is all

Love, lovе, love, love

Tour Dates Pushed Without Warning: Ava Silva Spotted in London A Day After Cancellations, Fans Left Confused

Ava heaves out a sigh as the notification of a message from Emilia lights up her phone screen. 

Beatrice reaches out to cradle the nape of Ava’s neck, palm and thumb soothingly rubbing at the skin there as Ava reluctantly moves forward to grab her phone off the coffee table.

“I should probably call Emilia. We didn’t—I didn’t leave things in the best state when I left. She chose not to tell me about you until I had finished the concert and I am—I was just so angry in the moment that I lashed out. I don’t want us returning to that strained relationship we had for years… so I should talk to her. Right? At the very least to tell her I won’t be going back for a bit.” Ava’s looking back at her, catching her gaze as she seeks some kind of affirmation.

Beatrice is nodding in reply to Ava’s question, eyes wide.

With yet another deep sigh, Ava’s turning to lean heavily into her, head dropping downwards to knock gently into Beatrice’s as if steeling herself for the conversation ahead. Then Ava’s thumb hesitates briefly as it hovers over Emilia’s contact on her phone before she’s hitting the dial button and clambering off the couch.

As Ava heads into the hallway and into the bedroom for privacy, Emilia must pick up on the other end. She hears Ava say, “Emilia? Hi. Bea’s doing okay, I’m okay…” then, “I’m sorry—” right before the bedroom door closes behind her. 

I feel so unstable, fucking hate these people

How they're making me feel lately

They're making me weird baby, lately

I feel so unstable, fucking hate these people

How they're making me loathe

They're making me loathe

In the days following the surgery they keep themselves busy watching movies. Most of the movies being musicals of Ava’s choosing, something she used to find cringy and a little too far fetched and unrealistic to get behind, but Ava loves them, loves the strange reality of them, so Beatrice loves them now too. 

There’s something captivating about the way Ava watches musicals as well. She knows all the lyrics, can recite dialogue to the point of eliciting annoyed grunts from her before she remembers herself, and will burst into dance if given the chance. The movies seem to transport her into those universes, where everything is idyllic and in technicolour. The villains are defeated, the hero accomplishes their ‘I want’ song and everything ends in a happy closing number. Or at least most musicals do, but even when they don’t end well, they still do. 

It’s a form of escapism that she has never allowed herself nor has she ever sought it out. Her form of it has always come in the shape of music composition. Notes are unprejudiced, rhythm is unbiased, and lyrics make her feel liberated. 

That I finally know what it feels like ,” Ava sings to her left, standing beside the baby grand in the living room. Her vocal runs are haunting, a style that is so intrinsically Ava, highly vulnerable and conveying a range of emotions, that it takes the song into another reality.  “ To be aliiiiiive, to be…aliiiiiiiive .” 

Beatrice points up with her right hand, indicating the sustained note for Ava as she continues the chord progression. 

“Wait. How? Where? You can’t just—where? On which beat?”

She holds up 3 fingers, they’re in 4/4.

To be aliiiiiive, to be…aaaaaaaaaaliiiiiiiive .”

Thumbs up. 

Another gesture to keep going.

Opened my eyes, feels like the first time,” a breath as Ava repeats the chorus, “that I finally know what it feels like to be aliiiiiiiiiiiiive.”

Ava’s phone vibrates from on top of the piano, cutting through the melody at the tip of her fingers. She stops, eyes squinting in annoyance at the interruption and then at her girlfriend, before she rushes to scribble the notes down lest she forget.

“It’s just Emilia again,” Ava says while tapping on her screen.

You should check what she wants.

“There’s no point, she’s just going to yell at me.”

I would feel better if you checked.

Ava reaches out for her matcha latte, taking several long drawn out sips before begrudgingly complying. “FUCK!” She spills the rest of the drink down her collar. And it all descends into a state of chaos. The phone is unceremoniously dropped on top of the piano as Ava rushes into the kitchen while holding onto the previously white t-shirt. 

Beatrice doesn’t follow, just merely walks into the bedroom and grabs another shirt for Ava to change into before joining her  in the kitchen. 

Ava’s dabbing at the collar of her shirt in a useless attempt to remove the matcha stains. Stilling only when Beatrice’s hands come to the seam of the shirt tugging it upwards off of Ava’s torso. The ducky patterned bra waiting underneath too cute to not snort out a laugh.

“Let me try to clean it,” Ava says, backing up out of her reach. “You keep going, I’ll join you in a few minutes.”

When she gets back to the piano Beatrice spots the unlocked phone resting on it. The temptation to see what caused the commotion is particularly strong to ignore and she can’t stop herself from snooping. 

It’s two articles:

Ava Silva Spotted Strolling and Shopping Through London While Tour Remains on Hold

Too Sick to Tour, But Fine for a London Outing? Ava Silva Raises Eyebrows

She feels herself boil with incensed anger at the headlines within seconds. Both articles share the same picture, Ava in a baseball cap with the ‘shopping’ being one canvas bag with Beatrice’s prescription refills. 

Emilia

[I told you to be careful.]

[What do you expect me to do now? They’re not going to keep buying that you’re unwell.]

[The press are asking questions again.]

[You need to come back. We need to sort this out before it gets more out of hand.]

[We had an agreement.]

She shuts the phone with the sound of Ava’s footsteps. 

“I treated it with something, hopefully it works.” Ava’s slipped into the new shirt now. 

She feigns a casual shrug, hoping to pull attention away from the phone and its proximity to her hand.

“I was thinking,” Ava pulls the sheet music from the piano, “the part here, I swear that sometimes I get to be my worst enemy , we should increase the tempo.”

She gestures to continue.

I swear that sometimes I get to be my worst enemy. I swear this whole time, the answer's been right in front of me. ” Ava almost raps. “Then, slow again, All of the beauty and love I could not see. I see you now, I see you now.

Darn it. She’s cursing herself in her head. No. She can’t do it. She can’t let Ava deflect. 

Please call Emilia.

“You saw, didn't you?” After her nod, Ava sighs.

I know they’re just headlines. And we both know there’s no truth to them, but you can’t let them continue to speculate.

Ava is frustrated. “I was just trying to do something for you—this is so—I can’t even go get medicine without them—ugh!”

Call Emilia? I promise I’m okay, please go back to your tour.

“Fine. I’ll call Emilia to talk,” Ava replies, reaching for her phone. 

Emilia picks up right away, a plethora of questions ready for Ava. 

As her girlfriend’s retreating form goes into the bedroom Beatrice glances down at the piano keys in front of her, leg bouncing from the unease spreading through her body. She pulls the half finished lyrics that they’ve started, reading through each line as if it can somehow remedy the situation they’re in.

The pen in her hand moves on its own.

Flowers still look pretty when they're dying

Blue skies always there behind the rain

Oceans swallow all of the feelings

I know it's just temporary pain

Why do we keep when the water runs?

Why do we love if we're so mistaken?

Why do we leave when the chase is done?

Don't search me in here, I'm already gone, baby

“How was that?” Camila asks, one ear exposed from under her headphones. The pitch isn’t all there, Camila’s voice more easily lending itself to a more sugar-pop kind of sound, but this is the best Beatrice can do until her voice is back to working order. 

A thumbs up goes up and her friend nods in acknowledgement before continuing where she left off.

The last two months have at least been productive. She has found herself eager to get back into the studio, all the thoughts and emotions from the past year at the forefront of her mind and at the tip of her pen. Yet again, everything has changed so quickly, the pace of the industry still a puzzle to figure out, but remarkably, this, being back in the studio, has been easy. For some more than others that is.

Camila has been itching to compose just like her. Preferably without having to lock themselves away in hotel rooms at odd hours of the day. Lilith and Yasmine, though present during band time, have had other endeavours to focus on. Lilith has had several brand contracts to see through and has been flying in and out of the country while Yasmine has taken a step back, playing in a jazz ensemble when time permitted. The only one reluctant to return to the studio has been Mary, eager to utilise the sudden spare time and lack of activity to spend it with Shannon as both their lives returned to some kind of normalcy again. Regardless of everyone’s focus and activities, they’ve all been contributing to new songs and although the label hasn’t brought it up, it’s only a matter of time before they come asking for a second album. So at least now they’re more than prepared.

Camila has opened the door to the console room. “Did you hear me?” She’s about to throw up another thumbs up when Camila sighs, closing the door behind her. “I said, Mary is coming by in a few minutes, she has news for us.” And then anticipating the question, she adds, “She texted the group chat.” 

She nods.

Camila clicks her tongue. “Your daily 20 minutes can’t be up already. It’s only noon.”

I’m saving them for Ava.

Camila wheels a chair next to her own. The intention for conversation couldn’t be clearer. “So…”, Camila is wiggling her shoulders suggestively, “Lake Como…are we excited? The mountains. The lake. Or is it lakes? I’m not sure. The perfect backdrop for a romantic getaway.”

Counting the days. Is what she writes back before turning back to the audio mixing program. 

“That doesn’t sound very enthusiastic.”

Counting the days!

Camila rolls her eyes. “Have you guys decided what you’ll do yet? What will you go see? I know it’s still a month away, but everything is booked isn’t it?”

Not yet.

“Bea! You have to give me something. I want to live vicariously through you!”

There’s nothing booked other than the villa. I’m waiting for Ava.

“What about you going to see her? Did she say yes?”

I’m working on it.

Camila lifts an eyebrow. “What does that even mean?”

She shakes her head, focusing on the computer monitor in front of her again. If she concentrates hard on adjusting audio levels it should keep her busy enough to avoid Camila’s inquisition. And she knows it’s about to turn into one because Camila has turned into the Beatrice whisperer.

“Has Ava really not given you a response yet?” Camila prods, seemingly fueled by her noncommittal answers. 

Another shake of her head. 

“What if you just turn up? That’s romantic. She wouldn’t be able to say no.”

She sighs, opening the notebook again with more force than she intends to. Pressing the pen hard into the page as she writes.

No, it’s fine. I don’t think she would like that.

“No. It’s not fine,” Camila says, tone instantly morphing into a slightly more irked one. “Week after week I see you close yourself off. I can’t continue to watch you pretend like everything is fine when clearly it isn’t. Something is wrong. You said it yourself before she came to Munich. And even that took a lot of cajoling and needling on my part.”

Camila grabs ahold of Beatrice’s hand before she can bring pen to paper. So she sighs before she answers Camila verbally, “What do you want me to say? That I’m frustrated? She’s not ready. Except it’s been months of not being ready.” Beatrice is shrugging at noone in particular. “And I’m being patient, you know I am, God, even my mother can tell something is wrong. But how do I even begin to say, ‘hey, every day you push me away I feel like…like shit’?” 

Camila sits solidly back into her chair, surprised by her outburst. It shocks Beatrice as well. How easily her inner feelings had come out. “Do you get the sense that Ava knows how you feel?” Camila asks, concern heavy in her voice and on her features.

“She does. I know she does, but we don’t talk about it. I’m—We’re both just as unwilling as the other to bring this type of conversation up over the phone or through texts. Things are so easily miscommunicated and we’ve already gotten annoyed over small misunderstandings. And neither of us want to ruin whatever time together we have so it’s—” she shrugs again, “frustrating.”

Mary has come in during the middle of her reply, but she keeps quiet as she hangs her coat on the rack. 

Camila waves as Mary sits on the couch, her attention returning to Beatrice. “So what? Are you guys really going to not talk about it at all? That’s not a healthy way to approach this.”

Mary clears her throat. “Are we talking about Ava?”

“Yes.”

“No.”

“What’s happening with that pain in the ass? Did she agree to you going to see her yet?” Mary doesn’t hold back, a characteristic she normally appreciates, but hearing her be so blunt about her situation with Ava jabs at her more than it should.

“No.” 

Mary nods, but the lack of understanding is plain on her face. “Was there a plan?”

“What do you mean ‘was there a plan’?” she asks.

“You know what I mean. What’s the end goal? Are you two just planning to stretch out whatever run of good luck you’ve had? You know that’s impossible. It’s like a recipe for disaster. What was the plan going into this, what does the future look like?” Beatrice can tell that Mary is trying really hard to not lose her patience.

“I thought that if we could survive our tours then we would get a chance to speak about it. We just need to push through. Get through this hurdle. We barely had any time to be together before our tours started and I just didn’t want to bring up too much too fast.”

“Beatrice, that’s not how it works.” Mary is crossing her arms now, frustration clear, “You’re better than this. You’ve always been a planner. How did you let this get so out of hand?” She wants to scream ‘AVA’ because there’s truth in that, but she recognises she’s also at fault for allowing it to happen in the first place. Mary continues undeterred, “I know what you’re capable of doing when you set your mind to something, but this is so detrimental to yourself that it’s hard to witness.”

“Mary take a step back, that’s not—” Camila begins.

“No,” Mary retorts, “I’m so sick and tired of you babying her. Look at me, Beatrice.” And she does. “This is affecting you. I know you don’t want to admit it to us, much less to yourself, but we see it and you definitely see it. And this time around I’m not going to sit here and keep watching you let it slide, watching Ava’s avoidance hurt you again and again. Lake Como. Both of you will have time together, you guys can talk about all of this. Is that your plan?”

“Yes. I was hoping to bring it up.”

“No. You don’t hope. You’re well past that. You need to bring it up and the both of you need to sit down like the adults that you are and discuss this relationship. You need an answer. You can’t keep waiting for Ava to be on the same wavelength as you. Everyone with eyes can see she’s avoiding it.”

“I empathise with Ava, Mary. I know how difficult it is to maneuver the way she’s feeling. She’s never had to think about all this before.”

Surprisingly, Camila is the one that replies. “That’s the thing though, isn’t it? She’s not. She’s avoiding it. And she’s not considering your feelings,” she’s standing now, leaning against the console table.

“You don’t know that,” Beatrice snaps back.

Camila exhales roughly. “Exactly. Do you?” The question sits in the air for so long that Camila paces in front of them in complete silence for several moments. “Bea, you know I love Ava and I love that both of you are together, but it’s apparent that things haven’t been progressing as they should. You at least have to agree with me, us, about this.”

“I do agree. I just don’t know what to do anymore. I’m happy when we’re together. I was so happy to see her after my surgery. I know she cares for me, she goes out of her way to show me as much,” she takes a breath, trying to gather her thoughts, but they’re all spilling out now in a jumble, “Spending New Years with her family was amazing. She’s so free about it with them and that gives me so much hope, but we can’t hold hands in Spain and then we can’t interact at the Grammys. It’s like she clams up and is so afraid of what everyone else will think. What am I supposed to feel about all that?” She stops to take another breath before continuing, “On one hand, I wonder if she’s ashamed and that in turn causes moments where I begin to feel uncomfortable with myself, but then I remember that it’s only temporary—”

Camila is shaking her head. “But for how much longer, Beatrice? Until you can’t take it anymore. Until you regress? That’s not fair. That shouldn’t be on you. You need to know what Ava’s intentions are. Does she want a future with you out in the public eye or is she going to continue to hide you away?”

“That’s what I’m afraid of. I’m scared to hear that Ava might not see a future where we can just be.” Her friends are both watching her carefully. “Am I not worth it?”

Camila makes a loud noise as if stung. “That’s not—you shouldn’t be feeling this way. You are absolutely worth it. You’re worth everything… Bea, you love each other. People who love each other don’t hurt each other like this.” 

“Cam is right. If you both know something is wrong, which it clearly is, then you need to talk to each other, you cannot both continue to be in this state of stasis.” 

“Can I get back to the song please?” She says barely above a whisper, “I understand what you guys are telling me. I just don’t know how to do anything about it until I see Ava.”

“Fine,” Mary grounds out. Clearly letting it go for now in the face of her obvious distress.

“Wait. Mary, you said in the group chat you wanted to tell us something?” Camila asks, sitting next to Mary on the couch.

Mary is hesitant. “I need to tell you guys something. Lilith and Yasmine already know.”

She pushes the chair towards them. “Mary, you know you can tell us anything.” 

“Before I say this,” Mary says, hand playing with something in her pocket. Mary isn’t known for her nervous fiddles which catches Camila’s attention immediately. “For crying out loud Camila, if you say anything before I speak I’m going to throw you down the stairs.”

Camila clamps her mouth shut, eyes bulging out from the lack of oxygen going through her system.

“I wanted to tell you guys in person.” Mary inhales, eyes narrowing at their bandmate’s antics. “I’m going to take Shannon out to dinner tonight and—”

Camila squeaks, zeroing in on what’s happening.

“—I’m going to propose,” Mary finishes, her shoulders settle from their previous raised position, relief washing over her. 

They both crush Mary into a hug, nearly tackling her off the front of the couch. Camila is squealing loudly as she continues to tug them back and forth in a celebratory embrace. Mary to her credit remains perfectly stoic apart from the happy glint in her eyes. This is incredible news after the unpredictability and excitement that has been the last few years of their lives. Mary has always kept Shannon and their relationship to herself, despite all the struggles.

“Can we see it?” Camila is reaching into Mary’s pockets excitedly, but comes back empty handed as Mary swats her hands away.

“You’ll have to wait. It’s only for Shannon’s eyes for now.”

Why do we keep when the water runs?

Ne me cherche pas, je ne suis plus la, baby

(Don't look for me, I'm not here anymore, baby)

Why do we leave when the chase is done?

Ne me cherche pas, je ne suis plus la

Ava pulls the blue shutters open. The morning light spills in, bringing out the warm mahogany colours of the wooden floorboards. Wide swathes of incandescence now sweep across the villa’s living room, soft and muted, just barely catching at the swirls of dust motes floating midair.

She breathes in deep, clean but slightly stagnant air, a consequence of the lack of airflow into the villa. They, well , just Ava for now, have finally made it through their time apart, their relationship limping along to July and their long-awaited holiday. Ten days of just Beatrice and herself, together, without interruption. 

A slightly nerve wracking concept .

The thought of it all brings about a heady feeling. Sheer elation at the mere minutes bridging between now and the moment she can see Beatrice, can hear her voice and hold her girlfriend. A fizzy feeling bouncing about in her stomach at the thought of being in close proximity to Beatrice again. But also a sense of unease. Nervous to discover what impacts the months spent apart and their stilted communication has wreaked upon their relationship and how it will feel to just be with Beatrice with nothing pressing at them, and no schedule to run off to. 

As she approaches the balcony doors with the intention of flinging them open, she hesitates, thinking twice about her initial desire. Ava stops with her hands on the handles, reminding herself of who she is, the dangers of being so exposed and lets go, leaving the doors closed behind her.

Continuing to venture through the villa, each shutter is opened and a breeze makes its way through without resistance. The smell of mid-Summer flowers floating through the air. It’s quiet here in the mountain side, she can only hear the distant sound of boats on the lake as they motor across the flat water below. 

Beatrice, though much closer geographically to Italy than Ava had been, has only just landed. 

Now wandering into the kitchen and rinsing out some glassware, she prepares a jug of filtered water to be placed into the fridge and two clean glasses. Beatrice will arrive soon and she’ll want to drink nice and cold water. She spies the welcome basket, piled high with fresh fruits, chocolate and wine all nestled on the breakfast benchtop, no doubt part of the villa experience. 

In the intervening months since Beatrice’s throat surgery, they’ve had to resort to phone calls where Ava speaks and Beatrice texts in reply. The few video chats that the time differences had allowed for included Beatrice scribbling into her notepad as Ava found herself drooping into a sleep deprived daze. Only recently has Beatrice been allowed to speak on the phone again, under strict orders from her vocal therapist to keep it to a minimum given the lack of ability to voice regulate on the phone. With the shoe being on the other foot, she hadn’t experienced it when she was in recovery for that year, and had been caught off guard by it. She hadn’t expected the clawing need, the hunger, to hear Beatrice’s voice.

She’s all too aware that the difficulty in communication has only exacerbated their, or truthfully, her, inclinations to avoid discussing what’s happening with their relationship, what’s next for the two of them as her tour winds down and the Cruciforms’ tour begins to pick up again. All with the ever looming spectre of the expectations of their career, celebrity, and public scrutiny above them. In short, Ava knows they need to talk, that Beatrice wants to talk and in the darkest hours of the night, she knows her impulsiveness has led them down this path. She should have given more thought to Beatrice’s concerns, those she raised in New York over a year ago now.

They will talk. Beatrice will make sure of it. And she’s determined not to shy away from it. Beatrice deserves all that she can offer, even if she is ultimately fearful that their relationship might fracture further under the weight of it all. 

She’s in the middle of folding the last of her clothing into the dresser when the crunch of tires on the gravel road below catches her ears. It doesn’t take long for her heart to make the connection, her mind slower to catch on to its meaning. Her body sends her rushing down the stairs to the front door, but her feet stop right at the end of the steps. Remaining hidden inside.

Beatrice is hesitant as she enters through the front door, satchel slung over one shoulder and duffle on the other, but spots her immediately. She’s wearing a white lace blouse paired with dark blue jeans, hair pushed back by the sunglasses resting at the top of her head. The sight of her girlfriend in the flesh, looking so vibrant and rested, overall, just so so good, drives her to momentary distraction, rendering her mute.

“Ava,” Beatrice says her name, voice whole and rich. It’s the first time she’s heard it sounding like this in a long while, the time before the surgery included, and longing surges through her, how she has missed that voice.

She clears her throat of the small lump that’s made its way there. “How was your fli—“

“I missed yo—“

They both speak at the same time, voices overlapping before falling silent to allow the other to continue. Resulting in a stiff few seconds where neither really knows how to start a conversation. Beatrice deposits both bags on the floor before taking a few uncertain steps towards Ava at the foot of the stairwell, an uncertain smile on her face. 

Whatever nervous energy they're both emitting must be palpable as Beatrice leans against the bannister on the other side, so close but not touching, eyes studying her closely. Ava knows Beatrice is giving her space. She’s allowing her the time to put her thoughts together without hurrying her.

Ava gnaws at her bottom lip and after a few moments says, “I missed you.” And it frustrates her. How is that the only thing she’s able to articulate when all she has wanted for both of them to do for months is to speak to each other, to hold each other.  

Beatrice nods, holding out a hand for Ava to take. 

The patience Beatrice is showing her, is just so characteristic of Beatrice, through and through. Ever aware of whatever she needs at any given moment. 

There’s a sting in her eyes, which should have been the first indication that everything is not okay. Then, there’s a wobble in her bottom lip, which Beatrice notices.

Beatrice is pushing off the bannister and scooping Ava up into her arms in the next breath.  

The easy intimacy between them—that indescribable force, the unstoppable pull that compels them together, present from their first meeting—comes so quickly that it gives her whiplash. The moment she’s in Beatrice’s hold, bodies pressed together from head to toe, the blundering reunion is forgotten. The wet snort that escapes her makes her girlfriend’s shoulders shake, a precious chuckle rumbling in her chest before it echoes across the silent villa. 

“I missed you,” Beatrice repeats, nuzzling her way into Ava’s neck to deposit a kiss, lingering there as she breathes in. 

(*)

Vieni con me c'è il sole esploriamo un pò la città 

(Come with me, there's sun, let's explore the city a bit)

Solo noi stranieri cuori liberi dentro i vicoli

(Just us, foreigners, free hearts inside alleyways)

A fotografare chiese e musei

(Taking pictures of churches and museums)

La gente non c'è siamo rimasti io e te

(There's no one around, it's just you and me)

È un estate magica

(It's a magical Summer)

Come turisti e poi quasi per caso eroi

(Like tourists, and almost by chance, heroes)

La vita non fa male più

(Life doesn't hurt anymore)

And it’s in the quiet of this instant, away from the scrutiny of the outside world that Ava allows herself to just be. “Are you hungry?” She asks some moments later when it doesn’t seem like they’ll move from their spot at the bottom of the steps.

That makes Beatrice grin ear-to-ear. “You know me too well, I think.”

“It’s noon,” she states, and it should be enough to indicate what she means, but Beatrice is looking at her in askance, as if her stomach isn’t about to send them both in a mad scramble to find food.

“Yeah, well it’s not like the moment—”

She tugs on her girlfriend’s collar, pulling her down for a much needed kiss. 

“Rude! I was spea—”

Ed è bellissimo che bella l'aria che c'è

(And it's beautiful, how the beautiful the air is)

Un giorno perfetto ed un estate con te

(A perfect day of Summer with you)

È dolce il vento che c'è è il giorno perfetto che sorride come te

(The wind is sweet, it's the perfect day that smiles like you)

Perfetto il cielo che c'è

(Perfect is the sky above)

È un giorno perfetto che sorride come te

(It's a perfect day that smiles like you)

Son le cose piccole che ci meravigliano

(It's the little things that amazes us)

Che ci meravigliano

Chapter 18: In the Heat of Summer Sunshine, I Kiss You, and Nobody Needs to Know

Notes:

Here is the playlist and mood board.

Chapter Text

“You’re telling me that we’re going up a mountain on the back of a scooter?” Beatrice asks incredulously while the red vehicle in question is being kicked into place in front of her.

“Scooter?” Ava counters, rattled by the sheer disrespect to the motorcycle. A modern marvel of engineering so grand and totally necessary that it puts other modes of transportation to shame. “Beatrice, this is a Vespa.”

Her girlfriend crosses her arms displeased. “There’s no way we’re going to drive around the whole day on this thing and not have butt pain.” 

“Butt pain doesn’t count on vacation,” Ava says dismissively, handing over one of the accompanying helmets, “Plus, I know a very good and willing masseuse…”

Shaking her head in response to Ava’s lasciviousness, Beatrice grabs at her helmet skeptically, checking the inside first then tugging on the chin straps. “Do you even know how to drive this thing?”

Before Beatrice can protest further, Ava tugs her own helmet on nonchalantly. Then, reaches over for Beatrice’s and gently deposits it atop of her head, making sure to buckle the chin straps snug. “Of course I do! I used to drive around Madrid all the time,” is her reply, but her voice kind of quirks in the end and Beatrice raises a suspicious eyebrow. “Well, I used to. I said ‘I used to’.”

“And why is it in the past tense?” Beatrice probes, pulling Ava forward to adjust the strap around her chin as well. 

“Let’s just say that I made the news for crashing and Emilia almost had an aneurysm when she read the headline without context,” she stops for dramatic effect, “‘Ava Silva, Ecstatic in A Sea of Penises’.” 

“WHAT!” Beatrice shouts, hand on her heart with a look that screams Ava has just scandalised her and all her ancestors.

Ava’s mind easily jumps to that time when her hand got stuck between the brake and the throttle, sending the Vespa and herself down a hill in the middle of the city. She remembers the poor Samaritans that rushed to help her as she careened down into an awaiting van. By the time she noticed it was too late, her body had flown off and in through the rear doors. Photographs were taken. Sugary penises surrounded her entire person and she swore off ever riding again. 

That is until today.

“It’s not my fault you don’t Google me, Beatrice.”

“Maybe it’s a good thing if that’s the kind of headline I’m going to come across!”

“It was an erotics pastries van!” Ava laughs at the outraged but equally fond look shot her way.

“You could have led with that!”

She sits on the Vespa, scooting forward for Beatrice to get on behind her. “Where’s the fun in that?”

“I don’t know? Maybe not giving your girlfriend a heart attack!” Beatrice slides an unsure leg across, mindful of the storage compartment behind them. Ava’s looking at the map on her phone when Beatrice’s arms wrap around her, helmets bumping for a second, chin resting on top of her shoulder. “ Okay, motomami…pesa mi tatami…hit a lo tsunami… ”   

Oooooooooh!

Okay, motomami…fina un origami…cruda a lo sashimi…

Oooooooooh!

They both giggle as Ava kicks the kickstand up and the engine comes to life. 

The villa’s automatic gates open and they’re off. 

(*)

Everyone's changing, I stay the same, I'm 

a solo cello outside a chorus

I've got a secret,

It's time for me to tell, 

you've been keeping me warm

Beatrice’s arms have enveloped her in a constricted hold as they speed down the narrow hillside road. Up first on their itinerary is Bellagio, a picturesque and deeply laned small village across from the harbour, nestled between the two southern branches of the lake. 

They park the Vespa in one of the more quiet side streets and begin their hunt for breakfast. The orange, red and yellow cultural heritage buildings striking against the blue of the sky above and the green of the mountain ranges surrounding them. The clouds are few and far between today, the perfect excuse for sunglasses.

Beatrice matches Ava’s steps, hair down in pretty waves with strands fluttering about with the wind. They don’t converse much as they stroll down the cobblestone streets, heads poking into small alleyways and shop windows every so often. It’s not long until their hands brush, Beatrice quick with an apology. Ava doesn’t hesitate, grabbing ahold of Beatrice’s hand and bringing it up to her lips, placing a kiss and releasing it just as quickly. 

In the heat of summer sunshine

I miss you like nobody else

In the heat of summer sunshine

I kiss you, and nobody needs to know

Finally deciding on what to eat, they sit by one of the tables facing the waterfront. When not busy being the subject of her pictures, Beatrice is quietly eating her cream filled cornetto while taking sips of her cappuccino. She, on the other hand, has already eaten three cannoli and various crostatinas, much to her girlfriend’s dismay.

“I don’t see how you’re planning to sustain yourself today with your lack of actual nutritional food,” Beatrice says from behind her cup, froth lining the top of her lips before a tongue passes to lick it off. She had snacked on an array of fruit earlier while waiting for Ava to get ready for the day. Beatrice clicks her tongue before commenting, “You didn’t even leave me a cannoli. Selfish.”

“I asked if you wanted one!” Ava replies, mouth hanging open for a moment, “You literally said ‘that’s too much sugar for any sane person’ before you watched me eat them all!”

“Yeah, well you should have just put one on my plate anyway.”

“Oh! I’ll put something on your plate alright!” 

Beatrice’s tongue comes out closely followed by Ava’s.

To sweet beginnings and bitter endings

In coffee city, we borrowed heaven

Don't give it back, Winter is coming,

And I need to stay warm

The sprawling gardens stretch before them as they make their way to Villa Melzi, a neoclassical mansion located by the lake’s shore. The building itself is colossal, with blue shuttered windows covering most of the white façade. Beatrice encourages her to pose for a few pictures before they walk along the more quiet areas of the garden on their way to the small chapel.

“Bea,” Ava says, tugging on her girlfriend’s arm, “What about them? What do you think they’re saying?” 

Beatrice looks at the couple just a few metres from them. Two guys around their age, also very obviously on vacation together. She chuckles before lowering her voice in an attempt to mimic one of them, “My name is Sam and I planned this entire trip.”

Beatrice is looking at her expectantly, waiting for her addition to the conversation. As they’ve been walking around, they’ve begun to play a game where they pretend to be the people around them. “My name is Paolo and I’m only here because my boyfriend is organised.”

“My name is Sam and Paolo would starve if I didn’t stash away snacks into our backpack.”

“My name is Paolo and I’m not carrying the backpack.”

“You are also not carrying our backpack, you can’t just sass him for that when you’re not doing it either!”

“Listen Sam, you plan our vacations. I bring my cute little butt for you to admire. It’s the perfect balance of roles.”

“Is that what I’m doing, admiring your cute little butt?”

“Of course, what else is there to distract you? The culture? Actually, nevermind. I saw the document you made for every stop, there were time intervals and everything.”

“I did no such thing! This is all spontaneous! I can be carefree! I can be impulsive!”  

“Where are we going after this then?” Ava asks disbelievingly.

Beatrice goes quiet beside her in an act of defiance.

“Come on. I know you want to say it.”

“Nope. You won’t get a peep out of me. I’m being casual. I’m just looking at a cute little butt.”

“Uh-huh…then, we’ll take the ferry next and head to—”

“No!” Beatrice yelps. “We have to go look through the town center first and have lunch, after we get gelato and go to the Basilica. We can’t miss out on its historical significance. It was built between the 11th and 12th century and has a Romanesque style.”

“We’re getting gelato?” 

Beatrice takes offense to Ava’s take away from the itinerary spiel and continues her explanation, “There’s a triptych there from the Middle Ages!” but then gives up, amused, “You like gelato, Ava. And I love you. So we’re getting gelato.”

In the heat of summer sunshine

I miss you like nobody else

In the heat of summer sunshine

I kiss you and nobody needs to know

Ava is not a hiker. She would admit it to anyone within proximity if there was anyone around to tell. Beatrice doesn’t count in her athletic wear, perfect ass accentuated, pigeon ankles (thank you, Camila) on full display, and hair in a tight bun. Not a semblance of strain on her beautiful face. 

Meanwhile, Ava is sure she’s as red as a fire truck, sweat dripping profusely down every possible expanse of her skin, with a wedgie that has been bothering her for hours. She’s exaggerating of course. It’s only been 37 minutes. And they haven’t even reached the top of the mountain yet. 

Lake Como is for leisurely strolls through picturesque villages, not high adrenaline calf burning summiting. Ava isn’t above feigning childhood asthma at this point, but something tells her Beatrice wouldn’t believe her, or worse that Beatrice would and then chastise her for not having a puffer. 

She was rudely awoken at the ass crack of dawn, the first morning lights barely visible as Beatrice passed along clothing items one by one, forcing her to dazedly put them on while escalating through levels of protests, pleading and childish tears. She had reminded Beatrice that the last time she had hiked was for her and she deserved some mercy. But no. Her girlfriend wasn’t taking no for an answer.

Let’s have a picnic with a panoramic view of Lake Como, Ava. 

It’ll be romantic, Ava. 

We can eat these delicious cherries, Ava. 

I will reward you later, Ava. 

Beatrice had said, as they ate cold sfogliatelle and rushed to drive the Vespa before the sun crawled its way over the mountains. And Ava would like to point out that she agreed because she loves Beatrice, not because she wants to be eaten ou—

A bird swoops her and at this point she wishes she was Kevin the dog from The Proposal .

“Take the dog…take the dog…take the dog,” she mutters, kicking up as much dirt as possible, patches of beautiful vista be damned. 

  “Did you say something?” Beatrice asks from a good 5 metres in front of her. 

Did you say something? ” She mocks in reply, hamming up the English accent like a deranged Eliza Doolittle. 

Beatrice doesn’t seem to have heard, which is good because she’s five seconds away from a murder suicide.

(*

Ava needs a distraction. Something to get her mind off how agonising this little excursion has turned out to be. “ My grandma and your grandma were sittin' by the fire ,” she bellows, eyes on the floor, concentrating on the steepness of their climb, “ My grandma told your grandma ‘I'm gonna set your flag on fire’, talk 'bout, hey now…

Hey now…

Ava lifts her head. Beatrice has stopped climbing, hand resting on her hip as she waits. 

Hey now, ” Ava continues the song.

Hey now.

She’s caught up to Beatrice now, who’s holding out her hand for Ava to hold. “ Iko iko un-day!

Hey, hey, hey! ” 

Jock-a-mo fee-na ai na-ne!

Jock-a-mo fee na-ne! ” They both sing together.

The climb is easier now with Beatrice beside her. The ski resort around them largely forgotten in the Summer months. They’re about halfway through their ascent and the view is slowly revealing itself after climbing almost 8 kilometres. Again, probably an exaggeration. Ava has no idea what’s happening. The wind is picking up now that they’re closer to the ridgeline, causing them to huddle close for warmth and balance.

The song continues, motivating them further. They tap on their bellies, like makeshift bongos.

See that woman, all dressed in green Iko, iko, un-day !” Beatrice yells above the draft that threatens to send them to certain death, pulling her closer by the waist, “ She’s a woman, she's a lova machine Oh jock-a-mo fee na-ne, talk 'bout, hey now!

Hey now!

Hey now!

Hey now!

Iko iko un-day!

Hey, hey, hey!

Jock-a-mo fee-na ai na-ne!

Jock-a-mo fee na-ne!

The loose gravel trail that leads the rest of the way up is precarious and definitely not for Ava. She has slid more times than she can count by now and would have suffered a scrape or two if it wasn’t for Beatrice’s watchful eyes and quick reflexes. 

The snow covered tops of the Swiss alps in the distance greet them near the summit, encompassing the entirety of the Lake Como district. Kilometres of lake wrapped up with breathtaking mountain peaks as far as the eye can see.

They sit on the rough ground close together with their cherries, barely able to eat them without hair getting in the way and the gale pushing them from side to side. 

Beatrice says something but the roar of the wind drowns her out. She tries again but it’s futile. She is undeterred though, balancing the box of cherries on her lap, which frees the hand that’s not wrapped around Ava. Beatrice reaches for Ava’s hand, smoothing the palm open before running her finger in the shape of a heart. 

Ava squeals and the wind takes it, but Beatrice knows, can see it in the smile that reaches her eyes. The warmth spreads through her like liquid fire, filling her with so much adoration for her girlfriend. Without a second thought she too reaches over, tracing a heart on Beatrice’s open palm.

Ava’s phone screen lights up with a reminder, followed in short succession by the vibration of an incoming text message. Beatrice, reclined on the opposite end of the hammock, is so engrossed in her novel that she hasn’t even registered the faint disturbance. 

Ava takes a moment to admire the breathtaking sight of her girlfriend in repose. Sun bronzed skin on display, her black bikini top visible and only partially covered by her unbuttoned light blue dress shirt. Her toned runner’s legs encased in white linen shorts with one leg bent and the other leg currently thrown over Ava’s own legs, calf resting on Ava’s lap. 

Beatrice’s sunhat lays discarded on the ground beside them, the surrounding linden trees providing adequate protection from the rays of the late afternoon sunshine, their leaves casting dappled shadows across Beatrice’s face. Whatever is occurring in the story has her so captivated that a sliver of Beatrice’s tongue is peeking out from the crease of her lips and her brow is furrowed in concentration.

It almost seems a shame to disturb Beatrice but interrupt she must.

Ava runs her palm firmly over Beatrice’s smooth calf, capitalising on this motion to appreciate the strong musculature beneath her hand. She also takes the opportunity to inspect the fading bruise on Beatrice’s ankle, an fun-injury obtained when Beatrice had kicked a leg out to the side that first night in the villa. Beatrice doesn’t even flinch when she presses a tentative finger into the bruise which is a good sign. 

“Baby.” 

Beatrice absentmindedly looks up from the pages of her book, “Yes?”

“I need you to stop reading now, please. We need to go get dressed. And you can’t ask me any questions.”

Beatrice opens her mouth in protest, “But—”

And Ava interrupts immediately with her hand midair, “Nope, no questions.” 

Beatrice heaves a reluctant sigh, pouting minutely, “It was just getting really good.” 

Ava doesn’t bother to entertain her with a reply, clapping her hand down onto Beatrice’s leg to punctuate the point, “¡Upa!”

Once Ava has maneuvered herself off the hammock, she steadies it from swinging too wildly with one hand while helping Beatrice slip off it with the other. When Beatrice’s feet are solidly on the ground, Ava cannot help but to pop herself onto her tiptoes in order to plant a kiss onto Beatrice’s lips. A blush quickly spreads across her girlfriend’s cheeks at the unexpected act, outside in broad daylight, with Beatrice mumbling out a “What was that for?” around the beginnings of a pleased grin. 

“Nothing. I just really love you is all,” is Ava’s reply as she gives Beatrice’s hand an almighty tug to hurry her towards the house. Beatrice doesn’t budge. Instead, she tugs hard back at Ava’s grip, using Ava’s backwards momentum to pull her into a firm kiss, swallowing Ava’s gasp of surprise.

Ava scrambles into the bedroom, dragging Beatrice closely behind her. “I’m going to get dressed in the ensuite, you pick out what to wear! And no peeking!” With that, she’s grabbing at the bundle of clothing she had quickly set aside in the morning and stashed into a drawer before rushing into the bathroom, leaving the door slightly ajar. 

She catches a glimpse of herself in the bathroom mirror. Her face is flushed with excitement and her eyes are sparkling with mischief at the surprise she has in store for Beatrice tonight.

Quickly slipping on her emerald green dress, Ava then runs a brush through her hair and with a spritz of hairspray, her hair is complete. She sends a quick prayer of thanks to the Silva genes for her natural waves, currently exaggerated by a day spent swimming in the villa’s pool and tousled from the mountainside breeze. 

Beatrice is huffing audibly from the bedroom, mumbling to herself. Ava catches a few words, “Doesn’t…occasion…dress code…no clothes.” 

“Bea?” 

There’s a pause followed by a wary “...Yes?” 

“What’s wrong?” 

With a wail Beatrice is whining out, “I don’t know what to wear! You haven’t told me anything and I didn’t bring that much with me.” 

Ava blows out a breath inaudibly, casting a look up at the heavens. She’s convinced this Beatrice, whiny and stroppy, is reserved for her and her alone. Beatrice would never allow another person to witness a version of her that is less than polished or feel comfortable enough to show her petulant, childish side. She loves this version of Beatrice all the same, even if she does want to jokingly throttle this Beatrice at times. 

“Beatrice. Baby. Please. Choose something a little dressy. Or anything you want. You look good in everything. You could look great in a toga. Actually, I know you would rock a toga. You proved that just this morning, you looked magnificent in nothing but our bed sheet.”

Ava’s phone vibrates with another text message. 

[Dieci minuti.]

Shit . It’s almost here.

Ignoring the sounds of Beatrice’s indecision outside, Ava’s putting on her makeup with a practiced hand. Nothing too crazy, just enough to highlight features that she knows Beatrice likes to appreciate with her eyes. And then she’s done. Giving herself a quick once over in the mirror, she’s calling out, “I’m coming out now and going downstairs. Cover your eyes and no peeking!” 

Waiting a beat, Ava pokes her head out around the door to check that Beatrice has indeed covered her eyes and is turned away from her before she slips by. She can’t resist the opportunity to kiss Beatrice on the cheek as she passes, nuzzling at the hand covering her eyes. 

A smile crosses Beatrice’s face in response, “You smell good.” 

Chancing a glance at the clothes laid out on the bed, Beatrice has narrowed her choices down to three outfits. Before Ava slips out the door into the hallway, she’s calling over her shoulder, “No looking out the window and do not come downstairs until I say so.”

There’s the beam of oncoming car headlights as she descends the steps, just as the final text message comes through on her phone. 

[Signorina Forest, è arrivato il fattorino. Potrebbe aprire il cancello, per favore?]

Ava hurries to buzz them in.

She waits, still as a statue behind the entrance door, listening for the solid footsteps crunching up the gravel. She hears the thud of several heavy items being dropped onto the stoop before the footsteps crunch away again. It’s only once the sound of the departing car is far enough that she flings open the door. 

What awaits on the stoop is a wooden wine crate containing a large bouquet of red carnations amongst other items, and several insulated baskets containing the five course fine dining meal she’s organised. 

Time is of the essence now. She needs to quickly set everything up before any of the warm dishes get too cold. 

Quickly pulling all the dishes out of the insulated baskets, she breathes a sigh of relief. The private chef has packed everything so well that the food hasn’t shifted in the drive over. There’s not a lopsided quenelle or a smudged schmear in sight. The mains go back into the insulated comfort of the baskets to keep warm while the dessert goes into the fridge. 

Rifling through the wooden wine crate, Ava pulls out the candles and the box of rose petals that she’d specially requested. After scattering a handful of the rose petals across the dining table, she feels a bit perplexed as to what she’s meant to do with the remainder of the petals. She’s never had to do this before. Never had this done for her before. Her only experience with this kind of romantic dinner at home is through movies. 

Then with a shrug, there’s not much to do other than to throw handfuls into the air in the hopes that they land artfully around the dining room and in a trail leading back to the base of the stairs. 

Surveying the result, she wrinkles her nose and admits to herself that it all looks a bit cheesy and haphazard but as long as Beatrice enjoys it then that’s all that matters. 

Ava hustles back into the kitchen, now setting up the platter of antipasti in the middle of the dining table amidst the cluster of candles on either side of the table and next to the two small vases of short stemmed arrangement of orange roses, pink and white baby’s breath. 

The final touch is to create the mocktail to accompany their meal. She briefly imagines herself as a bartender in another life as she muddles the prepared mint, lime and sugar before topping the wine glass up with ice cubes and Cedrata, with a few sprigs of mint as a final garnish.

Ava casts a final critical eye over the dining table and the romantic atmosphere. By this point she’s definitely dithered long enough and has kept Beatrice waiting upstairs. 

The dining table is now bathed by the light from the waning evening sun and the warm glow of the lit candles, casting parts of the room into shadow.  

Gathering herself by the foot of the stairs, she calls out to Beatrice, “Bea? Are you ready?”

She hears Beatrice reply from inside the bedroom, “Yes.”

“Okay, you can come downstairs now.”

Surprisingly, Ava finds that her palms are oddly sweaty and she feels nervous as she waits. It truly does feel like she’s about to pick Beatrice up for a date with the aim of sweeping her off her feet and determined to make sure she falls head over heels in love with her. 

(*)

Oh, no, no, no, no, no, no

Oh, pa-pa-ba-da hope you're gonna

Ooh, ooh, ooh, ooh, no, no, no, no, my love

You're gonna make it worth it

I just wanna tell you how I feel, ooh!

Beatrice appears at the top of the stairs now and Ava loses any train of coherent thought. 

Beatrice has chosen to wear a deep blue spaghetti strap dress, the deep V of the bodice’s front panelling covers her but is revealing enough to not leave much to the imagination. It’s accentuated by a small cutout just below the decolletage to highlight the definition of Beatrice’s abdominal muscles. She’s chosen to pull her hair up into a twist, the length of her neck fully exposed. The dress fabric moves smoothly with Beatrice as she descends the stairs, Ava looking on awestruck.

And then Beatrice is stopping right in front of her, her own eyes slowly looking Ava up and down, a smile peeking through at the corner of her lips and causing her dimple to make an appearance. A shiver wracks through Ava’s body under the heat of Beatrice’s gaze. 

If my body was a boat, could you steer that, sailor? (Mmh)

Make it feel like it's a 1960s Hollywood trailer (old-school, I like)

Classic like cars, classic like Elizabeth Taylor (Taylor, Taylor)

Need you to romance me, I need a giver, not a taker (ooh, it's what I need)

Beatrice says something to her. 

Ava does not hear her. 

Thankfully she blinks her way back into conscious thought just as Beatrice tries again, this time gesturing with her hand towards Ava’s back, “Is that for me?” 

“Wh—What? Oh. Yes. Yes, these are for you,” Ava stumbles through her words, hurriedly pulling the bouquet of carnations out from behind her back and presenting them to Beatrice. 

Their fingers brush as she hands the bouquet over, the hairs on the back of her neck stand up from the mere touch, the nerves of the evening heightening all her sensations. Then Beatrice is burying her face into the bouquet and inhaling deeply, a soft grin as she pronounces the scent as warm and spicy .

“Wow, Bea,” Ava exhales a long breath, “You’re so beautiful. I’m kind of at a loss for words to even describe how you look.”

Beatrice, having now looked up from the bouquet, bestows Ava with a crescent eyed smile before shifting her attention to the other decor, spotting the rose petals by their bare feet. “Ava? What’s all this? What are you doing?” 

Feeling a bit sheepish in the moment, she feels herself shrug in reply. “I’m romancing you.” Ava reaches out to grasp Beatrice’s free hand, leading her towards the kitchen and dining table. “We haven’t had a chance to do something like this yet and I just wanted to plan a surprise for you.”

The look on Beatrice’s face as she takes in the decorated dining table, the ambient lighting, and the warm glow of the candles makes it all worth it. Worth the juggle to get all this organised and delivered amongst communication issues and the time constraints of the tour. 

Ava hurries toward the table to pull out Beatrice’s chair for her, ushering her to sit. Beatrice does so but not before gently cradling Ava’s face in the palm of her hand and drawing her into a prolonged kiss. 

They both regard each other as they separate, giggling as they wipe at the slightly smudged lipstick on each other’s face. 

Beatrice leans in for one more peck before settling into her chair. “Darling, you didn’t have to go through all this trouble.”

Ava jokingly frowns at her in reply, “Yes, I did, Beatrice. Because I love you.” 

Baby, bae, b-b-bae-b-b-baby, would you?

Would you make it all right?

Or maybe that much better?

If you wanted, you could make it all worth it, worth it, worth it, worth it

Ooh, when I see the sun rising, you make it that much better

So I hope you gonna make it all worth it, worth it, worth it, worth it

Cognisant of the bottomless pit that is her beloved’s stomach, Ava serves the two entrees of carpaccio and polpo to accompany the antipasti platter before sitting down opposite Beatrice. 

“Just to let you know, I absolutely plan to play footsie beneath this table tonight.”

Rather than shy away, Beatrice meets her head on by raising her chin in challenge and wiggling her eyebrows as she declares, “Good. I welcome it.” 

Ava feels herself fall just a tiny little bit more. A fleeting thought passes through her mind before she mentally bats it away for another day. 

She can see herself spending the rest of her life looking at Beatrice .

Meanwhile, Beatrice is busying herself by slicing through the polpo and placing bites of everything onto Ava’s plate before serving herself. 

The little moan that Beatrice emits at the first taste of the carpaccio with blood orange dressing and pickled fennel is positively sinful. Ava shifts uncomfortably in her seat in response. Beatrice, on the other hand, seems completely unaware of the effect on her, instead shimmying her shoulders about in her happy food dance. 

“Stop being so cute! I’m trying to make you fall in love with me .”

With a small chuckle and a roll of her eyes, Beatrice sits back solidly into her chair, food abandoned. The candlelight catches the gleam of her eyes in the prettiest way. Ava leans forward, forever being pulled into Beatrice’s orbit. 

This is the night (something 'bout it's making me cry)

My soul, it did decide (feel my body shiver in your moonlight)

And I need you to (let me have the time of my life)

Checked your credentials, South residentials

Ooh, baby boy girl*, you got so much potential

“Your smile alone could make someone fall in love with you.”

She feels her eyebrows lift, puzzled by Beatrice’s admission.

Beatrice takes a sip of her drink before answering Ava’s unspoken question. “The first time we met, I remember thinking your smile could make someone trip over themselves. And then, when you sang ‘ Aunque Es De Noche ’? I think I knew then that I was in trouble.”

Ava has to fight the urge to not squeal in shock at the first touch. Unexpected as it is, Beatrice has made the first move, her toes gently grazing Ava’s ankle before slowly trailing upward. She closes her eyes briefly, reminding herself to behave but can’t help but to lower her voice, fighting back a smile as she says, “You’re trouble tonight.”

Ava sends a responding foot out, nudging into Beatrice’s other leg, curling it behind her calf to pull it forward and then gently caressing it with the side of her foot. 

“Oh? Are we playing footsie pea-knuckle?”

“What the heck is a pea-knuckle?”

Beatrice laughs loudly in response. “Sorry. A thumb war? It’s another name for it. A foot war in this case?”

“A war? I would have started the Trojan War for you.”

“You know it’s entirely possible that Helen did fall in love with Paris, right? Maybe she wasn’t abducted. Besides, I doubt Menelaus’ motivations were so pure. Several texts say that he just wanted to seize more power and conquer territories, and Helen was just an excuse.”

“No! I rebuke this interpretation. Menelaus went after Helen and started the Trojan War because he was desperately in love with her and was trying to rescue her from her abductor.”

“Agree to disagree.” 

Ava squints at Beatrice in playful anger. “Regardless, I would fight a war for you Beatrice Young.”

Beatrice chortles in response. “I don’t doubt it.”

It’s when Ava gets up to clear the table and bring back the first of the mains, a slow braised beef rib, that Beatrice tilts her head in curiosity, a slightly confused look on her face. “Ava, is this a set menu from a restaurant?” 

Ava picks up the water jug and leans forward to refill Beatrice’s cup before answering. “Not exactly. Have you liked the food so far?”

If anything Beatrice looks even more confused by her reply. “I’ve loved everything we’ve had so far. But there’s just been some flavour combinations that I wouldn’t normally associate with Italian cuisine?” The rising inflection as Beatrice speaks further illustrates her confusion.

“I had it specially curated for your tastes. The private chef asked if we had any preferences and then provided a selection for me to pick from based on what I said you liked to eat.”

Beatrice’s eyelashes blink rapidly for a few seconds, seemingly unsure of how to reply before she’s grasping at Ava’s hand, turning her wrist to face upwards before placing a lingering kiss on her pulse point. “Thank you, my love.”

Something like a dream, babe

Somehow, I'm so captured by you

I'm rearranging all of my plans

And I'm holding my breath

As I hope you make it worth it

Their night continues to unfurl in this fashion, the two flirting back and forth over their food. Eyes crinkling in delight at sharing this moment, just between the two of them, completely at ease and helplessly in love.

“Ava…”

“Yes?”

“Your birthday is coming up in a few days. Is there anything in particular you wanted to do to celebrate?”

“No, just being with you. Here. It's enough.”

“Charmer.”

“Only for you.”

It’s by the third moan that Beatrice lets out over dinner, this time in response to the ravioli, that Ava has the sneaking suspicion that they’ve all been well timed and deliberate. She’s almost certain that Beatrice is trying to get her to crack. There’s a smirk playing at Beatrice’s lips as she stares back at her. Widening her eyes innocently. “What?”

“You are evil,” Ava says sotto voce.

“I have no idea what you are talking about. But also, did you look at yourself in that dress? If anyone’s evil here, it is most definitely you Ava Silva.”

“Say my name again.”

“Ava Silva.”

“Again.”

“Ava.”

“Have I ever told you how good my name sounds on your lips?”

Crap . That was the wrong thing to say. 

She’s supposed to be behaving herself and giving Beatrice the best fucking date of her life. And there’s still dessert to get through. 

She almost weeps at the thought. “Dessert?”

Beatrice shakes her head slowly. “Not yet. I just want to look at you a little longer and savour the moment.”

Okay. This is good. That’s a good response. She can work with that. She can get them back onto steady non-horny ground

“Have I told you how incredible you look tonight? In that dress? I keep feeling like I need to pinch myself to check I’m not dreaming.” In retrospect, Ava really should have known that Beatrice had been up to no good the moment she had left her alone upstairs. 

The smile Beatrice gives her is devilish, just before she opens her mouth and delivers the most devastating sentence ever with those perfect red lips, “I’m glad. Since I only bought this dress so you could take it off.” 

Fuck

Ava whimpers in reply. She can’t even find it in herself to be embarrassed by it either.

She makes one more half-hearted attempt at keeping the evening on the romantic train track, eyes imploring as she asks, “Pl—Please Bea,” embarrassingly, her voice cracks, “Do you want any of the dessert?”

Beatrice is shaking her head again, “Maybe later. Dessert is not the only thing I am planning on savouring slowly tonight.”

Ava is not a strong person. She is not God’s strongest warrior. Let it be known that she doubts even a celibate nun could fight the temptation of Beatrice in this dress and not pray for absolution. So really, who can blame her when Ava sinks to her knees and crawls under the table towards Beatrice? 

Ava blames Beatrice for her immobilisation when she slides a hand up her thigh, followed by her very eager mouth, only to discover that Beatrice does not have any underwear on.

This is the night (this is the night)

My soul, it did decide (worth it)

And I need you to (I need you to)

I'm all in, I can't reverse it

So I hope and pray you make it worth it

The banister rattles, the entire railing shakes with the sheer force of the impact as Ava’s back meets it. The pain only lasts momentarily, quickly superseded by other feelings that are overwhelming her. They’re already gasping for breath, hurriedly sucking in short puffs of air, reluctant to interrupt their incessant need to kiss. 

Their mouths coming together over and over again. Her gut is working overtime as it reacts to the way her body is being shuffled around, bouncing at a hectic rate that she no longer cares to control. That all consuming pull is building deep beneath her belly and she’s about to grab the hand gripping her ass and put it where it should be instead. 

Ava doubts Beatrice even registers how rough she is being, which in itself is unusual and a huge turn on. Beatrice too caught up with keeping Ava as still as possible so that she can have her way with her, her hand bruising in its grip, traversing a well traveled path. She’s minutely aware that her body is being lifted by Beatrice’s strength alone. One of her hands comes out to grip the banister in an effort to assist but it’s not needed. Beatrice loops both arms underneath her butt, scooping her up in one fluid and swift move.

“Bed—get to bed. Bedroo—” Beatrice says out of breath and into her mouth, “My neck—Ava my—”

“Mmhmm—yeah,” she doesn’t have to be told twice, her arms wrap around Beatrice at the same time she’s being bounced up and re-adjusted in place, Beatrice’s arms seeking a tighter grip. 

Beatrice doesn’t hesitate, she’s immediately on the move, climbing up the stairs as if the floor is quickly filling with lava and the bedroom upstairs is their only salvation. Ava can’t even focus on what’s happening, her mind is too busy throwing a small party inside her head. Beatrice has remembered her fantasy of having a The Notebook moment. 

The panting by her ear is doing delicious things to her as Beatrice continues to climb the steps to their destination. It all appears easy from where she is, but there’s a small bead of sweat by her girlfriend’s temple, a sign that this is quite possibly more difficult than it appears. 

Ava’s slammed into the first wall in sight once they make it upstairs, the result of Beatrice going over the final step with too much momentum. And Ava’s sure she’s knocked her head into the wall, but it doesn’t even matter. She’s far too busy, happily gripping at biceps and admiring the muscles which are now stone hard and burning from the exertion. There’s a thigh between her legs, meant to be keeping her up, but between the heat between her legs and the hard muscle underneath, she can’t find it in herself to stop from grinding against it. 

She barely manages to partially undo Beatrice’s bun before she’s being lifted up again, the force careening them back into the wall. She pulls at Beatrice’s jaw, hard. Their lips meeting in a bruising kiss. Then, Beatrice is on the move again, one hand in front of her as she maneuvers them into the bedroom, the other nice and snug under her butt.  

In a matter of seconds they’re no longer upright and Beatrice’s weight lands on top of her body fully, but they don’t stop. Lips barely detaching. She’s reaching down to pull Beatrice’s dress off. She needs to touch, she needs to feel Beatrice’s warmth against her.

Beatrice pulls back abruptly, out of her reach. Her pupils are blown, hair messy and still in a half bun. Betrice’s chest is rising and falling erratically as she admires what’s in front of her. 

Ava sits up, hands running along Beatrice’s sweat coated thighs to grip at the ends of the dress, but before she can tug it upwards, hands stop her.

“Not yet,” Beatrice commands, pushing against Ava’s shoulders, lowering her back down onto the bed.

And she doesn’t have the vocal ability right now to fight against it. But when she does find it in herself to nod, Beatrice slips her two hands under Ava’s dress, pushing it upwards and easing her underwear down before pulling it off. Leaving Ava completely exposed from waist down. 

Her breath hitches. “What are you—” the words die in her mouth. 

Beatrice comes close, straddling one of her thighs momentarily while rucking her dress up and aside before lowering herself. When their bodies meet Ava’s mind actually malfunctions, taking a few seconds to adjust and actually recognise what is happening. How Beatrice has placed her body—their bodies to do. It all comes to her quickly then, as Beatrice jerks once sending small trembles through her body. The heat that she has already been feeling intensifying with the new addition. 

Beatrice grips both her thighs, finding a rhythm, moving back and forth until it’s everything Ava has ever wanted to experience between them and more. She’s moving now too, eagerly matching Beatrice, watching as the ragged breathing starts. The sounds along with every other sensation making her dizzy and scatterbrained.

Ava’s tightening her abdomen as if doing a crunch to reach upwards for Beatrice’s dress again.

“No,” Beatrice rasps out, keeping their pace, hands clenching tighter around her thighs.

“I want to touch you.”

Beatrice closes her eyes briefly, concentrating on the rhythm. “You can touch me.” 

Ava’s hand makes its way underneath Beatrice’s dress, running along her thigh first before splaying out on Beatrice’s stomach, feeling the muscles contract and relax in tandem. The hand doesn’t stay there long, curiosity winning over as it trails back down, fitting its way between them. 

Beatrice bites back a moan as eager fingers interrupt their grinding, the pace coming down to a halt. “Stop. That’s not what I want.”

The reply, a low rumble that escapes her throat, “What do you want?” 

“I want you to lie back down and enjoy it,” Beatrice breathes out, her body erupting into shivers at the wanton thought. 

Beatrice begins the cadence again, pulling Ava’s slick hand away and placing it on her thigh, but Ava much prefers to slide it just a few centimetres higher, squeezing at Beatrice’s ass instead.

As Ava lies back down, the first few signs of her girlfriend being close begins to make their presence known. It starts as the frequency of Beatrice’s thrusting increases, the unsatiated urgency revealing itself. When she looks up, Beatrice’s lips are pressed tight, chest blossoming red, the colour spreading up her neck and meeting her gorgeous freckled cheeks. Eyes meeting Ava’s own. And that’s it, that’s the tipping point for her because she’s growing frantic for release as well. 

“Bea—I’m—” she stutters.

Beatrice doesn’t acknowledge her words, the hands on her thighs squeezing impossibly tighter, it’s sure to leave a mark, the pain from the grip adding to the overall experience. In the fog of her one track mind, Ava realises that she too can pull Beatrice closer via the hand already on her girlfriend’s ass. She palms both buttcheeks now, digging her fingers in.

Ava can’t manage to keep her eyes open as the pulsing in her ears mutates into ringing, the pressure bursting through her like a cresting wave. She doesn’t hear herself moan, but can feel the after effects of it in her throat. As she dissolves into pleasure and rides out the last of her orgasm a whimpered moan leaves Beatrice’s lips, hips continuing to move back and forth for some time. Ava waits it out along with Beatrice, deliberately slowing their pace until the last of the shocks finish. Beatrice has that look though as she stills, a clear indication that she wants to be held, so Ava sits up and takes her in her arms until Beatrice is ready to let go.

She moves the sweaty strands of hair off Beatrice’s forehead, finally releasing the last vestiges of hair from its bun, sending the loose waves falling down and around Beatrice’s shoulders. Ava presses a kiss under Beatrice’s jaw, nuzzling slowly until she reaches the earlobe, sucking it into her mouth before asking permission, “Now can I take your dress off?”

At Beatrice’s answering nod, she unzips the back of the dress, easing Beatrice out of it and dropping the material onto the floor. She quickly wiggles out of her own dress, joining Beatrice’s on the floor.

It’s only after several rounds later, interspersed by a hurried venture downstairs while butt naked to retrieve their desserts to eat in bed, that Ava finally asks, “Bea? What would you have done if we had gone out for dinner instead and you had no underwear on?”

There’s a delicious burn to Beatrice’s muscles. Evidence of a nice and thorough full body workout.

It also helps that the view is nothing short of breathtaking. 

Paddleboarding in the middle of Lake Como? Highly recommended. 

But now the prickle of heat is starting to burn against her skin, a combination of the sun’s rays and its reflection off the waters of the lake. Beatrice has been paddling around for well over an hour at this point, a rumble of her tummy is nigh and she should be turning back now.

Ava had elected to stay behind on the boat, emphatically stating that she was on holiday for a good time and to work on her tan. She has had enough of any strenuous outdoor physical activities that did not include sex, thank you very much, and would be unequivocally rejecting any and all suggestions of the sort from Beatrice. 

Ava must have been keeping an eye out for her return because once she’s in sight of the boat, Ava’s head shielded by Beatrice’s own sunhat, is bobbing up from the starboard side. When Beatrice gets close, Ava is clambering over to the stern of the boat to steady her and help her off the paddleboard, before quickly disappearing below deck. 

“Come eat lunch! I already cut the watermelon.”

Beatrice bounces on one foot again, right ear turned downward in the direction of the floor. The thud when she lands makes the wood shake underneath. The stupid water won’t budge no matter how many times she jumps in what has turned out to be a pathetic attempt at removing it from her ear canal. It’s been hours too. Hours of that uncomfortable feeling of something stuck but not. She tries again, this time landing with a lot more force than before. 

“What are you doing in there?” Ava enquires from the adjoining room, in bed with ‘ their’ Kindle. It may have been a mistake on Beatrice’s part to share it with Ava because her girlfriend has been picky about every book she has suggested so far. Who is to say she hasn’t opened a few and totally messed with her carefully organised reading flow. “If it’s a spider you’re on your own.”

Beatrice steps out of the bathroom, continuing to shake her head to the right side. “It’s my ear. I’ve had water in it since we got back from the boat.”

Ava slips off the bed before standing, taking Beatrice’s head in her hands, twisting it to have a closer look at the ear. “Even after the shower?”

“Yes. It doesn’t seem to want to come out.”

“One second,” Ava says, releasing her before going inside the ensuite. She’s looking through her toiletries bag in search of something. A few Q-tips are procured seconds later, Ava wiggling them in a victory dance type of way.

“No.”

“What do you mean ‘no’?”

Beatrice backs up, hands raised in front of her, “It is not recommended by healthcare professionals.” When that doesn’t satisfy Ava she continues, “You run the risk of perforating your ear drum!”

“Not recommended—Beatrice there’s water in your ear! There’s been water in your ear for hours, that can cause an infection.” Ava’s advancing towards her now, resolute in exactly what is about to transpire between them.

Beatrice has been corralled by Ava before and knows her girlfriend can be formidable and imposing when need be. There have been instances of pure fear but also moments where she herself has encouraged other things to take place afterwards. Ava will get her way one way or another, but Beatrice can at least delay the inevitable. 

She swerves left, but Ava knows, can smell it like a deeply skilled apex predator, accurately herding her towards the closed balcony doors and a potential ear subjugation. It’s an impasse. Beatrice needs to act fast if she is to get away. “Have I told you how much I love you, Ava Silva?” 

Her eyes must betray her intention to run out of the bedroom and down the stairs because Ava laughs like the tyrant that she is before turning around to close and lock the door behind her. 

“Actually, come to think of it, I don’t think I’ve heard you say it today. Not even once.”

 “I love you.”

Ava cocks an eyebrow, walking towards her undeterred, “I’ll be careful. Please? Just sit down, I don't want to tackle you, but I will. You know how strong I can be.”

“You promise?”

“I promise.”

“You have to keep your finger at least 1 cm from the tip,” she says sitting on the edge of the bed. 

Ava nods, urging her to move back more before straddling her lap in an impressive yet effective hold. Beatrice did not account for being restrained, how is she meant to wiggle around like the helpless prey she is now? 

“Just keep still, will you?”

She breathes in, hands attaching themselves to Ava’s sides, keeping her as fixed in place as possible. 

The Q-tip goes in and Ava turns it carefully. The sensation tickles, sending small waves of pleasure into Beatrice’s brain and she almost almost lets herself forget how dangerous this has the potential to be. After a few seconds the cotton swab comes out and the ear immediately feels a lot better. 

“That did help.”

“See? You’re such a big baby,” Ava teases, kissing Beatrice’s cheek before getting off her.

Ava switches off the lights as she comes back to bed, clambering over Beatrice to nestle herself between her and the wall. Everything is quiet while Ava shuffles about, adjusting herself into a comfortable position. They face each other, perfectly content to just lie there mere centimetres from the other, breaths mixing between them.

“Don’t go to sleep yet,” Ava murmurs right as Beatrice’s eyes begin to droop close. It’s hard to fight sleep when everything feels warm, comfortable and blissful. The exhaustion from the day’s activities on the lake finally catching up to her. Ava comes closer, lips just grazing her own, “Don’t sleep…don’t sleep…don’t sleep.”

“Mmm?”

“Tell me a secret,” Ava whispers into her ear.

“What kind of secret?” she replies matching Ava’s hushed tone. Eyes blink open in a concerted effort to stay awake, focusing on the tip of Ava’s ear just poking out from under her short locks.  

“Anything you want to share.” Ava doesn’t rush her. She waits patiently, chest rising and falling steadily, a rhythm that in itself threatens to lull Beatrice back to sleep. 

And it’s this moment, lying here beside Ava, enveloped in the stillness of their quiet night with her heart full and overflowing after a few blissful days together, that makes Beatrice bold enough to say, “I think I’m homesick.” A crease immediately takes over Ava’s forehead, worry etching its way onto her features as she closely watches Beatrice, prompting her to continue without further delay, “You know how being home makes you feel safe and comfortable? I’m talking about that sensation I guess—that yearning to be home. To lie down with a warm blanket and eat your favourite foods.”

Añoranza.” Ava raises herself from their sideways position, crossing her legs underneath her. 

“What does that mean?” Beatrice is up now too, scooting closer to Ava and eyes searching her face—for what, she doesn’t know. The drowsiness from before slipping away at the opportunity for a conversation that doesn’t revolve around something silly or avoidant. 

“In simple terms it means ‘yearning’, but poetically it can mean visiting old memories, especially those that bring you comfort.” Ava stops to contemplate her next words, hand coming to rest on top of Beatrice’s upturned one, “Memories can be a home, for example.”

“You.”

That causes Ava to stop running her fingers along her palm, tilting her head, “Me?”

“When you’re not beside me I feel homesick.”

Oh.” The acknowledgment barely above a whisper. 

“I’ve never felt this way before,” Beatrice ventures, entangling their fingers and squeezing to punctuate her words with a confidence she’s not quite sure that she feels, “I hope it’s okay, that I told you.”

There’s a struggle while Ava tries to catch her breath, voice uneven, “Yeah—yes. I’m happy you told me. I also feel that way, or I think I do. I’m—” Ava hesitates, clearly thinking about what to say next or to not say at all. 

Internally Beatrice waits with bated breath, now familiar with the way Ava always withdraws whenever the subject strays too far into the future. “I don’t want to hurt your feelings, I'm just struggling to put my thoughts into words at the moment.”

“You don’t have to if you don’t want to.” She wants to heave out a sigh. To make some or even just any kind of physical manifestation to release the way she’s feeling inside at Ava’s lack of understanding or Ava’s repeated evasion of her feelings. Their feelings.

“No! I want to,” Ava is quick to reply, “Just give me a second.”

“Take your time.”

 “I—” Ava huffs out uncharacteristically, at a loss for words. Beatrice can see that this, this moment, this vocalisation of her thoughts, is probably a lot more difficult for Ava than she first thought. Ava nods, more to herself than anything else, preparing herself for what she’s about to say. “I don’t remember ever wanting this,” she motions between them with her free hand, “Wanting this kind of relationship. No. That’s not right. I’ve never even contemplated this. But then you happened. And seeing you now, sitting here with you, every day that passes with you by my side, it makes me want to—that after all these years it makes me want to dream of something more. More than what I have always known. More than what I’ve ever dared to hope for.”

“Just dream?” she asks hesitantly.

“No. Not just dream. Think,” Ava stammers out,” I think of you, Beatrice. I think of a future with you.”

“I—”

The sound of the gates opening outside alert them.

“Was that the—” Ava cocks her head, listening closely. 

The crunching sound of gravel travels up to them as a car speeds up the driveway.

The words that she was about to say die at the tip of her tongue as a pounding sound from downstairs reverberates up into the quiet of their room. Someone is hammering at the entry door. 

Both of them flinch at the harsh sound, eyes wide, minds racing at what would warrant such a distressing noise. It’s not lost on them how forbidding a disturbance like this is in the middle of the night.

She’s up and moving before Ava tries to stop her. Turning back to Ava before reaching the closed bedroom door, “Where are our phones?”    

“Yours is downstairs I think. Mine is dead,” Ava replies, the rise and fall of her chest quickening with each second that passes. Ava’s pupils dilated in fear. The pounding starts again. “How could anyone have gotten through the gates? No one else has the code other than the—” she swallows, throwing the blanket to the side before standing and getting up to join Beatrice. 

“I’m going down. Stay here.” Beatrice is pulling open the bedroom door now, exiting into the hallway and leaving the door ajar behind her.

“No. Beatrice, I don’t want you to go alone. Bea—”

The pounding continues. 

Whoever is behind the front door is insistent. Beatrice quickly creeps down the stairs, wooden treads creaking beneath her feet. The familiar sound of an idling car engine in the driveway stills her nerves long enough to give her fortitude to reach out a hand to the door, intending to face whoever it is on the other side.

“Beatrice! Do not open the door!” Ava yells from the top of the stairs, agitation and fear evident in her voice. 

Beatrice!” 

She knows that voice. Can recognise the commanding tone. Has been at the end of it several times. It’s Emilia. But she’s calling out for her, not Ava. 

Beatrice!

On autopilot now, Beatrice’s hand reaches for the lock, undoing the bolt. It sends Ava into an immediate state of panic, feet thundering down the steps towards her. Beatrice swings her body back towards Ava, hoping to calm her, “It’s Emilia. It’s—”

The door abruptly opens without any action on Beatrice’s part and slams closed just as quickly.

Ava stops halfway down the steps relieved, but only for a moment. In the matter of a few seconds, her face traverses through several emotions, vast and fully discernable, culminating at an all encompassing terror.

“You were photographed together.” Emilia’s words land in the room. 

Beatrice feels her breath whoosh out of her, watches Ava mirror the same action, her body understands and reacts before her mind has even caught up. 

Emilia’s tone is careful, an attempt at calm, a calm she clearly does not feel as she looks at Ava, face hard-lined but also showing visible signs of unease. 

Something settles in the pit of Beatrice’s stomach and all at once she feels sick, the panic lancing through her like a speeding train on a collision course. There’s a cold sweat racing its way up her neck and through her chest. She wants to throw up. No. She needs to throw up.

“It’s unclear whether they have pictures that show Ava’s face, but from what Suzanne has sent through, it’s clear that it is you, Beatrice. On the boat. Kissing someone. They must have had lenses. They’re going to publish whether Suzanne reaches out or not. It’s probably already out.”

No one dares breathe in the silence that follows, stretching to concerning levels. 

Ava stands stock still on the stairs, her muscles locked into place. 

And if Beatrice is finding it difficult to breathe through her emotions then Ava can barely draw a breath. 

Suddenly, Ava jerks into motion. She’s on the move. Racing back up the stairs without sparing them another glance. 

Beatrice’s instinct is to follow. Ava needs her. In this moment, Ava’s needs must come first so she must swallow whatever panic induced vomit is clawing up her innards and fight her instinct to withdraw into herself and be by Ava’s side. 

As she starts to move, placing a shaky hand onto the banister, Emilia grabs at her wrist, stilling her ascent, “I need you to be sensible.”

Why does everyone always ask that of her? As if she needs to be the one who constantly puts sense into everything she does. She can be unreasonable. She doesn’t need to constantly please the world. Breaking little pieces, giving too much of herself away. She doesn’t have to be sensible. Sensible is staying down here and taking charge of the situation. What Beatrice wants is to be upstairs with her girlfriend. A girlfriend who is probably having a nervous breakdown.

“Beatrice, you need to be sensible,” Emilia reiterates, the hand around her wrist clenching tighter. “Stay here for now. If you go up right now Ava will lash out. She can find it hard to control her emotions during heightened moments. She might say something to you that she doesn’t mean.” It comes from a place of care and from Emilia’s own experiences Beatrice knows, but Ava actively trying to hurt her, it has not been a part of their relationship nor can she ever see Ava doing that to her.

“You said the pictures were of me? On the boat? What about—”

“You’re blocking Ava in the pictures you’re together. They’re obviously aware that someone else was there with you. It’s clear you’re kissing someone but they don’t want to point any fingers without proof. It seems Ava was able to stay out of sight for the most part.”

“Emilia. Please let go of my arm,” Beatrice articulates every syllable clearly, “I’m going to go be with Ava. I presume Suzanne is also on her way?”

Emilia nods before releasing her. “Do you need to see the photos?”

“No.”

As she slowly walks up the stairs, a retreat of her descent from only a few minutes ago yet it now feels like a lifetime ago. She dreads what she might find when she reaches Ava. Her mind, a non-stop barrage of questions. Do they know it’s Ava? Could they figure it out given enough time? Are they wasting time already by not addressing it? Suzanne must be on top of it if she’s on her way. Maybe they can salvage this. Then, the questions turn towards her culpability. Was it her fault? Did she cause this? She desperately wanted this vacation with Ava. She was the one that pressured Ava to agree to this, a holiday in daylight, when all Ava wanted to do was hunker down in one of their apartments. 

The sight that greets her when she arrives at the doorway is of Ava hastily pulling stuff out of their bags, rifling through them in search of something. Her movements jerky and a tremble visible in her hands. Her short hair is disheveled and sticking out at odd angles, Ava running panicked fingers through it in repeated attempts to tame it even as she squats to rummage through the bedside drawer. 

Ava is completely quiet apart from the sounds of her movements as she continues to search for whatever it is that she is looking for.

She shouldn’t have brought them here. 

She had ignored the possible consequences in favour of her own selfish wants and now it was time to face the music.

The bedside drawer slams closed startling Beatrice back to the scene in front of her. Ava sits on the edge of the bed, hands still trembling without pause as she holds the phone’s charging cord to her phone, unable to fit it in place. Beatrice steps into the room, legs maneuvering her forward, her body deciding for her. Beatrice’s hands enclose Ava’s as she lowers herself down onto the floor in front of her, holding Ava’s hands steady as she helps Ava plug in the phone. 

They sit there in silence, staring at the dark screen of the dead phone. 

Silence reigns as Ava continues to stare, eyes fixated on the screen as the phone boots up, its bright logo casting sharp angles on her features, illuminating the lines of worry and fear, and the hugeness of her eyes. It doesn’t take long for the phone to start loading its apps but it feels like an eternity as Ava chews her thumb in anticipation, the skin coming back raw and wet as her attention returns to the device. Her fingers flitting about quickly, Ava taps and scrolls, eyes darting back and forth reading through what Beatrice assumes is multiple news outlets and social media apps. Ava’s face falling deeper and deeper into a state of hopelessness. 

“They know,” Ava says quietly.

Beatrice shakes her head helplessly from where she sits, hands running up and down Ava’s bare legs soothingly, “No. Ava. They don’t know.”

“How—how could you say that, Beatrice?” Ava responds, voice breaking as she raises her head to peer at Beatrice, “Anyone with eyes can put it together.”

Without waiting for a response, Ava breaks their eye contact, dropping her head down to continue looking at her phone.

“Would that be so bad?” At that, Ava immediately lifts her gaze, looking back at her incredulously. She can start to make out the pool of tears beginning to emerge from the corners of Ava’s eyes. “Maybe now that it’s out there we can just, I don’t know… stop hiding? I know that this isn’t the way we wanted to handle things, but at least now we can actually—”

“No,” Ava blurts out.

“No?”

“I can’t.”

“You can’t?”

“You know I can’t.”

“No…,” Beatrice begins uneasily, “I don’t know that you can’t.” Her eyes beseeching, and searching Ava’s for a sign. “Ava, what do you mean you can’t?”

“I can’t. Not now. Not right now. Not like this. I’m not prepared. This is all happening too soon,” the words tumble out of Ava’s mouth in a gasp, “I haven’t even fully thought about the repercussions or the damage it will cause my career. The amount of scrutiny I’ll be under.”

A pit of something begins to burrow its way into Beatrice’s stomach. Something hard and thorny. “But you must have known that this was a possibility, that you considered it at times? That there was a chance we could be found out? Spotted? We’ve been careful, but Ava, that never meant that this… hiding, hiding us , could continue forever. Sooner or later we would have needed to make a decision. I’ve—I've allowed this to go on thinking once our lives were calmer, once you had finished your tour, that you would eventually think of us and think seriously about us, how we would fit into your career.”

Ava’s face is hard. The set of her lips, a grim line. “This is not an easy decision. You can’t ask me to make a decision that will irreparably affect my career like this. You can’t back me into a corner and demand a decision.”

“No one is backing you into a corner.”

You’re pushing me into it. You’re doing it right now.”

“Ava…that’s not—” she wants to laugh maniacally because this is absurd. How is this moment happening? The two of them not understanding each other isn’t new, but this—they don’t seem to be on the same page, they’re not even in-tune with one another. “I’m not pushing you into a corner Ava, you have done that yourself.”

I’ve been careful. I just wanted us to—”

“You hid me. You continue to hide me. That’s not being careful, that’s being hurtful.”

“I’m not trying to hurt you, Beatrice.”

“But you have . Whether you meant to or not doesn’t matter because every time you pulled your hand away, every time you walked just a few paces from me, and every time you stopped us from seeing each other you hurt me. I don’t think you have any idea what it felt like when I asked to come be with you on tour and you rejected it outright. You didn’t even discuss it. I almost wish you had just slapped me. Maybe it would have hurt less.”

Ava’s shoulders droop, head following in shame. “I’m sorry.”

“Ava. That’s not—my feelings about all that’s happened during the past months are not important right now. What is important is how we handle things going forward. I assume Emilia is here because she needs to know what you—what we want to do about this and Suzanne will soon be here for the same thing. We need to know how to proceed.”

She stands from her spot next to Ava. They need space. They both need to breathe and they both need a moment to think. 

Hand clenching hard on the balcony door handle—the indent of the handle against her hand almost a welcome relief, the bite of a physical pain to ground her—Beatrice makes the decision to open it slightly, letting the cool night breeze seep into the room. 

Ava has brought her knees up onto the bed, burrowing her head into them, shoulders shaking as she wraps her arms around her legs. 

The whine of another car engine roars up the driveway, followed shortly by the opening of the front door and Beatrice can hear the distinct tone of Suzanne’s voice as she speaks with Emilia. 

Ava must hear it as well because a wet snort escapes her nose, arms tightening further around herself. 

Beatrice cannot let Ava lose herself in her mind. She’s aware of the crevices in there, of what Ava will find if given the opportunity to linger. She takes a few hesitant steps back to her girlfriend, lowering herself in front of her again. Ava’s legs come loose under her touch, settling on each side. 

When Ava looks up her face is splotchy, the red colour spreading from her eyes, to her nose and down to her neck. Her sniffles are wet as tears continue to run in rivulets down her cheeks. Beatrice brings her hands up, wiping underneath Ava’s eyes and pinching her thumb under the runny nose. 

“I should have listened to you,” Ava starts, her voice rough from the crying, hanging her head again, “In New York. You were right.” Her breathing is laboured as she struggles to breathe around her cries. 

“New York was a long time ago, I said things I shouldn’t—”

“I don’t want to resent you, Beatrice.” Ava lifts her head to look straight into her eyes, biting hard at her lip as she does so, “I don’t want us to end up resenting each other.”

Their eyes are wildly roving back and forth. Trying to understand. Trying to communicate without words.

“What does that even mean?” Beatrice asks, hand coming up to clasp at Ava’s hand, it shakes in her grip. Her fingers work quickly to soothe the nerves in any way she can. 

“I should have respected your wishes. You knew how difficult this would be for the both of us. You warned me. And I just— I just didn’t want to hear it.” Ava laughs, but it dies as quickly as it begins, tone brittle and bordering on annoyed. Annoyed at who though? Beatrice? Herself? “I pushed you. I pushed this relationship onto you without thinking things through and now it’s too late.”

“You didn’t—I pushed just as much as you did. I wanted it too. I’m also to blame.”

“Maybe we’re just delaying the inevitable.”

“Ava, please. What are you saying?” A plaintive plea in her voice. Beatrice doesn’t even know what she’s pleading for. Pleading against. 

“I just don’t see a way in which this. Us. Doesn’t impact my career. Everything I have worked for, everything I’ve worked so hard for, has the potential to be taken from me––”

Beatrice interjects before Ava can spiral further, “But it won’t be taken from you, Ava. It’s not all or nothing. Look at me and Mary. We’re out, our label is okay with it and so are our fans. You’ll be okay. You won’t lose—”

“No. No,” Ava is furiously shaking her head in response. “No, Beatrice. You saw what they said in response to the MV. You and Mary planned this from the start. That’s…that’s not how I’ve built up my career. I have given up too much of myself to lose it all now. My team and I have come too far to lose it all. This all hangs on people wanting me, my label—the contracts—people wanting to buy my music, my image. I just can’t.”

There’s a significant uptick in Beatrice’s heart rate, as if it knows something she herself doesn’t. That hard and thorny object in her is growing exponentially now, it feels like it's ripping her asunder from the inside. The cooling sensation of blood coating her from within. “What are you doing? Why are you saying it like that, like you’re about to—”

Ava’s breaths are impossibly shallow now, “We can’t keep seeing each other. We need to stop. We can’t. I can’t continue to risk my career,” it’s alarming to witness the gasps of air that Ava’s struggling to force in, a wheeze straining her voice as she struggles to speak and breathe in at the same time, “I’ve already caused enough harm. The flying back and forth trying to keep our relationship afloat. Coming to you and postponing tour dates. The hell I’ve faced from the label. I’ve had to apologize to label heads and fans because of my actions.”

“You’re breaking up with me?” 

“I’m ending this before we grow to hate each other.”

“You’re breaking up with me.” Her words sound hollow in her ears, a strange calmness to them. It doesn’t even feel like she’s the one saying them.

Ava is looking at everything but her, as if meeting her eyes will solidify what she has just said. “I’m letting you go. Before you hate me. I can’t make you happy. I can’t give you what you want. You know it but you don’t want to acknowledge it. I don’t want to keep hurting you because of my career.” 

Beatrice breathes in, calming herself, grounding herself. She won’t. She won’t allow herself to cry. She shoves down the anger that is threatening to rise up and rear its ugly head. Anger at the way that Ava isn’t even willing to fight for this. For them. Anger at the reality of their lives and their chosen paths. Is there even a point in arguing against it? There’s truth in what Ava has said. They should have spoken about this sooner. They should have been more proactive. She shouldn’t have been so careless with herself. Shouldn’t have been so careless with them.

Beatrice’s free hand comes to her forehead, rubbing it in the hopes that it can ease the tension there. Ava’s other hand comes to grip it, pulling her away from her thoughts as well. “Beatrice, look at me,” Ava’s voice is firm, she clears her throat when their eyes meet, “I love you.”

She shakes her head and attempts to pull away, tugging hard at Ava’s grip but Ava has a solid hold on both her hands, unwilling to put any distance between them. Beatrice swallows hard, the lump in her throat growing bigger and bigger as time passes. 

Beatrice,” Ava’s voice shakes. 

“I love you,” she says finally and Ava exhales, releasing their hands.

They observe each other for a while, or at least long enough for the sting in her eyes to finally give way to tears, but when they come out they’re silent, resigned to what has just occurred. And just like hers had done before, Ava’s hands come to her face, wiping away the tears as they spill out, fingers lingering by her cheeks.

Ava lowers her head down, nose nudging close to Beatrice’s own, asking without having to say anything at all. All Beatrice needs to do is lean and they’re kissing, mouths coming together in a desperate attempt to hold on to something. She can taste the salt on Ava’s lips and can feel how warm her cheeks are from crying. She can hear the way they both struggle to breathe through the snot in their noses. It’s not pretty, it doesn’t need to be. They’re feeling too much right now. The impending confirmation once they separate is too great for them to comprehend, a goodbye neither of them are ready for.

They pull away from each other at the sound of footsteps coming up the stairs. 

Beatrice stands, putting distance between them. Pushing down a new thought, it wasn’t enough…it wasn’t enough… I wasn’t enough . As she wipes at her tears, pressing her palms firmly against her eye sockets to staunch the flow, Emilia and Suzanne come into view in the hallway. 

Ava stands too, grabbing her phone and unplugging it before going into the ensuite and closing the door behind her.

“Beatrice,” Suzanne greets from the doorway, “I apologise for showing up like this but I need to know how you would like me to navigate this.”

She offers what must be a tremulous greeting, a simple gesture of her hand in something resembling a wave. “I’m going to pack my bags and meet you downstairs.” 

Suzanne nods and turns to leave. 

Emilia does not follow. 

“Ava?” Emilia knocks at the bathroom door, but it goes unanswered. 

Emilia’s eyes watch her hesitantly as she folds the clothing she brought with her into the duffle. Gathering up the few pieces that Ava had thrown about in her search for the phone cable. There’s no hesitation when she strips off her pajama shorts, quickly replacing them with jeans, and throwing a hoodie over the sleep shirt. 

As she grabs her satchel, placing in the last bit of her things, her hands touch a small velvet box at the bottom. Beatrice hesitates, fingers curling around it, feeling the material and fighting back the buildup of tears again. She pulls the box out, not allowing herself a glance as she deposits it on top of the bed. Emilia’s eyes follow her movement, but no words are exchanged.

The sooner she can leave this room, this villa, the sooner she can start to handle the situation.

But there’s something Beatrice must do first.

“Emilia. I would like to apologise for any setbacks I’ve caused. Please know that it wasn’t my intention to derail Ava’s career with my own—” Emilia does something so unexpected that it takes several seconds to register that she has been pulled into a hug, “...issues.”

“I don’t want you to think for a second that you have been an inconvenience to Ava or myself. Please. I want to thank you. I don’t think I could express to you how at ease I have felt since you came into Ava’s life. You’ve offered her something wonderful.” Emilia’s swallowing hard, it seems like she’s searching for her next words, her voice shaking as she says, “I’ve—I haven’t seen Ava so happy, so free, so known in so long. Maybe not since—since…” Emilia clears her throat, gaze falling to the floor, gathering herself before looking at Beatrice once more, “You’ve done beautifully, Beatrice. Thank you. Truly.” 

Emilia squeezes her hard before letting go. 

“I’ll—I’ll go now.” She can tell Emilia is not a crier, but is on the verge of it. “I won’t let this damage her career. I won’t allow it.”

Emilia nods, hand coming to her shoulder, “I know. I know you won’t. Go. I’ll take care of her.”

Suzanne is waiting for her downstairs by the entryway, arms crossed, a determined look on her face. Suzanne is ready for battle. “We’ll speak in the car. Ava’s name stays here, are we understood?”

Beatrice nods, adjusting the satchel on her shoulder as Suzanne hands her phone over and grabs the duffle from her hand. With one last look up the stairwell, she reluctantly surrenders the desire to see Ava again, then turns to leave behind Suzanne.

(*)

I still remember the look on your face

Lit through the darkness at 1:58

The words that you whispered for just us to know

You told me you loved me

So why did you go away?

“Ladies and gentlemen, we have begun our descent. Please ensure your seat backs and tray tables are in their upright positions and your seatbelts are securely fastened.” 

Suzanne adjusts her seat, then begins the process of stashing away her laptop into her bag, locking the tray table back. After checking on her own seatbelt she leans towards Beatrice, tugging at the seatbelt a few times, just in case.

But the thing is, Beatrice hasn’t moved during the entire flight from Lake Como. She’s been sitting in the same position for two hours, and has been silent since they arrived at the airport.

Suzanne has been busy, barely sparing her glances as she balances speaking to their PR team, their label and the flood of news outlets out for any piece of her and the “mystery woman”. 

The PR statement on Beatrice’s behalf is as follows: 

I would like to take a moment to express my sincere appreciation for the continued love and support we receive from our fans, the public, and the media. 

At this time, I wish to clarify that I am in a relationship with someone who is not a public figure and who values their privacy. I understand that my personal life is the subject of public curiosity, and while I value that connection, I’ve chosen to keep my relationship private, out of respect for their personal life and in the interest of preserving the integrity of our relationship.

I kindly ask for respect and understanding. I remain committed to sharing our music while also maintaining a healthy boundary around my personal life.

I do recall now the smell of the rain

Fresh on the pavement, I ran off the plane

That July ninth, the beat of your heart

It jumps through your shirt

I can still feel your arms

The deluge that greets them as they descend into Heathrow is enough to delay the arrival of their plane. The runways are crowded with the number of flights eager to disembark their passengers. It’s enough confusion that they’re forced to deplane in one of the designated outside disembarkation areas. 

Heavy droplets of rain begin to seep through the light fabric of the hoodie Beatrice is wearing. She follows Suzanne’s steady presence, the only thing keeping her standing at the moment. A firm hand leading her down the steps and across the runway to their gate. 

Once they’re inside and past the automatic doors to arrivals Suzanne pulls her aside, an eagle eye looking in the direction of the waiting cameras. “I’ve called for a car. I’ll drop you off at your flat. We can discuss—”

“No. I’ll take the Tube home,” Beatrice interrupts, slinging the duffle across her shoulder and re-adjusting the satchel behind her back. “Blacked out rear windows are starting to crawl under my skin.”

Suzanne is skeptical of this decision but doesn’t press the topic further. “Keep your head down. Text me when you get home?”

Beatrice nods without sparing another glance at the cameras. Suzanne pats her back, heading to the press in order to keep them off her. 

Following the familiar signage for the Underground transfer, Beatrice pulls the hoodie over her head, evading tourists and natives alike. 

In the train carriage she faces the corner walls, sending a prayer that everyone around her is too exhausted by the morning delays to pay her any mind. There are text messages and missed calls from her bandmates which she avoids for the time being. She’s aware she needs to reply to them, to let them know what has happened, but that’s not something she can wrap her head around right now, especially as she stares at the off-white interior and memories flood back into her mind. 

If she concentrates hard enough she can almost make out Ava’s Vans between her Chucks, her hand by Ava’s side keeping her perfectly still as the train jolted forward. How Ava had stared as Beatrice pulled the beanie down to keep her hidden. To keep her safe.

“Something on my face?”

“Wha–”

“You were staring.”

Beatrice squishes her eyes shut and shakes her head, the memory triggering a sudden drop in her stomach, the intensity enough to increase her heart rate. But of course that doesn’t help, not in here, not where so much has happened. She can feel Ava’s breath on her neck before the ‘ I love you ’ was whispered into her ear, for her and only her to hear. Her mouth aches to repeat it, just like she did that night, the night that changed everything between them.

The walk home in the rain is slow, the familiarity unwelcoming with every step she takes. Something that at other times has been comforting now carries traces of melancholy. 

Ava’s steps beside her as they rush back to the flat with takeout, the underlying anticipation after choosing each other, waiting for Ava in the dead of night just to have a few days together. 

It’s endless and suffocating.

The gate swings closed behind her and the sound alone conjures Ava’s laughter as she rushes ahead, not quite knowing where to go but eager to hold Beatrice’s hand as she leads them there. 

The stairs creak, each step solidifying again and again the loss she feels.

But now I'll go

Sit on the floor wearing your clothes

All that I know is I don't know

How to be something you miss

She heads straight for the bedroom, depositing the satchel and the duffle on the floor, she can’t look around because if she does she won’t be able to breathe. Instead she busies herself with pulling the clothing out of the bags, following her system. Clean and put away. 

Out of sight, out of mind—  

Ava’s faded Totoro shirt. 

A pained whimper makes its way out of her throat at the sight of it. The grip on the shirt is tight enough to make her knuckles go white. In her rush to leave the villa she has accidentally grabbed it.

Nothing stops her from slipping it on after showering, Ava’s coconut shampoo permeating her senses.

It is both a comfort and a torment.

After drinking water, the kitchen wall supports her as she slides down onto the cold floor, phone in hand. Beatrice opens the group chat with the band, ignoring the steady stream of texts from everyone. After typing out a quick text confirming their speculation she shuts her phone and makes the mistake of looking down. The bracelet on her wrist feels like an affliction, a symbol of potential and hopelessness all at once. 

The bracelet stays on. 

She’s incapable of removing it.

The kitchen is inhospitable now, it carries memories of Ava standing next to her mother in the kitchen dutifully listening to instructions, Ava rushing out of the kitchen to avoid flour and raw batter as they made cookies, and Ava’s desperate pleas over Beatrice’s inability to understand their predicament.

I never thought we'd have a last kiss

Never imagined we'd end like this

Your name, forever the name on my lips

She stands.

She can’t do this.

She can’t agonise over every part of her that Ava has touched. 

Every part of her that Ava has taken.

She keeps her eyes down as she crosses the living room, pretends she doesn’t see Ava’s jacket hanging from the hook by the door or her shoes under the stool. 

The little penguin that still hangs on one of her trees by the piano. 

The photograph by her desk. 

The painting that hangs next to her bed. 

Beatrice pulls the sheet over her head. 

The shaking starts then as her body lets go. The need to keep up appearances in public crumble here underneath the safety of her sheets. 

When she wakes suddenly, it's to a sob wracking its way through her body. She had dreamt and re-lived it all again. The pounding at the door, Ava’s puffy eyes, the resignation. The sobs slow and turn into hiccups. Slowly Beatrice rolls out of bed and trudges through on the way to the kitchen. She needs a glass of water to fight the dehydration.

At the end of the short hallway, she’s blinking in surprise, completely taken aback. Four pairs of concerned eyes are looking back at her. Her face crumples involuntarily. They crowd close, gently shushing her and smoothing her hair back from her brows. 

So I'll watch your life in pictures like I used to watch you sleep

And I feel you forget me like I used to feel you breathe

And I'll keep up with our old friends just to ask them how you are

Hope it's nice where you are

The tour begins again. A welcome distraction apart from the fact that she sees Ava everywhere. 

Beatrice glances at the television above them as they await their flight for New York, the close caption below the anchor celebrating the success of Ava’s tour, and how she’s projected to surpass attendance records held by their predecessors. 

Ava’s on ads for Hermès as they drive through the city, a peppermint mini bag hanging off her shoulder by a gold chain. 

“Can you please turn off the radio?”, Lilith demands as they slip into the SUV after dinner.

The driver apologises as the car falls into silence, cutting off Ava’s ‘ Malamente ’. Beatrice pretends not to have heard it, but the lyrics echo in her mind. Y por delante no voy a perder ni un minuto en volver a pensarte (Moving ahead, I won’t waste another minute thinking of you). It bounces off the walls of her head like some kind of overexcited electron, unstable and unwilling to go back to a ground state of being.

Mary watches.

Camila clears her throat and makes a joke about something that happened at rehearsals.

Yasmine hands over one of her earbuds, Lorde’s album is a must listen. The production? Impeccable. ‘ Man of the Year ’ puts the lad in power ballad. 

They pretend it’s okay when it’s not.

Beatrice chuckles, it’s forced and doesn’t land well. And does what she always does, silently torture herself until she’s too exhausted to think about Ava.

And I hope the sun shines and it's a beautiful day

And something reminds you you wish you had stayed

You can plan for a change in the weather and time

But I never planned on you changing your mind

[Ava Silva TIME Person of the Year]

Their PR team posts it in their group chat. Done deal. Issue will be out in December. It’s not meant to rattle her, the team doesn’t know. They share their disappointment on the band missing out. There’s always next year . Only Suzanne replies. 

Darling

[We just heard about TIME choosing you for Person of the Year.]

[Congratulations. We couldn’t be happier for you.]

[Thank you.]

[I was happy to hear the news this morning.]

All that I know is I don't know

How to be something you miss

I never thought we’d have a last kiss

I never imagined we’d end like this

Your name, forever the name on my lips

Just like our last kiss

Chapter 19: Ese cristalito roto, yo sentí como crujía, antes de caerse al suelo ya sabía que se rompía

Notes:

Hello! I hope we have all survived the devastation I have caused.

I thoroughly enjoyed your comments, they were such a treat to read and giggle at. It means a lot that you guys took the time to read through and leave a comment. I especially love when you guys hop on Discord and just gush and rant. I don’t really know how to express how happy it makes me. I apologise if my replies were short this time around, I promise that it's because I'm trying not to spoil anything going forward. Truly, truly, thank you for sticking around this long, we’re entering the homestretch!

I’m about to inundate you guys with music. You’ll understand once you read.

Here is the playlist and mood board.

Chapter Text

(*)

Me han dicho que no hay sali'a por esta calle que voy

(They told me there’s no way out of the path I’m in)

Me han dicho que no hay sali'a, yo la tengo que encontrar

(They told me in order to find the way out I have to search for it myself)

Aunque me cueste la vida o aunque tengas que matar

(Even if it costs me my life or even if I have to kill for it)

Ava pushes. 

She pushes because it is all she has ever known. 

When she was five she pushed herself to learn the piano. 

Ava remembers the mornings when her mother harmonised as she played from the living room of their childhood home. 

A Summer bird. 

Joyful. Free. Fleeting. 

The melody followed Ava throughout the house as she skipped and slid on tile floors on the way to the kitchen. Inside, abuelo and abuela made breakfast. Tia Emilia rushed down the steps and ruffled mamá’s hair just to see how much she could get away with that day. Tia was always in a mad rush, barely stopping for a quick bite and sip of cafecito right before classes. 

Like clockwork. 

A routine known but not spoken about and dearly missed when it changed.

Her mother walked her to school that morning and she asked, no, Ava demanded to be taught how to play because Mamá, you love it, don’t you? 

And that was it. 

She sat on top of her mother’s legs every afternoon after school. Slowly learning each note and how her fingers could go up and down along the different keys and still find the repeating notes in the same order. 

Different, but still the same. 

That’s how she remembers her mother at the time as well. 

Different, but still the same. 

Some days, Ava remembers her mother bursting with energy. Running after her as they played space invader or re-enacted their favourite Disney musical moments. Other days, only abuela and tia were allowed to see her. The house was quiet those days and abuelo watched over her as she climbed the trees in the backyard looking for stick bugs, or harassing them, as tia would put it.

“Mamá, will you sit by the piano today?”

“I don’t feel well today, cariño.”

“That’s okay, I want to play for you .”

Her mother smiled and sat nearby for as long as Ava wanted. 

She remembered hoping that if she played long enough, well enough, that her mother would sing again.

When she turned seven, the house had been quiet for some time. Mamá was in the hospital. Abuelo and abuela with her. 

Tia walked her to school instead. No more rushing. 

Emilia was different, but still the same. 

Then, it was just Ava in front of the piano. Abuelo and abuela made breakfast like usual. Tia came downstairs, one step at a time, ruffling the top of her head before sitting down at the dining table. 

“Will he come by today? ” Emilia asked every morning. 

Ava could hear it in her tone. The silent anger. 

“No.”

Ava played and sang louder. Did everything she could to drown them out as they argued. 

The piano had made mamá happy. Maybe it could make her happy too. 

He deja'o un reguero de sangre por el suelo

(I have left a trail of blood on the floor)

He deja'o un reguero que me lleva al primer día

(I have left a trail the leads me to that first day)

Que te dije que te quiero pa' saber lo que decías

(When I told you I loved you just to hear what you’d say in return)

It’s just her and Emilia now. 

The routine is different, but still the same.

Ava pushes.

She has never needed anyone beside her. 

That feeling had emerged from a young age as she observed Emilia dating. The partners never stuck around long enough for Ava to learn their names. In truth, she only met two or three, and those were all in passing. Emilia never brought any home and never introduced them to their family.

Brief. Inconsequential. Unnecessary. 

Unnecessary . Emilia had said one night as they gorged their weight in patatas bravas after a particularly messy breakup. Ava was 15 at the time, braces on full display and fringe covering half her face.

“You’re going to get astigmatism.”

“Is that what you told her?”

“No, idiot. Your eyes.”

“Oh.”

“I told her I didn’t have time.”

Which was a half truth. Emilia was following in abuelo’s footsteps. Learning everything she could from his years of experience in management. And when she wasn’t taking on the family business, she was looking after Ava. And Ava didn’t always make it easy for her. At least she would soon start at the conservatory.

“But you do. I’ll be away.”

“My career is important, Ava. You’re important.”

“Is it because she was becoming important?”

“I’m scared to let her become important.”

Emilia was different after that, and maybe not still the same. 

Her focus was on work, at being the very best she could be. And then, when Ava wanted to pursue a music career, it was all about: What can Ava do? How can Ava be the very best she can be?

Ay, el querer

(Oh, to love)

Que en un momento quisiera estar loca y no querer

(For one moment to be insane and not in love)

Porque el querer causa pena

(Because loving causes sorrow)

Pena que no tiene fin

(Sorrow which knows no end)

Si el loco vive sin ella

(Someone insane can live without sorrow)

The audience cheers and Ava tunes them out. Or tries to.

Push.  

Stick to the routine. Don’t let the thoughts in your head get in the way. They’re here to see you at your very best. The very best you can be.

She can sense the dancers sit beside her as the concert continues around them. If she looks to her right, between the curtains and the stage lights, she will find Emilia. Emilia has been standing there all night, watching closely, making sure that she’s okay. 

Anticipating, probably. 

Ava will push.

She will continue to reinvent herself. 

Shred off little pieces of herself. Never anything too revealing. And drop them down like a trail for someone to find, but never her. Never the real her. Small pieces she could do. Rather than to be picked apart by others and torn to shreds. Whatever is left in the end will be hers and hers alone. 

She has been going at this for so long. 

This never-ending cycle of reinvention. To keep the public’s attention just long enough to sell herself and her image. What she allowed herself to sell. It was never like this for men. They didn’t need to constantly adapt their music, image or their public personas. But regardless, this is the fate of being a woman in this industry. The requirement is clear, she needs to stay relevant and desired.

And now? The finish line? It continues to outrun her. 

Will it ever be enough?

(*)

Por la noche, la salía del Bagdad

(At night, at the exit of Bagdad)

Pelo negro, ojo' oscuro', bonita, pero apena'

(Black hair, dark eyes, beautiful but barely)

Sentaíta, cabizbaja dando palma'

(Sitting, head down and clapping)

Mientras a su alrededor

(While all around her)

Pasaban, la miraban, la miraban sin ver na

(They passed and stared, they stared without seeing her at all)

Solita en el infierno, en el infierno está atrapá

(Alone in hell, she was trapped in hell)

Sentaíta, la' mano' la' juntaba

(Sitting, joining her hands) 

Que al compás, por bulería

(To beat of buleria{complex rhythms})

Parecía que rezaba

(She looked like she was praying)

Junta la' palma' y las separa

(Joining her hands and separating them)

Junta la' palma' y las separa

Junta la' palma' y las separa

Junta la' palma' y las separa

Junta la' palma' y las separa

Junta la' palma' y las separa

Junta la' palma' y las separa

Junta la' palma' y las separa

The tempo increases. 

Just three more songs. 

Just a month and half. 

One final push.  

Then, she can crawl home with whatever is left of her.

Sweat has been pouring out of her for the last half hour, she can feel it going down her neck, it makes her short locks stick to her cheeks. The fabric of the white sheer robe she’s wearing over the black leather outfit is damp and no longer swirling around her. Ava runs an arm across her forehead, wiping the trickles away. 

Gathering herself as the dancers stand, knee bent and arms on them, waiting.  

(*)

Ese cristalito roto, yo sentí como crujía

(That little broken crystal, I felt it as it shattered)

Antes de caerse al suelo ya sabía que se rompía

(Before it fell on the floor I knew that it would break)

The sound of glass shattering pushes the dancers towards her, circling her, catching her now that she is weak and fractured. 

Helpless prey.

But she won’t let them devour her. 

Malamente (eso es)

(Fragile)(That’s what it is)

¡Así si!

(Like that!)

Malamente

¡Tra, tra!

Mal, mu' mal, mu' mal, mu' mal, mu' mal (mira)

(Fragile, so fragile, so fragile, so fragile, so fragile) (Look)

Malamente (toma que toma)

(Fragile) (Take it, take it)

Está en la mente (eso es)

(It’s in my mind) (That’s it)

¡iIllo!

(Hey!)

Malamente

Mal, mu' mal, mu' mal, mu' mal, mu' mal

Malamente

The audience sings along with her. These songs she wrote in her early twenties. Before she understood them. Before the reality of them faced her now. Inconceivable how she could have predicted back then what it would all mean now. 

Young Ava was not naive, but did she really know what she was truly getting herself into? Following this dream? Relentlessly.

Was this what she even wanted anymore?

The cycle?

The reinvention?

Picking herself raw?

Who was she doing this for? Her mother? Herself?

What was there left to gain?

Aunque no esté bonita la noche undivé voy a salir pa la calle

(Even if I don’t look pretty I’ll go out on the streets because the night is divine)  

En la manita los aro' brillando, en mi piel los corale'

(In my hands the hoops shining, on my skin the corals)

Me protejan, me salven, me iluminen, me guarden

(They protect me, save me, enlighten me, keep me) 

Y por delante, no voy a perder ni un minuto en volver a pensarte

(Moving ahead, I won’t waste another minute thinking of you)

The dancers circle her again, but this time she faces them head on. They crawl in a circle around her and she stoops to their level in a squat, unafraid. An angry snarl on her face as she flails her arms to deter them. 

The label wants another album. The brand contracts are piling up. The press pick apart her every move.

An infinite loop. 

Different, but still the same.

(*)

Las flores de esta ciudad no huelen a na

(The flowers of this city don't smell like anything)

¿Por qué será? ¿Por qué será?

(Why is that? Why is that?)

Y toa' las chicas son tan bonitas, tan plásticas

(All the women are so pretty, so fake)

¿Por qué será? ¿Por qué será?

The arena goes silent under the weight of the song, they wait, eager to hear her haunting delivery. 

She waits too. For the sound of death. For Beatrice.

Beatrice, who is with her in every song now. Small pieces of her spread across her discography.

Lyrics that predated Beatrice’s presence. Without realising. Without intending to, Ava had written about her. About them. 

As if the universe knew and was just biding its time.  

Impending and inevitable.

Flor de sakura

(Sakura flower)

Flor de sakura

Ser una popstar nunca te dura

(Being a popstar never lasts)

Flor de sakura

Flor de sakura

No me da pena, me da ternura

(It gives me no sadness, it gives me no tenderness) 

The intensity of their relationship, which was once so beautiful, coming to an end whips her in the chest. She didn’t anticipate this. Feeling like this. Like the world had ripped out her beating heart and suspended it out of reach. 

She couldn’t have predicted what singing this song would feel like now that Beatrice was no more. 

The sides of her eyes burn. She swallows hard. 

She needs to finish. She’s almost there.

No pa siempre pues ser una estrella y brillar

(You can't be a star and shine forever)

Via reírme cuando tenga 80 y mire p'atrás

(I'm gonna laugh when I'm 80 and look back)

Nunca m'ha dao miedo la risa de un loco

(I've never been afraid of a crazy man's laughter)

Más miedo me da el que miente o el que ríe poco

(I'm more scared of a liar or someone who doesn't laugh much)

Her face contorts without her meaning to. The tears are running down her cheeks. Impossible to stop their path down. 

She has become the liar, the person who barely laughs.

Emilia must catch that something is off from her voice alone, because Ava can see her crowding closer to the stage now as she turns away from the crowd. There’s an obvious concern that has been there all night, but now it’s exaggerated and alarmed. 

Ava grits her teeth, holds the microphone with both hands.

La que sabe, sabe

(If you know, you know)

Que si estoy en esto es para romper

(That if I'm in this, then it's to break)

Y si me rompo con esto, pues me romperé

(And if I break to this, then, I'll break)

¿Y qué?

(So what)

Delirium sets in.

Mind racing through the events of her life and the last two weeks.

Loss.

Impermanence.

Decay.

And then just one…

Beatrice.

Solo hay riesgo si hay algo que perder

(There's only risk if there's something to lose)

Las llamas son bonitas porque no tienen orden

(Flames are pretty because they’re chaotic)

Y el fuego es bonito porque todo lo rompe

(And fire is pretty because it consumes everything)

The pop of the microphone reverberates across the arena as it hits the floor.

It’s in the green room that she’s able to focus again. 

She didn’t finish. 

She didn’t finish the concert. 

She was one song away.

Emilia runs her hands across her cheeks, trying to calm her, but it’s useless. 

She can’t breathe. 

Everything sounds loud around her. 

Emilia voices repeated encouragements to focus, to breathe in and out, to listen to her. 

The floor is cold and hard under her hands. She focuses on that and not on how her fingers tremble against it. Instead on how it grounds her.

“Get out!” Emilia yells when the green room door opens.

She’s gasping. 

Her chest feels like it’s going to explode.

“Bea—” She can’t get the name out without a knife slicing through her. Going deeper each time.

“You need to calm down. I think—Ava, you’re having a panic attack,” Emilia is trying to be soothing, but it’s coming out agitated, coated with fear.

“I was—” she wheezes out.

“Shhh-shhh,” Emilia pulls Ava to her chest, “It’s okay. It’s okay. It’s okay.”

Emilia sticks closely by her side all the way back to the hotel.

It’s only once she’s showered, dressed in pajamas, lying underneath the covers and willing herself to let sleep claim her, that it becomes abundantly clear what the problem is. 

The silence is deafening. 

The room is pitch black.

It’s so quiet that she can hear the rhythmic ticking of the clock across the room. The tick of the seconds hand drags a little too long every three intervals. 

Tick - Tick - Tiiick. 

The hotel needs to replace the battery. She should call the front desk about that.

It’s so quiet that she can hear the distant ding of the elevator as it’s called and arrives at her floor. 

It’s so quiet she can hear the thoughts in her head. The nonstop chant beneath it all. 

Beatrice. Beatrice. Beatrice.

Ava’s tossing the covers to the side and bounding towards the door in the next instant. Barely remembering to snag the room’s key card from the coffee table. Then, she’s tapping the card against the sensor and pushing open another door. And with a quiet ‘snick’ the door eases shut behind her.

Emilia has already turned on the bedside lamp and swept back the bedsheets for her by the time Ava makes it across the room and crawls onto the mattress. Emilia reaches her arms out to loop around her, tugging Ava close to her. 

Ava’s eyes close at the brush of Emilia’s lips against her forehead.

“Cariño, talk to me.”

Her hands fist into Emilia’s silk pajama top and she shakes her head.

“No? Don’t want to?” Emilia rubs her back soothingly for some time, humming a long forgotten melody. “Do you remember the song I used to sing to you when you were still a toddler and all you did was suck your thumb?”

Ava nods her head against Emilia’s shoulder and feels more than hears the deep breath that Emilia inhales before she bellows out, 

The ants go marching one by one

Hoorah! Hoorah!

The ants go marching one by one

Hoorah! Hoorah!

The ants go marching one by one

She’s joining in with Emilia by the time they get to the next lyrics.

The little one stops to suck his thumb,

And they all go marching down to the ground

To get out of the rain.

Boom, boom, boom, boom!

On and on they sing until they get to the ants marching ten by ten. 

A fond smile adorns Emilia’s face as she looks on as Ava gleefully shouts out the final ‘THE END’. When the song is finished, they regard each other in silence.

Emilia breaks the quiet first. “Cachetona. Please? Tell me what’s on your mind.”

The first thought that tumbles out of her mouth catches them both off guard. Not least because Ava is the one speaking about work during their personal time. “I need a break.” Emilia’s eyes widen in response but she only nods, urging Ava to continue. “I will finish the rest of the tour but after that I need to take some time off. An extended break. You need to let the label know that I can’t—I won’t do another album right now. Is that okay?”

Emilia nods quickly in response, reacting instinctively to the uncertainty in her voice. “Yes Ava, of course. I’ll handle it. Don’t worry.” When she falls quiet again, Emilia cajoles her, nudging her gently, “And?” Eyes searching hers.

Ava’s bottom lip trembles of its own accord. “Do you remember Laurel?”

Emilia is caught off guard and physically rears back in shock. “How do you—you remember Laurel?”

“Yes. She was the only one that snuck me bizcochitos when you weren’t paying attention. I liked her.”

Emilia has a far off look as she chuckles fondly at the memory. “Oh, trust me I noticed.”

“When you broke up with her, you said she was unnecessary and you were afraid to let her become important. I…I’m afraid of what Beatrice could become if I let her.”

“No—no. I don’t—don’t...” Emilia screws her eyes shut, consternation evident across her face. “I made my choice to—I made a decision with all the information I had at the time and I don’t regret it. But Ava, I made that decision because I knew what was more important to me. I don’t want you to be scared of…of Beatrice because of something I said almost 15 years ago.”

“I find myself wanting too much.” 

Aghast, Emilia is vigorously shaking her head, “That’s not—”

“In the middle of the night, when I’m exhausted and my bones actually ache from how hard the day has been, all I want in that moment is to roll over and see her next to me in bed, fast asleep and lightly snoring. And I want—I want so much to look across the table of a busy restaurant on Valentine’s Day, with all the other idiots also celebrating an over-commercialised marketing scheme, and see her sitting across from me. With no one stopping to look twice at us…but I’m scared, no, I am terrified, that I could want that to the exclusion of everything else.”

“Ava…I think Beatrice might want that too.”

Babea

From Chart-Topper to Alcoholism: Ava Silva’s Party Antics Stir Controversy Yet Again

[You promised.]

[Bea, I’m sorry.]

[I just want you to be safe. I want you to be healthy.] 

[This isn’t either of those things.]

[I know.]

[Please.]

September

“Is it okay if I remove—” the on-set stylist asks, hands hovering above Ava’s shoulders.

“No,” she replies, leaning away. Far enough away to create space between Ava and Ava the singer. She unclasps the necklace, its weight landing on top of her open palm. The heaviness as it lands is a juxtaposition to its delicate design. A simple gold chain pendant with an embossed carnation. Beatrice’s birthday gift to her. Holding no meaning to anyone but them.

The photoshoot doesn’t take long. Several outfit changes and different handbags to parade. 

It all goes according to plan. Everything as expected.

“Hi, I’m Ava Silva and we were just on set for the October issue of Who, What, Wear .”

When she sits down for an interview afterwards, the questions are all predictable. She puts on the smile, the big eyes, the soft look on her face. “My music in three words would be…eclectic…fusion…and sincere.”

Ava has always been alone. She has acquaintances, friends, people she keeps at arms length. Has never let them close enough to truly understand or damage her. Never letting them close enough to hurt her with their departure. Alice? Alice is a good friend, knows her well, well enough to know when things are bothering her or when things fascinate her. But Alice doesn’t know the ugly, scary parts. The darkest parts. She doesn’t know how neglected she can feel. How being in a room surrounded by people that know her can still make her feel like she’s completely alone. 

When she steps away from the photoshoot and heads out into the streets, Alice doesn’t follow. 

Alice knows that she needs to be alone. 

Ava doesn’t walk very far and keeps her head down. Not because she’s afraid of being seen or coming across fans, but because London hurts. 

This city has Beatrice’s fingerprints all over it. 

She keeps her eyes on the cobblestone and concrete, and heads in the direction of the cafe her phone had suggested. The beginning of a cool Autumn wind sweeps through her hair, sending the curls in every direction, it sends shivers down her neck and down her body. 

She should have worn more. She should have grabbed a jacket. Bea would have insis— no .

The door jingles as Ava steps inside, taking in the warm hole in the wall. There’s old furniture spread throughout the space, all worn, all wood, and all charming. The glow of the globes ease her instantly as she walks in deeper to order.

She sits and waits for her coffee, nibbling on a chocolate chip cookie and taking in her surroundings. Framed art is hung at random along the walls, plant pots littering any open surface and the ceiling above her vast and with its intricate Victorian tiles. There’s the recognisable crackle of a vinyl being played, but the music is soft and barely audible, only there for mood and nothing else. 

She can see the apparition sitting opposite her, leaning over excitedly to talk about the artwork they’ve selected and the overall ambience of the cafe. No . She screws her eyes at the betrayal of her thoughts. Shaking it out of her head. 

Ava pulls out her journal and writes. Busies herself. Doesn’t let her mind linger on anything for too long. 

Como una perla que volvió al fondo del mar. Si te perdiera se que te volvería a encontrar. 

(Like a pearl that fell to the bottom of the sea. If I lost you I know that I will find you again.)

“Ava?” A voice calls out to her as she lowers the mug from her lips. Broad shoulders and blond hair. Michael. It shouldn’t be such a surprise, he lives here after all. “What are you doing here?” he asks, stepping away from the counter and towards her as the barista begins his order.

Damn it.

All Ava wants is to be alone.

She can hear the distinct cadence of Carrie Bradshaw in her mind, “ If you smile, even if you’re feeling bad, the action of the muscles will trick your brain into thinking you’re happy.

Ava smiles, does a little awkward wave to seal the deal. “Michael, how are you?”

He sits across from her, takes her in. The action causes her to shift uncomfortably and close the journal in front of her. “Good. I hear you’re a free woman.”

Ava blinks and struggles to breathe like a fish caught out of water. “What do you—”

Michael’s brows draw down in confusion, “With the tour being over I mean, you’re free.”

“Oh!” She exhales, a nervous little laugh escaping her. “Yes, all finished. Happy for some time off.”

“I also heard you’re taking a break.” As Ava nods, Michael continues, “Sorry. Word travels fast, especially with the year you’ve had. A lot of producers were looking forward to working with you. I, amongst them of course.”

“Of course.” She plasters what she hopes is a reasonable semblance of a grin across her face.

They continue talking about what they’ve been up to. Michael is amused by the amount of sugar that goes into her second coffee, even as he drinks his black and scorching hot. Disgusting. With zero regard for its taste or texture. Just a means. She doesn’t allow the thought to transform into something else.

Michael’s finger circles the lip of his mug, contemplating something. “Ava, are you seeing anyone right now?”

His eyes widen in response to her sharp inhale. The truth of her answer burns at her lips. To speak it into existence to someone other than Emilia and Alice is to acknowledge the reality of it all. 

Instead, she shakes her head in reply. Something seems to brighten in Michael in response. A direct contradiction to how she’s feeling.

“Will you be in London long?” Michael asks, hands now tapping on the table. It’s rhythmic and distracting. 

“No. I’m only here for brand obligations. I don’t think I’ll be coming to London for a while.”

He leans back into his chair, “That’s a shame. I was hoping to ask you to dinner.”

Ava has to do a double take. “Sorry?”

“Since we’re not working together I thought maybe I would finally ask.”

“I see.” She leans back too, eyes on the mugs between them. Somewhere safe. Beatrice’s pout flashes in her mind and stays. Cute and over exaggerated, along with all the trembles. It shoots up her heart rate and her throat aches in response. 

Michael clears his throat, possibly trying to get her to focus. His eyes are searching hers, “Would you like to? Go to dinner with me?”

Her hand comes to the back of her neck, rubbing, smoothing the skin there. “I don’t—it’s not that I—I don’t think—”

“You don’t have to say yes, Ava. I just thought I’d ask.”

The weight is back. The necklace. Ava clutches it. It doesn’t alleviate the pain that surges through her. “I’m not sure,” she smiles but it wavers, it doesn’t sit on her as it usually would. “Maybe?” It lacks enthusiasm, Michael can tell. “Yes.” 

 “I think I just witnessed an important decision being made,” Michael laughs nervously, an attempt to clear the awkward energy that has descended upon them. “Are you free tonight?”

“Tonight?” 

“I know how busy your schedule must be but I thought I’d check.”

“I’m free.”

What the fuck did she just do? 

What did she just agree to? 

Is that really what she wants? 

Michael walks her back to the shoot. He offers his jacket when he notices her shiver. He waits outside the building as she makes her way upstairs. 

He’s cautious and courteous. 

They agreed to meet later for dinner. 

“There you are,” Alice says, bags already on her shoulders, phone in hand, waiting at the top of the stairs. “We’re all done here if you want to head back to the hotel and get room service. I thought we could watch something stupid like Toddlers & Tiaras or we can—what is this?” Alice’s hand reaches for Michael’s jacket, “Did you steal this from someone? Ava, we’ve been over this, you can’t just take people’s clothing when they’re not looking. The press is going to start calling you Winona Ryder.”

“It’s Michael’s.”

Alice’s moves are emphatic as she crosses her arms and leans all her weight on one foot. “Michael? Michael with the hair swoop that makes him look like a blond Superman? That Michael?”

“Yes. My producer Michael.”

 Alice is quiet. There’s a dip at her cheek, like she’s biting down from inside. “What are you doing?”

“I ran into him at the coffee shop. We talked. He—”

“What the fuck are you doing, Ava?” Alice says, turning away, exasperated. She swings back again just as quickly, “What did you do?”

“I’m not doing any—”

“Yes! You are!”

Ava takes a moment to look at their surroundings. The hallway is clear, everyone is still inside going over the shots and planning out the remainder of the shoot. “I’m not doing this here, Alice.”

“There’s a car waiting for us. We can speak there.”

The partitions come up the moment they board. Alice’s body next to her is rigid and hostile. Her expressions are shuttered and closed. She’s quiet beside Ava. Waiting. 

Ava knows that she must begin the conversation. That she needs to have this conversation. 

“My heart leaps at my throat whenever there’s a text message,” Ava begins, lips pressing together involuntarily, “I keep thinking it’s her. I keep hoping it’s her.” 

“And is it her?”

“No.”

Alice grips at her hand, the one she’s using to pick at her cuticles. “Michael? Really? You want to jump into another relationship just like that? I know that you’re rash, but even you have to agree that this is a lot.”

“You know I’m not sleeping. That I’m barely keeping it together,” she explains. Alice knows this. She shouldn’t have to say it but she does nonetheless. “Alice, I don’t want to feel this way. It’s torture. All I want is to see her, hear her, be by her side. Anything.”

“Nothing is stopping you from that. You know that, don’t you?” Alice takes her silence as an answer while looking at everything but Ava. “How will this help? What makes you think that Michael or anyone will help?”

“It’s just dinner. It’s nothing serious. I just want to know—” Ava stops the contemplation before it’s out into the universe, “No, I just want to think about something else.”

Alice sighs. Runs her fingers along her forehead. “I don’t think this is a good idea, Ava. Sometimes—sometimes in life, there’s a person who you only ever get one chance at. Do you understand?”

Ava nods. 

It’s not a good idea at all. 

It’s actually such a bad idea that Ava regrets it the moment she steps out of the restaurant with Michael. The flashes from the waiting cameras flood her vision, sending her heart rate into the stratosphere. Of course. Because what else could have possibly happened? Ava is not invisible, not by a long shot. She doesn’t run like her body wants her to. Like a wounded animal, desperate for safety. Instead, she goes completely still and makes direct eye contact with the photographers, uncontrollable anger shooting through her as they continue to take pictures of them.

Michael gets a hold of her elbow and she recoils away, it doesn't go unnoticed by him as he opens the car door for her and they slip inside.

Beatrice.

In the town car, Michael makes attempts to grab her attention. Mentions how sorry he is for what has happened. How he hadn’t considered the possibility. Ava nods. Agrees placatingly in order to calm him, he’s just as panicked as she is after all. Just panicked for different reasons. His world is different, he can go about his day unnoticed. But not her. For him, it’s only dinner, but for her it won’t be. The moment the photos are published this will be everything but dinner between them.  

In the eyes of the world, she’ll be promiscuous. They’ll rant about how the tour was only keeping her attention for the moment. How it isn’t surprising that she’s returned to the drinking and the men.

Beatrice.

Ava waves goodnight to Michael. Michael, who apologises again after saying he’ll be in touch, but she doesn’t have the time to look after his feelings. Not right now. Not when the only feelings that matter are that of the woman she’s in love with. 

She’s out of the car and rushing into the elevator within seconds. Once inside the hotel room she digs through her purse for her phone.

There’s a wall between her and the world. There always has been, but right now the walls need to come down again.

Beatrice.

It rings twice.

“Hello? Ava, is everything okay?” The mere sound of Beatrice’s voice makes her chest burst with happiness. 

It’s bittersweet and doesn’t last.

The yearning that springs forth is so palpable that she needs to grip the arm of the chair next to her. The fabric constricts under her fingers as she takes in Beatrice’s immediate question. How Beatrice’s instincts are always to look after her. 

Even after everything.

Ava’s face muscles feel tight. The small smile upon hearing Beatrice is difficult to sustain in the face of what she’s calling about. “Hi,” she greets.

Beatrice chuckles when it appears like everything is okay. “Give me a second? Camila is being a pest.” A door opens and shuts. “ Hi.

It’s all too much. Hearing Beatrice for the first time in two months. She didn’t anticipate this. Having to call Beatrice to tell her something that will hurt her. It’s not something she should do over the phone; she would never do it like this, but Beatrice isn’t here. Beatrice will find out from the press if she doesn’t do it herself. If she’s not honest. Beatrice deserves to hear this from her.

“Is something wrong?” Beatrice asks when the silence stretches too long.

Ava sits on the floor, crossing her legs underneath her. She takes a deep breath, preparing herself for what she’s about to do. What she’s about to say to Beatrice, someone who loves her and shouldn’t be hearing this at all. “I need to tell you something. I wanted you to hear it from me.”

“Have you been drinking again? I know I give you a hard time about it, but I do it because I care.”

“No. I haven’t been. I promised I wouldn’t and I have been keeping my word.”

“Okay. Tell me then,” Beatrice says, voice steady, listening.

“I went to dinner with—with Michael. We were photographed on the way out. I didn’t want you to see it from them. I didn’t want you to come across it like that—without me telling you.”

“Oh,” Beatrice’s voice drops, losing the confidence from before. A pause before, “Is this like the JC thing? When you did it to get my attention?”

“No.”

“I see.” Beatrice is quiet apart from the uptick in her breathing. When she speaks again her voice is shaky, “Are you going to keep seeing him?”

“I haven’t given it much thought honestly.” It’s the truth. She hasn’t. The only person she thinks about is on the other side of the world getting her heart broken again. And it’s Ava’s fault. Always her fault. “Maybe.”

“Right. Well, okay.” The disbelief in Beatrice’s reply is mirrored in her own mind. “Thank you for telling me. I shou—I should go.” 

“Bea, no, talk to me.”

“I don’t want to talk right now.”

“Please? Can you just tell me how you feel? It’s okay. I’m listening.”

It takes several seconds, almost as if the line has gone dead, but then the words rush out of Beatrice, “Did we not mean anything to you? Did I not mean anything to you?”

“What?” Ava pinches at her arm, she focuses on the pain. If it hurts enough then she doesn’t have to feel the shame that is threatening to swallow her whole.

“You’re already dating someone—”

“I’m not dating Michael,” she interrupts, she won’t allow Beatrice to vocalise what isn’t true.

“You had dinner!” Beatrice bites back. “How could you—”

“One. I had one dinner with him. I was here in London for a—”

“I don’t need to know. I don’t want to know.”

The mark on her arm is the red from where her fingers enclosed around the skin. The blood vessels underneath are now damaged and distressed. “He doesn’t mean anything to me, Beatrice. He couldn’t possibly. You know this.”

“Of course. Sure. I understand.”

“Don’t do that.”

“Don’t do what, Ava? Pretend? Pretend like you’re not hurting me? Should I thank you for telling me? Or what? Congratulate you for being able to move on so quickly?”

“Beatrice, that’s not what’s happening here.”

Beatrice scoffs, “Like a light switch, huh?”

“Beatrice.”

“I’m sure this is easier isn’t it? Him.”

“Beatrice.”

“I’m not surprised.”

“What’s that supposed to mean?”

“Whatever you want it to mean, Ava.” After a few tense seconds, Beatrice exhales a long exhale through her nose, the sound catches at the microphone, distorting everything. 

When Beatrice speaks again it all comes out at once, as if the words have been thought through several times and at length, “You know what? Spare me. If anything else happens, do not call me. I don’t need to be kept up to date with what you do or who you see. Leave me alone to deal with the predicament you’ve caused. After all, I’m the one that gets a barrage of questions about the mystery girl I’m dating while I am very much single right?”

The line goes dead after that. 

She tries to call again. 

Beatrice does not answer.

October

(*)

I’ve become the petals of cherry blossoms, falling softly, sorrowfully to the ground

The stain is the moon that's fulfilled, and the purging at night begins

Beatrice’s kicks land on the heavy bag, one after the other. Pivoting just enough that force is able to bounce the bag back after each hit. There’s sweat running down her face, the newly short hair impossible to contain in a bun. 

One.

Two.

Kick.

Elbow.

I wonder, do you remember?

The mat underneath her feet feels damp as she takes a step back, grabbing the nearby water bottle and taking a few sips. There's only one other person in the gym and he’s on the other side lazily pedaling while watching something on his iPad. He remained after everyone else had been scared away by her rather aggressive workout and music selection.

The colour of faint, night begins and people swarm

The colour of pomegranate, pricked by thorns, it disappears

Jab.

Jab.

Lead elbow.

Rear elbow.

She’s in the middle of several hooks to the bag when Lilith walks in. She knows it’s Lilith because the music is unceremoniously shut off and an angry scowl is thrown in her direction. 

“Can I help you?” she asks, tone on the cusp of very annoyed.

“We’re going out, I was sent to grab you.”

“No, thank you.”

“It wasn’t a suggestion. Go shower. You reek.” 

It’s nightfall by the time they take the train from Ginza and wind up somewhere in Shibuya. 

They’re on the hunt for karaoke and it’s a task proving easier said than done in this endlessly sprawling city. Where directions can literally range from ‘on the third floor of that building with the Hello Kitty ad, no not that one, the other one next to the Gundam statue’ or ‘don’t miss that sign that leads down, maneuver through an entirely different city underground, and then come back up into another prefecture’.

Yasmine spots it first, the sign for their karaoke booking, a hysterical laugh escaping her. They’ve been circling the same street for close to thirty minutes now and patience was starting to wear thin. Yasmine grips Camila’s arm, who grabs Beatrice, who tugs on Mary, but not Lilith who chooses to follow behind while bulldozing into every single person on the street. 

After several flights of stairs, they finally reach the establishment. The neon lighting and tacky 80’s aesthetic is the first thing that greets them. Then, a cacophony of noise, hyperpop emanating from closed doors along with terribly sung power ballads and drunken laughter.

As they make their way through the cramped hallway, they pass several closed doors, each pulsating with chatter and song. They follow along obediently behind the host as he leads them all to their private room while going over the establishment rules and how to order from the menu once inside.

(*)

“あなたはどこにいるんだろう,” a drunken male voice from one of the room croons out. It’s a melody Beatrice recognises immediately. “誰を思ってるんだろう…” 

Don’t think about Ava.

Camila turns, giggling. “You are always gonna be my love!”

Don’t.

The voice continues undeterred and brimming with a confidence it should definitely not have, pitch all over the place, “いつか誰かとまた恋に落ちても!!!!!!”

Yasmine joins. “I'll remember to love, you taught me how!”

“You are always gonna be the one!” Camila and Yasmine belt out in unison pulling each other into a side hug.

Fuck.

Camila spins around as the song begins, microphone to her lips, pointer finger in the direction of Beatrice, “I wanna talk to you!” 

“Oh God. Here we go,” Mary says, sitting back on the suspiciously clean faux leather couch. 

When Beatrice doesn’t match her antics, Camila stops the song and forces it to restart. “Listen here pigeon ankles, WE are going to engage with one another. Now, be the Grace Kelly to my Humphrey before I do something you’ll regret!”

(*)

“I wanna talk to you!!!!” Camila repeats, eyes intense and boring into Beatrice’s.

Beatrice clicks her tongue but reaches for one of the other four microphones, “The last time we talked, Mr. Smith, you reduced me to tears. I promise you it won't happen again.”

As Beatrice and Camila keep singing along with Mika, Yasmine is busy queuing music while Mary is nine pages deep in the drink/food tablet menu. She doesn’t even have to ask them what they want, already so in tune with all their likes and dislikes that it has just become second nature. Mary passes the tablet along to get their confirmation and then their first of many orders is sent off to the kitchen.

I tried to be like Grace Kelly 

Mmmmmmmh

But all her looks were too sad 

Aaaaaaaaaah

So I tried a little Freddie 

Mmmmmmmh

I've gone identity maaaaaaaaaaaaaaaaaaaaad!

By now, Yasmine has grabbed a microphone as well and is standing right next to Camila, the two of them crowded in front of the large television screen, lyrics and music video forgotten and largely unnecessary. They’re both trying really hard to get the ball rolling but Lilith, typical Lilith, is pretending that she’s above it all. 

When two pairs of eager eyes meet hers, she’s basically done for. Camila shimmies her way to Beatrice on the couch, extending out her hand, she exhales once before taking it.

I could be brown, I could be blue, I could be violet sky

I could be hurtful, I could be purple, I could be anything you like

Gotta be green, gotta be mean, gotta be everything more

Why don't you like me, why don't you like me?

Walk out the door!

“Getting angry doesn’t solve anything…”

Their initial order of food and drinks have been delivered and they’ve done a few rounds of ‘no, it’s your turn’, ‘let me eat!’, ‘no, not that one, that’s not the version of the song I want’, all while cramming noodles, gyoza, takoyaki and chicken karaage down their throats like ravenous wildlife, and washing it down with their alcoholic drinks of choice.

“I really don’t understand why I need to partake in this,” Lilith says severely as Camila thrusts the remaining microphone into her hand.

Lilith takes a sharp inhale, face solemn,

(*)

I came in like a wreeeeeeecking baaaaaaaaaaaall!!!!!!!

I never hit so haaaaaaaaaaaaard in loooooove!!!!!!!!

All I wanted was to breaaaaaaaak your waaaaaaaaaaaalls!!!!!!!!!!!!!!

All you ever did waaaaaaaas 

Wreeeeeeeeeeeck me!!!!!!!!!!

Yeah, you, you wreeeeeeeeck me!!!!!!!!!!

“Look at her, she’s such a light weight,” Mary snorts out some of her scotch, a twinkle of mischief in her eyes as she points at Lilith, “Like an overfed lion, belly full and too content to pounce, completely harmless.”

Lilith catches the end of the insult, nostril flaring. Everyone runs for cover as she starts to swing the microphone around like a sledgehammer. 

(*)

“You triflin', good-for-nothing type of brother.” Yasmine is holding a microphone up to Mary’s mouth, her other hand snapping with attitude as Mary continues the diss, “Silly me, why haven't I found another? A baller, when times get hard I need someone to help me out. Instead of a scrub like you, who don't know what a man's about.”

Can you pay my bills?

NO!

Can you pay my telephone bills?

NO!

Do you pay my automo' bills?

NO!

If you did then maybe we could chill

I. Don't. Think. You. Do.

Soooooooooooooooooooooooooooooooooooooooooooo 

You. And. Me. Are. Through.

Yasmine makes the mistake of shoving Lilith. “Don’t look so smug Lilith. What about Adriel?” 

They all laugh. 

“SHUT UP!” Lilith taps her foot impatiently. “Why am I the one catching all the strays? What about Camila? What’s his name? The lighting rig guy?”

“Todd?” Camila supplies, then winks when Lilith grimaces.

“Yeah, him! We should sing ‘No Scrubs’ next.”

As Camila and Lilith begin an angry exchange, Beatrice, Mary and Yasmine back away slowly in the direction of their drinks, lest they trigger them further.

“HEY! Todd’s a nice guy!”

“He’s a scrub!”

“You’re a scrub!”

“No, you are!”

“I know you are but what am I!?”

“A SCRUB!”

“Wait! No, that’s not what I meant. Lilith!”

“Scrub!”

(*)

Three drinks in and she is definitely starting to feel its effects. The scattered light of the disco ball causes Beatrice’s mind to spin and twirl.

“I forgot this music video starts out with so much drama,” Mary says, fully invested in the music video playing out on the television.

Yasmine pushes her curly locks to the side and faces the corner, voice a deep and smooth contralto,

Don't leave me in all this pain

Don't leave me out in the rain

Come back and bring back my smile

Come and take these tears away

I need your arms to hold me now

The nights are so unkind

Bring back those nights when I held you beside me

“Who told Tyson Beckford that he could be so delicious!” 

“Camila!” They all groan out.

“What!? He had no right! No one should look that good doing ‘tai chi’, it’s distracting! Look at him!”

Un-break my heart

Say you'll love me again

Undo this hurt you caused

When you walked out the door

And walked out of my life

Un-cry these tears

I cried so many nights

Un-break my heart

My heart

Mary cackles. “GIRL! Get up from the shower floor!”

“If Tyson Beckford broke up with you, you’d be sobbing on the floor of your shower too.”

Wha—even she’s not drunk enough yet to have missed that.  

“Camila, he died in the beginning of the music video!” Beatrice corrects, nearly choking on her drink. She screws up her face, blegh , the tequila sunrise doesn’t taste very good when hitting the back of her throat. 

“Oh. Well, if Tyson Beckford died in a motorcycle accident, you’d be sobbing on the floor of your shower.”

Yasmine is definitely drunk now. She’s been giddily pointing at and laughing at something on the ceiling for a few minutes now. If Beatrice was sober, she’d probably be a little afraid. 

Oh right. She and Camila are dueting.

Camila leans backwards and Beatrice mimics her, backs meeting, microphones held above their mouths,

(*)

Ummmmmmmmm…

Boo hoo hoo, you’re just a silly boy

Go back to mommy and your Fisher Price toys

Get on up out of my lane baby

Drivin’ too fast for me to save ya

And then they’re both bouncing in place in a mad rush to get through the rap, but it ends up sounding like a mess of words as they scramble to keep up.

ATL Mommy but I speed it like a New Yorker

Skinny minny but my money, eat you like a porker

Step down, cuz I’m winnin’, my money is killin’

No, no, no no, silly boys can’t tame me

Benny’s the only one who’s ever gonna claim me

Uh, uh, uh, uh, I’m in love with the price tag

Gimmie your number – Imma give that shit right back

They both put one hand on their waist and do the subtlest repetition of twerk. Standing up and trying not to tip over is now taking actual effort.

Fxxk Boyz Get Money 

Wow

Fxxk Boyz Get Money 

Wow

Fxxk Boyz Get Money 

Wow

Money, Money, Money, Money

“Camila, do NOT get on the floor!” Lilith yells mid-crouch, making a grab for Camila but falls on the floor instead. “EW FUCK, it’s sticky.”

Fxxk Fxxk Fxxk-Fxxk Fxxk Fxxk Fxxk Fxxk Fxxk-Fxxk-Fxxk Fxxk Fxxk-Fxxk-Fxxk

Oh, woooooooooah

Oh, woooooooooah

Oh, woooooooooah

“HELL NO! I’m not drunk enough for that shit!” Mary shouts, skipping the song.

The room has been divided into everyone vs. Lilith. 

Lilith has a drink in hand and a smug look on her face as the verse is directed at her. Or at least, it’s definitely Lilith’s attempt at a smug look. In reality, her features are starting to become a little fuzzy and she looks a little loopy.

(*)

Do you, do you really enjoy living a life that's so hateful?

'Cause there's a hole where your soul should be

You're losing control a bit, and it's really distastefuuuuuuuuuuuuuuuuuuuuuuul

They all stick out their middle fingers at Lilith, who shrugs and scoffs.

Fuck you

Fuck you

fuck you very, very much

'Cause we hate what you do

And we hate your whole crew

So, please don't stay in touch

Ta -ra -ra -ra -ra -ra -ra~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Fuck you

Fuck you

fuck you very, very much

'Cause your words don't translate

And it's getting quite late

So, please don't stay in touch

They’re going around Lilith now, attempting to skip jovially while flipping the bird with both hands with varying degrees of success. Lilith swings wildly at them all the while, not landing a single hit in her drunken stupor.

Fuck you, fuck you, fuck you

Fuck you, fuck you, fuck you

Fuck youuuuuuuuuuuuuuuuu

(*)

Mary walks back inside the room then, not at all surprised to find that Camila has taken off her cardigan and is spinning it out around like a crazed 90’s club attendee.

“Jesus Christ. I can’t leave you guys alone for more than five minutes.”

Beatrice does a doubletake. She could have sworn Mary had been seated on the couch, not even a second ago. 

It's okay to just admit that you're jealous of me

Yeah, I heard you talk about me, that's the word on the street

You're obsessin', just confess it, put your hands up

It's obvious, I'm your number one

Lilith has found sunglasses between the cracks of the couch, which has turned out to be quite the Mary Poppins bag. Earlier, it had given them a packet of unopened gum, lemon flavoured—yuck— and a One Piece key chain.

Camila and Yasmine are strutting across the small cramped room pretending to be chased by news reporters as Mary attempts a conversation.  

Beatrice grabs ahold Lilith’s glasses, putting them on,

It's alright to just admit that I'm the fantasy

You're obsessin', just confess it 'cause it's obvious

I'm your number one, I'm your number one

I'm your number one, yeah, I'm just livin' that life

Von Dutch, cult classic but I still pop

I get money, you get mad because the bank shut

Yeah, I know your little secret, put your hands up

It's so obvious, I'm your number one, life

Von Dutch, cult classic in your eardrums

Why you lyin'? You won't fuck unless he's famous

Do that little dance, without it, you'd be nameless

It's so obvious, I'm your number one

Before they erupt into nonsense jumping and something that looks like dancing, she throws a kiss in Lilith’s direction. Entirely the wrong thing to do of course because now she’s being chased around as the bass of the song continues to intensify around them.

“Get back here, you spineless little jellyfish! Yasmine, grab a hold of Beatrice!”

“I CAN’T HEAR YOU!!!!!!!!!!!!!!!!!!!!!!”

“Camila, what are you doing?!” Lilith shoves Camila’s phone out the way.

“I am recording in the spirit of the song!”

“Get away from me!”

“Bea! You’ve had such a successful year! What do you attribute to your popularity?!” Camila asks, following her around incessantly with the phone as she continues to sing along to the song. Camila falls into her several times and she needs to prop her back up. “All we get is ‘no comment, no comment’”

I'm just livin' that life

Von Dutch, cult classic but I still pop

I get money, you get mad because the bank's shut

Yeah, I know your little secret, put your hands up

It's so obvious

I'm your number one

I'm the one, your number one

Your number one, your number one, your number one

(*)

You know you love me, I know you care

Just shout whenever, and I'll be there

You are my love, you are my heart

And we will never, ever, ever be apart

Are we an item? Girl, quit playin’

"We're just friends", what are you sayin'?

Said, "There's another", and looked right in my eyes

My first love broke my heart for the first time, and I was like

Mary is holding her head in her hands, “This is fucking sacrilege. How do you go from Charli xcx to Justin Bieber?”

“I’m pretty sure we’ve earned a special place in hell for even conjuring it,” Beatrice replies, a beatific smile on her face as she watches Lilith make a fool of herself.

“Keep your mouth shut Goddamn it!” Camila shouts into her ear. “Let me get this on video or I will actually murder you in the middle of the Shibuya crossing.”

Lilith continues to sing, glasses recovered and completely plastered, 

Baby, baby, baby, oh

Like baby, baby, baby, no

Like baby, baby, baby, oh

I thought you'd always be mine, mine

Baby, baby, baby, oh

Like baby, baby, baby, no

Like baby, baby, baby, oh

I thought you'd always be mine, mine

“Hello? Beatrice?” Ava’s voicemail answers for some reason, tone uncertain, or at least Beatrice assumes it is. She can’t actually tell, given that she probably stinks of alcohol and is too in the metaphorical clouds to put any kind of coherent thought together without sounding like a needy lovesick mess. 

“Hi… it’s me,” she slaps her face in annoyance. Ava knows who it is, absolute idiot move on her part. She shakes her head, attempts not to slur her words, “Of course you know it’s me…I don’t know why I said that. Honestly, I don’t even know why I’m calling—I shouldn’t be calling you, I know that. I know .” 

“Is everything okay? I’m glad you called—”

“Oh, hey you’re talking haaaaaaaaaaaaaaaaah, I didn’t know voicemails did that, what a smart voicemail. I didn’t know technology could do that. Hmmmmmm. It’s good to hear you, nice to hear your voice even if it’s a recording. I miss the sound of it. How you say my name. Beaahhhtrith. Beaaaaatriceeee?—never mind.” Just get your thoughts together, Beatrice, for crying out loud . “Anyway my thoughts, I need to get them straight. I—I keep thinking about you, like, nonstop and it’s making me feel like I’m gonna—I miss you so much it’s…it’s loco. Loco. Haha. That's a funny word…I miss our talks in the middle of the night when I’m exhausted and can’t keep my eyes open. I miss how angry you get when I don’t look after myself. You’d be so angry right now if you saw how much alc—alllch—drinks I drank tonight,” she pauses and sniffles. Lilith and Yasmine are a few metres from her, slumped on ground, shoulder to shoulder. 

“Beatrice, where are you? Where’s the band?” Ava’s voicemail voice is very insistent on talking back. Something about grabbing them? Who knows. “I’m texting Camila. Can you please just stay where you are, don’t go wandering around.”

“They’re here…I think. Somewhere. Tokyo is a big place. Wait—no I see Mary she’s getting…getting a sleeping cat toy from those claw things, thingamajigs, or is it a fox? Maybe it’s a fox.” She shrugs to no one in particular before snapping her fingers in front of her, “Listen, shut up, don’t confuse me, I need to tell Ava—I keep wanting to tell you things, small things, like the cute green tea cloud dessert I had today because you’d squeal and tell me I had to try and sneak it in through customs for you,” her voice cracks but she pushes the lump down and continues, “I hate waking up and remembering you’re not mine.”

There’s a long silence, where Beatrice can hear the subtle intake of air from a wince, but when she turns around there’s no one there. 

Strange.

Voicemail Ava clears her throat. “Bea, listen to me. Tell me about your surroundings. What do you see?”

In the distance she can see Camila barreling towards her and it makes her feet anxious, like maybe she’s doing something she shouldn't by the look on her friend’s face. “I never wanted to change your mind, but now I’m wishing I did. I held so many words back—I’ve been holding so much back, Ava. But I just…I love you. So much. I don’t know how to not love you. I don’t know how to stop—”

Camila tears the phone from her ear and speaks into it. “I found her. She’s fine, just drunk.” Camila nods a few times, eyes drifting from her to the ground. “Yes, I promise. Going straight to the hotel. Don’t worry. She’ll be okay. I’ll text you later.”

“FUUUUUUUUUUUUUUUUUUUUCK! WHO DID THIS!” Lilith cries from the hallway of their hotel. “CAMILA!”

Camila bolts upright from the bed beside Beatrice’s own. “Shit. Fuck. What did I do?!”

November

Zori is brandishing an arm in front of her to greet someone across the room. Ava follows the arc of Zori’s arm to peer at who she’s waving at. And that’s when she sees the band. Her spine stiffens at the realisation. There’s four of them, bookended on either side by Yasmine and Mary’s assistants. 

Beatrice is not there.

Yasmine spots her first, her eyes widening minutely when she registers who she is looking at. She’s smiling a polite smile at Ava, the other three heads shoot up to look at her as well. Camila and Mary attempt smiles. Lilith bares her teeth in some semblance of a grimace, eyes narrow and solemn. Ava waves back in greeting before turning away to sit down at her designated seat, readying herself to engage in contrived small talk with the others at her table.

They’re all here for the launch party of Cartier’s new perfume. Ava would have preferred to send her apologies but Cartier had expressly requested the presence of their brand ambassador. 

It’s when everyone’s milling about and mingling, Ava circling the fringes and edging closer to the open bar to request a bottle of sparkling water that she materialises. Ava barely bites back the Oh fuck and the yelp that almost escapes her.

Lilith’s face is like a thundercloud as she takes an additional step towards Ava, her height forcing Ava to tilt her head to look up at her. There’s a cruel cut to Lilith’s features as she stares down at her.

Lilith doesn’t hesitate. “I honestly had higher hopes for you. You had me all convinced with your little display back in the flat. How you flew in to save the day just in the nick of time. I believed you braver,” her tone dripping with disdain, diction crisp, each syllable pronounced, “that you would have the cojones to come and greet us. Instead, you’ve avoided looking at us all evening. But shame on me right, Ava?”

Ava ignores the jabs, squaring her jaw and raising her chin upwards. “I apologise, Lilith. I thought you would all prefer it if I didn’t approach and just let you be.” She pauses for a second. Thinks about it, hesitates over asking Lilith of all people. But she has to know. “Where’s Beatrice? Is she okay?”

Lilith’s nostrils flare ever so slightly at the question. “She didn’t want to attend. She didn’t want to see you.”

Ava can’t hide the wince that crosses her face. Lilith is nothing if not blunt. 

Lilith taunts, “Don’t pretend that you actually care. I can’t believe I was fooled by your act. But I see you clearly now, Ava. You are pathetic,” Lilith sounds almost bored as she says it. Her eyes scanning the crowd behind Ava’s back, “Where’s your new boytoy? I didn’t see him beside you during dinner. Or do you hide him too? Not important enough for you to acknowledge or trot out for events?”

Ava clenches down hard on her molars. She knows Lilith is needling her, she won’t react. No. She refuses to rise to the bait. “How are the concerts going? Are you guys enjoying Asia? The tour must be almost over.”

Of course Lilith ignores her attempt to change the subject. 

“It’s so simple isn’t it? To admit that you’re dating Michael. What is it? Beatrice isn’t good enough for you? Not worthy of your love and attention? She’s just someone you can play with, dump and move on from?”

Ava sees red. 

Her palm is swinging upwards before she remembers herself. Abruptly cutting herself off mid-motion and dropping her arm back down to her side. Nails digging into the meat of her palm.

“Whoa! What is going on you two?!” Mary is barging between the two of them, forcing them to take several steps apart. 

Yasmine and Camila have also appeared on either side. Their eyes flitting about taking in both of their expressions and heads swivelling to check that the other guests have not noticed the altercation.

“Lilith, you…”, the sting of tears springing forth is too much for Ava to handle. Here, where she’s exposed.

“She—” Lilith has jerked her hand up to point accusingly at Ava before Yasmine hurriedly shoves it down. 

Camila pulls Lilith aside, “Lily, stop. You promised you would behave.”

Ava can feel the ruddy heat on her cheeks, knows the tears are imminent and she strains her larynx in an attempt to choke down the incoming sobs. She needs to get away from them all before she ends up crying in public.

Ava turns to flee.

She’s alone for a few blissful seconds, searching for a bathroom, the nearest open closet, anything private , before she feels another body crowding in behind her, herding her into a room before slamming the door behind them. 

Mary. 

“Ava! Ava!” Mary’s face swims into focus in front of her face, “Ava, look at me.” Mary has her by the upper arms and is shaking her gently. 

“Hey!” When she’s finally able to and is in control of her extremities, she nods her head at Mary, “I’m—I’m okay. Thank you.”

Only then does Mary release her fierce grip and step away. Mary paces along the length of the bathroom, stomping all the way as she leans down and checks under each cubicle. “For fuck’s sake! Ava. I’m so—I’m—I’ve thought a lot about what I’d say to you if I—.” 

Mary pauses a moment to collect herself. Mary’s chest rises with the intake of a deep breath to centre herself before she continues, “I’m so angry with you. Angry and disappointed. You two should have just pulled your heads out of your fucking asses and talked. Really talked . Then maybe this could have all been avoided. But now Beatrice is heartbroken. And you’re struggling to not get into physical fights with Lilith. In public!”

“Mary, look, please—please leave me alone. I really don’t want to talk about this—” Ava is cut off as Mary lets out a small yell of exasperation and kicks at the door of a bathroom cubicle. It slams against the sides with a bang that ricochets through the otherwise silent bathroom.

Ava is stunned into silence. Perhaps a little perplexed at just how much this seems to matter to Mary. She stares at the set of Mary’s back, her shoulders visibly tense and coiled. 

When Mary turns around to face Ava again, her face is resolute. Her jaw flexing as she chews through her words, voice low and controlled, “Beatrice barely sleeps. When she does sleep, it’s because she’s so exhausted that she can’t actually stay awake anymore. She’s floating through each day pretending she’s okay but she’s struggling. The band and I found out about Michael through the press. Beatrice was—she was talking to us about everything but now she has stopped again—” Mary cuts herself off, a ragged breath escaping her as she hesitates at what she’s about to say. 

By now, Mary’s figure is a blur through the steady stream of tears flowing uncontrollably down Ava’s face. As Mary spoke over the past few minutes, the interaction with both Lilith and Mary—people she likes and respects—and the thought of Beatrice’s deliberate avoidance, had unwittingly caught up with her. 

The quiet in Mary’s solemn silence is only broken by her gasping sobs. 

As she nods for Mary to continue, for Mary to unleash whatever is on the tip of her tongue, Ava backs herself slowly towards the hand basins. The ceramic of the bowl digging itself into her back, the physical pressure, a welcome presence. She dashes a frantic hand across her face, wiping futilely at the tears.

“Beatrice has said a few things insinuating that she doesn’t think she’s worthy. Worthy of you. That she’s not worth the risk of being in a relationship with you.” Mary’s face contorts into a pained expression. “If you—if you’re ashamed of her, Ava, then you should’ve never approached her. You should have never pursued this relationship. If you ever told her you’re ashamed or gave her reason to believe she’s not worthy, I—I swear on my life, I’ll never let you get close to her again.”

Ava feels the final tether of her self control snap. 

A fury overtakes her at the suggestion. Her voice, a banshee scream at the mere insinuation, “I’m not ashamed of her!” Her hands fisted and curled at her sides. Any restraint at keeping her volume reasonable and polite for the public setting, gone . “I could never be ashamed of Beatrice. Ever since…ever since we met, she is the best of me. The most honest part of me.” 

The fight dies out of her as abruptly as it came.

She meets Mary’s eyes directly, whispering out, “I’m not ashamed of Beatrice,” desperate for Mary to see the truth in her statement. 

Mary’s eyes search her own and must see something in her, must recognise that Ava is telling the truth because the lines by Mary’s mouth ease a little.

“I’m ashamed of myself. Ashamed of myself for being too scared and unprepared to face this with her.” Ava can feel her heart thud painfully inside her chest. This disclosure to Mary—someone she would ordinarily keep at arms length—antithetical to the very way she’s taught herself to be, the way of life that has kept her safe and shielded in this business. And yet, here she is, articulating a fact to Mary that she has not quite been brave enough to drag out and examine in the light of day. A reality that she has only hauled out in the dark of the night, turning the tangible, viscous blob of thought over and over in her mind, only to tuck it away again, allowing it to fester. “I can’t haul Beatrice along as I work through this. I apologise over and over. We apologise to each other. But we never address the root of the problem.” 

Mary is quiet and listening, a recognition dawning across her features, “So, then what? This is you addressing the problem?”

In the split second before she answers, Ava makes the decision. Beatrice is important to Mary. Therefore, Mary needs to understand. So Ava picks. Ava picks at the wound that had opened up when Beatrice had finally been honest with her all those months ago. A wound that follows her around, ever present, never healing.

“Do you know what she told me? For refusing to let her come with me on tour?” At Mary’s answering head shake, Ava continues, “She said that it would have hurt less if I slapped her. How can I continue to risk that, Mary? To risk making her feel like that? I’ve already hurt her enough. I am continuously hurting her. All because I can’t get my shit together. I love her too much to keep doing this.”

The silence stretches.

Mary is watching her closely, probably trying to figure something out. Trying to figure her out.

“I spent so long wanting her—wanting everything with her, that I never stopped to truly think about the reality of being with her and what that would mean for me, for my career. What level of scrutiny I would invite, to me, to her, to you. To all of us. What I could bear to lose.” Ava has to shut her eyes and turn her face to the side, a flush burning at her cheeks, shame trickling through her at her own cowardice before vocalising the rest, “Please understand. My career might never recover from this, Mary. I…I might still have something but it might always be less than. And as much as we want to fool ourselves into thinking that this industry has changed, it hasn’t. It’s just gotten quieter about its prejudices.”

There’s a whisper of fabric rustling as Mary walks closer to her. A gentle hand landing on Ava’s arm, a quick squeeze of a warm palm against her arm before it falls away again. An attempt at comfort. Mary’s voice sounds from right in front of her, “I understand your hesitations about the industry and all that comes with it. You’ve been at this a lot longer than we have and even in that short span of time…I’ve seen some really ugly shit. There are times that I need to reassure Shannon when she finds a particularly triggering comment online. It’s…a lot. Even for me at times. And I can’t tell you how to feel about it, you’re a solo artist so it’s all on your shoulders, but Ava…this can’t be all you ever allow yourself to have.”

When Ava finally raises her head again and opens her eyes to look at Mary, Mary’s face is sympathetic, even going so far as to quirk the corner of her mouth up in encouragement. “I’m sorry, Mary. I’m just not ready—I don’t know how to do this…I don’t know how to put her first.” Ava’s wringing her hands in front of herself now, both of their gazes drawn to the agitating motion. 

It’s clear Mary’s giving her an open runway now, freedom to voice her thoughts without interruption. And so Ava continues, clearing her throat first. “I know that we chose this path. This career. A life where she’ll never be mine completely and I’ll never be hers. I will always have to share Beatrice the celebrity. And she has to share me with the world. I’m sure in some ways, Shannon feels the same way?” 

Mary answers her with a quick, tight nod. The skin pulling taut around her lips, mouth a firm line.

“We’ve been...” Ava stops and corrects herself. “We were struggling to find time. When does it stop? The label was already asking for another album. You guys are still on tour but soon they’ll ask the same of you. It’s an endless cycle. There’s no winning.”

Ava takes a final gasp of air before she does it. Before she sinks into the almost debilitating fear of acknowledgement. Before she pokes into the centre of the truth blob, spilling its vibrating, malignant black mass. “And what if I admit it? What if I come out and say Beatrice and I are dating and we don’t work out? What if the pressure of everything still breaks us? What am I left with then? What if we don’t make it and then Beatrice hates me and the whole world knows that I had Beatrice, someone as amazing and singular as Beatrice, and then I lost her? I can’t bear that. I can’t face it knowing that everyone will know I had the opportunity to be with her and I lost her.” 

Mary just looks at her in complete silence, face ashen. Defeat is clear in every line of her face and the stoop of her body.

But as Mary turns to leave, to leave Ava alone in the bathroom, she leans her head against the door and whispers, “Ava, you know you lose her anyway, right? The world might not know but you’ll know that you had Beatrice and you let her go…it’s clear you think you’re doing what’s best for you and Beatrice. But since you’re choosing this, then actually do what’s best for Beatrice.

Don’t approach her again.”

Bea

[Hi. The label wants us to be dropping singles as promotions while we continue to work on the next album, in order to keep the eyes on us. The first single they selected is one I started back with the whole JC thing. We finished it recently. It’s called ‘ Imagining .’]

[I just wanted to let you know that it exists and you might hear it around.]

[Okay, thank you for telling me ahead of time.]

[When will it be released?]

[Early next year.]

Ava feels the vibration of her phone against her thigh. 

Emilia 

She holds up an apologetic hand in the universal sign for one moment, gesturing to indicate that she will be back and steps a few metres off to the side.

“Hello?”

“Ava,” Emilia pauses, no doubt confused by the din of the souk in the background, “...Ava, where are you?” 

“I’m in Morocco,” she replies cheerfully. 

“Why are you—never mind, it doesn’t matter. I’m calling because abuela wants to know…” in the background Ava can hear the distinct murmur of abuela's voice as she urges Emilia on. Emilia sighs in defeat, her reluctance clear through the phone, “Abuela wants to know if you are bringing Michael to Christmas or New Years.”

“What!? How does she even—no, I already know. It’s those fucking neighbourhood chismosas. No. No . I…It hasn’t even crossed my mind. Why would I bring Michael home? I never bring anyone—”. Ava tips her head back, sunglass covered eyes searching the tops of the marketplace, taking in the decorations. She can feel her previous cheer waning at this sudden and unwanted conversation topic. 

She rubs at her forehead as she tunes back into the phone call with Emilia, hearing the quiet sharp exchange of Emilia telling abuela in the background that she’s not bringing Michael and no, she won’t ask Ava why she won’t bring him. “Tell…tell Abuela that I’m breaking up with Michael and to stop listening to those nosy old ladies. They’re so full of shit—gossiping is not a hobby!”

Emilia goes silent before saying, “Wait a second.” She must be walking through the family home before entering a room and closing the door behind her, “Ava?” 

“Yes? I’m here.”

“Did Michael do something wrong?”

“No.”

“Why are you break—” 

No. ” 

She does not want to start this discussion. 

She really doesn’t.

But then Emilia asks, “Why did you even date him in the first place?”

She doesn’t answer Emilia at first. Suddenly very interested in picking at the stray thread unravelling from her canvas tote bag.

Emilia is patient. Waiting quietly on the other side of the call.

Ava loosens a deep breath. “Because… because I needed to know. I—I thought that maybe I had just been looking for the wrong kind of person…people who weren’t compatible with me. Because I didn’t care. Maybe I was deliberately seeking out inconsequential people.”

“And…Michael was compatible?” There’s a hint of confusion in Emilia’s tone.

“When Michael asked me out, I thought I would try. He’s a good guy, we worked well on the album together. The whole reason why I even asked him to produce Liturgia was because I knew he understood the change I wanted, and we vibed musically. He understood me…what I wanted for the album. We talked about interesting things as well. So…I wondered if—if … but it’s not that…it’s….” Her voice seizes in her throat. 

Ava can’t say it.

Emilia whispers it for her instead, “It’s Beatrice.”

“It’s Beatrice ,” her voice echoes the name. Affection surges through her at the mere vocalisation of the name that she’s been avoiding for weeks now. She clears her throat quickly, “Emilia? I have to go. I was haggling with the merchant over some slippers and I’ve gotta get back to it or he’s gonna triple the price again .” 

She hangs up without waiting for Emilia’s reply. 

December

She feels Diego sit down beside her on the couch, tucking his body solidly against her side. Their family Christmas party is in full swing on the terrace.

“Ava?”

“Yes, Diego?”

“Why are you sitting in the living room by yourself? 

She inhales a deep breath in an attempt to fix her drooping shoulders, not quite willing to burden a nine year old with all that’s on her mind.

Diego must sense her reluctance to speak because he continues on without waiting for her reply. “Are you sad? I overheard abuela and tia talking in the kitchen. Abuela was asking why you didn’t want to be with the family and telling tia to ask you to go outside. And then tia said to leave you alone and let you decide if you wanted to spend time with us or not.” His little face, starting to lose some of its baby fat and features starting to elongate, is upturned towards her, brown eyes watching her solemnly.

Ava opens her mouth, a lie on the tip of her tongue before quickly shutting it again. Diego doesn’t enjoy being lied to .

Instead, she nods through the lump in her throat. “Yeah, Diego. I’m feeling a little sad right now.” She reaches a finger out to boop at his nose, he goes cross eyed with the movement. “I’m sorry I’m not hanging out with you outside.”

“That’s okay, I just like being with you. And our family is too noisy sometimes.” With a puff of childish exasperation, he turns even more solidly into her, resting his head against her upper arm. Ava tilts her head down to rest against the top of Diego’s.

The two of them sit there in silence, eyes reflecting the twinkle of the Christmas tree lights as it rotates through its patterned sequence, the roar of their family in the distance, and the melody of the accompanying music.

“Ava?”

“Mmmm?”

“Will Beatrice come to New Years and play Mario Kart with me again?”

Diego must feel Ava’s sudden intake of air at the abrupt question, her choked surprise masked by his thick, wavy hair but he doesn’t say anything. Her heart feels like it's crumpling in pain at his question, asked in such a childish forthright manner.

She struggles to force the words out, the lump in her throat feels enormous, rendering her voice reedy and wavering as she replies, “No, she’s not coming. Diego… I don’t think Beatrice will be coming to family events anymore.” Diego’s question and all that it entails, a poisonous tar sliding its way down her insides to sit sludge-like in the pit of her stomach. 

“Oh,” Diego’s voice is small, his disappointment clear. “I really liked her.”

“I really liked her too.” She feels like she should be honest with Diego. It’s her fault that Beatrice isn’t here. Her doing that Beatrice isn’t sitting right beside them, the flashing of the Christmas lights reflecting across her face, presents with her name on it piled under the tree. “I hurt her.”

Diego nods his head against her arm. “I understand. Sometimes I say mean things too. Maybe you can just say you’re sorry?”

If only it were that easy .

If Diego feels tear droplets sinking into his hair, he’s too kind to point it out.

Chapter 20: You Ain't Trying Hard Enough, You Ain't Loving Hard Enough, You Don't Love Me Deep Enough

Notes:

Hello!

First off...I have art to share.

The incredibly talented Princington has sketched this adorable and utterly squeal worthy scene from the very first chapter.

Second of all...I promise that everything will work out. Trust the process. The story is coming to an end. Soon.

I hope you are able to enjoy all aspects of the story. These characters are flawed. They are meant to mess up. I want them to be human...or as close as I can make them out to be.

Here is the playlist and mood board.

Chapter Text

Chart-Topping Success: The Cruciforms’ ‘ Imagining ’ Secures No. 1 Spot Internationally

“Why is this song ripping me apart!”

“Screaming, crying, perfect storm! Snot coming out of my nose.”

“WHO HURT HER? I’ll fight them!”

“Don’t touch me, I'm not okay, but the song is FIRE.”

“Mother is serving! And I am slightly full. Give us moreeeeeee!”

February

She’s not here.

Beatrice continues to casually swivel her head back and forth, subtly surveying the crowd of people seated in the arena. She purposefully avoids the sour looks on Mary and Lilith’s faces, both well aware of who she is searching for.

The tables are now near capacity with attendees and there isn’t a reserved seat awaiting the arrival of Ava Silva. 

As the night kicks off, Beatrice sits back solidly into her seat. 

Ava isn’t coming. 

She knows she’s guilty of it too. But she wonders how long the two of them will continue to skip events to avoid running into each other.

The Cruciforms are in attendance tonight as presenters. The band is not nominated and the absence of that pressure affords Beatrice the freedom to enjoy the night. She is able to revel in their peers’ spectacular performances and partake in the excited whispers of Camila, Yasmine and Lilith as they ogle the legends breathing the same air as they are. It’ll never get old, to be sharing these hallowed halls with some of the greats. But Ava’s absence gnaws at her.

Almost too quickly, Trevor Noah is leaping back onto the stage, envelope in hand to announce the winner for Album of the Year. “Last year’s winner Ava Silva could not be here tonight. She sends her apologies and congratulates all the deserving nominees in this category. In her stead, as selected by the thirteen thousand voting members of The Recording Academy, the Grammy for Album of the Year goes to…”

The usher comes up to their table and leans down to whisper to Mary. At Mary’s signal, they all rise to their feet and follow the usher through the maze of tables towards the stage. It’s an immense honour to be last year’s recipients, asked to pass on the award to this year’s winner. 

There’s several nominees for the Record of the Year that will be first time recipients if they win. To win is a validation of the blood, sweat, tears and countless sacrifices that it takes to succeed in this industry. It’s a victory. Something that gets marked into the history books. A name in the long list of winners. But it is all momentary. Suzanne had been right. Getting attention in itself is a feat, but the work to keep it? Perpetual and unrelenting.

Beatrice finds the envelope unceremoniously shoved into her hands and with clammy palms she rips it open. In unison, the band announces, “The Grammy for Record of the Year goes to…”

As the winner trembles through their speech; their gratitude overflowing, Beatrice takes the moment to look at her band members, these four people that have held her hand through this crazy life they’ve chosen, and out at the masses in the arena.

This is the first Grammys that she has attended without Ava present. 

Beatrice knows who is missing at this moment—the smiling face she longs to spot in the crowd of thousands. 

March

The sound of discordant cellos overtakes the cavernous void that surrounds them. A singular light source in the shape of a white monolith beckons their attention to the front of the runway as the silhouette of the first model appears. She turns and remains absolutely still, the dress, a satin padded cape, difficult to maneuver but beautiful in its straight lined cuts, with a train that will trail behind her. As the model begins her walk, the lights above turn on one by one illuminating her path. The dress begins to reveal itself slowly, it is white; but upon closer scrutiny, unsettling with embroidered sequinned bloody handprints.

Ava sits back on her chair captivated by the walking nightmare striding in front of her. 

Milan fashion week is coming to a close and Robert Wun’s couture collection is about to unfold. The models, shadowy creatures emerging from the dark in dramatic hyperbolic silhouettes, follow one after the other as the audience sit on the edge of their seats. The main path of the runway is enclosed by them all, a circular open expanse. At the center, a pitch black empty space that no model dares stray into, only circling its gravity on the outer edge.

When she turns her head to take in the advancing outfit, Ava’s panic begins. 

Lilith. 

Her face is hidden behind a red sheer headpiece resembling a flame. She’s wearing a black dress that seems to have been cut straight on her body, its tailcoat running along the floor as she confidently struts ahead. Unbeknownst to herself she sits up straighter, a little taller, just in case Lilith makes eye contact.

A sigh of relief leaves her when Lilith makes it all around the runway and slips back inside the white monolith from whence she came. 

Good fucking riddance.

The show continues as several more models strut before them in various outfits that appear to be emerging from them, leading Ava to wonder whether the models are wearing the outfits or in a weird twist, are the outfits wearing the models instead?

The next look is a revealing one, the garment itself a modern interpretation of the suit, but if it were to be worn at the hips, with its elongated collars framing them. The model’s body is on full display. The top half is covered only by a white strapless satin bra. Her abs are accentuated by the dim overhead lights, her face hidden on the side facing Ava by an intricately crafted pinstripe hat.

As the model gets closer Ava’s eyes rake along her body, her biceps…the three freckles right above the left breast and the collarbone that leads to a place she still dreams of. No. Beatrice continues confidently down the runway, stomach and chest expanding with each step.

Ava wants to stand, she wants to move, to leave, but she can’t. Her body feels leaden. Forced to sit and watch as the tempo of the music increases. A reflection of her own heart. 

Randall, a saucy fashion blogger, sitting next to her must sense her agitation because he sets down his phone and whispers to check whether she’s okay. 

She nods.

“I just don’t get it,” Crimson tilts her head back, drink almost spilling down her gown. After passing her arm across her mouth, rather indelicately in such an elegant setting, she continues, “What’s the point of showcasing a Fall/Winter fashion collection in early March?”

Randall drops his head in disgust. “You can’t be serious. I’ve seen you attend several of these and now is when you’re choosing to ask?”

“Yeah, well, I’m not like you fashionistas,” Crimson points a lazy finger at them. Zori and Chanel roll their eyes. “I get told where to go by my PR team and I just show up.”

“It has to do with the release schedule. Designers present early so buyers and the press know what to expect. Then, collections are released sometime late Summer,” Chanel clarifies, tone dripping with disdain at Crimson’s lack of fashion sensibility.

Fashion Seasons Lesson 101 complete and they all return to their survey of the room, swirling the drinks in their hand. The formal affair is full to the brim with celebrities, models, journalists, and industry insiders. 

Not Ava though. 

Surrounded by a room full of people, some that she’s known for the entirety of her career—upwards of a decade—and lately, she’s never felt more alone. Unable and unwilling to keep up the fake niceties, unable to muster the enthusiasm expected of being extended an invitation to such an event. 

Only one person could make these events bearable . But that is a dream she’s now relinquished .

Ava lingers by the group, pretends to be in this false atmosphere amongst them. Attracts less attention that way. Internally, she sighs. She won’t last much longer and by the looks on her group of friends, they’re gearing up for a long night of drinking and messing around.

“Listen,” Ava starts, putting some distance between them and her, “I think I’ll head out. I’ve thanked Robert and I’ve done my rounds. I’m going to call it a night.”

Zori swivels back to face her, a pinched expression on her face, “I don’t like this new you Ava, you used to be fun.”

“Yeah, what happened to the Ava that rode a mechanical bull during Post Malone’s birthday party?” Chanel joins, grabbing at Ava’s arm in a remarkably strong hold.

Strangely, the reminder grates at her. 

“Why do you say it like that? As if you didn’t do it before me.”

“I’m only saying that you never linger at events anymore. Every after party this week, you have left early,” Chanel replies in a sharp tone. “And no drinking? Really Ava, all because of a few negative articles? You can have one drink.” 

Crimson at least takes pity on her and grips at Chanel’s hand, loosening it from her arm. “I’m sure Ava has her reasons.” Ava mouths a grateful ‘thank you’ to Crimson whose lips quirk upwards in a brief smile. A look of understanding passes between them.

With that, Ava bids them farewell with a wave of her hand as she takes a step backwards. As a collective, they all dismiss her with a perfunctory ‘bye’ and turn back to the party.

The notifications on her phone grab her attention on the way out of the establishment. It’s Emilia checking in and Alice asking what time she should book her return flight back home. She answers them while distractedly dodging a few bodies and heading for the front door. 

“Thank you,” she mutters automatically when the door opens without needing any action on her part. 

“You’re welcome.”

She stops and looks up.

The collarbones, the neck, and the red lips.

The short hair?

Beatrice.

“Bea—”

Lilith pushes between them and shunts them away from the path of the doorway. The suit she’s wearing is completely black, the blazer is artfully and purposefully unbuttoned until just before the navel. There’s a sardonic lilt to the grumble of her voice when she speaks, “Ava. How very interesting and utterly unsurprising to see you at Robert Wun’s after party.”

Ava takes in a centering breath, imploring every molecule of her physical being to not betray her with the obvious rise of the chest and shoulders that so often accompanies a deep breath, determined not to allow Lilith a centimetre. 

She’s already having to fight the all encompassing urge to reach out for Beatrice. To crush her in a world shifting hug upon mere sight. A hug that has always ended with Ava being lifted off the ground while Beatrice nuzzles deep into her neck, a content huff releasing by her ear. A remnant of their time together. 

Lilith’s ridiculous insinuation that she’s just here because there’s a chance that Beatrice might be here is unnecessary and backhanded. “I am here only because I was extended an invitation. The respectful thing to do in that instance is to say my ‘hellos’ and leave as soon as I am able, which is now.”

At that Lilith takes a step back, jostling into Beatrice in the rapidness of her movement, while her eyes flicker between Ava and Beatrice for a moment. 

Beatrice shoots out a quick hand to steady Lilith. “An invitation? You were at the show earlier?”

“I was.”

“Didn’t see you,” Lilith shrugs nonchalantly, her stab at indifference betrayed by her hands briefly clenching at her sides.

“I would hope so given that you needed to focus on walking. God forbid you trip and humiliate yourself.” 

Beatrice barks out a laugh beside her. 

Ava won’t look. She shouldn’t. She can’t. 

She’s well aware she needs to keep her distance and this interaction brief if she’s to get away unscathed. 

There’s a bitter ache at the back of her throat as she sees her future ahead of her. A future that’s peppered with moments such as this. Brief, painful greetings where her heart jumps into her throat at the sight of Beatrice, where every atom of her being yearns to vibrate alongside Beatrice’s. Ending only once she escapes as fast as humanly possible while every synapse screams to tell her she’s left something fundamental behind. That is, of course, until the paths of their lives cease to coexist, when their orbits diverge and they spin away from each other. 

Ava hardly dares wonder which part of her fate will be worse.

Beatrice’s forearm brushes against the balloon sleeve of her blouse. Her eyes blink shut of their own volition. Their bodies are close. Too close . She takes that moment to subtly shift away. But of course, in her attempt to be considerate of their personal space, she has alerted Beatrice, who side-eyes her with a fleeting look.

“I won’t be the one humiliating myself, you can trust me on—”

“Lilith. Go mingle.” Beatrice says tersely, eyeing Lilith intently.

In typical fashion, Lilith doesn’t just go, halting long enough to give Beatrice a charged look. A silent conversation passes between them. Beatrice must win because there’s a sudden slump to Lilith’s shoulders, combined with a low mutter of words as she turns to leave. Ava doesn’t catch them, probably for the best.

She watches Lilith’s tall figure approach and disappear into the throng of people.

“You’re leaving?” Beatrice asks, and Ava makes the mistake of looking for a tad too long. Beatrice is running a hand along the ridge of her ear, tucking away a few stray locks from her short bob. Beatrice’s attempt at taming the locks is short-lived at best. It doesn’t take long for the hair to slide back out, framing her face. “Something on my face?”

Shit. Fuck. 

Ava’s been caught staring. But she can’t stop. Beatrice is breathtaking. “Yes.”

“Where?”

“What—what?” 

“You said there was something on my face.”

“Wha—no, there’s nothing on your face. Why would there be anything on your face? Your face is perfect.” 

Oh God. Not the word vomit.

A fond look is shot her way and the compulsion to gaze at the floor for her own self-preservation is overwhelming, but on the trajectory down, Ava’s eyes stop at Beatrice’s wrist. Of course . Her eyes fixate on the silver bracelet and jade flower charm she finds encircling Beatrice’s wrist.

Then, Beatrice is breaking her out of the one sided staring contest, leaning her head down in an attempt to bring Ava’s eyes back to her own. “So the ‘yes’ was to the leaving?”

“Yes!” Ava answers. Too quickly. Too nervously. Too smitten with the woman in front of her. 

The person that haunts her waking and dreaming hours.

“Did you call for a car? I didn’t notice how late it was until just now. We’ve been caught up in interviews all afternoon and the sun’s already set.”

“No. My hotel is nearby, so I figured I’d walk and get some fresh air.”

“Do you have security with you?”

“Bea, it’ll be fine, it's not far. I promise.”

Beatrice nods, but scratches the back of her neck. An immediate tell that it was the wrong thing to say and Beatrice is worried about her. Ava’s hand moves before she can even fathom what it intends to do and by the time she catches herself, it hovers a mere breath above Beatrice’s arm for a few heartstopping moments. Ava snatches her hand back as if burnt. 

There’s a tightness to the lines by Beatrice’s eyes by the time she dares look at her again. A few seconds where Beatrice’s mouth opens to say something, but she clamps it shut just as fast. Lips thin as Beatrice recovers, loosening her shoulders. “Have a good time in Milan.”

“You too. Be safe.”

The night air hits Ava hard. The bite of the wind carries a sudden chill she didn’t expect. The warmth of being by Beatrice’s side is gone now in the wake of her absence. The eight months apart have done nothing to quell the need to be near Beatrice, to touch Beatrice, to want Beatrice

Her shoulders draw forward, hands coming up to grasp her arms around her. Ava’s heart shouldn’t be hurting like this, like a hand squeezing it in a vice grip every time it pulses within her. Ava clenches down on her high heels, toes curled and gripping at the insole with each step. She needs to keep going. She has done well to get this far. Beatrice looks healthy. She appears well. Beatrice is okay. Ava cannot continue to hurt her. She will not drag Beatrice along. She wouldn’t dare.

“Ava!”

No.

Ava doesn’t turn. Maybe if she pretends to not hear then Beatrice won’t chase after her.

“Ava!” Beatrice shouts again. The sound of heels coming into contact with cobblestone coming closer and closer.

Ava turns.

(*)

Siamo i soli svegli in tutto l'universo

(We're the only ones awake in the entire universe)

E non conosco ancora bene il tuo deserto

(And I'm not that familiar with your desert yet)

Forse è in un posto del mio cuore dove il sole è sempre spento

(Maybe it's in a place within my heart where the sun never reaches)

Dove a volte ti perdo, ma se voglio ti prendo

(Where sometimes I lose you, but if I want to, I have you)

“I thought I would offer to walk you to your hotel,” Ava opens her mouth to protest. To voice out a refusal. Anything. “I know what you’re going to say but I already spoke to Robert earlier. I don't think he needs to see me again today or for a while actually. They’re not going to miss me at the party.”

“That’s not—”

“And! I would feel much better if you weren’t wandering the dangerous streets of Milan at night.”

Ava contemplates the offer for a few seconds, hands tucking into the pockets of her pants. She can feel herself being drawn in. “So, you’re offering to join me in my ‘allegedly’ dangerous walk? It’s like 7pm, there’s plenty of people around.”

“Well, it’s not dangerous for me. I can kick some serious butt in this dress,” Beatrice sasses back while indicating down at the slits on either side of her thighs, kicking out in demonstration.

Ava has to have a mental moment to recover from the sight alone. “Uh-huh.”

“Just to your hotel,” Beatrice tries again, undeterred. “Plus, I already told Lilith I was leaving so…” Beatrice scrunches up her shoulders and her nose simultaneously, endearingly.

“Alright.” Beatrice smiles and Ava regrets agreeing the moment the words leave her mouth. But she can’t deny the sweeping pull to be around Beatrice. “Just to my hotel. Only for your peace of mind,” she clarifies.

Siamo fermi in un tempo così, che solleva le strade

(We're stuck in time, one that lifts the streets)

Con il cielo ad un passo da qui, siamo i mostri e le fate

(With the sky a step away, we're both monsters and fairies)

Dovrei telefonarti, dirti le cose che sento

(I should call you, tell you the things I feel)

Ma ho finito le scuse e non ho più difese

(But I've run out of excuses and I have no defenses left)

They walk silently, near but not too close, following Corso Giacomo Matteotti along the Quadrilatero. A blend of classic and modern buildings surround them, interspersed by small stretches of parks and enough motorcycles speeding about to distract them. The squares and boulevards are full of historical and cultural significance. Every corner urges passersbys to stop and wonder. 

Upscale fashion stores line their path, the streets teeming with people in beautiful evening wear, from isometrically cut dresses, sharp tuxes, to everything in between. Everyone is either party hopping or taking in their surroundings after the events of the week, already well on their way to being drunk and merry with frivolity.

Ava chances a sideways glance at Beatrice. The distance between them might as well be the Mariana Trench. Her dress is sophisticated and so very Beatrice. A deep navy blue with long sleeves and an elegant silhouette. Molded to her frame and emphasising all her curves. 

“What have you been up to?” Beatrice enquires hesitantly when the silence stretches too long. 

“You’re going to be so jealous,” Ava replies right away and without thinking. 

Something like hurt flashes across Beatrice’s face, but it’s gone just as swiftly. “Oh?”

Shit . Ava shouldn’t have phrased it like that. She should have been more careful. She was careless. 

“I—I’ve been sleeping in most days and then being super productive at night. It’s like I’m a teenager again. My internal clock is way off—” Beatrice stops abruptly at the end of the street, throwing an arm out to brace in front of her and Ava has to physically balance on her heels to not crash into her as a motorbike zooms by, mere centimetres from them.

Beatrice lowers her arm. And they continue to walk.

Siamo un libro sul pavimento in una casa vuota che sembra la nostra

(We're a book on the floor in an empty house that feels like ours)

Il caffè col limone contro l'hangover, sembri una foto mossa

(Coffee with lemon for the hangover, you look like a blurry photo)

E *ci siamo fottuti* ancora una notte fuori un locale

(We screwed it up again that night out [ * can also mean: ‘we fucked/slept together’] )

E meno male

(And thank goodness)

“You’re right. My jealousy is off the charts right now. But I’m glad you’re getting a much deserved rest.”

There’s an air of awkwardness between them now that hasn’t existed since their first meeting, but of course Ava recognises why it now permeates their interaction and what, or rather, who has caused it. It’s difficult to navigate and reminds her of their reunion in New York almost two years ago. Right after she had kissed Beatrice and the radio silence that followed. 

They emerge into a park that Ava remembers seeing from her hotel window. She’s torn. The walk has passed faster than she had expected, but any more time with Beatrice is probably a recipe for disaster. Ava swallows the guilt down, for concurrently wanting this walk to end for both their sakes and selfishly, for it to go on forever. 

But the least she can do is muster a pleasant exchange between them before they part ways. Beatrice deserves better from her. “You’ll be happy to know that I have also been catching up on my reading list.” 

“I always said you just needed the time to do it.”

“My hotel is that one there,” Ava offers, pointing at the one of the neoclassical buildings nestled between the park and a modern residential complex.

Beatrice nods, but continues their chat, and if Ava notices a slower gait she doesn't dare bring it up. “Are you reading something now?”

“I’ve actually been reading several screenplays. I just finished Pygmalion.” 

Beatrice pauses in the street, her face betraying her confusion when she asks, “Any particular reason for the screenplays?”

“It’s been invigorating to focus on the story again. To get back to my roots of storytelling and think about the visual narratives. After…after the first few albums, I felt like that form of writing, trying to create songs in that way, had been soured for me and I desperately wanted a change. But with this break and…and with you, it feels like I want to revisit and explore that angle again.” This conversation has the potential to blur some lines and Ava needs to correct their trajectory fast. “What about you? What have you been doing?”

There’s a press to Beatrice’s lips, as if she’s debating whether to let Ava divert the conversation. A pause. Then, “Same old,” Beatrice shrugs, catching up from where she had previously stopped. They fall into the rhythm again. “You already know we’ve been finishing up the new album.”

“Yes. But what about you?”

“Writing mostly. I’ve been writing a lot lately. All sorts of things. Poems, essays, songs. It’s been a good way to process everything.” Beatrice doesn’t specify what ‘everything’ is, she doesn’t need to. “Oh! And I’ve been trying out some new hobbies. I’ve taken up fencing.”

“That’s so good to hear, Bea! You’ve always wanted to have a go at it. Are you having fun?”

“Yeah. It’s been an interesting experience, different to everything else I’ve done. And I’ve met some really cool people at the lessons.”

They’re right outside the double doors of Ava’s hotel now and Beatrice does something unexpected, she keeps walking as if the arrival to the hotel wasn’t the cue to politely end their conversation and go their separate ways. 

Ava lingers by the entrance, not quite sure how to process the deviation Beatrice has just made. It doesn’t go unnoticed. Beatrice merely cocks her head, gesturing for Ava to follow, the short strands of her hair bouncing off her neck.

 And she does. She follows. The pull to orbit Beatrice too strong to fight against.

Se questa è l'ultima canzone e poi la luna esploderà

(Will this be the last song before the moon explodes)

Sarò lì a dirti che sbagli, ti sbagli e lo sai

(I will be there to tell you that you're wrong, you're wrong and you know it)

Qui non arriva la musica

(The music does not reach)

E tu non dormi e dove sarai? Dove vai?

(And you don't sleep. Where will you be? Where are you going?)

Quando la vita poi esagera

(When life exaggerates)

Tutte le corse, gli schiaffi, gli sbagli che fai

(All the running, the slaps, the mistakes you make)

Quando qualcosa ti agita

(When things upset you)

Tanto lo so che tu non dormi, dormi, dormi, dormi, dormi mai

(I know that you can't sleep, sleep, sleep, sleep anymore)

Che giri fanno due vite

(Amazing how two lives spin around each other)

“That was my—”

“I hear you’ve also been traveling. Morocco, Cyprus, Turkey—”

“Uh…yeah,” Ava furrows her brow in perplexity, “It’s been fun and a change of pace.” Ava’s drawn level by Beatrice’s side again. “I’ve been able to go mostly unnoticed which has been nice.” Beatrice shakes her head before giving her an exasperated look. “Don’t look at me like that, I had security.” 

Beatrice somehow knows she’s been traveling. It isn’t surprising, but it does make her wonder who’s been informing her. She hasn’t been posting any of her whereabouts on her socials and Camila has been careful when it comes to them. 

“Did you know there’s also a Mount Olympus in Cyprus?”

“No, I did not know that because I did not go mountain climbing! I was at a spa for an entire week. It was divine.”

Beatrice giggles and it captivates Ava. Hearing it for the first time in months sends a surge of butterflies coursing through her. It’s as if she’s never heard those giggles before or been the cause of them. “Of course. Why would I have assumed otherwise?”

“I’ve been doing a lot of sight seeing as well. I don’t usually have the time for it so it’s been nice to actually explore the cities. Instead of, you know, jumping on airplanes from place to place, hotel to venue and then away again.”

“Did you see the Hagia Sophia in Turkey?”

“I did!” Beatrice’s eyes crinkle at the corners, her gaze taking in Ava’s excitement. Ava has hopped an ecstatic little hop in joy at the mere mention of the religious site, the small jolt forward causing Ava to realise just how close they’ve gotten. The gravitational pull between them, ever present and unstoppable. “Seeing the Omphalion in person was surreal. It’s hard to imagine how many emperors were crowned in that very spot.”

“And the mosaics?”

“You would have loved those, Bea! I kept thinking you’d tell me off for looking up at the dome and not paying close attention to the art.”

“I’ll be honest, from the pictures that I’ve seen, the Seraph angel is a bit creepy.”

“Oh! Is that the thing that looked like an owl with a face?”

“I—I think so?”

“Yeah! It was super creepy!”

On their third loop around the hotel a thought enters Ava’s mind, they’re both purposely finding excuses to not end their time together. Every time they get close to the lobby doors Beatrice brings up a new conversation which in turn causes Ava to let the charade continue. 

“What do you think about the Grammy wins this year?” 

“Did you see? Jade finally dropped her album.” 

“I think you should get into Legos. It helps you space out and concentrate all at once. Take it from me, I think I’m developing an addiction.”

“Are you hungry?” Ava finds herself asking on the fourth round of loops. She has a feeling Beatrice is potentially running on empty but is keeping real quiet about it. 

“Funny you should ask. I’m actually starving,” Beatrice answers sheepishly, a cute blush making its way to her cheeks. “I think all I’ve had today was a sad looking protein ball.”

Ava itches to trace the pad of her thumb over the blush.

Something shifts within her.

“Would you like to get something to eat?”

“I would be eternally grateful if we did.”

Siamo i soli svegli in tutto l'universo

(We're the only ones awake in the entire universe)

A gridare un po' di rabbia sopra un tetto

(Screaming out in anger from the rooftops)

Che nessuno si sente così

(That no one else feels this way)

Che nessuno li guarda più i film

(That no one watches movies anymore)

I fiori nella tua camera

(The flowers in your room)

La mia maglia metallica

(My metal armour)

A tram sweeps by and they both cross the car littered street en route to the small pizza restaurant they’ve passed several times now. There’s no place to sit inside but there are plenty of odd chairs outside to choose from. The staff is cheery and singing along to music as they work on their food and several other orders. And when their pizza is ready Beatrice is the one to grab the box, doing a happy dance as she emerges outside and walks to their chairs. 

Ava has to remind herself again not to look for too long. 

They balance the pizza box on an empty stool between them and dig in. 

Beatrice sighs with relief upon the first bite. “Hmmmm,” she hums with pleasure. “Yeah, that’s exactly what I needed.” An ooze of cheese is stringing along as she struggles to pull it away from the slice.

“That’s not what you’re going to be saying in a few hours.”

Beatrice grimaces, sticking out her tongue. “That’s okay. You’ll just cover for me.”

“What makes you so sure Ms. Fartypants? It’s Milan, I gotta keep my dignity around here.” Ava takes a bite of her slice then, the prosciutto and mozzarella are the perfect blend of delicious. “So, the short hair…” she ventures, and Beatrice nods mid bite.

“Ah fffawt I needehd a chaaynsh.”

“It looks nice.” Ava coughs, feeling exposed. She rubs at her neck, not bringing her eyes back up to meet Beatrice as she attempts at a smooth transition, “Good—it looks good.”

“Thffank yuh.”

Siamo un libro sul pavimento in una casa vuota che sembra la nostra

(We're a book on the floor in an empty house that feels like ours)

Persi tra le persone, quante parole senza mai una risposta

(Lost among people, so many words without an answer)

E ci siamo fottuti ancora una notte fuori un locale

(We screwed it up again that night out)

E meno male

(And thank goodness)

Beatrice holds out her hand out for Ava to take, her body leaning down and out from the yellow tram. They’ve decided to be sneaky and hitch a ride to the cathedral. The driver eyes their arrival inside the vehicle but doesn’t seem to care whether they pay the fee or not.

Beatrice is looking everywhere but the front of the tram, guilt painted all over her features.

Ava nudges Beatrice’s shoulders once they’re sitting. “It’s fine, Bea. They’re used to tourists doing that every day. I don’t think our driver will lose sleep over us not paying.”

“Still. We should buy tickets online later and even it out.”

“You can do that. I’ll happily live with my guilt-free conscience.”

When they arrive at the Piazza Fontana, the sight of the older side of Milan greets them. It’s late enough now that the only people out on the streets are tired tourists trying to cram as much into their itinerary as humanly possible. 

They cross the plaza and get their first sighting of the Duomo di Milano.

The Cathedral’s gothic vaults are illuminated, a welcoming beacon in the night, casting shadows all along its spires and pillars. The colossal stained glass windows are ominous in the wake of such splendor. The golden Madonna at the very top spreading its luster on the cobblestone ground below. 

“We’re on the back side,” Beatrice mutters, head bent and staring down at her phone. 

Ava loops an arm around Beatrice’s, getting her attention. “Come on. Race you to the front!” She lets go just as fast, sending them both into a mad scramble. Heels clanking against the pavement, attire not at all appropriate. But at least she’s wearing pants. 

Ava turns right.

Beatrice turns left.

“Wait! Where are you going?”

“You said it was a race!”

Se questa è l'ultima canzone e poi la luna esploderà

(Will this be the last song before the moon explodes)

Sarò lì a dirti che sbagli, ti sbagli e lo sai

(I will be there to tell you that you're wrong, you're wrong and you know it)

Qui non arriva la musica

(The music does not reach)

E tu non dormi e dove sarai? Dove vai?

(And you don't sleep. Where will you be? Where are you going?)

Quando la vita poi esagera

(When life exaggerates)

Tutte le corse, gli schiaffi, gli sbagli che fai

(All the running, the slaps, the mistakes you make)

Quando qualcosa ti agita

(When things upset you)

Tanto lo so che tu non dormi)

(I know that you can't sleep anymore)

Spegni la luce anche se non ti va

(Turn off the light even if you don't want to)

Restiamo al buio avvolti solo dal suono della voce

(We remain in the dark, enveloped only by the sound of your voice)

Al di là della follia che balla in tutte le cose

(Beyond the madness that dances in all things)

Due vite, guarda che disordine

(Two lives, look at this mess)

Ava tears down the path after that. Heart hammering against her ribs. People sidestepping her to avoid a collision. The dark sky stretching endlessly with only the slightest glimpse of the stars above. Her breath comes in small bursts as she passes the intricate arches and extravagant ornamentations. 

It’s strange. She isn’t running to get to the front of the building, not really. She’s running to Beatrice. To be beside Beatrice again.

At the front of the cathedral Ava spots her. Beatrice isn’t looking at the magnificent church just metres before her. No. Beatrice is looking in the direction Ava just emerged from. The soaring verticality, gargoyles, and breathtaking sight, forgotten. 

“Hello,” she greets upon Ava’s arrival. “I believe I have won.”

“You did.”

“I wish we had come to an agreement.”

“And what would you have wanted to wager?”

“An agreement isn’t a wager, Ava.”

“Fine. What would you have wanted to agree upon, then?”

Beatrice doesn’t answer right away. She proffers her arm instead and Ava understands, looping their arms together. “I’m not sure yet. Let me think about it?”

Ava nods. 

They walk silently around the plaza, taking in the architectural marvel metres from them. The square around them is vast and entirely surrounded by neoclassical buildings. People are interspersed here and there, too caught up with taking the perfect photo to pay them any mind.  

Beatrice’s head is back in her phone. “They began building it 600 years ago.”

“Go on.”

“Construction started in 1386, after The Black Death.”

“That would explain why it took so long to build.”

“Ava!”

“What!? It’s true.”

“Apparently Napoleon was crowned King of Italy inside and Oscar Wilde hates it.”

“That…was a leap in years.”

“Hah! ‘Over-elaborate details stuck high up where no one can see them.’ I mean, he’s not wrong.”

“Let’s get closer. I want to see the ugly gargoyles.”

 “Alright.”

They’ve been pacing outside the façade for close to an hour now. Beatrice speaking at length and with great interest about all aspects found across the building. Ava had taken several steps back, just watching Beatrice be picky about her pictures. Earlier, she needed complete concentration in order to get the details and angles just right. But now Beatrice is walking, hands behind her back, taking in the cathedral again.

She turns to look in Ava’s direction, their eyes finding each other easily.

They both hold each other’s gaze. It’s significant. Both deeply aware of the weight of it all. 

It’s Beatrice who breaks it first, without meaning to, of course. Her eyes turn into small crescents before looking down instinctively, almost as if catching herself doing something too intimate. There’s a faint smile at the corner of her lips, shy and uncertain.

She wants to keep seeing that happen. 

She needs to see it for the rest of her life.

Beatrice is, and will always be, the one .

A sense of peace and acceptance washes over Ava. The kind that makes everything unfocus around her, leaving only Beatrice for her eyes to take in. The dimples on the side of her mouth, the freckles awash with pink, and the curve of her eyes. Ava’s body halts all its functions. No breath to disturb her from the realisation. She tilts her head, unable to stop the wide smile that forms. It feels like something is blooming anew.

Beatrice stops in recognition. Eyes searching hers. She’s absolutely still, observing. Longing. Then, Beatrice is walking to her, reaching out and tugging at her hand. “I know what I want.”

They run through the plaza and wind up in a closed off alley, away from the noise and activity.

Ava’s back comes into contact with a wall as Beatrice’s face hovers just centimetres from hers. Desperately waiting. Not asking for permission. Just waiting for her to make the decision. The air around them feels heavy with unresolved feelings. She leans minutely and Beatrice mimics, but doesn’t close the distance, breaths tickling and warm as they both stare at each other's lips.

Ava closes the space between them, her hands shaking from hours of holding back. Her heart throbs and it sends her mind into a speeding state of chaos. When their lips meet, it’s soft. Unhurried. Both, equally afraid of doing too much, too soon. The spell breaks when Ava’s arms wrap around Beatrice’s neck, deepening the kiss and imbuing it with the longing they both feel. Achingly desperate with everything they’ve missed and were afraid to lose.

Beatrice pulls away carefully and Ava follows. A desperation she didn’t think she had in her cresting free. Their foreheads rest together, eyes closed and breathing the same air. The arms around her hips, steady and grounding. 

“We should get off the streets.”

Ava nods against Beatrice. 

Se questa è l'ultima (canzone e poi la luna esploderà) canzone

(Will this be the last song before the moon explodes)

Sarò lì a dirti che sbagli, ti sbagli e lo sai

(I will be there to tell you that you're wrong, you're wrong and you know it)

Qui non arriva la musica

(The music does not reach)

Tanto lo so che tu non dormi, dormi, dormi, dormi, dormi mai

(I know that you can't sleep, sleep, sleep, sleep anymore)

Che giri fanno due vite

(Amazing how two lives spin around each other)

Due vite

(Two lives)

During the elevator ride, in an excruciating journey up to the seventh floor of Ava’s hotel, they’re pressed against opposite sides of the polished steel, both unable to hide the wide smiles adorning their faces. Eyes fixated on the other. 

Beatrice can feel the deep, energetic thrum of her pulse in her neck, a heady anticipation low in her gut. Something must show in her face because Ava’s ducking her head at the sight of it, a shy grin creeping its way across Ava’s visage before it’s accompanied by the smallest bite of her lip. Beatrice has to physically tear her eyes away from the sight in front of her before she does something stupid, like pull Ava into her arms in full view of anyone who might see. 

The numbers are crawling inordinately slowly.

At long last, the melodic ding of the elevator chimes, signalling their arrival at the seventh floor.

Before the doors open, Beatrice makes an internal promise to herself. She won’t push. All she’s asked to do is to escort Ava up to her hotel room door to make sure that she gets inside safely. If that’s where this night ends then she’ll be satisfied with the unexpected outing with Ava. She might sneak in a brazen cheek kiss but that’s all. She won’t pine. Much

She plays the part of a perfect gentlewoman, walking a pace behind Ava as she steps out of the elevator and heads towards her hotel room door. Ava’s rummaging in her clutch for the key card. In her head, it all plays out like a first date, and now she’s dropping Ava home after a night out. Ava pulls out the card and brandishes it forward like a prize, holding it aloft. A fond chuckle burbles out of her at the sight. It’s been too long since she’s been able to see the goofy side of Ava.

It’s with the best of intentions as she leans against the wall next to Ava’s hotel room door, watching on as Ava scans the card and rests her hand atop the door handle. Or at least that’s what Beatrice will tell herself. Then, Ava is pushing the door open, but she doesn’t go inside—doesn’t close the door in Beatrice’s face. Ava turns her head and looks. Looks . At Beatrice.

The door slams shut behind their figures. The thrum in her neck is now pulsating wildly, out of control. 

Ava flicks the lights on.

As Ava turns around to face Beatrice, Beatrice crowds close, pressing the lengths of their bodies together. She’s pressed so close, so tightly now that she can feel the hard unyielding button of Ava’s suit pants digging into the material of her dress. So close that she can count the individual lashes of Ava’s eyelashes if she had a mind to. 

Beatrice is dropping her hands to palm either side of Ava’s hips, walking her in sure and steady steps, backwards to the waiting bed.

They fall down onto the bed together. 

The act of falling onto the bed snaps them out of whatever stasis has descended upon them between leaving the Duomo for the hotel. Their mouths meet in a frenzied clash. It’s not beautiful. It’s not delicate. It’s urgent and heated. It’s eight months of deprivation. Eight months of wanting. 

Beatrice sinks her teeth into the plush bottom of Ava’s lip and rips. A ragged, pained whimper tears its way out of Ava’s throat. Beatrice is filled with a searing need to mark. To mark Ava. 

She swings her legs to sit astride of Ava’s hips, pinning Ava down with her weight. Ava’s eyes are dark and her pupils blown as she looks up at Beatrice, her long, curly hair spilling across the pillow like a halo. 

Ava’s shirt is buttoned all the way up, high up her throat, to just beneath her jawline. With jittery hands, Beatrice fumbles with the intricate buttons of the shirt, unbuttoning it briskly, or as fast as her impatient fingers will allow with tiny buttons. That is, until she catches a glimpse of a gold chain.

She unbuttons the next button slowly, sliding an unsteady finger in to gently pull the necklace out. Ava’s wearing it. Her birthday present. A gold chain pendant, embossed with a carnation. Coincidentally, Beatrice’s birth month flower. Beatrice touches it reverently with the single pointer finger, her jade flower knocking into the embossing, before looking up at Ava. 

Ava must see the question on her face because she replies with an answering nod. 

Beatrice finishes unbuttoning all the buttons before helping Ava to slide out of the shirt. She throws it behind her. Ava is sprawled on the bed underneath Beatrice, her breasts barely encased in a lacy, nude and white embroidered bra, her chest heaving up and down under Beatrice’s gaze. She proceeds to lean down until her mouth is level with the column of Ava’s throat, neck arched back to bare the entire expanse to her. Beatrice licks a hot stripe up Ava’s neck before she opens her mouth wide to bite down, hard , on Ava’s throat. Ava groans long and loud, the vibrations rippling up into Beatrice’s mouth. 

Beatrice presses her mouth again and again until Ava’s neck and chest is littered with marks, varying in shades from pink to red to a bruising purple.

Sometime during Beatrice’s distraction, Ava has reached up and around to unzip and pull the sleeves of Beatrice’s dress off her shoulders. With a final hurried tug, Beatrice’s dress is pooled around her hips. Beatrice is not wearing a bra. Her nipples immediately react to the cool air, stiffening further beyond just arousal. Ava is ogling her shamelessly, eyes roving all over, never settling for long at one spot. 

In a sudden turn of events and utterly unexpectedly, Beatrice finds herself flat on her back. Ava has pushed herself up and flipped Beatrice over in the span of a second. Ava’s hair frames her face, cascading like a curtain around them as she leans down to draw Beatrice’s lips into a slow and sensual kiss. Ava’s tongue dances with hers, darting forward to tease her tongue before pulling it back just as tantalisingly fast. Vaguely, Beatrice is aware of Ava’s hand insistently tugging at the rest of her dress and she raises her hips to aid Ava. The dress is discarded without a further thought onto the floor.

There’s a hot press of Ava’s mouth to her left breast before Ava is sucking hard, cheeks puffed with trying to fit as much of Beatrice in as she can. Beatrice’s hands thread into Ava’s hair, gripping hard to keep her there as Ava laves at her, suckling and nibbling lightly. Her hand is kneading at Beatrice’s other breast, alternating with playing with the nipple and palming it. Low moans are spilling out of Beatrice’s mouth, louder and louder as Ava sucks with increasing pressure before she switches her attention to the other breast. Ava’s right arm is pressed hard into the mattress, flexing with the effort of keeping herself propped up, Beatrice admires the toned definition on display.

Beatrice untangles one hand from Ava’s hair, trailing it down the length of Ava’s back before curling back around to Ava’s front. She pops open the button of Ava’s pants and draws the zipper down. Ava has raised her head up now and is staring down at her, the puffs of her shaky breaths landing onto Beatrice’s face. Beatrice spreads her hand, touching Ava through her underwear, pressing the heel of her palm into Ava’s clit. Ava is warm, so warm. The slick heat and wetness of Ava saturating her underwear. She holds her hand steady. Waiting. Ava’s mouth falls open in the most breathtaking way, face pink from exertion, tongue slipping out before it's pulled back in. 

Ava is tracing her finger along Beatrice’s hip bone before curving inwards between her open thighs. The single digit trails its way up and hooks underneath Beatrice’s thong. Ava is so close to where Beatrice wants her. She fights the urge to rub her thighs together for friction, to jolt Ava up into where she needs her. Ava’s eyes are fluttering shut, muttering out a low “god...” in prayer. 

Both Ava and Beatrice stroke their fingers through before entering the other in a synchronised move. 

They take a moment to adjust to the sensations, moans sighing into the air between them. 

Beatrice is overwhelmed by the feeling of being enveloped by Ava’s heat, the walls pulling and tightening around her fingers, and the feeling of Ava inside her. It is slow and deep at first, Beatrice trying the best with her angle to slide all the way in until she reaches her palm before she pulls out and enters again. Ava does her best to rock into her. Beatrice does the same. Trying her best to keep pace with the motion of Ava’s fingers. 

Beatrice draws Ava down into a deep kiss, their lips coming together again and again in union, bruising with the intensity of their feelings. Of being together again after all this time. The kisses become increasingly sloppy, mouths half hanging open, breaths whining into the other’s face as they speed up, fingers pressing shallower and shallower, not sliding all the way out anymore. Focusing on hitting the spot that makes each other squirm. Beatrice grips hard at Ava’s hip, pulling and pushing at her hips as they surge into each other. Her fingers clench into Ava’s skin. 

The air is sweltering with the heat of them, sweat beading at their brows, collarbones and all over.

Ava comes first. Lifting her face just above Beatrice’s, her eyes screwing shut as her whole body shudders over and above Beatrice’s. Her neck flexes with the force of the orgasm. A bead of sweat trails prettily down her forehead. Ava grounds out a loud and drawn out moan. Ava’s fingers briefly pause in their own movements. 

Beatrice’s eyes drink in the sight. Captivated by the view of Ava coming undone above her, even in the midst of her own pre-orgasm haze. Ava is clenching tightly around her fingers, rendering her unable to move.

Ava doesn’t allow herself the pleasure of drawing out the aftershocks of her orgasm before she’s resuming the movements of her own hand with a renewed fervour. Thrusting deep and fast into Beatrice. A brush of Ava’s thumb against her clit and Beatrice is coming apart with a scream. She is aware she’s seized Ava and crushed her into a constricting hug. Ava pants hoarsely against her. 

Only once Beatrice has recovered and has relaxed her grip around Ava, does Ava flop loosely against her. Body sinking bonelessly into Beatrice. 

“I didn’t grab you too hard, did I?”

Ava shakes her head in answer against Beatrice’s head before tilting her head to press a gentle kiss against the side of her neck. Ava then shifts minutely against her and slowly slides her fingers out. Beatrice misses the fullness of Ava immediately. 

Reluctantly, Beatrice extracts her fingers from Ava too. Ava heaves a quiet sigh at the loss and buries her face into the side of Beatrice’s neck, breathing in deeply. “I’ve missed you. So much. I’ve missed just being able to breathe you in.”

“Is that all you’ve missed?”

A muffled “no” sounds from Beatrice’s neck, it sounds strangled and teary. 

After a while it seems like Ava is content to just lay there, grazing her nose against the lines of Beatrice’s neck, huffing in deep breaths, and sending constant tingles shooting up and down Beatrice’s spine at the touch to her erogenous zone. 

Beatrice scrunches her nose in displeasure. 

With a deft movement of her hand, she unclasps Ava’s bra with one hand. Sliding her hand under the straps, she’s pulling at it as she rotates her own body onto the side. Ava rolls off her and onto her back with a shocked gasp, expression baffled at finding herself separated from her fixation with Beatrice’s neck. Beatrice takes the opportunity to slide the straps down Ava’s arms and blindly tosses the lace bra off to the side before she’s on the move again.

Ava’s suit pants have drooped down amid the vigour of their movements, exposing half of Ava’s pert butt and upper thigh. Beatrice pulls them off Ava in one quick move, balling them up in one hand before launching them up and over her head. Ava’s eyes track the movement of the pants, laughter alight in her eyes and the crinkles by the corners evident.

Any mirth present on Ava’s face vanishes abruptly when Beatrice closes her teeth around the fabric of Ava’s matching nude and white lace high cut underwear and drags it down her legs. So focused on her task, Beatrice barely hears Ava muttering, “Fuck. That was so hot.”

The sight of Ava spread on the bed before her, for her , is one for the ages.

Beatrice cradles a breast in each palm, the heaviness of them sitting firmly in her hands. Surveying them seriously. “I’ve missed them.” Ava babbles gibberish when Beatrice sweeps an attentive thumb across the nipple, one then the other. Beatrice looks up at Ava, catching her gaze and keeping it as she leans forward to capture a nipple into her mouth, sucking it in. Ava blinks rapidly as she stares back, fighting the urge to shut her eyes. 

Separating her lips from Ava’s left breast with a pop, Beatrice rocks back onto her heels. Ava’s breasts are now covered in an assortment of tiny marks and slick from Beatrice’s saliva. Kneeling between Ava’s open legs, Beatrice loops her hands around Ava’s knees and nudges them even further apart, her grip sure and strong as she spreads Ava out across the bed. 

“Bea. Please,” Ava chokes out a whisper, her desperation clear. Her legs are restless, heels scrabbling to dig into the mattress as she struggles to get a grip. Her hands thread loosely into Beatrice’s hair, fingers massaging at Beatrice’s scalp.

Beatrice blows a long and pointed stream of air at Ava’s clit and across her folds. Then, she waits. And waits. There’s a loud and frustrated growl from above her before she feels Ava seize her by the locks of her short hair and drag her face forward. 

“Bea,” Ava shifts in her hold, warm and gentle, breath lightly tickling at Beatrice’s neck. She rubs at Beatrice’s arm in an attempt to rouse her from what has been one of the most comfortable sleeps of her life. And Beatrice would know. This sort of sleep has been entirely out of her reach since Lake Como, and if she’s being honest, since the two of them had begun their tours. “Bea,” Ava shifts again, this time running a hand down her arm. “I need to pee.”

“No.” Beatrice’s voice is gravely from sleep.

“What do you mean ‘no’? I need to use the toilet. Release me.”

Petulantly she encloses her arms around Ava’s body. “No.”

A giggle builds its way through Ava, it starts where their bare stomachs meet and travels through her chest, escaping by Beatrice’s ear. Its sweetness reverberates, awakening a latent desire to hear it again. Her arms detangle from Ava just long enough to find their way to Ava’s sides, eliciting outraged teehee’s

“Seriously—I need—I need to—toilet!” Ava manages to scramble out between fits of giggles.

“Fine. Fine. But you come straight back here.”

When Ava sits up; the sheets barely shift, she’s careful, stuffing it back under Beatrice’s body as she goes. Always mindful. Always remembering to care for her. Ava doesn’t shut the door to the bathroom, she doesn’t need to. And the domesticity of it is not lost on Beatrice. It just heightens the renewed yearning Beatrice has felt spring forth—has felt for the both of them again.

There’s a dull pain when she stretches, a reminder of just hours before, a content sigh settling her in place. She feels looser. Fuller. 

The toilet gets flushed. The sink runs for a few seconds. A zipper is opened and closed. And then Ava is worming her way back into the cocoon they’ve built. Cold feet running along Beatrice’s legs and equally cold arms settling around her once more.

“You’re so cold. Why did you put a shirt on after the toilet?” A smile comes to her easily as Ava nuzzles into the side of her cheek with a runny nose. Beatrice squeals in the utter delight of it all. Ava does it a few more times just because she can. 

They settle after that. Ava’s steady breaths fanning her neck, hand lazily running up and down her back and legs intertwined. Beatrice releases a deep breath, pulling Ava closer. Sleep doesn’t find her as effortlessly as it does Ava. She doesn’t need to sleep. Not when the person she has been desperate to hold is here.

Her phone on the bedside table goes off several minutes later. The alarm previously set, alerting her of the duties she must attend to. 

Ava’s body jerks at the unexpected noise. “Noooooo,” she whines, face digging deeper into Beatrice’s collar but ultimately releasing her hold when the alarm continues.

From on top of the bed Ava watches as Beatrice goes about the room getting ready. Ava’s hair is messy and curling at the ends, exactly how she loves it. “Would it be okay if I borrowed some clothing?” Beatrice asks, and both their eyes go to the dress in a pile on the floor.

“Help yourself.”

Beatrice is not the only one stealing glances and shyly looking away when their eyes meet. Ava’s shirt is on backwards—Beatrice will not tell her—making her all the more endearing and difficult to keep her eyes from. And in the light of day, the true carnage from each other’s attention is evident and delightful to behold. But Ava’s also quiet—unnaturally quiet. A strange atmosphere has taken over the room now. An awkward first time together sort of vibes that never really had a chance to exist for them, but now does. 

Ava diverts her eyes as Beatrice slips into a pair of borrowed track pants and a baggy t-shirt. “Come here,” she pats the spot on the bed for Beatrice to sit. Ava runs her hands through the short locks, only needing to untangle a few knots and sweeping it to one side before it’s presentable.

The second alarm goes off and that’s Beatrice’s cue to properly make her exit. 

Ava stops it, handing over the phone and standing uncertainly by the front of the bed. “Good luck with the Vogue interview,” she says, foot running up and down her calf a few times.

“Thank you,” it comes out like a question, with a confused sort of nervous laugh mixture. “It shouldn’t take long. I’ll come back.”

“Yeah?”

“Of course. I’m sure Lilith will be happy to be rid of me.” 

That seems to do the trick, a smile settling at the side of Ava’s lips.

Beatrice is twisting the handle to the room’s door when Ava scrambles out, “Wait!” while scurrying over the bed and rummaging through one of her bags. “I have a hoodie you can use to be sneaky.”

It’s instantaneous. 

The air is punched out of Beatrice’s lungs. There’s an immediate and corresponding throb in her throat. Her head slumps down of its own accord, her eyes desperately seeking out the woven pattern of the rug. 

Shame swallows her whole.

Ava wants to hide her.

Ava wants to hide her again .

The atmosphere which was tender albeit a little awkward just minutes ago grows deadly silent and inhospitable, time frozen still.

Beatrice isn’t cognisant of the way her right hand has found its way to her chest. Having developed a mind of its own and rubbing small circles above her heart, somehow knowing just how tightly it feels. Ava’s eyes follow the motion, she opens her mouth several times, but it’s fractured by something unspoken. Something both of them are too afraid to acknowledge.

“Bea—” Ava says eventually. Carefully. There’s a hesitation as she makes her way around the bed, hoodie still in her hand.

A brittle humourless laugh leaves Beatrice’s throat, it’s foreign to her ears and it makes Ava take in a sharp breath and stop in her tracks. 

“Bea—” Ava attempts to say again.

“What are you doing?” The words come out like shards of glass, sharp and ready to cut, “What was this ? What was this!

Ava physically recoils, but reaches out just as quickly. “I’m only—I didn’t—please, I didn’t th—”

The placating hand barely has a moment to land on Beatrice’s arm before she jerks it upwards with force, flinging Ava’s hand off. “I feel—I’m so fucking stupid.”

“No! Bea, you’re no—I was just—”

“Don’t lie to me, Ava! This was—my God. I’m actually the biggest idiot in the world.” Beatrice’s jaw flexes. When she breathes in, she holds the air in until her lungs fight her. “I’ve been holding out hope that—Lilith was right, I shouldn’t have come. I thought…I thought maybe—that with time, but no, you haven’t changed. You’re still the same person. You want to just keep hiding me. You want everything but you’re not prepared to give up anything—to lose anything.”

Ava shakes her head. “I don’t want to hide you, Beatrice. I just need—”

“No? What would you call our entire relationship, then? What do you think you’re doing right now?” Beatrice’s hand comes up for only a second, trembling, not able to finish the full action of pointing at the hoodie. “Don’t answer. I don’t need to know. I don’t want to know what lies, what ridiculous justifications you tell yourself to help you sleep at night.”

Ava opens her mouth to interject.

“No!” Beatrice expels, hands clenched at her sides. Nails digging into the flesh of her palms.  “Can you even imagine? Day in and day out, I lie in interviews to protect you. Do you know how painful that has been? To be constantly reminded of you? To say how happy I am in a relationship that doesn’t even exist?”

“I never asked you to lie. I would have never asked that of you, Beatrice. I am so sorry, truly sorry if you thought I needed you to do that for me,” Ava replies, backing up to place as much space between them as possible in this ridiculously small room. 

Beatrice exhales sharply through her nose. “Are you? Because from where I’m standing, it looks like I’m constantly the one left holding the pieces of the relationship you broke.”

It lands like a slap. Ava’s eyes begin to water at the corners. The tears pooling soon afterwards. 

“I’ve tried so hard to understand you. I was understanding. I thought you knew what you were doing when you wanted us to date. I even convinced myself that you were doing what you thought was best when you broke up with me.” A dry laugh escapes Beatrice, disbelief catching up to her. “What a fool I’ve been. I told myself that it was okay you didn’t fight for us—that you still loved me. But now I’m questioning everything. I’m questioning us. I’m questioning you. And you know what the worst part is? I’m questioning myself.” 

Ava flinches. There’s an accusation in it, but also pain, hidden under all the sharpness. Beatrice wants to pace, to leave, to do anything other than to stand there being frustrated with Ava, but she can’t. She can’t make her body move. All she can manage to do is stand perfectly still in an ill attempt to contain all the rage that's currently coursing through her.

Ava is watching her quietly, there’s a shake in her shoulders as she cries silently and takes all that Beatrice is saying in.

“I never thought I’d let someone make such a fool out of me. For months all I’ve felt is shame. I’ve been so upset with myself—that I forced you into that vacation, forced you into coming to London and postponing your shows, that it was my fault that there were those rumours about us. I believed I had caused you harm, that I had damaged your caree—”

“No! Stop. Beatrice. Please,” Ava’s voice cracks. It sounds like she’s trying to reason, a half plea, “Just stop. You can’t. I need you to—I don’t want you to think that way for a second. The problem is me. It has always been me.” Ava tosses the hoodie aside and chances a few steps towards her. “You’re incredible. You’ve accomplished so much already and you’re going to go on and do so many more amazing things. You’ve been—you…were, dating you was a dream. They were some of the most amazing months of my life—getting to be a part of your life. None of this is your fault. It’s me. It’s just me . I wasn’t prepared for you—for us.”

Beatrice’s face tightens. “Is this because I’m a woman? Am I not capable of navigating all of this with you?”

“Don’t say that. No. You know that’s not true. Not for a moment. That’s not the kind of person I—”

Beatrice cuts Ava off with a sharp wave of her hand. “Do I?! Do I know that? You started dating Michael just two months after breaking up with me. I told myself to stay calm—that I understood why you would do this. That he didn’t—that he doesn’t matter, but what else am I meant to think?”

“Hurting you was never my intention.”

“Sure,” it comes out vulnerable and with a hint of sarcasm that makes Ava’s face contort painfully, her eyes straying to the far wall.

“I just needed to know!” Ava’s voice shakes, face turning back to Beatrice. There’s frustration making its way out of Ava now. Her eyebrows pinched and tears barreling down her face.

“What, Ava? What did you need to know?”

“I needed to know if you were it for me.”

“What are you sayi—”

Ava’s in front of her now, palm suspended just above Beatrice’s heart. “The truth is, I don’t really know what I’m doing. I’ve never had a good example of how to handle any of this—how to make sense of this .” The palm makes contact. Ava breathes in and shuts her eyes. She’s quiet, and if Beatrice can hazard a guess, feeling the beat of her heart. Taking it in. “I’ve messed up along the way. I know I’ve hurt you. But the way I feel—what I can’t continue to ignore is the need to give myself to you, fully. Completely. Because you’re it , Beatrice. You are everything I didn’t even know I wanted. I don’t want anyone else. And the silly thing is I have known this all along. I’ve just been too much of a coward to admit it to myself.”

Beatricie’s hand comes to Ava’s above her heart. “I’m it for you.” Ava nods, eyes wet and red, but also steadfast as she looks at Beatrice. “Why didn’t you just talk to me? Why didn’t you tell me?”

“I just need time. I need time to sort out how to do this. I can’t just—”

Beatrice’s hand retracts as if stung. “No. Ava, you’ve had time! I have been patient with you, more patient than I should have been.” Beatrice steps back, folds her arms and unfolds them a second later. Frustration clear.

“Please. I promise that eventually—”

“I can’t hide again while you figure yourself out. I can’t do that to myself again. Not for you, not for anyone. I have a responsibility to myself and to everyone who I am an example to. I cannot sing about being free and then hide behind closed doors.”

“Then, I won't continue to hurt you. I won’t put you through all that again, I can’t.”

Beatrice is moving before she has a sense to stop herself. Grabbing the end of the shirt and tossing it carelessly at Ava, who doesn’t get a chance to avoid it before it hits her in the chest. The pants come off next, kicked somewhere under the bed. 

“What are you doing?” Ava follows her movements as Beatrice walks past her, ramming into her shoulder, not by accident, in the direction of the dress on the floor. She watches as Beatrice picks it up, struggles with the zipper and frantically puts it on.

Beatrice stops and turns, her eyes sharp when they land on Ava. “What does it look like I’m doing?” she spits out, turning to look for her heels next. One heel comes on and the other wiggles in place as she walks by Ava again. “If you knew this was always going to be the case why did you pursue me? Why did you continue to push when all of this could have been prevented? I was ready to walk away from us, from you, before things got this intertwined but you kept pushing.”

“You made me feel all these crazy new things. I couldn’t stop myself. I just wanted to be around you—to be with you. I had never felt that way before. I couldn’t detangle myself from you. I wasn’t—I wasn’t thinking, I just wanted—”

“You weren’t thinking!?” Beatrice fists at her hair and Ava raises her hands to stop her, or would have had she given her the chance. “Isn’t that always the case with you? You just wanted to, what? Have it all without the repercussions? Well, guess what, Ava? It’s too late.”

“I know I should have done better. I know that now.”

“Oh! You know that now, don’t you? After you’ve pretty much stomped all over both our hearts.”

“I shouldn’t have let us get carried away last night. I should have—I had decided to let you go. I shouldn’t have—”

You decided— fuck you .” Beatrice’s words come in a flurry after that, like they’ve been waiting a long time to burst through and be heard. “Why do you get to decide everything? Ever since we met you’ve made all the decisions. I am so sick and tired of that. Love is a two way street, one person doesn’t get to call all the shots. God damn it, Ava. I love you! I’m in love with you! How can you say that?! How can you say that so casually? So simply. Why don’t you fight for me? You’re willing to risk us, for a career you may or may not have?”

The room is a void of silence as they both stare at one another, chests expanding and settling at a rapid pace.

“All these choices you’ve made, have you ever stopped to consider that you’re not just hurting yourself along the way?” There’s wetness now trailing down her cheeks, and if Beatrice is being honest, it is welcomed. A strange sort of relief is settling within her as well. Her mind accepting everything for the first time. 

There’s no coming back from this.

“I’m done,” Beatrice’s voice is low and precise, the sort of calm that comes right before everything changes, “I’m done trying to piece us back together. If you won’t fight for me, then I’m better off without you.” She reaches for the room’s door handle and twists it. It opens slightly under her pull.

(*)

Maybe it happened too fast

I guess that I understand

You say that you never felt this way for anyone

And that's why it scares you to death

There’s a scramble behind her as Ava reaches past her, palm pushing against the door, shutting it again. Beatrice is embraced from behind, Ava’s arms molding around her. There’s shallow breaths by her ear as Ava pulls her as close as possible, the lift and drop of her chest hectic, lungs desperate for air. 

“I’m sorry,” Ava murmurs, lips by her neck. “I’m sorry.”

They’re so close. Breathing in the same ragged breaths.

She has to blink away the tears, arms incapable of movement under Ava’s hold. Beatrice clears her throat and swallows. Not because she’s unsure, but because it will hurt to say, “One day, in the middle of the night, you’re going to lie there and regret everything you’ve put us both through.”

Ava just nods once, slowly, accepting her words and lets go.

So baby, bye, bye

Know it's for the best

Still I can't see how that would ease the pain in my chest

Beatrice turns the handle and steps out of the room. 

The door to Ava’s room remains ajar, she can still hear the sniffling coming from it. It makes her stop, the urge to turn and see—to hold Ava, too great to fight against. Ava’s running her hands under her eyes, she’s nodding, weakly, but it's definitely a nod, like, she’s gearing herself up to do something. 

The elevator dings at their floor and the doors part. It’s carrying a few guests, tired and disheveled but happy, still in their evening wear. They nod at her as they search their person and purses for keycards. Some of fashion week’s elites are only now returning from a long night of partying. 

The door to Ava’s room closes as the bodies continue their way down the hallway.

Always the fool.

Beatrice decisively reaches for the bracelet around her wrist. Her fingers run along the cold silver metal and the jade flower. The clasp comes undone easily. And with one last caress she gathers it in her palms, closing her fist around it. It smacks into Ava’s door then falls on the carpet floor without further preamble. 

'Cause tomorrow will hurt

Hurt really bad

'Cause I'm about to lose the best I ever had

Hold me closer

Although you'll leave before the sunrise

I'll be bleeding, but don't you mind, I'll be fine

Oh, it kills me

I found the right one at the wrong time

But until the sunrise

Could you just hold me tight?

I know, I have to let go

But just give me the night

Can't you see that you

Found the right one at the wrong time?

It was just the wrong time

Hold tight, hold tight

The dim and moody studio lights set the tone for their Triple J performance. The intricate red carpet under Beatrice’s shoes is bolstering her with an angry confidence she doesn’t normally possess. Yasmine sits behind her drum kit, glass case in front of her, muffling her kicks as the song continues. Mary is keeping the psychedelic trip going as her hands move up and down the chords. Lilith and Camila finish the chorus from beside her. Camila on the keys, repeating the same disjointed pattern and Lilith playing Jack White’s chords with much more attitude than he ever did.

(*)

I am the dragon breathing fire

Beautiful mane, I'm the lion

Beautiful girl, I know you're lying

I am not broken, I'm not crying, I'm not crying

You ain't trying hard enough

You ain't loving hard enough

You don't love me deep enough

Oooooooooooohhh!

We not reaching peaks enough

Blindly in love, I fucks with you

'Til I realize I'm just too much for you

I'm just too much for you

Oooooooooooohhh!

Pitchfork had called Beyoncé’s hit ‘a modern day Respect ’, full of no nonsense lyrics that resonated deep within Beatrice. Every verse delivers a punch straight into the gut of the recipient. The bodacious song takes over the small studio, the intensity building as Beatrice’s voice becomes distorted, raw, and vicious.

You just got to let it be, let it be, let it be, let it be, baby

HEY BABY! Who the FUCK do you think I am?

I smell that fragrance on your Louis knit, girl!

Just give my fat ass a big kiss, girl!

Tonight I'm fucking up all your shit, girl!

When you hurt me

You hurt yourself, try not to hurt yourself

When you play me

You play yourself, uh, don't play yourself

When you lie to me

You lie to yourself, you only lying to yourself

When you love me

You love yourself, love God herself

We just got to let it be, let it be, let it be, let it be, let it be, babe

Uh, this is your final warning

You know I give you life

If you try this shit again

You gon' lose your wife

“Aaaaaauuuuuuuustraaaaliaaaaa! The Cruciforms are here! We promised you we would get them in the studio and finally, here they are!” Ben, one of two hosts, yells excitedly into the microphone. 

The band laughs in unison across from them. 

The instruments have all been moved out of the way for their sit down interview. They have a radio audience listening along as well as a live broadcast. It’s all part of their promotions for the upcoming new studio album. They arrived in Sydney late last night and were all up bright and early this morning for the performance, well, some of them. Yasmine was not coping with the jet lag or the extended flight and is currently two flat whites in.

Liam shifts in his chair. “That was an aggressive performance. And by that I mean totally incredible and Beyoncé would be honoured by the insane power behind it.”

Without missing a beat Camila perks up, “Can you tell her next time she’s here? I desperately want her to adopt me. Camila Carter has a nice ring to it.”

“As if!” Mary teases.

“Your second album is due to be released soon. We were informed this morning that your first single from the album, ‘ Imagining ’ has been in the number one spot in Australia for 16 weeks, surpassing your fellow Brit - Ed Sheeran. Of course, I’m sure you guys are already well aware of that.”

“NO!”

“What!?”

“Seriously?”

Ben snickers. “Look at them! So gracious!

“The overwhelmingly positive reception has taken all of us by surprise.” Beatrice takes the moment to speak for all of them and they all nod along. “A lot of hard work and feelings have gone into the making of the first single and the overall album. We’ve all learned a lot as a band and as individuals.”

“We’re going to play the leading single for our audiences now. But don’t change the channel, because after the ad break, we will also be playing a surprise snippet from the Cruciforms’ next single!” Liam gestures at the production crew. “We’ve also got some questions so you guys better be ready!”

(*)

Could we be imagining?

Could we be imagining?

Could we be imagining?

The song plays and Beatrice does her best attempt at dissociation. 

Wide awake

Didn't mean to lose my precious mind today

Sick and tired of waking up so far away

I don't know if Mercury's in retrograde

Am I okay? Nah

I don't wanna get too close, shit gets complicated 

I don't wanna take it off, emotionally naked 

Really don't feel too good, fake it 'til you make it 

I don't wanna talk right now, got me agitated

I'm imagining

So tell me what the fuck is up? What's happening?

Right now my sanity is gone, it's vanishing

I know I do this to myself, it's damaging

(*)

I can't escape all the voices and so I turn it up

I go to parties with strangers so I can figure it out

Run through a city at midnight to feel like a star

I want it all, even if it's fake

July

Camila leans across the table to stab at a cherry tomato on her plate, interrupting Ava from her thoughts. Thoughts that continue to creep in when she lets her mind wander for too long.

It’s this fucking city.

She shouldn’t have come. 

London flays her. 

It pokes at her tendency for self-destruction.

It dares her to slip up and break her promise.

It taunts her for being too weak.

The decisions she’s made in the last few years reverberate loudly in London, irritating the already gaping and raw wound that can’t seem to heal.

London where every hum of the city is a constant reminder of Beatrice. 

It’s where she fell in love.

Ava doesn’t hesitate to throw a dirty look in Camila’s direction, clicking her tongue, “Cam, I was going to eat that.”

“Yeah, well, you were taking too long. It was crying out for me to end its misery and enjoy its deliciousness.”

All present at the table laugh at the absurdity that is Camila’s retort.

Crimson sets her fork down and reaches for her wine. “You did have a very far off look on your face, Ava.”

Dora and Randall nod in agreement. They’re all sitting comfortably, at ease with each other now. An easy camaraderie has been formed. It was strange at first. The first call from Randall had been unexpected, inviting her out to lunch with Crimson and Dora in Madrid. No pressure, only if Ava was in the area and only if she wanted to. Ava had accepted and shocked herself with how much she had enjoyed their company and gentle friendship. 

Slowly, she has even found herself sharing tidbits she would have never contemplated in the past. The three of them seemed genuinely interested in getting to know her without motive, regaling her with tales from their own adventures and they never pushed her to drink, to do anything she wasn’t comfortable with. Camila had joined them for an outing when they were all coincidentally in Barcelona and got on with them like a house on fire.

They’ve been rotating visits to each other's hometowns when able and it was Randall’s turn this time around. Unfortunately for Ava, Randall lives in London.

They all step out into the quiet street after dinner. Camila loops her hand around her arm as Randall and Crimson continue their lively, albeit adversarial conversation from earlier. 

“I still cannot believe you scored an invitation to the Opening Gala of the new Alexander McQueen exhibit!” Randall grimaces as Crimson smiles widely, not at all fazed by his grievances. “You don’t even care about fashion! It’s all lost on you.”

“Eh, it’s free food, free booze and I get to watch rich people swan about pretentiously. It’s voyeurism at its finest.” Randall stomps, actually stomps his foot in response.

A devious smile crosses Crimson’s face. “Besides! Dora was invited too and she knows even less about fashion than I do.” Crimson shoves at Dora’s shoulder jokingly and they both freeze. Crimson must have thought it was enough force to at least jostle her a little. Dora doesn’t move a centimetre though.

Randall lets out a whimper of agony at the thought. “Lee is turning over in his grave. There are others far more deserving…even Ava and Camila would be better selections.”

That catches Ava and Camila's ears. 

The sheer disrespect.

“I’ll have you know—”

Camila throws out an accusatory finger towards Randall. “I’ve worn bespoke Robert Wun!” 

Ava hastily pulls Camila back. Randall’s harmless but in his agitated state, she won’t put it past him to bite her.

There’s the audible sound of footsteps approaching from down the street and Randall smiles, his distress forgotten, waving happily at the approaching figure. “We’re here!” he yells and the footsteps pick up their pace.

“Hi there,” the new arrival says. It’s Randall’s boyfriend, Nico, dressed in comfortable athleisure wear. “Did you guys have a good dinner?” He’s shy around them still, not used to being in the presence of so many well known people.

They all nod in response to his question and greet him, falling into easy conversation before Randall takes Nico’s hand in his and waves goodbye to them. Ava watches as they stroll away hand in hand down the street to head home together. Her heart squeezes tightly. The simplicity of it conjures memories she's been trying to suppress since she landed. 

Through the shop window, Ava can see Beatrice perusing the vinyl records in the storage slant. She’s cycling through the different records, eager fingers following the same repetitive motion over and over. It’s well-practised from years of scrutinising different albums and visiting all the local shops. Her hair is up in a tight bun, the scarf around her neck doing its job of keeping some of her face hidden and also keeping her warm. 

Ava reaches for her phone, exiting the conversation with Camila, the informant now making outrageous demands after divulging the location of her girlfriend. 

After finishing a schedule she has managed to sneak away and jump on a quick flight to be in London for the weekend. 

Babea

[All done with the photoshoot.]

Beatrice stops mid-rifle. Pulls her phone from her coat’s pocket with one hand and smiles at the screen.

[Will you head home? Or having dinner with the team?]

Her girlfriend doesn’t go back to the records, she stares at the phone. Waiting. Fingers caught between Fiona Apple and FKA Twigs.

[Home.]

[I’ll call. I’ve been waiting to hear your voice all day.]

[I’ve thought of a movie we can watch.]

[Which?]

[The Lobster.]

[No. Take Yorgos Lanthimos and keep him away from our relationship.]

Beatrice laughs and leans against the record display.

[It’s a romance.]

[I don’t believe you.]

[And even if it is, which I doubt, The Lobster…really?]

[Go home! I want to hear you too.]

[Okay.]

Ava watches, bemused, for a few more minutes as Beatrice debates several sleeves of the same record. She checks for blemishes, imperfections, and printing inconsistencies. She looks through her phone, no doubt checking through various websites for the proper pressing details. Absolutely adorable and altogether insufferable. 

When Cœur de pirate’s ‘Blonde’ is pulled out, Ava can no longer deny herself from disturbing their peace. Hers, distantly admiring her precious girlfriend. Beatrice's, closely inspecting what will likely be her latest addition to her ever growing record collection.

[I prefer ‘Roses’.]

Beatrice puts the record down and glances at her phone. She’s still for a few seconds, taken aback by Ava’s unexpected providence.

[Or when she did the ‘Child of Light’ soundtrack.]

That gets the attention she wants. Beatrice looks up from her phone then, her head turning from side to side in search. She even quickly tilts her head back to eye the security camera. Beatrice puts the record back, walking a few paces around the store, eyes roving, but obviously not spotting Ava outside. She takes pity on Beatrice and knocks on the shop’s window. 

It’s instant. 

Beatrice is on the move towards her within seconds.

The shop door opens. “Ava!”

“Hi—” she barely manages to greet her girlfriend, the hug knocking the air out of her.

“You didn’t—I wasn’t—you lied to me!” Beatrice’s hand easily finds hers. 

“I did! Well, kind of.”

It’s this fucking city.

London hurts, it aches inside her.

She shouldn’t have come. 

When Randall asked to meet in London, she should have said no. She has avoided any and all obligations that require her to step foot into this city, this country. Why did she agree?

Camila nudges her side; startling her out of her stupor, as Dora and Crimson wave and shout their goodbyes before entering a taxi. “Did you text your driver?”

“Yeah, should be here any mome—” The towncar pulls up in front of them.

Camila pulls her into a long hug. 

It makes her emotional, Camila’s care. Even now. Even like this. She sighs into the hug, too overcome with the gesture to voice out a thank you. They don’t talk about Beatrice, that’s their rule. All topics veering into mentions of Beatrice are forbidden. Their friendship can’t exist if Beatrice is in the mix, but Camila knows. She knows . “Alright. You head off. We’ll get brunch tomorrow or something before you leave.”

She nods. It’s the only thing she can bring herself to do in front of Camila.

I'm wide awake, lyin' next to him and feel it all

I got a thirst for distraction that I can't take back

My fingers run through his hair

I'm grippin' at regrets

I put my mouth on his lips to taste

Ava lays in the hotel room in complete silence. 

All alone.

She doesn’t even realise she’s been crying until the salt of her tears reach the corner of her mouth.

If she turns and looks, there’s a spectre of a body laying next to hers. A bare back turned away from her, short cropped hair that doesn’t smell of lavender shampoo. Michael. JC. Anyone. Anyone that’s not Beatrice. 

An ugly sob comes out of her and she clamps her mouth shut, terrified of the flood that’s coming and she can feel it building. 

She stands and makes a mad dash for the bathroom. 

Collapsed on the floor and sitting against the bathtub, the emotions overtake her. 

Beatrice wobbling into the bathroom in front of her.

“Oh my God—are you okay?” 

Beatrice pulling the hair tie off her wrist and tying Ava’s hair back as she knelt over the porcelain bowl. 

“You look a mess and you are laughing?!” 

They had started laughing hysterically. 

Beatrice hopping back into the bathroom on one foot, bottle of water in hand.

“Please rinse out your mouth. Stomach acid is not good for your teeth.”

The phantom touch of Beatrice stroking her cheek before she had left.

The cycle of self pity erupts out of her. After the last four months she had hoped that it was over. That she had begun the process of detaching herself, of letting Beatrice go. 

Living with her decision. Steps towards the rest of her life and convincing herself that she’s okay with what it will look like now.

But no. It’s here. It’s everywhere she looks. It’s London.

She scrambles and retches into the toilet. Dinner comes up.

There’s no Beatrice here to hold her hair back. There’s no Beatrice anywhere.

Ava pulls at her hair, the long strands are tangled and caked with salinity from her tears. She needs to leave. She needs to get back to Madrid, she needs to be on the first plane out of London immediately. 

The motivation to escape gives her the energy she needs to stand from the cold tile floors. After gripping the sink and standing she makes the mistake of looking into the mirror and coming across her reflection.

“You are pathetic .”

“You know you lose her anyway, right?”

“Sometimes in life, there’s a person who you only ever get one chance at.”

“I think Beatrice might want that too.”

You’re not just hurting yourself…

“I’m better off without you .”

Maybe you can just say you’re sorry.

No.

You’re hurting.

No.

Beatrice is hurting.

Breakin' your heart, split it in half

Told you it all

Year and a half, are we in love?

I'll never know

All that went wrong, what a mistake

I'll never change

I can't escape all the voices and so I turn it up

In the backseat

Your song, so loud

Drivin' so fast

I'm better off alone

The taxi driver speeds through the dead streets of London. He doesn’t ask any questions when she enters the vehicle, only asks for a destination. It slips from her lips easily. Too easily. She’s already picturing the maisonette in her head. The lantern that always comes on at 6pm whether Beatrice is home or not. The jarring sound the garden gate makes every time they open it and walk hand in hand past it. The muted green of the front door that builds anticipation the instant her key goes in it.

Imagining ’ is barely audible over the tires tracking on the road and the sprinkle of rain clashing against the car’s window. It doesn’t take long for them to arrive at Beatrice’s flat. She’s mindful of asking the driver to park just a few homes down. Stepping out Ava pulls the jacket closed against her, following the familiar curvature of the footpath. 

Beatrice is in London, of that she’s sure. They can talk. She can explain herself. Ava has time. Beatrice has time. They can figure this out. They can come up with a plan together. She can meet Beatrice halfway, anywhere , it doesn’t matter anymore. She wants this—a future with Beatrice. Whatever it takes. 

Ava can do this.

Ava must do this.

Ava will do this.

Ava can have both. She can have both.

'Wake lyin' next

I'm wide awake lyin' next

I'm wide awake lyin' next

I'm wide awake lyin' next

Take back 

I gotta take back

I gotta take back

I gotta take back

I gotta

In the……

My fingers run through his hair

My fingers run through his hair

You’re so……

My fingers run through his hair

My fingers run through his hair

Drivin' 

In the…… 

I'm better off alone

I gotta take back

I gotta

From the end of the street two figures are approaching. Their footsteps are unhurried and appear to have a slow, almost affectionate cadence to it. Ava squints, her contacts not capable of looking that far down the street. 

A voice speaks, Irish, with a lilt at the end of her sentence. A joke.

Laughter explodes and resonates throughout the quiet street. 

Ava recognises the laughter right away. Can hear it with her eyes closed and her mind able to conjure it from nothing at all. 

Her heart plummets and accelerates all at once.

The blonde woman next to Beatrice, slightly taller, shifts her short blonde bob to the side. “No! You didn’t. I don’t believe you.”

Beatrice’s shoulders shake with the after effects of the joke. A toothy smile appears as the woman pulls her closer by the waist. “I did! You should have seen Lilith’s face.”

Ava stops in her tracks and stares. There’s a tree next to her. She sets her hand against it for support—its rough bark rubbing against her skin—but also to use its massive trunk to hide behind. 

The garden gate opens, the sound piercing Ava’s ears, and the woman goes through first followed by Beatrice, a hand on her lower back. A bitterness comes up through her body and settles in her throat. She presses her lips together, not out of frustration, but because her mind wants to scream loud enough to grab Beatrice’s attention.

She has an acute desire to advance. To walk straight into them and release Beatrice from this woman's hold. She can’t. She can’t bring herself to. Beatrice—she’s happy. And isn’t that what this is all about? Isn’t this what Ava has wanted all along?

They open the door to the maisonette and step inside.

The breaths are coarser now, faster, it’s difficult to breathe with how tightly her chest has become.

SHE DID THIS. 

SHE DID THIS. 

SHE DID THIS.

all alone

all alone

all alone

all alone

all alone

all alone

all alone

all alone

all alone

all alone

all alone

all alone

all alone

all alone

all alone

all alone

all alone

all alone

all alone