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Language:
English
Series:
Part 1 of Glamour Lessons ‘verse
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Published:
2025-03-05
Completed:
2025-04-10
Words:
24,613
Chapters:
31/31
Comments:
2
Kudos:
27
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1,834

Glamour Lessons

Summary:

“Fortune has it in for me; she is a woman, and I am not that way inclined.”
— Friedrich II of Prussia

Fushiguro Megumi doesn’t need anyone telling him how to be dead. He’s been a vampire for over a decade at this point, thank you, and so far he’s adapted to his unlife just fine (though not being liked by animals anymore sucks). But when his birthright status in Zen’in Coven suddenly thrusts him head-first into Japanese Vampire High Society, it opens up a whole other world in the shadows of the one he inhabits. Here, he must contend with cryptic rules and traditions, a self-proclaimed mentor with confusing loyalties, and the intoxicating but dangerous attention of the oldest and most powerful vampire in Japan: Ryōmen Sukuna.

Notes:

oh boy, this one is gonna be messy. strap in.

OFFICIAL PLAYLIST

(See the end of the work for more notes.)

Chapter 1: {0} Woke Up Dead

Chapter Text

“Geez, what happened to this one?” Asks Kasumi Miwa, putting on gloves and approaching their newest cadaver. He’s tall, but young. No older than 19 or 20, she would wager.

“Drained dry, the poor thing,” answers Dr. Yuuta Okkotsu from the other end of the morgue, where he’s busy with another body. “These two came in as a pair.”

“Ah,” she says, noticing the sloppy puncture marks on the young man’s neck. “He didn’t go down without a fight, though.” She notes the cuts, shallow slashes, and other such damage on his skin. Some broken bones, even; what a fight that must have been. “Good on you…” She glances at the tag on the body. “Mr. Megumi Fushiguro.” She turns to Dr. Okkotsu. “Was yours drained, too?”

“Yeah, but not for the same reason,” the doctor says. “This one’s our culprit. Your guy interfered when he was trying to feed on someone else. That someone else then pumped my guy full of lead first chance they got. Lost too much blood too fast to regenerate.”

“Probably for the better,” Kasumi says, before realizing her rudeness. “Uh, no offense,” she adds hastily.

Her boss laughs. “None taken.”

“Hmm… his veins are really weird for someone who got drained,” Kasumi notes. “You said your guy was shot a lot. What are the chances Fushiguro here got some of that blood in him?”

Dr. Okkotsu pauses, deep in thought. “That’s… not impossible, but still unlikely, I’d say. An unintentional turning like that is unheard of; you’d need buckets of blood. Besides, it’s been some time. If he was gonna turn, he should’ve already.”

“Well, guess I’ll just give you a heads up if he starts healing mid-autopsy,” she jokes.

The two of them work in silence, prepping their respective bodies. It’s just another long night shift among many, but Kasumi has been feeling the effects of each one more and more. She’s a little jealous of her boss, who—as a vampire—is naturally nocturnal and never seems to get tired. Or *look* tired, for that matter. She knows more than a few people who’d kill to have skin *that* pristine without moisturizer.

It’s so unfair, but she forgives him since he’s a nice guy who, more often than not, lets her clock out early.

Before Kasumi can start on her cadaver, her scalpel slips out of her hand. She curses faintly, bending down to see where it fell. It takes her a second because of the strangely fuzzy shadows under the gurney, but she spots it. When she goes to grab it, though, the darkened floor gives beneath her fingers and the scalpel sinks into it.

“What the hell?”

“Problem?” Her boss asks, looking over with concern.

“Uh, nothing,” Kasumi says, unsure of it herself. “I… should probably get some coffee. What was I thinking? Should’ve known one cup wouldn’t be enough, haha.” She stands. “Be back in a min—”

The sound of metal echoes throughout the nearly empty morgue when the corpse of Fushiguro Megumi arises from the gurney with a start and grabs Kasumi. He traps her with his arms wound tight around her like steel restraints, her back against his chest. She feels more than hears his animalistic growl, with his fangs mere centimeters away from the flesh of her neck.

“Oh dear,” Dr. Okkotsu says.

Kasumi screams when she feels the fangs break her skin, but suddenly, there’s movement faster than her eyes can keep up with, and she finds herself on the floor after being pushed away. The doctor is now the one restraining Fushiguro, pinning him against a wall, though it looks like it’s to some difficulty.

Fushiguro thrashes against his hold, face contorting into a snarl. His previously green eyes are now a glowing red. With fangs bared, he hisses and growls—the very picture of savage hunger without lucidity or self-awareness. A creature of pure instinct. A monster.

“Miss Miwa.” Dr. Okkotsu’s voice breaks through the cloud of her paralyzing shock. “The only way we’ll be able to calm him down is by feeding. I’m going to need you to go over to my bag and grab my thermos. Stand up slowly, no sudden movements.”

Kasumi stares at him with wide eyes. She wills her fear-stricken body to move, but it won’t listen to her. Her throat is constricting, and she can feel tears streaming down her cheeks. Damn it. What a time to be useless.

“Miss Miwa,” Dr. Okkotsu says again, calm and careful. “Please breathe. Deep breaths. Breathe in… then out. In… and out. That’s good. You’re doing very well. No, no, don’t look at him. Keep your eyes on me. That’s right; don’t be afraid. Just breathe. In… and out. In… and out.”

Slowly, the tears stop, and Kasumi’s mind regains a semblance of clarity.

“Now, can you stand?”

She nods. Dr. Okkotsu’s bag is all the way on the opposite end of the room. She turns her back on him and walks slowly. Her hands shake as she clutches at the zipper, but relief blooms in her chest once she’s finally got the thermos in hand.

Kasumi makes sure to keep her distance as she hands it over. She watches with bated breath as Dr. Okkotsu holds the feral vampire’s jaw open and pours the contents of the thermos down his throat.

At first, Fushiguro sags in his hold, but it doesn’t last. Whatever he’s been fed only agitates him further, and now the doctor must hold him back with greater strain.

“What happened?!” Kasumi exclaims, panic returning as both vampires sink up to their ankles in the shadows. “Why’d he only get angrier!?”

Her boss grimaces. “That was sheep blood. He wants a human.”

“W-What’s going to happen to me, Doc?” Kasumi sobs.

“Please calm down, Miss Miwa. Don’t worry. I won’t let him harm you, but you’ll have to work with me here.”

“Meaning?” She asks, more of a whimper than a proper utterance. She already knows the answer before he even says it.

“I’ll need to spot some of your blood.”

The tears flow anew.

“Breathe, Miss Miwa, please. Focus on the sound of my voice. Are you listening?”

Kasumi inhales shakily, but nods.

“Good. I won’t let him drink from you directly; that’s too dangerous. What you’re going to do is get a syringe and draw the blood out first. Can you do that for me?”

She nods again, less scared this time, and follows the doctor’s instructions. He reassures her all the way, and she lets his voice wash over her as she watches the syringe she’s holding fill up with her own blood. Dr. Okkotsu guides her into doing this a few times until she’s filled up his thermos again. It’s not enough blood loss to make her feel faint, but it’s a near thing.

Even though he takes care not to make her feel the pressure, Kasumi can hear from the shifts in his voice that what Dr. Okkotsu is doing—holding Fushiguro back—can’t possibly be easy, or something he can do indefinitely. She tries her damnedest to do everything in a timely manner, her heart pounding all the while.

Thankfully, second time’s the charm.

When the doctor holds the thermos against Fushiguro’s lips this time, he gulps down Kasumi’s blood eagerly. She sees him regenerate in real time as he feeds: the discoloration on his skin disappears, cuts and wounds close up, and bones pop back into place.

The shadows around the room lose their… fuzziness, or whatever that was, spitting back out the objects that had started sinking into them. Kasumi hears a *clang* as her scalpel reappears where she had dropped it earlier.

Exhausted, the fledgling vampire passes out in Dr. Okkotsu’s arms.

+++

Uraume is minding their own business on a night like so many others before it, surveying the grounds surrounding their master’s estate, when they hear the call.

It comes as a surprise, since Sukuna has tended strongly towards solitude these past decades. When he *does* leave the estate, it’s to hunt, a seldom thing, or on business with the covens, which is rarer still. Even Uraume only visits as often as they suspect he’ll tolerate, which is why they pack each trip with as much busywork as can be accomplished in a few scant nights.

By the time they reach the main house, the lamps and torches littered throughout have flared up with newfound ferocity. More exceptional than that is Sukuna, who has emerged from deep meditation in order to admire the moonlight with a thoughtful frown and a faraway gaze.

“What is it, My Lord?”

Sukuna regards them with nothing but silence for a long moment. He inhales deeply and closes his eyes—and then Uraume witnesses something, the sight of which they had almost forgotten: a smile on their master’s face.

“He has arrived,” Sukuna says. “The shaper of form. I can sense him, at last.”

“Will you search for him?” They ask, half a mind already drawing up a list of preparations, but Sukuna shakes his head.

“There’s no need. He will come to me, in his own time.”

+++

Megumi sits on a gurney under the harsh lights of the morgue, a blanket wrapped around his shoulders less for the cold and more for preserving his dignity. Because he can’t feel cold now. Or hot. Or, much of anything really.

He’s only half-listening to Dr. Okkotsu’s explanations about his current situation. He catches some fragments about the sun, garlic, and having to throw out his silver cutlery if he has any since it’s “as good for you now as those old radium-containing utensils were to humans.”

“Something on your mind?” Okkotsu snaps him out of his reverie.

“The woman… from the club,” Megumi says. “Is she okay?” She didn’t end up here like him and that bastard, this he knows, but there’s a wide berth between that and ‘okay.’

“I wouldn’t know,” Okkotsu admits. “But, based on the way these things go, she would have had to be taken into custody and questioned. If she could be held there for anything, it’d be for illegal firearm possession.”

“Oh.” Megumi deflates.

“Have you got any family, Fushiguro? A lover, perhaps?”

The questions make Megumi’s brows furrow. “A sister, in a coma. No significant other.”

“I see. You’re in university, right? What for?”

“To be a veterinarian.”

The doctor frowns at that, but it disappears quickly. “Well, if you ever change your mind, or you just need a job in the meantime, we have a few openings here. I can put in a good word for you.”

“Thank you,” Megumi says, sincere. Though, he can’t see why he would want to switch majors. And the job offer is nice, but he already has a part time job as well at a shelter. “And sorry… for earlier.”

Okkotsu smiles warmly. “It’s nothing. If there’s anyone you should apologize to, it’s Miss Miwa over there. You scared her real good!” He gestures at the technician across the room, who Megumi has noticed giving him nervous glances from time to time.

Megumi turns to face her. “Miss Miwa, I’m sorry I tried to kill you,” he tells her. “I wasn’t myself.”

She shakes her head. “Um… it’s fine. You’re forgiven. We’re both lucky Doc’s here.”

An hour later, after Miwa has clocked out for the night and Megumi is ready to go himself, Dr. Okkotsu taps him on the shoulder.

“You were distracted earlier, but we really do need to talk about blood,” he says, expression serious. “First off, how do you feel about it?”

“I… don’t like that I need it.” Megumi retreats into himself a touch. “I’d prefer not to drink any at all.”

Okkotsu huffs in slight amusement. “I figured. But you don’t have to be so scared. The image you have in your mind, of reckless feeders like the man who turned you hunting humans and draining them dry once the hunger becomes too much—that’s not your only option.”

“Oh?” Megumi asks warily.

“There’s blood bags, for one. Humans get those all the time, too, for transfusions. You can think of needing to feed as needing regular transfusions, if that makes it less unpleasant. Some vampires like to contract with a specific donor, to feed directly, so they always know where the blood comes from.”

Megumi grimaces. That doesn’t sound too appealing either.

“You have to feed regularly, Fushiguro, if you don’t want to lose yourself to the hunger again and hurt those around you,” Okkotsu says. “I was here this time, but you won’t always have someone to help. The vast majority of vampires aren’t like me; some of them would gladly use your hunger to control you.”

“What else is there?”

“If the thought of having human blood repulses you that much, there’s always animal blood. Most people who go this route choose pig blood, but personally I can’t stand it, so I go for herbivores like cows and sheep. Whichever you choose, you can take your pick of where to get it, too, since lots of farms and slaughterhouses sell blood on the side.”

“Okay. I’ll look into it,” Megumi says, not looking forward to doing that at all.

Okkotsu gives him a smile and a squeeze on the shoulder. “I’m glad to hear that. Good luck, and don’t hesitate to ask for help if you need it. You know where to find me.”

+++

There are a number of adjustments to be made.

First among them is Megumi’s dorm room with its east-facing window. It becomes a whole ordeal to get transferred since it’s the middle of the semester, but thankfully, he ends up in a new room with a north-facing window instead that’s easily blocked by another nearby building.

The sun in general is a pretty big and annoying thing to work around, but it could be worse. At least he lives in Tokyo now; in his rural hometown, it would’ve been impossible to get most things done after 6PM. The staff at the university hospital’s charity ward are nice about it, too, and haven’t given Megumi a hard time about mildly flouting visiting hours for Tsumiki.

He tries to put off the whole blood thing at first, but just like he had been warned, all the energy bars and instant ramen he has stashed in his dorm—which he’d been relying on since he first started living on his own—taste no better than loam to him now. Also, it’s jarring to suddenly become aware of how much of social interaction is structured around food and drinks now that that’s something he can’t participate in anymore.

When Megumi feels the first stirrings of *the hunger* deep in his bones, he wants nothing more than to simply ignore it. He goes out after sundown, aiming for the library, but that’s when he notices it. The smell of blood is *everywhere* around him: in that woman and her friend jogging across the quadrangle, in that old professor carrying a stack of papers, in that gaggle of jocks chatting loudly and animatedly on the grass. All of them are filled to the brim with that one thing his body wants. The hunger clouds his mind, tells him, ‘What of those books? Is that *really* what you’re concerned about right now?’

After that, he’s much less reluctant to make the trip to the nearest butcher. It feels like some kind of betrayal to his past self, who would never have willingly approached such a place, but Megumi’s more scared of the hunger now, so in the end it’s not that big a deal. The idea of pig blood disgusts his lingering human sensibilities, but at his first actual taste of it, any and all reservations are overtaken by the relief of being full, of clarity, of once again seeing humans as people and nothing more, and certainly not as food.

Blood situation taken care of, Megumi figures it’s time to stop slacking on his job and classes. Only…

It appears that Dr. Okkotsu—damn him—had conveniently failed to mention the part where any animal Megumi touches will now, at best, recoil aggressively from him or, at worst, go into a furious tantrum at his mere proximity. So that’s why he’d been so sure Megumi would need to switch majors.

His boss, coworkers, and the volunteers at the shelter are sad to see him go, and Megumi tries not to show it, but he’s just as dismayed about having to quit.

Guess he’ll have to see about that morgue job after all.

+++

“I’ve only been a vampire for a bit, but I feel like I’ve been dead for longer.”

“Why’s that?”

“Immortals in novels and TV shows are all depressed because they always outlive the people they care about, right? Well, that’s *been* my life, even as a human, after Tsumiki. Foods I used to enjoy taste like dirt now, and animals can’t stand to be around me anymore—which sucks—but other than that… it’s not all that different.”

“Megumi, can I ask you a rude question?”

“Go for it.”

“At dawn later, do you plan on going into the sun?”

“…No. Guess I don’t.”

“And do you want to go into the long rest, too, like me?”

“Not really.”

“I see. How about the morgue—do you plan on working there forever?”

“No. After a while, I’d want to do something different. I could switch to paleontology.”

“Now, I might be completely off-base here since only you can know for sure, but I’m getting a couple of things from your answers. First, at least *some* part of you wants to keep living. Second, you’re waiting for something, and you don’t want to miss it, so the long rest is out of the question.”

“Uh-huh. That thing I’m waiting for, what is it then?”

“What else could it be? It’s love.”

“Well, you’re wrong there. Love’s never even crossed my mind.”

“You better thank me, then! I might’ve just saved you from decades of obliviousness.”

“Nah, don’t think so.”

“I think it’s admirable, keeping a flame of hope alive in your heart. Wishing you the best of luck with that, truly.”

“Wh—you know what? Never mind. You’ll be in hibernation soon and I won’t have to listen to anything like this anymore.”

“Aww, I know you’ll miss me. That is exactly why you’re coming with me to Shinjuku tomorrow night.”

“I’m doing what now?”

“There’s someone I want you to meet, so even when I’m asleep, you’ll have at least one other friend who understands.”

“I thought you kept your distance from other vampires because things tend to get dangerous.”

“Yeah, I do, but this guy’s harmless. Might just be the most harmless one of them all, actually. I think you two’ll get along great—oh, don’t look at me like that.”

“If all that psychoanalysis was just a way to get me to—”

“Don’t worry, you’re not his type. Come on, what do you say?”

“…Fine. Drinks on you.”

“Attaboy. See you then!”

“But, if this turns out to be another blind date, you’re gonna wake up in a coffin 30 meters underwater off the coast of Egypt.”

“Sure, go for it, if that’s what it takes to make you go on vacation!”

+++

“Are you Dr. Megumi Fushiguro?”

“Who’s asking?”

“How lucky, I got to you first! Tell me, what does the name Toji Zen’in mean to you?”

Chapter 2: {1} Vestigial Aches + Notes (Part I)

Chapter Text

{0} Prologue: Woke Up Dead

How Megumi got turned; Yuuta Okkotsu and the morgue job; the long rest; Megumi being introduced to Yuuji so he has at least one other vampire friend after Yuuta goes into hibernation; Megumi taking over his boss’ previous position.


{1} Vestigial Aches

Meeting Gojo Satoru; the previous Zen’in Coven head went into the sun; the stipulation that if none of his previous sons or childers can agree on who becomes the next head, it goes to Toji’s firstborn child granted they’re a vampire; Megumi was turned by a nobody, no less, so he argues he shouldn’t even count, but Satoru claps back that nobody needs to know that—especially if Megumi’s lineage is validated by a formidable ensign; Megumi subsequently asking what the fuck is an ensign; Satoru realizing they have a ways to go (LOL).


Notes:

- Toji didn’t manifest vampirism at birth like most of the Zen’in children, and he refused to be turned. He all but said ‘fuck you’ to the coven and left to make a different life for himself. However, he still made a deal with the previous coven head to sell his kid back to them if said kid manifested vampirism. Megumi didn’t, though, so that didn’t really pan out.

- Toji’s still a deadbeat; fucked off when Megumi was in middle school.

- Megumi got turned completely by accident. He was cooling off in a nightclub after a long day at university (where he was studying to be a vet) as detailed in chapter 0.

- After Megumi got turned, the studying and training to be a veterinarian proved to no longer be feasible, as animals couldn’t stand to be around him now.

- By this, he was heartbroken, but he eventually reached out to Dr. Yuuta Okkotsu, the vampire from the morgue who helped him, and took him up on that job offer. That’s how Megumi ended up in his present job.

- He turned out to be quite good at the work. Since he was never the squeamish type, he adjusted with relative ease, and the odd hours worked out just fine for him, too.

- However, a couple of years into it, Yuuta deemed Megumi as good enough to run the place, and retired. He said the call of the long rest finally grew irresistible to him, and so he decided to follow it.

- The long rest is a type of hibernation for vampires, in which the sustenance of blood is replaced by uninterrupted sleep in a locked coffin, but it’s not possible for everyone. If you had to hunt your own human prey, and often, you couldn’t do it. Only those in whom the hunger was tempered enough that they could subsist on blood bags or animal blood could pull off the long rest.

- Yuuta would sleep in five-year cycles, with breaks of a few days in between.

- Apparently, Yuuta’s previous boss at the morgue, the vampire Dr. Ieiri Shoko, also retired and went into the long rest after a couple of decades working there. That had been over half a century ago. She’s even more extreme than Yuuta, only waking up once every 20 years.

- Yuuta, before going into his long rest, told Megumi that if he ever got too world-weary to continue on as he has been, if immortality started to weigh on him, the long rest might be a viable option due to Megumi’s diet and lack of affliction when it comes to the hunger.

- (Side note: for vampire blood-drinkers like Sukuna, the long rest is impossible.)

- (Side note #2: for all his time alive, Yuuji never considered the long rest because he swore that he’d live to the fullest and help humans for as long as he was able.)

- At Tsumiki’s bedside: “Would you want me to turn you? You’ll regenerate, so you’ll be healthy again, but you can never see the sun, and you’ll have no choice but to drink blood. Do I want to subject you to this? Am I *that* selfish so as to foist immortality onto you just because I miss you so, so much?”

- Satoru is able to convince Megumi to give the covens a chance by baiting him with, “Don’t you want to know what happened to your father?”

- As for what happened to Toji, he’s supposed to have died several years ago by Satoru’s own hand—an act of assistance for the likes of Naoya and the other Zen’ins.

- Toji worked as a hitman-for-hire, specializing in vampire targets due to his extensive knowledge from having grown up in Zen’in Coven. Not a vampire hunter, but a mercenary. He doesn’t care whether the targets are innocent or craven; he just wants the money.

- Toji was quite a challenge for any vampire to contend with because he had a peculiar ability as far as humans go: resistance to being glamoured.

- In actuality, as Toji was dying, Naoya spirited him away and turned him against his will. (Remember: Toji left the coven because he didn’t want to be a vampire, and instead chose an independent, human life.)

- Since then, Naoya has kept him as this sort of beloved captive. Turning had only intensified Toji’s resistance to vampiric abilities, though. Now, he wasn’t just immune to glamour, but most other vampire abilities like the rare-ish mind-reading/telepathy, which Naoya happens to have.

- In all his years as Naoya’s prisoner, Toji hasn’t said a word. However, Naoya can feel his displeasure, as everyone in the family knows that the last thing Toji ever wanted was immortality. In a way, becoming a vampire was a fate worse than death for him.

- This state of affairs seems to bother Naoya greatly, and he has told Toji before that he would come around, confess all he knows, and become cooperative; Naoya would make him, no matter how long it took. They had all of eternity to spend together, and he said that he was sure it would only be a matter of time before he wore Toji down.

- Naoya also appears to take great pleasure in ultimately being Toji’s sire.

- Toji never feeds willingly; he’d rather die. Naoya always has to force him, and it’s never easy. In most cases, Toji is able to physically dominate him and hold his ground, so Naoya often has to wait until Toji is so near death that he can’t resist Naoya forcibly feeding him blood.

- No one else in the coven knows about this whole captive situation, though Jin’ichi has his suspicions. He certainly believes Naoya is psycho enough to do such a thing.

- The first vampire… conference? Convention? (insert name) Megumi has to attend is basically a costume party. The vampires in attendance are dressed in period-appropriate attire from when they were born or turned. No one’s dressed in anything newer than Taisho era clothes. The purpose of this is apparently to project status in the form of age.

- It takes place in an ancient high castle atop a mountain somewhere in Hokkaido during the winter solstice, and is thus called the “Midwinter Conference.” There’s another one that takes place during the summer solstice called the “Midsummer Conference” and it ‘usually’ takes place in Kyoto, but the actual venue is variable and always hotly debated.

- Megumi doesn’t get any of it. He was just invited “by default” due to his newly inherited (also “by default”) status in Zen’in Coven.

- Even Satoru, in his Meiji era military uniform (that of a private), is compliant with the theme. The only anachronistic part of the outfit is his super thick, super dark, polarized, and mirrored sunglasses (round with steel frames). Megumi doesn’t have to look for more than a second to know it’s designer, luxury, and custom-made. Satoru says this whole exercise is just like cosplay and that it’s fun.

- Satoru also gleefully points out to Megumi all the people who are faking by dressing older than they really are. Megumi asks if any are dressing younger than they are, and Satoru laughs at that question. He answers, no way; they’re all afraid of actually being mistaken for someone younger (and, therefore, of lesser status). Meanwhile, the ones ancient and prestigious enough to pull it off are too proud and elitist to dress any younger. They take every opportunity to parade their age and ‘superior values.’

- Satoru then says it’s about time he does the rounds, and asks if Megumi would like to come along and be introduced. He’d rather not, so Satoru just leaves him be with a pat on the shoulder.

- Left alone, Megumi makes his own way around the venue. He figures he probably should’ve come with Satoru for the sake of the investigation about Toji’s whereabouts, but he would’ve wanted to tear his hair out after a little bit due to how fast that would deplete his already very limited social battery. Also, the stuck-up vampires in historical cosplay are just too much.

- After walking around for a while through the pompous cliques and glamoured humans being led around as hors d’oeuvres, Megumi spots a man in a sleek, modern suit standing by a large window overlooking the scenery below.

- Megumi thinks, ‘Finally, someone close to my age who looks just as out of place’ and decides to approach him. As he sidles up beside the man, his nose is all but assaulted with the intoxicating scent of blood and spice, iron and jasmine, power and charm.

- “Hey. What a party, huh,” Megumi greets in what he hopes is a casual way, only to damn near have the wind knocked out of him when the other vampire turns to face him. A handsome face with all black tattoos and a commanding pair of golden eyes meet Megumi’s own.

- At first, this vampire’s stare is imperious, but it quickly shifts into one of curiosity as his lips curl up into a smirk. With fangs bared, he asks, “And who might you be, sweetheart?”

- Fuck, that voice sends shivers right down his spine, but Megumi does his damnedest not to let it get to him. It’s been a while since he had to contend with an instant attraction that’s *this* intense. “Dr. Fushiguro Megumi,” he says. “Of Zen’in Coven,” he adds hastily, since that’s supposed to matter here.

- The stranger perks up. “Zen’in?” He inhales deeply. “Where the *hell* have they been hiding you all this time?”

- “I… haven’t been hiding. The whole coven thing is new, but I’m adapting,” Megumi says.

- The vampire scoffs. “You mean to tell me you’re an initiate?”

- Megumi hadn’t been looking forward to explaining this, especially now when this attractive stranger is making words more difficult than they normally are. He settles on, “Not exactly. It’s complicated.”

- The stranger subtly angles his entire body towards Megumi, giving him his full attention. “Tell me, then, darling. It bothers me that I’ve never heard of you before.”

- A while later…

- “Gojo-san, how old is that vampire in the Armani suit?”

- “Oh shit. What happened?”

- “I might’ve been unspeakably rude by vampire high society standards, not sure yet.”

- “Really? And you got away unscathed from an encounter with the Demon of Heian?”

- “Hey, real quick: what the fuck does that mean?”

- “That means, my dear summer child, that you just met Ryōmen Sukuna—the oldest and most powerful vampire in Japan.”

- “*What?!*”

- “Damn, now I wish I could’ve seen *that*.”

- “Ugh. Does this call for some kind of apology? Which coven’s he from?”

- “None of them, Megumi. He’s the reason we have covens in the first place. A thousand years ago, give or take, Ryōmen Sukuna murdered every ancient and powerful vampire until he was at the top of the food chain. Those who survived that ordeal formed the Zen’in, Kamo, and Gojo covens to prevent that from ever happening again.”

- Megumi’s blood ran cold. “Shit.”

- “Fuck me, this is hilarious! You’re lucky he has a pact with the covens, or else he could’ve killed you right then and there!”

- “He’s so evil, and yet he’s still invited here?”

- “Well, if you think about it, the founders of the covens were only able to come to power because of the massive vacuum he left. In terms of age and power, they were nothing relative to the ones who got killed. In some sense, they owe their legacies and fortunes to the guy who cleared the way. And since then, Sukuna has honored his pact not to harm the covens and their members. In fact, he’s even saved each of the covens from annihilation at least once. Whenever a war broke out, and it looked like one of the original three covens would be completely decimated, that’s the only time he’d intervene.”

- “Why?”

- “No idea! That’s another thing about vampires you ought to learn: the older, the more inscrutable the motive. Things are never what they seem in this world. I reckon you got lucky this time; someone at an event like this flouting etiquette so blatantly has its novelty when you’re so old and powerful that everyone either grovels or envies. Still, you need to be careful.”

- […]

- “Why don’t you dress your age?”

- “Everyone knows when I’m from, sweetheart.”

- “I didn’t.”

- “Well, that’s hardly my fault, now, is it?”

- “You’re aggravating.”

- “And yet you can’t stay away.”

- Sukuna’s holding a wine glass filled with blood. It has a peculiar smell to it, but Megumi can’t tell what’s been added in just by scent.

- […]

- “I don’t feed on humans for the same reason humans don’t eat grass. Grass is for fattening up their cattle, and that’s what they eat.”

- “If you see your fellow vampires as cattle, what does that make you?”

- “You haven’t heard? They call me a demon.”

- “I couldn’t care less what they call you. What do you call yourself?”

- “Alive. More than the humans, more than all these dullards.”

- […]

- He laughs. “You fascinate me, Fushiguro Megumi.”

- “Well, I don’t find you all that fascinating.”

- “You will.”

- […]

- The reason why Sukuna is the oldest and most powerful vampire in Japan is because, around a thousand years ago, he went on a murder spree and slaughtered everyone older than him by draining them dry. In doing so, he grew his own power tremendously and gained some of the powers of the vampires he’d drained, as well as access to their memories.

- The reason covens were formed was initially to protect new vampires from him—an effort undertaken by all those he did not target.

- The coven leaders, of course, also had a project to ultimately kill Sukuna as revenge, and relentlessly tried for about a century or so.

- Eventually, Sukuna grew tired of their attempts, and struck a deal with the covens. In exchange for leaving him the fuck alone, he would have to swear not to target any vampire affiliated with the covens (three at the time).

- Sukuna easily agreed to this because he had no plans of targeting them anyway. Though none of them understood it at the time, the terrifying murder spree was always meant to be a one-time-thing. Now, he just wanted to wait and observe. For what, nobody knows; whatever ancient knowledge must be informing his plans, no one else had access to.

- At the same time, the leaders of these newly formed covens ultimately understood that it was Sukuna’s murder spree that had allowed them to reorganize Japanese vampire high society in the first place and put themselves at the very top, so there was that.

- Sukuna never started a coven, never got married, and never had any children. He didn’t turn any childers of his own, either, because he had an *immense* dislike of humans. For this same reason, he only hunts and feeds from fellow vampires.

- However, Sukuna sometimes chooses to nurture young vampires in whom he sees potential or special abilities by allowing them to partake of his blood and training them. Examples: Uraume, Noritoshi Kamo (original), Kaori (NOT an Itadori in this), Mahito.

- A few times, Sukuna chose childers of prominent coven vampires, which caused him to butt heads with the leadership, but they couldn’t really do anything about it since it wasn’t in blatant violation of Sukuna’s pact with them. And besides, those protégés always ended up stronger as a result.

- In the leadup to World War 2, as Gojo was rising to prominence, Sukuna actually offered him his blood and to make him a protégé—but Gojo refused. He believed that he could reach his full potential on his own and even promised to surpass Sukuna in power one day. Sukuna was just like, “Yeah sure, good luck with that.”

- Sukuna didn’t necessarily demand his protégés’ loyalty or service; those who serve him do so willingly. Those who don’t, he’s happy enough to see them reach their true potential. But, those who betrayed or wronged him in some way, he would personally hunt and drain dry.

- (“How strong must he be to see other vampires as the only worthy prey?”)

- For his diet, Sukuna earned the moniker ‘Demon.’ Due to his legendary murder spree (referred to as “The Culling” or “The Great Culling”), immense power, and memory of his albeit short-lived demon body, he’s also called the ‘Demon of Heian.’

- Sukuna and Yuuji are foils of each other. Yuuji has zero romantic or sexual interest in Megumi, is a genuine friend to him, adores humans, wishes he could return to a human life, and only drinks animal blood. He has also been known to protect humans from reckless feeders regardless of status or coven affiliation.

- In the “attitude towards humans” scale, Megumi is right down the middle of these two. Gojo, meanwhile, is quite far into Yuuji’s end. He wants to reform Japanese vampire high society so much in order to have a more peaceful and mutual coexistence with humans. Symbiosis, as he would put it.

- And, judging by Gojo’s affinity towards humans, Sukuna eventually came to realize that he probably dodged a silver bullet by not making him a protégé.

Chapter 3: {2} Yuuji Continuation

Chapter Text

- Surprise! Yuuji is ancient.

- After *way* too many suspicious little things finally click in Megumi’s mind, he asks him with slight horror, “Itadori… how old are you?”

- Yuuji takes a moment, humming thoughtfully with a finger on his chin. Then, he laughs. “Okay, so it’s kinda embarrassing,” he says. “I don’t remember the exact years I was born or turned since we counted differently back then. But… around a thousand?”

- “A thou—how come you never said anything?!”

- “Well, you never asked! I thought you knew!”

- “How the hell could I? You act like you very well could’ve been turned a couple decades ago!”

- It’s not just the years Yuuji was born and turned that he doesn’t remember, but also his human life and basically everything about Sukuna. That’s partly why he’s so invested in humans and their lives; he longs to recall and return to his own.

- Yuuji’s backstory is pretty tragic. He woke up newly turned in a dark, wrecked, bloody mansion with his entire family dead—and he had no memory of how he got there or what exactly happened.

- If he really reaches into the deepest recesses of his blocked out memory, the earliest/only things he can remember before waking up in that house are the sound of bells and the sight of the moon partially blocked out by some kind of gateway, like the entrance to a shrine.

- Due to his newfound vampirism, he figured he must’ve gone on a hungry rampage and blacked out after he drank his fill. To this day, he feels horrible about that and swears he’d use the rest of his unlife to atone for this sin by never again consuming human blood and trying to help any humans he comes across.

- Sukuna erased Yuuji’s memory using a peculiar type of glamour he got after his legendary murder spree. This is because Yuuji’s the only family he has left (first cousin) and despite everything, Sukuna couldn’t do it back then. Many times over the centuries, Sukuna has chastised himself for not just finishing the job.

- Due to his penchant for protecting humans and messing with reckless feeders regardless of coven affiliation, Yuuji often put himself in horrible graces with the covens, so Sukuna figured they’d kill him eventually, but Yuuji somehow always got out of it alive.

- In the present day, Sukuna can no longer use the memory-wiping glamour. He lost it. This is because during that one century where the newly formed covens did nothing but try to kill him, they tried to poison him once. Sukuna was able to drain the poison out of his body by basically performing bloodletting on himself, but at the cost of some of the powers he acquired from the legendary murder spree.

- What Yuuji forgot: he didn’t kill any of those people in the house where he woke up with no memories. Sukuna did, after his legendary murder spree. He went back to slaughter the rest of his family so that no one would 1) use them against him or 2) learn anything about him.

- Yuuji wasn’t turned then, either. He’s a natural-born vampire.

- Wiping Yuuji’s memory instead of killing him was a split-second impulse-fueled decision. Whether it was emotionally driven, or simply because some part of Sukuna thought Yuuji would be more useful to him alive, even he can’t say for certain now.

- Though, the Shrine’s foretelling does tell Sukuna that Yuuji may very well be the first vampire to conquer the sunlight.

- Shit went down sometime in the Taisho era between Yuuji, Mahito, Junpei, and Nanami. (Back then, Satoru was a like tween by vampire standards, weird to imagine!)

- Basically, Yuuji did his usual thing: saving humans from reckless feeders (Junpei in this case), but this time, he happened to mess with the second-in-command of a rebellious, breakaway faction now calling itself Amanai Coven (led by Kenjaku). As revenge, Mahito brutally toyed with, maimed, tortured, mutilated, and ultimately killed the one human Yuuji was closest with at the time: Nanami, a vampire hunter.

- The two of them connected over their shared hatred of vampires’ predatory behavior towards humanity and desire to save humans. Yuuji eventually came to consider Nanami as the love of his life. As Nanami lay dying, Yuuji begged for permission to turn him so Yuuji could save his life, but Nanami refused, saying he wouldn’t be able to handle an immortal existence.

- This is the main reason why Yuuji gets along so well with Yuuta: they understand each other as both having fallen madly in love with humans and subsequently lost them violently, and partly due to their own actions.

Chapter 4: {3} Sukuna’s Ensign — The Shrine (宮)

Chapter Text

- (“Legacies are for the dead. Bloodlines are for the mortal. I am eternal. I, alone, will remain.”)

- (“Humans flocking together, vampires flocking together. Families, covens, clans. Nothing but self-imposed restraints. Humans and vampires alike are obsessed with purifying the blood; with controlling the lives and deaths of their sons, daughters, and childers—but that is not something they can plan. Strong blood exists with no regard for lineage, and wherever it exists, I nurture it. Adaptation is continuous. Trying to cage in strength by creating your own nursery breeds nothing but stale, spoiled weakness.”)

- Sukuna’s ensign is called the Shrine. Its main ability is to serve as a bridge between the ancient past and the distant future in the form of a domain-like space. It has three sub-abilities: the Blades of Ritual Sacrifice, the Offerings, and the Hearth.

- Through the Shrine’s Pillars of the Past, one is forced to grapple with one’s ancestors, their histories and downfalls, in order to face the horrible truths stored in the blood. This is very effective against coven vampires, for they are typically bound by their lineage which afforded them pride and prestige, yet that same lineage could so easily be used to chain them and weigh them down when they are confronted with its totality.

- The Shrine may also glimpse Wisps of the Future, foretold and predestined, but slippery and deceptive. The future is not of stone, but of smoke.

- (“A millennium passed / Unholy pact of blood undone / For the Crypt against the Eye / Shall find the all-seeing deceived / By the shaper of form in defeat”)

- The Shrine’s Mists of the Future may prove madness-inducing or even fatal to unaffiliated vampires. Those without sires, coven, or kin had no stability or longevity in their blood; they could grow weary of the world and step into the sun any day by their own whims alone. One bad day can rend an eternal existence into nothing.

- Find oneself offered up to the Shrine, be it for crimes or irreverence, and one cannot do much but try and fail to withstand the Blades of Ritual Sacrifice. Those protégés who had betrayed him or wronged him, Sukuna would have them held up in the air at the center of the shrine grounds, skewered by ritual blades in every direction until the very last drop of their immortal lives drains out of them and they return to their rightful master.

- It’s thanks to the Offerings that Sukuna was able to manifest some of the powers of those vampires whose blood he’d drained in the legendary murder spree. Notably, this doesn’t work in situations where he just exchanges blood with someone, as is the case with his protégés; he has to drain them dry for the offering to be received.

- The Offerings is what really sets the Shrine apart from other ensigns.

- One of the first abilities the Shrine accepted as an offering is a form of fire manipulation incorporated therein as the Hearth. Aside from being a very useful offensive ability, the Hearth also allows Sukuna to “see” or detect the presence of other vampires as a little invisible flame.

- It was due to a combination of the Shrine’s foretelling and the Hearth that Sukuna felt when Megumi was turned. (“The shaper of form has arrived.”)

- It was foretold that the bearer of the Crypt would be borne of one of the three (original) covens, another reason Sukuna made his pact with them and was overall mostly cooperative over the course of the following millennium.

- Due to the pact he made, Sukuna had to be a neutral party and never blatantly favor or target any coven and members thereof. However, he did skirt this a few times with those high-ranking coven protégés he took on, as well as when he dipped into coven conflicts.

- Whenever one coven seemed like it would decimate another to the point of destruction, or two covens would gang up on the third—Sukuna intervened, just enough to prevent the total annihilation of any of the three original covens. He never did this for any of the subsequent covens that would arise, and he’d ignore any requests for intervention.

- Thanks to vampiric nature, this has happened a handful of times throughout the centuries, and every single one of the Big Three Vampire Covens owes him at least once for preventing their total destruction.

- However, after Sukuna met Megumi, all bets were off. The covens could bathe the country in an ocean of blood while destroying each other for all he cared; the shaper of form had already arrived.

- When Megumi enters the Shrine, Sukuna appears with his demon body.

Chapter 5: {4} Megumi’s Ensign — The Crypt (墓)

Chapter Text

- Megumi’s ensign is called the Crypt. Its main ability is shadow manipulation in various ways. It has two sub-abilities: the Void (manifests like a domain, and allows him to take away others’ ensigns and destroy lineages/blood ties such as those between sire and childer or between a biological parent and child/siblings/etc.) and the Deluge (water-related).

- The Void is a really funny ability, if you think about it. Megumi can listen to a pair of delirious vampire lovers wail about how they can never marry or be publicly together because they’re half-siblings or something and Megumi can just be like, “No, you’re not” and that’s that.

- Sukuna refers to Megumi as the “shaper of form” due to the Shrine’s foretelling ability. (“One worthy of your worship shall find you.”)

- The Shrine and the Crypt are complementary. (“For a thousand years, I have been the keeper of an empty shrine, awaiting its rightful deity.”)

- (“Shadows by themselves are mere impressions, hopeless at capturing the depth that cast them. However, their limitations allow them to be deceptive about their origin, to misdirect with false hints and omission. Those you touch change in form when you shape their shadow. From impressions, from nothingness, spring forth mass and depth. That is your ability. That is what you can create.”)

- Sukuna wants the Crypt’s ability in order to get back his ‘real’ body (i.e. demon body) which he gained through the Great Culling a thousand years ago, but lost quickly after.

- Megumi doesn’t fully awaken his ensign until he’s had his first taste of Sukuna’s blood. Recall that Megumi was turned by accident, and his sire was a complete stranger who died immediately afterwards. The ensign was latent in him due to his Zen’in blood, Toji’s influence, but he couldn’t fully manifest it on his own.

- Still, there are hints. A shadow (ha) of his true ability could just barely be glimpsed in the way he sometimes lost objects (unknowingly stashing them in his shadows) only for them to reappear later in places where he thought he’d already looked and found nothing.

- The Crypt also partially manifested right after Megumi was turned, when he woke up in Yuuta’s morgue: Miwa’s displaced scalpel slipped into the shadow under Megumi’s gurney, other gurneys and objects either slipping in or becoming misshapen while Megumi was sizing the others up, etc.

- Fully realized, the Crypt could allow Megumi to freely manipulate objects through their shadows, even so as to create more shadows for himself to use in combat/to shield against the sunlight/etc.

Chapter 6: {5} Satoru’s Ensign — The Eye (目)

Notes:

it’s better if you dance along

(See the end of the chapter for more notes.)

Chapter Text

- Satoru’s ensign is called the Eye. It’s useful for a handful of stuff.

- If he focuses, he can see through people’s skin into their insides, or past them entirely. This is how he can tell when people are lying; there’s a physical reaction. Still, he only knows that because he’s trained in reading all these internal signs and what these body parts are supposed to look like in different circumstances. He can also very accurately tell the extent of someone’s injuries, or if they have some kind of illness.

- Satoru recognizes people more by what their brains look like than what their faces look like.

- The Eye’s also very useful in fights, of course. He’s trained himself to read what someone’s going for, what part of their body will move next, to where and in what way, their weak points, how much longer they can last, or if they’re even worth fighting.

- He can catch really fast moving objects and faraway objects as well. Guns and bombs are pretty much useless against him, as he’ll either dodge or catch and throw it right back. Yes, even nukes. Any weapon humans or vampires can come up with is utterly useless against Satoru. That’s just how the Eye works!

- The amount of information is overwhelming, just like in canon, thus he wears shades here, too.

- Works on objects, too, of course. He can see through some walls if they’re not that thick and solid. If he looks intently at the sky during the day, he can easily see the stars.

- The one downside to the Eye is that it makes Satoru’s eyes really weak to sunlight, burn up easily in it, and it takes a while + lots of blood to regenerate. This is bad news, considering Satoru is already very weak to sunlight; he’s been like that since the day he was born.

- (“If you drink the blood of the vampire Itadori Yuuji, it’s possible you’ll overcome this weakness.” -Sukuna)

- Deciding on Satoru’s ensign was a no-brainer :P

- Arising from the Eye’s peculiar properties, Satoru also has the power of flight, pseudo-glamour, and needs very little blood to survive (as long as he doesn’t injure his eyes). He can easily survive a year without drinking a single drop of blood, and is probably the only vampire capable of doing this without going into the long rest first. Satoru never has and never will go into the long rest, though. Why not? Nobody knows. No matter who asks, he refuses to tell them.

- In the timeline of the story, Satoru is around 130 years old. He was born in 1888 as a natural vampire, from a vampire father and human mother (who died in childbirth). He became the head of Gojo Coven after World War 2, and is the youngest to ever become one—at 57 years old.

- Utahime, his father’s highest-ranking childer, absolutely hates him for this. She never gets tired of reminding Satoru that she’s 20 years older than him.

- (“So you’re one of them? From Zen’in Coven?” / “Nope! I’m the current head of Gojo Coven. And you’re about to break my record for youngest coven leader in history.”)

- He’s very powerful, but also highly disliked, mainly for 1) his affinity for humans, 2) always taking sides especially in human affairs, and 3) his horrible personality. Everyone within and without Gojo Coven loves calling him a usurper and saying that it should’ve been Utahime who got to lead Gojo Coven after WW2. Gojo’s feelings on the matter? No comment.

- (“You can’t put the fire out from inside the house. As leader of Gojo Coven, you’ll always be complicit.” -Megumi)

Notes:

seriously.

Chapter 7: {6} Uraume’s Ensign — The Storm (嵐)

Chapter Text

- Uraume’s ensign is called the Storm. It allows them to manipulate the temperature of water (H₂O) however the fuck they want, such as drawing it out of moisture in the air in order to have water or even ice. At full strength and over a large area with ample humidity and clouds, they can even create rain and snow.

- They are very, very old. Heian era old. According to Sukuna, Uraume is also quite old-fashioned. They don’t believe in the “newfangled” coven structures that were invented after Sukuna’s legendary murder spree—but instead in the old, old, old and strict clannish structure between one grand sire and their childers, and their childers, and so on. Human family structures, marriage, having biological children to have born vampires, and taking on initiates—all of these are forgone.

- To demonstrate their singular loyalty and dedication to Sukuna’s cause, Uraume slaughtered their own sire and all her childers, effectively ending her line. It was a difficult process, but they survived it, and then they were rewarded by partaking in Sukuna’s blood.

- Sukuna never has, never does, and never will talk about Uraume’s past no matter who asks. Uraume is Uraume, simple as. Anyone who tries to dig up any dirt about them will probably get skewered by the Shrine if Sukuna is in a particularly bad mood that day.

- They won’t put it into words due to Sukuna’s hatred of the sire/childer dynamic, but Uraume considers Sukuna to be their true sire. THE SIRE WHO STEPPED UP!

- Over the centuries, Uraume has gradually built up their own clan of sorts, having many childers. They know Sukuna holds some resentment over this, but it’s more important for them to have places to go and allies to provide them with anything they could need in order to assist with Sukuna’s mission. And both of them consider humans untrustworthy and unreliable, so.

- Uraume is also aware of Sukuna’s peculiar diet, and is happy to provide him with vampiric blood bags or their own blood, though Sukuna always refuses that second option.

- Fun fact: Uraume’s “clan” is pretty much its own faction in Japanese vampire society. They’re not part of the Zen’ins, Kamos, or Gojos… and yet, they’re also not randos. Uraume’s people can be allies sometimes, adversaries other times, be there a lot and annoy the coven vampires, or disappear and never return.

- The covens simply do not know how to classify Uraume’s people, which is partly why Sukuna is always being called upon to attend events they organize. The covens know Uraume is old as fuck and tight-lipped and will never explain themself or their actions, so they instead demand that Sukuna explain things to them.

- Sukuna backstory time!

- “I had spent my whole life waiting for, preparing for, and fearing even the mere mention of the shrine’s master. To that little child I once was, he was this great beast who presided over life and death itself. However, when I finally saw him for the first time, the ghoul displayed only the basest of urges: he ate; he fucked; he slept; and he lived in fear and paranoia of his own nonexistence. For all that time, it was this disgusting, simple fool who had played god in the eyes of all the shrine’s denizens. It was he who had invented all the complex and esoteric rituals that had been forcefully ingrained into my mind, body, and blood from the moment I emerged from my mother’s womb. I thought, this can’t be all that there is. *He* can’t be all that there is—the supposedly superior being at whose feet we were all expected to grovel. And if there really was nothing out there stronger than him, then that’s exactly what I would have to become.”

Chapter 8: {7} Bookend (for now) + More Notes

Notes:

(See the end of the chapter for notes.)

Chapter Text

Some elaborations on SKFS’ relationship in this agenda/AU:

- It’s extremely important to note that nowhere, at no time, ever in the story does Sukuna force Megumi into anything or trick or violate his trust / body / emotions in any way.

- Sukuna just waits and listens. He only intervenes when others get too regressive or too self-destructive.

- Otherwise, Sukuna keeps his silence as much as possible and operates with strict need-to-know basis and impeccable opsec.

- Sukuna has a *deep* understanding of the flow of blood, the flow of life, the flow of resources, the flow of information, the flow of fortune, and the flow of calamity. He *knows* that forcing his way will only lead to more sore losers feeling resentful and thus scheming or plotting… or more rowdy malcontents grumbling and brawling and creating more messes to clean or sort through. All of this folly just wastes more and more time. Enough.

- Sukuna is not a hero, not a savior, not a warrior, not a soldier, not a pastor, not a nanny, not a janitor, and not a lover. It is *not* his job to fix the lives or conflicts of other vampires (or anyone else, for that matter). He has his own agenda, and everyone else’s bullshit is just a series of distractions and abstractions that—intentionally or not—take him farther from his ultimate goal. He is BORED!!!

- Sukuna will give hints or clues to vampires he sees as having potential, but afterwards, he just leaves them be to either figure it out or eat shit and die about it. He already said enough.

- Sukuna does not respect, or trust, or forgive, or validate, or dignify. He *just is* the most powerful vampire in Japan, and gives absolutely zero fucks about what everyone else calls him or tries to do to him.

- They are free to try.

- Uraume is the only one who really respects Sukuna at first and keeps his secrets and works for his endgame—but not as a mindless puppet.

- A more accurate term for describing Uraume in relation to Sukuna would be as a “disciple” or “devotee”. Never forget: Uraume is non-binary. SINGULAR they/them/their/theirs. Their genitals or other anatomy are NONE OF YOUR MOTHERFUCKING BUSINESS.

- Uraume has their own desires and means, which they believe will further Sukuna’s goal. They are not equals—and both of them know and accept this.

- Sukuna dislikes Uraume’s dogged traditionalism, but he doesn’t force them to be or do anything they’re not prepared to do either.

- Sukuna just makes his displeasure or resentment known when it’s necessary… and then Uraume is free to either comply or insist on what they wanna do.

- Sukuna already knows what he wants: the full-powered demon body. And he already knows the only vampire with the right ensign to help him obtain it: Megumi.

- Sukuna is immortal and powerful as fuck. No need to rush. if it takes 80 days or 8000 years for Megumi to realize his full potential—that *DOES NOT* matter to him.

- Sukuna will be eternal, keep on going for as long as necessary, to get what he yearns for.

Notes:

WHERE TO GO NEXT: i recommend my witch/demon au skfs agenda called “greet oblivion with a kiss”—which will be posted shortly.

if you are interested in my other jjk treatises, they’re also find-able on here. my favorite pairing is actually gonao and not even gege akutami showing up at my house to have me die by his sword can ever take that away from me!

the next most interesting jjk ship to me is the timey wimey fucksty triad of gegoyuu. however, i also have soft spots for just gojo/yuuji, geto/yuuji, nanami/yuuji, and sukuna/yuuji. yuuji is a dilf magnet; idk what to tell you.

all of these require different levels of profane and taboo for me to find them interesting enough to work upon, but i don’t shy away from anything, really. the only thing i can’t stand is constant unending violation where the violator never stops and the violated never learns. that is boring. or, sunshine and rainbows fluff achieved through denial of the rough edges of a ship. fluff for me has to be earned, deserved, and commensurate to the characters involved.

i’ll gradually release my stuff over the coming days. look forward to it… or don’t.

Chapter 9: {8} a prelude to the 9th chapter

Chapter 10: {9} Kenjaku’s Ensign — The Fork (別) + Naoya’s Ensign — The Beat (調)

Notes:

NEW SOUNDTRACK!

(See the end of the chapter for more notes.)

Chapter Text

And finally, the last two missing puzzle pieces to complete this AU as we’ve come to understand it so far.

Unfortunately, neither can be discussed alone.

Fake Suguru Geto / Noritoshi Kamo / Kaori / Kenjaku is basically a sentient ensign.

The ensign itself is super fucking ancient. Pre-Sukuna level ancient. Pre-Uraume level ancient.

The Fork also has many names in different languages and cultures: Trident, Spear, Halberd, Polearm, and others.

What matters is that during Sukuna’s Great Culling to bookend the Heian era, he managed to consolidate its power. However, this came at great personal cost to Sukuna himself.

The Fork is the one ensign Sukuna could never handle. It caused his short-lived demon body to be really difficult to control, prone to tumors, and prone to contamination—especially when exposed to anything human. Specifically, human bodily fluids.

Human semen, human blood, human saliva, human stomach acid, human spinal fluid—literally anything in a human body that isn’t the skeletal system.

This is a major reason as to why Sukuna leads such a restricted life. All he associates with humans is gross cooties and the memory of him having to perform bloodletting on himself after being poisoned—thereby losing his cool epic swag demon body shortly afterwards.

However… after that fateful bloodletting, the Fork was released right onto fertile soil. Rice fields. Irrigation. The water supply.

The Fork was then able to incubate itself through every form of life that depended on those crops.

The first human whom the Fork was able to take full control of was Noritoshi Kamo. Yes, *that* Noritoshi Kamo. And the Fork as Kamo proved to be way more ruthless and cutthroat than even the entirety of Japanese vampire high society could ever hope to contend with at that time.

Thus, at the height of Noritoshi Kamo’s folly and with Kamo Coven nearing total destruction (after the usually forever-nemeses Gojo and Zen’in covens agreed to a pincer attack to annihilate the Fork once and for all), Sukuna intervened.

Back then, Satoru and Naoya were still kids by vampire standards, but they witnessed the final battle between Sukuna and Noritoshi Kamo: Sukuna propelled himself atop Halley’s Comet and stood over the Sea of Japan, slowly letting the saltwater reclaim every last bit of fluid in Noritoshi Kamo’s body so as not to give the Fork a chance to mess shit up again.

However, even Sukuna could not keep at this come sunrise. Thus, Sukuna took a portion of the comet he was standing on and fashioned it into a unique magmatic container/coffin of sorts for the corpse of Noritoshi Kamo. Always hot. Always dry. No chance for any fluids to muck anything up again.

Then, Sukuna threw the ominous thing right into the sea with all the strength he could muster.

Then, he fled just in time for dawn.

Satoru and Naoya—as both natural-born vampires and presumptive heirs to their covens—would subsequently be defined by their respective reactions to this battle.

Satoru would develop a lifelong disdain towards Sukuna. He thinks that the power and sway Sukuna holds over Japanese vampire high society has no valid basis. He’s just the same beastly criminal as everyone he culled *AND* everyone he didn’t cull, who would then form the covens.

Meanwhile, Naoya would develop an obsession with digging up that encased corpse.

This is because Naoya, despite his supposedly pure and correct lineage and so many extra vampire abilities, had no ensign. And so, he would spend the rest of his unlife trying to dig the Fork back up.

In the 1920s, when Naoya succeeds in fishing the corpse containing the Fork out of water, the Fork attaches itself to a human surgeon who works for the Zen’ins named Dr. Kaori. Almost destroys the entire Zen’in Coven, too, which makes several low-ranking vampires prostrate themselves at Sukuna’s feet—begging him to intervene again.

However, Sukuna refuses. When asked why, he also refuses to elaborate.

The last survivors of Zen’in Coven then turn to the only other vampire whom they believe has an ensign that could possibly stand a chance against the Fork: Gojo Satoru.

By the time Satoru arrives at the scene, it’s a really fucked up Mexican stand-off: the former Dr. Kaori is now calling himself Kenjaku, leader of a brand new coven called Amanai. He has minions of his own (one of them a former protégé of Sukuna’s, even!), and the only ones left fighting are:

  • a. the vampire Dr. Ieiri Shoko (MD & PhD)
  • b. a new-ish initiate Okkotsu Yuuta (Shoko’s apprentice)
  • c. the infamous vampire hunter, Nanami Kento
  • d. the enigma, Itadori Yuuji

You already know how this battle plays out. You’ve seen it happen before.

What’s different in this version is that there are 3 main corpses the still-fighting are *desperate* to keep away from Kenjaku:

  • [0] the human corpse of a girl named Riko (Satoru has no fucking idea who that is.)
  • [1] the corpse of Yoshino Junpei (formerly human and turned against his will by Mahito, but did not survive the process)
  • [2] the “drained dry but not quite dead yet” Naoya—the last natural-born vampire in all of Zen’in Coven.

Eventual result: everyone who can still move skewers Kenjaku in every direction as his minions are kept at bay by Satoru’s Eye. Kenjaku’s fluids are drained into a small empty onsen, in which Naoya’s naked body lays.

The main problem is that the battle goes on until dawn, but Satoru *knows* that the Fork still persists, as Kenjaku still has fluids to drain. Naoya is still unconscious. Everyone else is still trying their damnedest to keep on fighting—all previous coven affiliations and conflicts thrown to the wind.

Thus, Satoru 100% willingly watches the approaching dawn with bare eyes, fully aware of the consequences. He accepts his own approaching death without so much as a blink or even a sound.

However…

Just as Satoru’s eyes are about to lose any and all sight from burning up in the predawn light, Uraume appears.

Uraume, without a word, blocks the sky with thick clouds heavy with snow. Then, without uttering a single word, they depart just as quickly as they came.

Satoru loses consciousness at some point. By the time he comes to, it’s to Naoya Zen’in—of *all* people—feeding him blood.

Only… he looks different.

Naoya’s hair, which had been black all his life, is now unnaturally, unnervingly white. Longer. Eyes a different color, shifting, with Satoru unable to pinpoint a single shade.

Even weirder, Naoya’s whole… *being* seemed to thrum with… *something* Satoru could not describe. A fire with no color or discernible heat of any sort. A flame which Satoru’s ensign the Eye could not sense. Huh?

Naoya is still naked, but there is not a single visible trace of Kenjaku’s blood or any other fluids anywhere on him.

Well, except at the place where he’d slit his left wrist to revive Satoru.

Satoru is speechless. Thoughts going a million miles a minute, but Naoya has no words for him. Just meets his gaze for a few seconds… then walks away.

After Naoya’s sudden departure, the remaining people at the scene pretty much strong-arm Satoru into consuming Kenjaku’s dried up corpse.

Satoru abso-fucking-lutely refuses at first, of course. That is disgusting.

However, the combined surety of Shoko, Yuuta, and Yuuji—their tranquility of body, mind, and soul—basically shuts Satoru the fuck up. Reluctantly, with great pain and even greater revulsion, he lets the three watch as he consumes Kenjaku’s body.

Days later, in the middle of a heavy snowstorm (which came part and parcel with Uraume’s interference with the weather), Satoru gets a visit from Sukuna.

Satoru very promptly tells him to eat shit and die, tries to slam the door in his face, but it’s futile.

Sukuna simply asks him if he’s ready for the storm to end.

Satoru says yes, obviously, as he has always hated winter—ever since he was an infant.

Sukuna looks to be disappointed with this answer and says as much.

This is when he tells Satoru that the best way to overcome his current predicament is to partake in Yuuji’s blood—but Satoru dismisses him out of hand as a fraud and a criminal and every bit as beastly as everyone he culled, and therefore not worth being listened to by anyone.

Sukuna just sighs, turns away, and leaves…

But at the last moment, he twists his neck around and spits something that lands right on Satoru’s face—completely catching the Eye off-guard.

Satoru’s hand at his own cheek comes away bloody.

He looks down to see what Sukuna had thrown at him: his own tongue.

Instantly, tumors and boils bloom all across Satoru’s skin, excruciatingly painful.

Satoru looks back at Sukuna, scandalized, but Sukuna only smiles with his fangs bared, his gaze as piercing and demanding of a gold as always.

Sukuna says, “Now you must choose, bearer of the Eye: to rid yourself of contamination, shall you trade one eye or half your heart?”

Satoru, at the edge of desperation, hurriedly blurts out: “My heart! Take it! Fucking take it! I don’t care about the fucking portion, either!”

Sukuna chuckles then. He looks straight at Satoru, and for a split-second, Satoru *swears* he could see the demon body of myth and legend.

“Wrong choice.”

Then, in the span of what Satoru’s Eye knew could not have been more than a second but felt simultaneously too fast and too slow to keep up with, Sukuna rips Satoru’s heart right out of him and swallows it whole.

Satoru tries to move, to chase after Sukuna’s retreating figure, but he can’t. He’s completely numb.

It’s only the next morning, upon the disappearance of the blizzard Uraume had conjured that awful day, that Satoru regains the ability to move.

Notes:

i'll continue this tomorrow

Chapter 11: {10} Beauty v The Be[a]st

Notes:

MOOD MUSIC (part 0)

(See the end of the chapter for more notes.)

Chapter Text

Some time in 1984—on an especially sunny day at the tail-end of summer—Sukuna appears at high noon, knocking on the gates of the fortress-like Zen’in Manor. He is in thick disguise, looking much like an undertaker and with nothing shielding him from the sun except for his perfectly tailored black suit and matching black bowler hat.

At first, he says he comes bearing a special gift for the finest maiden amongst the entirety of Zen’in Coven. This causes the maids and servants and most day-laborers to erupt in argument over to whom the gift belongs.

However, one human—a South Korean-born chauffeur—knows to ignore the chaos and head straight for Naoya.

The dreaded and fearsome au naturele vampire himself—cloaked in several oppressive layers of dark clothing and translucent veils—clears the way to where Sukuna is standing with his mere presence. All humans and day-laborers part like rushing wine-dark river rapids in avoidance of the bearer of the Beat, as well as the wealth of all glamours that have ever been known to the Zen’ins.

After the crowd dissipates, Sukuna reveals his “gift” to be a stillborn human infant. Naoya just stares at him, unimpressed, until the chauffeur from earlier returns to whisper something into Naoya’s ear.

Then, Naoya sighs. “How much and for how long?”

Sukuna smiles.

“For the first 5 years, it shall consume exactly 5 milliliters per day from your right wrist only. For the next 10 years, it shall consume only human poisons, however much you can trick it into swallowing—using whatever methods are known to Mr. Shiu but unknown to Zen’in-born women. For the last 5 years, it shall consume saltwater and nothing else, and any refusal or defiance shall be punished through the creative use of salt crystals hailing from any mountain Mr. Shiu deems appropriate for the situation.”

Naoya huffs, shortly, in unconcealed displeasure. “And what do *I* get?”

Sukuna says, “A puppet you can neither bend nor break. Unpredictable.”

Naoya asks, “When?”

Sukuna glances off to the side, his grin turning lopsided. “The day Gojo Satoru learns to differentiate between the 5 main tastes known to human tongues.”

Naoya shakes his head and huffs and puffs again. “The *date?*”

Sukuna just bares his fangs. “You’re no fun.”

The ground beneath the Demon of Heian’s feet begins to tremble, making Sukuna roll his eyes.

“All right, I’ll give you a hint: it’s right around the day some Japanese maiden of import marries a commoner unacceptable to the crown. You won’t miss it.”

Naoya’s eyes glint then, gunmetal shining through innumerable filters to attempt to pierce Sukuna’s gaze. “And what’s in it for *you*, exactly?”

Sukuna smiles innocently, shaking his own hands, which are wrapped in thick white gloves. “Nothing besides entertainment. Perhaps a little gratitude for pulling the most persistent thorn in my side, if you’d believe it?”

Naoya purses his lips. “I’ve had enough of you, fiend. Leave this place.”

Sukuna graciously complies—but he laughs openly and proudly all the way down the road until he’s out of Naoya’s earshot.

Thus, Suguru Geto becomes a ward of Zen’in Coven: weaned off nothing but the blood of Naoya—whose face he is never allowed to gaze upon—and fed human poisons, prepared in every fanciful way imaginable by a man he would only come to know as “The Shrew.”

In Suguru’s 20th year, he appears to Satoru and the Eye for the first time at a train station. At just one look into Suguru’s eyes, which the Eye perceives as human, Satoru falls in love.

And, in that moment, an entirely new ensign that is completely foreign to the Japanese vampire high society that had been created after Sukuna performed the Great Culling emerges: the Phantasm (妄想).

Over the course of a single summer, the summer of 2004, a cycle of four seasons washes over the islands of Japan—as directed by Sukuna’s delicate orchestration and Uraume’s precise execution.

And as we all already know, Naoya receives his payment from Satoru in the form of Toji’s undead body: the perfect prisoner for the intangible bars of all of Naoya’s assorted glamours—unknowable even to the Beat.

Chapter 12: {11} EXTRA: daymare

Summary:

a little treat before we get back to megumi!

Chapter Text

12:00 AM / zero o’clock 

 ~ The Faultlines of (All) Zodiac[k]ts ~ 

 🔥🐖➡️🐀(🐭)🐁⬅️🌐🐂❄️ 

 {0} SATORU / 00:00:00 Tokyo / Dec. 21st, 1888 - Winter Solstice / The Meiji Era Soldier Boy (He Wakes You Up &&|| Kills You Dead) / Convicted war criminal and banned in 10+ countries / Manifested his ensign the Eye at birth / FIRST au naturele vampire of Gojo Coven / Human mother died in childbirth; Vampire father went into the sun exactly 2 months after his birth (Feb 21st, 1889) / No other abilities or glamours; it’s all just the Eye, nothing else, forever ! 

 {1} NAOYA / 12:00:00 Kyoto / Jun. 21st, 1889 - Summer Solstice / The Male Mother Superior / Legally dead since Jun. 21st, 1899 / LAST au naturele vampire of Zen’in Coven / His lack of an ensign disqualified him from the highest positions / Only manifested the Beat after absorbing the distillations of the Fork / In modern times, the combo of the Beat + all the diverse glamours of Zen’in Coven has made him very fearsome + dreaded indeed ;)

Notes:

what is the name of the typhoon that signals their first REAL meeting? answer in the comments.

Chapter 13: {12} THE FOX’S && THE HOUND’S WEDDING — SIDE B

Notes:

SOMETHING TO CHEW ON

(See the end of the chapter for more notes.)

Chapter Text

[ SEPT. 8-11, 2016 ]

Upon the signal of Sukuna and Uraume conducting the typhoon Meranti, Gojo Satoru makes his long trek to the hearth of Zen’in Coven.

Satoru is soaking wet: hair a wild mess, eyes gouged out plainly for all to see, clothed in nothing but his former high school uniform pants and a thin plastic raincoat, and barefoot.

Zen’in Manor has been all but abandoned: first to leave were the day-laborers, then the live-in servants, then Zen’in-born women and girls. Even Mr. Shiu—the humble immigrant chauffeur turned devious cook—is nowhere to be found.

Satoru lets the rhythm and melody of the storm guide him to where Naoya waits for him.

Even without his eyes, Satoru beholds the last heir of his own coven’s greatest nemesis:

Naoya sits at the very center of the rakugo theatre found in the oldest building on the estate—the only one that has never been renovated, maintaining its heritage that predates the Great Culling, predates Sukuna and the whole Heian era. Dull beige cheesecloth separates him from the wood of the stage. The kimono he wears is of a seven-coloured silk—texture or pattern or manufacture immaterial to Satoru. In place of sensu and tanugui, the props that surround Naoya are all the named or known bladed weapons in the Zen’in Coven’s collection. Every single one has either been split in twain or shattered. Satoru surmises their materials through scent alone: the dust of stars and jewels.

Satoru keeps his mind as clear as he can as he approaches slowly, his bare feet tracking mud and rain and grime all over the pristine brushed wood flooring. He ascends the stage from the left stair, and Naoya stays as still as a statue until Satoru extends one trembling hand in offer for the other to stand.

For the first time in what (to a human) must feel like forever and what (to the two of them) has been 117 years—their hands touch.

Satoru focuses singularly on the tactile sensation. He hears Naoya choke on a breath… but otherwise seem unaffected in all other ways, for all others’ eyes.

They leave the estate, Satoru leading Naoya on by the hand. The shifting winds and torrents make their departure soundless in comparison to the roaring winds.

At the outermost gate of Zen’in Manor, Naoya silently picks up a Sakura pink wagasa—adorned with a swirling pattern of silver rice grains.

Time and space alike appear to bend around the two of them, as in mere minutes, they’ve reached a port—utterly deserted by both tourists and locals.

A humble wooden dinghy waits for them, secured by deep scarlet nylon ropes.

Naoya sits down first in the passenger seat, the very picture of leisurely grace in the middle of someone else’s calamity.

Satoru then steps onto the boat, but he remains standing as he carefully gathers the red ropes that bind the boat to the abandoned human settlement. Then, he turns to Naoya, offering him the ropes.

Soundlessly and wordlessly, the heir to all of a millennium’s various glamours known to Zen’in Coven fashions the uncouth materials into thicker braids—as if transforming twine into yarn into velvet—and binds Satoru in the manner of hojoujutsu. Under his demanding attention, Satoru’s flimsy plastic raincoat easily slips into the winds of the typhoon, unacknowledged and immediately forgotten.

Satoru takes a deep breath then, and upon his face blooms a raw, unpracticed, tentative smile—which Naoya does not need to see to sense the presence of.

Their dinghy glides through any other stray craft, corpse, or felled tree—as if the wood was perfectly honed metal skating over ice.

And throughout the trip, not even one single raindrop touches either of Satoru’s or Naoya’s bodies. Naoya’s gaze does not once move from the intersection of Satoru’s hands bound behind his back, while Satoru’s Eye remains trained steadily on the horizon without a single stray thought or feeling or consideration.

They sail uncaring of divisions between lands, divisions between seas or oceans, divisions between times and spaces.

Finally, the two disembark at a port nearest to a road that would take them without delay to a little cinema in Glasgow.

Chapter 14: {13} Obligatory WW2 Chapter: “Sins of the Collaborators”

Notes:

(See the end of the chapter for notes.)

Chapter Text

I’m not gonna sugarcoat it: Gojo is the main bad guy in this chapter.

Basically, during the Taisho era, a special friendship bloomed between three very important vampire women:

a) Utahime Iori of Gojo Coven—THE number one favorite childer of Satoru’s father. Recall: the former Gojo Coven leader went into the fucking sun because he could not accept the death of his human wife. Utahime blames Satoru for the loss of her sire and she NEVER lets him forget it.

b) the coven-less Ieiri Shoko—one and only childer of Dr. Kaori (yes, *that* Kaori)—who was specifically kept away from coven bullshit through Naoya’s influence: he covertly arranged for her to be raised in Korea with a noble and scholarly upbringing. Yes, during the occupation. And yes, Shiu knows; that is precisely why Naoya hired him in the first place.

c) the Mainland Chinese-born au naturele vampire Mei Mei, who was essentially “adopted” + trained as a child spy/assassin by Uraume—handling the dirtiest work that even the nastiest people in the Gojo, Kamo, and Zen’in Covens couldn’t be bothered to do.

…And yet, these three found each other, and became close. Intimate. Fell in love, in their own way, as kindred spirits: female vampires who felt like they did not belong anywhere, had all this pressure due to their heritage, but not enough power to change things.

Until. The villain of this story ruined it all—in their point of view, anyway.

As it became clear that Japan was going to crash headfirst into open international war, and yet the royal family would not heed the opposition from their Big Three Vampire Covens—these 3 outcasts were the first to seek Sukuna’s guidance.

However, Sukuna had made himself completely scarce, and took Uraume with him.

Unbeknownst to the 3 women and everyone else associated with Uraume, they and Sukuna had left Japan for the Philippines. Mei Mei exhausted all her contacts and abilities trying to comb the unfamiliar archipelago, but no matter what she tried, she could not find them. It would only be decades later that she would eventually learn that they had been sheltered and expertly concealed by one or a group of mysterious figure(s) known to vampires within the Roman Catholic Church of the Philippines as “La Estranghera.”

And by expending all that time and effort, Mei Mei was only blinded to the intensifying tensions in the country which, by that point, she considered her homeland.

While Mei Mei was futilely scouring the Philippines for Sukuna and Uraume, she had no idea that the war Japan was fighting had also turned most intimately inward—to the women she considered her best friends and companions.

For one, Shoko was forced to process the bodies of Koreans, who had succumbed to the crazed imperial ambitions of the Japanese government—both human and vampire alike. And it was a special kind of hell, as she grew up there and spoke the language. People she knew were, by the masses, becoming corpses or monsters, and she was expected to just power through it like a professional.

For two, Utahime was up close and personal for Hiroshima and Nagasaki—because the ONE FUCKING TIME Utahime begged her sire’s supposedly rightful heir for assistance, he just laughed at her like she was stupid. She could not make sense of this. Why now of all times did Gojo choose not to intervene in politics? He *always* took sides! Why would he so easily and calmly capitulate to the foreign domination and violation of their homeland? Had he no loyalty at all?

What she doesn’t know: Satoru and Naoya in their respective ivory palisades in Tokyo and Kyoto had known all along that the royal family would not listen to reason.

Because Utahime wasn’t there when Sukuna first subdued the Fork while Satoru and Naoya had watched, wasn’t there when Naoya in his obsession to obtain his own ensign unleashed the Fork upon Dr. Kaori, wasn’t there for the battle that followed.

And thus, Utahime had instead faced nuclear hellfire twice—all in an attempt to evacuate her coven members and any countrymen she felt must be spared from the oncoming oblivion, did not deserve what was coming to them.

After Japan’s formal surrender, Utahime’s body would be mummified, in a way—the efforts led by everyone who felt grateful towards her regardless of any coven affiliation or lack thereof. Both humans and vampires mourned her ferociously. Satoru and Naoya played their parts as well, pretending like they had no idea it was happening.

Ultimately, Shoko would decide to go into the long rest after one glimpse at Utahime’s remains—encased in glass and carefully decorated with all the native flora of Japan.

Meanwhile, Mei Mei watched Utahime’s procession on television in Manila, with Sukuna and Uraume. After the device turned off, Mei Mei left the continent of Asia altogether—never to return.

Notes:

listen.

Chapter 15: {14} Strauss v. Evolution Society (THE REMIX)

Notes:

duwang

(See the end of the chapter for more notes.)

Chapter Text

On the blood moon night of 7th November 1957—the most intense lunar eclipse that Satoru and Naoya had ever witnessed by that point—3 baby girls, conjoined triplets, are born:

a) ZEN’IN MAKI: a human. Naoya sends her to Gojo Coven to raise as a ward, and she grows up despising Satoru in much a similar way as Utahime, and despising Naoya just as much for refusing to let her get anywhere near Zen’in Coven. Satoru tells her stories from childhood about her twin sister, Mai, whom the cruel mistress of Zen’in Coven treats as a maid and abuses every day. Satoru tells her that she must get stronger and stronger until she is able to slay the foul mistress of Zen’in Coven, and in so doing free her twin sister from the coven’s torment.

b) ZEN’IN MAI: a natural-born vampire. Naoya raises her personally, feeding her his own blood and nothing else. She grows up thinking of Naoya as a woman and calls her “Madame Naomi.” Naoya never lets any man, whether vampire or human, so much as gaze upon her. She is taught to learn the layout of Zen’in Manor and to participate in all forms of hard labor from gardening to cooking to cleaning and everything in between. Every day at sunrise, she is summoned to Naoya’s bedroom to sing a song over and over again until her “Madame” wakes and acknowledges her presence. Every day at noon, she is summoned to the rakugo theatre as the sole audience member for a private performance by Naoya. Every day at midnight, she is summoned to the library—where Naoya trains her to recognize the colors and textures within scrolls and woodblock prints using nothing but her senses of smell and touch + however much moonlight is available at that time. If she falls sick or disobeys, she is forbidden from consuming Naoya’s blood until she is able to climb the peach tree at the very center of Zen’in Manor and deliver a perfectly ripe peach to her “Madame.”

c) KURUSU HANA: stillborn. Naoya sends her to Uraume with the demand that she must never be told about Maki and Mai’s true relation to her. Uraume takes her to Sukuna, who does 3 things: first, Sukuna revives her with his own blood; second, Sukuna regurgitates Satoru’s heart and places it within Hana’s chest; third, he commands Uraume to take Hana to the place where Shoko Ieiri sleeps. Upon hearing Hana’s heartbeat for the first time, Shoko wakes. Shoko exits her coffin, holds the baby, smiles, laughs, cries. Uraume tells her that this baby shall be delivered to the United States of America and raised by Mei Mei. Shoko is overjoyed to hear these words and agrees that that is exactly how this child must be raised. Once in America, Mei Mei raises Hana as a natural-born vampire singer and actress, and she becomes beloved by the people. Mei Mei surrounds her with female caretakers, female friends, female peers, and, eventually, female lovers. To Americans, she is known by the English spelling of her given name—Hannah. No last name, as Mei Mei ensured that she shall be legally mononymous.

Note #1: Satoru and Naoya’s sole correspondence with one another is in the form of sun-dried peach pits delivered by Mr. Kong Shiu. To conduct these deliveries, Shiu dresses in all black leather and rides a black motorbike. However, he is forbidden from wearing a helmet. Satoru and Naoya do not care how long the trips take from Kyoto to Tokyo or which route is taken; all they demand is that at no point during the trip should Shiu ever backtrack.

Note #2: It’s also worth noting that the Japanese government in the Glamour Lessons universe considers Naoya as the by-birthright legal owner of every plot of land and any built structure that emerges within the historical Heian-kyō while Satoru is considered the legal owner of every penthouse and broadcasting/observation tower in the entirety of the Tokyo Metropolis.

Chapter 16: {15} Gojo’s Diet: A Falsification of Intimacies

Notes:

guess who?

(See the end of the chapter for more notes.)

Chapter Text

In the chapter about Satoru’s ensign, the Eye, it was mentioned in passing that he does not need a lot of blood to survive as long as he doesn’t injure his eyes. It’s also mentioned that he can “easily” survive “a year” without “a single drop” of blood.

Well, what kind of year are we even talking about here? And how much is a single drop of blood, exactly?

Satoru has asked these questions before. He’s tested all of his own limits before as well as observed or coaxed others into discovering theirs.

Satoru’s limits:

1) Amount of sunlight hitting his eyes: depends on how high the sun has risen using the horizon as a reference + where Satoru is in comparison to sea level. The higher Satoru’s vantage point, the more deadly sunlight becomes and vice versa.

2) Amount of time he can go without drinking any kind of blood: around a full Gregorian calendar year, give or take ~24 hours. Even Yuuji, Sukuna, Uraume, Shoko, Yuuta, and Megumi cannot do that.

You know who can, though? Naoya. Hasn’t drunk blood since he got the Beat. Not a drop.

Anyway…

3) Kind of blood Satoru drinks: all of them. Human, animal, and vampire. However, it’s never directly. If it’s a vampire, the blood has to be extracted to a separate container first. If it’s a human, the human themself must extract their own blood while Satoru watches, put it in a bag, and put it in a fridge; in the absence of refrigeration, Satoru only drinks human blood “on the rocks.” If it’s an animal, the creature in question must be slaughtered while Satoru watches, and he’ll only drink the blood if the Eye doesn’t see anything he doesn’t like about that particular specimen.

4) Okay… but what about blood-like stuff from other creatures? What about ink from squids or octopi? It depends on Satoru’s mood! You can’t predict in advance whether or not he’ll accept or refuse a meal. He just *is* picky.

5) Okay… but what about Satoru’s own fluids? Blood, cum, saliva, piss, shit, vomit, et al.? Who can have those? Satoru has specific terms and conditions for each one!

- Blood: to partake in Satoru’s blood, you must first beat him in a fight. Good luck with that one.

(Sukuna could and did, but Satoru is not attracted to him in this universe and vice versa.)

- Cum: to partake in Satoru’s cum, you must make him climax without him doing anything at all to assist or hint at any point in the process. The only feedback you get is him getting harder or softer in response to whatever you just did. If you fail to arouse him, he’ll just pluck you off of himself and leave—and there’s nothing you can do about it because of the Eye.

(Satoru says the gender of the partner or partners does not matter to him, but this is a lie of omission. Satoru already knows who he wants and what that person’s gender is—but when asked, his answer will be different every time based on the identity of the asker! If you’re a celebrity, he’ll name a dead celebrity. If you’re not a celebrity, he’ll name a living celebrity. If you hold resentment towards celebrities, he’ll name a non-celebrity you respect. On and on and on until the asker tries to hurt themself—which Satoru will immediately put a halt to—or they give up and leave.)

- Saliva: to partake in Satoru’s saliva, you must get it secondhand. For example, he never kisses anyone or anything with tongue; the best you can get is remnants from spoons, forks, knives, chopsticks, straws, or other things his mouth must openly touch in order to feed.

(Caveat: the vast, vast majority of the time, Satoru will opt for consuming sashimi [without any extra condiments or seasonings] using his bare hands. So, what? Do you ask to lick his fingers? Lick the towel or napkin he used to wipe his hands with? Lick the kitchen sink where he washed his hands? Lick the soap or bleach or water pipes? Eww.)

- As for the rest, irrelevant; Satoru does not make any of those fluids (piss/shit/vomit) in his own body, and he does not want those fluids from you either. Dead end. Fuck off.

What a miserable guy, right? Granted all this, how does Satoru even have fun? Challenge himself? What about masturbation or erotica?

He doesn’t need to. He already knows how everyone in Japan has fun, wins or loses, goons or doesn’t goon, etc. He sees it offline and online, physically and digitally, and so on.

Satoru is still bored and still waiting. Waiting for what? We already went over this in previous chapters; read those again. The most Satoru feels at other people’s follies is mild amusement or mild annoyance or mild curiosity.

Okay… but what about real intimacy? Genuine romance? Genuine sexual compatibility? Real BDSM?

I leave this as an exercise to the reader; answer in the comments. LOL.

Notes:

that's right!

Chapter 17: {16} Yuuta’s Ensign — The Glade (草原)

Notes:

the servant of evil

(See the end of the chapter for more notes.)

Chapter Text

So… you might have noticed that Yuuta appears a hell of a lot of times in this fic. And yet, not once have I even mentioned his ensign or if he can use any glamours.

Let’s review what we know about Yuuta so far, based on his behaviour in previous chapters + stated/mentioned facts about him:

- Dr. Yuuta Okkotsu. His title is a bit reductive as he is published + pedigreed in several fields: medicine, psychiatry, forensics, and law.

- However, he is also a really good people person—who knows precisely which of his titles or specialties matter to whomever he’s interacting with.

- Yuuta was the “boss” at the same huge morgue where Shoko worked until the end of WW2—until he handed over his position + duties + reponsibilities to Megumi 2 years after Megumi was turned.

- Yuuta is well-liked by humans, from the humblest technician like Miwa to the highest executives, as demonstrated by the perfectly smooth ease with which he navigates the whole process of Megumi “inheriting” his job.

- Yuuta is well-liked by vampires, too, despite literally having no coven as he is publicly and explicitly the vampire Dr. Shoko Ieiri’s direct initiate.

- The covens don’t bother him. The Japanese government doesn’t bother him. Huh.

- What’s Yuuta’s deal, anyway? Sire? Turned or au naturele?

- AND AGAIN, HOW DOES HIS ENSIGN EVEN WORK?

ANSWER KEY:

Yuuta is of mixed heritage. Some of his ancestors were vampires; others were human. The two parents who created him were both human, though, and so was he… at birth. Normal kid. Nothing wrong here.

…Until he and his childhood sweetheart Rika got hit by a fucking train, and Rika’s blood as she lay dying in Yuuta’s arms became the catalyst for his turning + instantly awakening a very powerful ensign called the Glade—which just so happens to be known to Gojo Coven. Specifically, the same ensign as Satoru’s biological father and the previous coven leader. Yep, same guy who went into the sun because he could not cope with his human wife dying in labor to give birth to Satoru.

Life’s funny, isn’t it?

(Also, as for glamours: the Glade gives Yuuta access to any and all glamours known to Gojo Coven, but he doesn’t like using them. He’s a pacifist.)

And thus, the fucked up apparatus of Japanese vampire high society worked as it usually did: Satoru and Naoya pulling their respective strings plus Sukuna and Uraume picking up the slack.

I already went over the battles and tragedies and injustices and absurdities relevant to Yuuta. No need to repeat information.

The only one who’s not in the know when it comes to all the time-bending twisted lore and context is Megumi, but that’s okay—because Yuuta + Yuuji + Satoru got to him first. These three are all friends, and they have no bad words to say about one another—and yet they are also 100% united in saying Megumi should not trust Sukuna, that he is dangerous as fuck and Megumi should never let his guard down.

However, from Megumi’s own personal interactions with Sukuna, he also knows that Sukuna never tells outright lies, i.e. disprovable falsehoods. He just says what he means, but with the lore/context/nuance chopped off.

So, now what?

Notes:

the black vow

Chapter 18: {17} An Audience with “Madame Naomi”

Notes:

THE SACRED SPEAR TURNED FOUL

(See the end of the chapter for more notes.)

Chapter Text

SIDE A — THE DEPARTURE

The first time Satoru takes Megumi to see Gojo Manor for himself, Megumi is dumbfounded.

“What the hell is with all these peach trees?”

Satoru only chuckles, winks, and says it’s a secret. Later, he also says the peaches are not for Megumi to partake in, claims Megumi can’t handle them.

Then, Satoru introduces Megumi to Ms. Maki.

Maki wastes no time, telling Megumi upfront that she needs the power of the Crypt to slay the vampire Madame Naomi—dread mistress of Zen’in Coven—in order to rescue her twin sister.

Megumi is moved by the purity of her resolve and determination, and thus agrees. Of course, he can’t help but think of Tsumiki. Even if he can’t forcibly change his sister’s current condition, at the very least he can help this pair of siblings.

After Maki had already departed from the Gojo Coven’s estate, Satoru stops him. At Megumi’s incredulous stare, Satoru only says: “Maki’s mission is to slay Naomi. What’s yours?”

To help, Megumi easily answers, but it rings hollow to Satoru’s ears. The elder vampire frowns at him, but lets him be on his way.


SIDE B — THE DETOUR

Maki and Megumi take the train to the smaller, modern, and humble estate of Kamo Coven.

Everyone they encounter there, whether vampire or human, has nothing but the best of wishes for Maki in her mission. They pour sake and wine and beer; they make Maki eat meat and rice and vegetables; they pray over her.

At the end of the whole routine, Maki and Megumi are taken to the shrine of a vampire named Utahime.

Inside the shrine, everything is still and clean. Sterile. The people do not dare utter a word. Maki weeps silently.

Then, the two are ushered away.


SIDE C — THE DESTINATION

Upon arriving at the outermost gates of Zen’in Manor, Maki has brought nothing but the clothes on her back and the scars on her body.

Using all the tools and weapons known to the enemy, Maki lays siege to the entire estate: vampire and human alike, young and old, male and female and other. Nobody is safe from her wrath.

At the end of their quest, they have managed to enter the oldest-looking building at the very heart of the estate.

What greets them is the vampire Naomi upon the rakugo theatre and the vampire Mai as the sole audience member.

It’s midnight, but the full moon is nowhere to be glimpsed within the walls of this theatre.

Maki attempts to run at Naomi with the sword she has brought with her: a sleek, black longsword that smells of constellations and glints with the hint of a thousand stars.

However, Mai rises from her seat and meets Maki’s gaze with her own—just as steadfast and resolute as the human Maki’s had been when Megumi was first introduced to her.

Words are unnecessary to convey Mai’s message: “If you want her, you’re gonna have to go through me.”


SIDE D — THE DEVIL

Megumi observes Maki turn from human to vampire in real time: Mai’s life and memories warping and twisting and refracting off of her own.

As Maki writhes in the darkness, trying to make sense of her twin’s legacy, Madame Naomi stands at last.

Naomi’s veils uncover a face fairer than any Megumi has ever seen in his life thus far, but then the vampire speaks in an unmistakeably male voice:

“Miss Maki. What is my name?”

“W-what? Naomi! Naomi Zen’in!”

“Wrong. That is the name by which your twin sister called me. What is my real name?”

“What other name is there?!”

“There is another name for me. A name used by your master, Gojo Satoru.”

“I don’t know!”

“You do. What is my name?”

“I just told you I don’t know!”

“Mai’s memories are not your own. The life she has lived is not yours. Her blood bathes you now, but your twin sister is dead. What is my name?”

“I don’t fucking know!!!”

The vampire on the stage sighs.

“Do you speak English, Miss Maki?”

“Huh? Uh, yes.”

“Good. Mai did not speak a word of it. Switch to English. Introduce yourself to me as if we are strangers.”

“Uh… Hello. My name is Maki Zen’in—”

“Wrong. You do not bear that last name. Start over.”

“…Hello. My name is Maki.”

“Species?”

“I’m a vampire.”

“Are you alive or dead, Miss Maki the vampire?”

“I’m alive.”

“Good. Leave this place. Yakub’s already outside waiting for you.”

“Who the fuck is Yakub?”

“Your ticket to freedom. Go.”

Maki runs.

Outside the gates of Zen’in manor waits a long, black limousine.

The door opens to reveal the expectant figure of Kurusu Hana. She has her arms outstretched; her dirty blonde hair is wet and messy; and her blue eyes shine with tears.


SIDE E — THE TOWER

After Maki’s departure, the lone vampire that remains of all of Zen’in Coven leads Megumi wordlessly to a library. Without them so much as touching anything, the walls and floors give way to a long spiral staircase that leads the two of them downwards—to a mysterious dungeon.

With only the barest firelight serving as illumination, the unknown vampire presents Megumi with two exquisitely made glass eyes and asks him to identify their colors.

“Aloe vera and midnight blue.”

“Wrong. Two tries remaining.”

“Uh… pale green and dark blue.”

“Wrong. One try remaining.”

Megumi pauses.

“Do you want a clue?”

Megumi nods.

“Neither of these colors are of this continent. The pigments originate in Europe: one closer to the medieval, the other closer to the enlightenment.”

“If the green is medieval and the blue is enlightenment, that’s… chartreuse and navy.”

“Hm. Half-right.”

“Wait, what? How???”

“The green is indeed chartreuse—but for the blue, you have made a grievous error.”

The vampire fixes him with an imperious stare.

“The proper name for it is: Prussian blue.”

And before Megumi can blink, the metal torches, rusted cage bars, and stone bricks are springing to life to attack him.

By the time Megumi breaks out, the unknown vampire is nowhere to be found.

In their place, Megumi comes face to face with his own father.

Chapter 19: {18} The Usurper’s Dog Days

Notes:

THE SOUND OF GOJO SATORU’S LAUGHTER

(See the end of the chapter for more notes.)

Chapter Text

From very early on, Satoru’s handlers in Gojo Coven understood that his appearance—specifically: his fair hair, fair skin, height, athleticism, good looks, and birthright—would be rather advantageous if used as a tool to infiltrate the highest ranks of their burgeoning European enemies. And so, they did not hesitate to make full use of Satoru for this very purpose.

While Utahime was tending to Gojo Coven and Japanese vampire high society in general, Satoru pretended to be whatever would get his coven’s laundry list of enemies for that day killed faster. However, the more efficiently he worked, the harsher and more numerous the tasks became.

Kill humans; kill vampires; kill the Russians; kill the Chinese; kill the Koreans; kill the British; kill the Germans; kill the Americans; and so on and so forth. The only mementos Satoru accrued were silver-colored dog tags, pendants, chains, and such—as these trinkets terrified his handlers in the coven, and they wouldn’t dare take them away as the metal was toxic to their oh-so-fragile vampiric constitutions.

Satoru’s only fun in those days came from scaring his handlers shitless by flashing silver jewelry—trophies from all his conquests. Some called him immoral, a dangerous disgrace who could be trusted by neither kin nor country—but Satoru only smiled at their words and accumulated yet more silver and steel and other similarly colored metals. He found it super fucking hilarious how his supposed superiors could not even differentiate between which metals were toxic to vampires versus which were just harmless lookalikes.

More sympathetic voices from within Gojo Coven—a lot of them human—eventually came up with a superstition: the Eye must be plyed with riches in order to keep its bearer away from home, and thus Satoru’s gaze away from the craven secrets and deeds of those within the coven’s walls.

Satoru made no attempt to dispel their fevered imaginings. He had no time to placate them; there was always more work to do. If not with swords, then axes or claymores or guns or bombs or whatever else humans and vampires could come up with next to try to destroy each other.

However, as has been established before, even Satoru has limits.

The realization came threefold: first, in some human royalty’s war room in London; second, in some human scientist’s war room in Manhattan; third, in some human fool’s war room in Berlin.

Whatever the case, Satoru made his exit just as dramatic as any of his signature kills: some human military official’s personal helicopter, decked out in all the fineries of war beloved by humans and vampires alike.

He landed, unceremoniously, right at the dead center of the Gojo Coven’s estate—labyrinthine white stones and stairs laid in a poor imitation of heavenly architecture—at high noon. With his pilfered German SS uniform and the dozens of allied silver dog tags and crosses and such on his neck, he supposed he must have looked like some kind of harbinger of doom.

And yet… when questioned or faced with everyone else’s screams and cries, their horror and indignation, their accusations and profanity—Satoru could do nothing but laugh.

They were all, every single last one of them, fools. Stupid. So are words—just as messy and imprecise a device as all the toys of war.

Enough.

If his countrymen wished to die in war, Satoru would let them. He himself has died enough times, cannot get any deader than he already is.

Can’t they come up with something new for a change?

Chapter 20: {19} a prelude to the 20th chapter

Chapter 21: {20} (Trapped) In (a) Concert(o)

Notes:

WHOSE VENGEANCE?

(See the end of the chapter for more notes.)

Chapter Text

Toji wouldn’t talk.

No matter what Megumi said or asked or did or threatened or whatever else, his biological father would not speak a single word to him.

All that Toji did was make eye contact and smirk.

Megumi quickly got sick of him.

The only thing that made Toji’s expression change was the sight of the Crypt flaring with Megumi’s growing fury:

His father’s eyes widened and his face tinged with fear.

Fear of what? Megumi wanted to ask, but he knew Toji would not spare him the words.

And then—it hits him:

Blood.

With vampires, no matter how good or bad they initially appear, at the end of the day, it’s always gonna be a matter of blood.

Toji is a vampire who refuses to speak, a prisoner who refuses to squeal.

Megumi’s own eyes widen in realization, and he sees the look on his face mirrored by how a smile creeps its way onto his father’s mouth, Toji baring his fangs in unconcealed delight.

Finally, the message is loud and clear:

*If you want to get any information out of me, you’ll have to consume it through my blood.*

Suddenly, Megumi cannot bear to look at him. He wants Toji Zen’in or Fushiguro or whatever the fuck else he calls himself *out of his sight.*

A loud *clang* resounds in the dark dungeon underneath the abandoned Zen’in Manor.

It’s Sukuna.

He speaks calmly:

“Megumi, what is your decision regarding your earthly father’s rightful fate?”

“I don’t fucking know,” Megumi admits. “Can you come up with something that hurts more than me ripping him apart *AND* worse than his imprisonment?” He spitballs, sharp and sarcastic and not really looking for a sensible response.

Nonetheless, Sukuna obliges him.

“Tough call,” Sukuna says. “But I brought along someone who might be able to help.”

“Huh?” They’re alone. Megumi can’t sense anyone—neither human nor vampire. It’s just him, Sukuna, and Toji.

Right?

Sukuna moves slowly, revealing a paperback, and hands it to Megumi.

Megumi’s heart pulses.

It’s a first edition signed copy of *No Longer Human* by Dazai Osamu.

“Y-You…”

Sukuna only smiles.

“You are immortal, Megumi. You need not decide today, or tomorrow, or within the week, or within the year. It does not matter when you decide your earthly father’s rightful fate. He, too, is now immortal. He knows what he’s done. He *awaits* his fate at your hands.”

The words Megumi wants to say clog at his throat. He breathes.

“I… I don’t know what to say.”

“How about a thank you?” Sukuna suggests.

Megumi wants to scoff at first. “You sound like my former boss.”

Unexpectedly, Sukuna blanches at this. “Okkotsu Yuuta? You insult me.”

Megumi snorts. “Of course you don’t like him. He’s a pacifist, who fell in love with a human as a child, and now he’s doing the long rest. He’s already content.”

Megumi pauses. “But… you’re not. You can’t have what Doc has… because you’re—”

Sukuna schools his features into a look of absolute neutrality—and that’s how Megumi knows he’s got him.

“You were human, too.”

Chapter 22: {21} Behind the Iron Curtain/Velvet Glove

Notes:

HOW CAN I LOVE MYSELF ANYWHERE…

(See the end of the chapter for more notes.)

Chapter Text

SIDE 0 — GL alt chapter titles

[Remark: This was back when I was less interested in worldbuilding and wanted to focus more on erotica/romance between SKFS.]

(0) dancing alone

(1) moonlight waltz

(2) lockstep

(3) pas de deux

(4) devil’s trill

(5) paso doble

(6) danse macabre


SIDE 1 — The Ch[a/i]ttering

M: Nobody knows, do they? Fuck.

S: …

M: They call you all these things, try to destroy you over and over at any opportunity, then invite you to their parties like nothing happened. And you’re okay with that?

S: …

M: Y’know… I couldn’t place it before, but the color of your hair—it’s the exact same shade as Yuuji’s. There’s no way that that’s just a coincidence.

S: You bore me with your externalized thoughts, Megumi. None of this information is new to me.

Sukuna takes out a large leather-bound photo album.

S: Why don’t you take a good look at what your self-proclaimed mentor has been doing with his life before you showed up, hm?

M: But you—

S: *Enough* about me, Megumi. You cannot decide your earthly father’s fate and you still do not know what to make of me as a person. That is obvious. Goodbye.

And just like that, Sukuna leaves.

Megumi looks down at the photobook he’s been left with. It’s more of a scrapbook, really, what with its—

Gojo-san is on the cover of a British magazine from the 1990s. It’s a name Megumi has never heard of and isn’t even sure how to pronounce, but based on the design and make, it’s clearly meant for adults and marketed to a queer audience. The materials are rather flimsy and the quality of the paper is pretty shit, implying a truly obscure and niche publication.

Gojo is on a scarlet couch, shirtless, arms outstretched, hair a wild mess. He’s jeering at the camera. The only objects on the upper half of his body are 1) a large silver chain necklace with an Iron Cross on it and 2) a pair of designer aviators, half pulled down to show off his prismatic blue eyes.

As for his lower half, he’s wearing dark pants that are clearly too large for him, with the emblem of Oxford on them. The pants have been cut up in various places—sporting many holes and loose threads and other odds and ends. He’s barefoot.

And all of that so far is well and good with Megumi, but the thing that struck him at first sight is Gojo’s chest cavity:

Gojo’s chest has been mutilated for this photoshoot, his ribcage cut open to reveal an empty space where a heart should be.

Shit.

SHIT!!!

Megumi turns the pages of the photobook, dread filling him more and more with each photo of Gojo that he sees:

- There’s Gojo in an American newspaper clipping from World War 1, captioned as a loyal young official in the U.S. military.

- There’s Gojo in a poster for a Nazi propaganda film from the late 1930s, billed as the protagonist and hero of the story.

- There’s Gojo in a French car racing magazine, being praised by the Vichy government as the best representative of white supremacy in sport.

- There’s Gojo photographed at a Milanese fashion show, the caption revealing that he is the current muse and top model for a rising Roman fashion house.

- There’s Gojo photographed as the most eligible bachelor in Canada, the United States, Argentina.

- There’s Gojo photographed as a special performing guest on the sold out opening night of some play or musical Megumi has never heard of before, in Sydney Opera House.

- There’s Gojo photographed at G7 summit, shaking hands with Interpol, shaking hands with Europol, shaking hands with the ICC, shaking hands with the CIA, shaking hands with the occupation government of West Germany, posing with Pinochet and with Reagan and with Thatcher.

- There’s Gojo posing with every Japanese Prime Minister since the Meiji Restoration.

- There’s Gojo in paintings—portrayed as the personification of the Tokugawa Shogunate, of the Samurai as a class, then of the Ronin and the police.

- There’s Gojo in a propaganda poster by the Russian Empire made for the Russo-Japanese War, the caption hailing him in Russian as “White Death.”

Megumi wants to puke.

Megumi hurls, but nothing comes out of his throat.

Shit.

God-fucking-dammit all.

Chapter 23: {22} Look it up!

Notes:

MUSIC FOR VIBES

(See the end of the chapter for more notes.)

Chapter Text

The Tokyo University Library has erupted into a peculiar brand of chaos.

“Uh… is that Dr. Fushiguro?”

“Wait, really?”

“And he’s on the *computer*?”

“Huh? Hold on, lemme see!”

“Shh! He might hear us!”

“Are you taking a picture? What a dick…”

“You do know that Dr. Fushiguro hates being photographed, right?”

“Yeah, back off. Let the man have some privacy, geez…”

“But this is such a rare occurrence! Practically unheard of!”

“Well, why do you think he stays away from the Internet? It’s because of people like you who keep taking pictures or videos or recordings of others without their consent!”

“Hey, I’m not doing anything illegal!”

“Fuck off, it doesn’t have to be against the law for it to be *rude!*”

“Yeah, just leave Doc alone already.”

“Can you guys shut up? In case you’ve all forgotten, we’re still in the motherfucking *library.* Take it outside, *now.*”

“Fine, fine, damn. You’re such a killjoy, y’know that?”

“*Someone* has to be.”

[…]

Megumi has not felt *this* uncomfortable since his student days.

 Satoru Gojo - Wikipedia

[…]

 Satoru Gojo (五 (ご) 条 (じょう) 悟 (さとる) Gojō Satoru ?; born December 21, 1888) is a Japanese vampire. He is best known internationally for having had prolific careers as a model, actor, race car driver, astronaut, and musician.

[…]

He is currently the richest person in Japan, being a principal shareholder of all residential constructions within the Tokyo Metropolis as well as all Japanese broadcasting corporations.

[…]

He owns the sole rights to over 200,000 patents published under his name—most of which having to do with the electromagnetic spectrum, blood typing, optics, and cryptography.

[…] 

He is the first Japanese citizen to be sent to low-Earth orbit, the International Space Station, and the Moon.

[…]

He has been tried, convicted, and penalized by every permanent member nation in the UN Security Council for several war crimes and crimes against humanity, starting from the Meiji Restoration up to the Showa era.

[…]

Litigations in multiple countries are currently ongoing for more alleged crimes that would have occurred within the current Heisei era.

[…]

He is banned in several countries, including but not limited to: Bolivia, Brazil, South Africa, Iran, Iraq, Afghanistan, Kazakhstan, Pakistan, Indonesia, and the Philippines.

[…]

He is formally excommunicated by the Roman Catholic Church and considered a persona non grata by the Holy See.

[…]

He identifies as bisexual, and has starred in thousands of pornographic and/or erotic adult films since the 1920s, especially of the ‘guro’ variety.

[…]

He is unmarried, but was once considered to be formally engaged to Naoya Zen’in (21 June 1889 - 21 June 1899)—the deceased former presumptive heir to Zen’in Coven, Satoru’s childhood sweetheart, and a fellow natural-born vampire.

[…]

In Japanese and American pop culture, he is considered to be the originator of the “eligible vampiric anti-gentleman” archetype.

Megumi’s head is in his hands.

He doesn’t know how he feels.

But he is definitely feeling *something*, all right.

It’s just… his vocabulary is lacking.

At the brink of information overload, Megumi remembers Sukuna’s words:

You are immortal, Megumi. You need not decide today, or tomorrow, or within the week, or within the year. He knows what he's done. He *awaits* his fate at your hands.

Megumi takes a deep breath, turns off the computer, and makes to leave the library.

To his surprise, a human librarian stops him.

“Um, hello.”

“Yes?”

“My name is Shiori. I, uh… I work here.”

Megumi feels bad about his lack of manners.

“Good evening, Miss Shiori. I’m Dr. Megumi Fushiguro. I, uh… I work at the morgue.”

The librarian breathes in deeply before speaking again.

Eventually, she says, “I know. We all know you.”

Megumi’s gaze darts around the hall.

“W-What I meant to say is… you looked really sad earlier. My friends said you were really upset by stuff you saw on the computer.”

“No, no, I’m fine! Sorry, I’m just not used to… the Internet and all. I’m kinda… completely analog with how I live my life, y’know?”

The librarian nods frantically. “Yes, yes, I understand! I don’t like computers either. I just use them when it’s required to catalogue or locate specific books. I don’t even own a phone.”

“Oh?” Megumi sighs in relief. “Same, actually.”

Miss Shiori gives him a small, tentative smile. “I know. My friends said I should give you this. Please consider it.”

She hands him an envelope containing four tickets to a concert for a band called ‘Rocket Science Elective.’ Then, she bows and walks away.

Megumi takes a long moment to look at the tickets, somewhat at a loss.

Based on the make and design, these would not have come cheap. And they’re the best seats in the house, too. Huh.

He surprises himself with the sudden desire to go springing up in his mind, completely unprompted.

Now, the question remains:

Who to take with him?

Chapter 24: {23} a prelude to the 24th chapter

Chapter 25: {24} zeroday

Chapter Text

ROCKET SCIENCE ELECTIVE - THE REUNION TOUR

Cyber Harmonia @ Tokyo

Presented by PRISM ENTERTAINMENT INTERNATIONAL

In Partnership with LADY RUKKHADEVATA

Featuring the Special Guests:

-KUNIKUZUSHI

-SON OF THE GREEN MASQUE

-THE FROZEN STAR

-VELVET WIDOW ENSEMBLE

Also with the Participation + Support of:

-FLORAL TISANE

-GOD OF THE STOVE

-GROUND ZERO & FROSTFIRE

[ ] Day 0 | [/] Day 1 | [ ] Day 2

Seating Area: Skybox #456, #218, #067, #199

You have hereby been invited to hold your colour…

Chapter 26: {25} “12 Hours outside Casa di Venere”

Notes:

MUSIC FOR VIBES (SIDE A)

(See the end of the chapter for more notes.)

Chapter Text

Unable to think of anyone else he trusted at that point, Megumi turns to Yuuji.

Yuuji is elated that he’s Megumi’s first choice to be invited to accompany him at Cyber Harmonia. Upon hearing that Megumi apparently possesses four tickets at the most exclusive tier, Yuuji declares that he knows the perfect person to invite alongside them: a vampire fashion designer based in Seoul named Ms. Nobara.

Megumi is put at ease by Yuuji’s explanation that Nobara is technically his own childer—whom he’d turned about 20 years ago at her own request. Since then, as is typical of Yuuji, he had not held their blood tie as any reason to lord over her at all, and they had instead remained great friends.

Nobara runs the highly successful Chioriya Boutique based in Seoul, South Korea and with a satellite branch in Harajuku. Apparently, she had spent her human youth and early adulthood studying in between France, Italy, and the United States. However, after her turning, Nobara decided to dedicate herself to bringing her own special flavor of high fashion to her heartlands of Japan and Korea.

Yuuji also informed Megumi that, for obvious reasons, Nobara is extremely busy most of the time—so they could only be introduced on the day of.

Nobara arrives at the venue dressed somewhat resembling a summer camp counsellor and nothing like what Megumi expected a fashion designer to look like: large cameo backpack, tactical boots, baggy jeans, a plain white cotton tee of the finest make with only a subtle purple lettering of the word ‘SEOUL’ in all caps on her left breast, a small round pin with the lesbian pride flag, a simple navy blue baseball cap promoting the Kia Tigers, a large black umbrella, and her heavily decorated smartphone.

The first thing Ms. Nobara says to Megumi upon meeting him is, “You don’t look like a Zen’in.”

Luckily, Yuuji easily mediates between the two and basically herds them around the venue until it’s time for the three of them to find their seats.

Over the course of the day, Megumi finds himself mostly observing the interactions between Yuuji and Nobara—only speaking up when he’s specifically asked for his input. It’s honestly *super fucking relieving*; he feels completely safe with the two of them.

Nobara has strong opinions on pretty much everything Cyber Harmonia has to offer, as she is personally acquainted with the headlining band, most of everyone else who came to perform, and even with the organizers of the concert. She lightheartedly tells Megumi that she had once held the current CEO of Prism Entertainment when he was still in diapers.

She also spends a fair portion of time on video calling her two girlfriends. First, there’s the vampire Dr. Yuki Tsukumo—who is apparently an astrophysicist based in Berkeley, California and a childer of Uraume’s. Second is a human woman who Nobara said resides in Shenzhen, China; she refused to be introduced to Megumi but curtly greeted Yuuji in a rough and sleepy voice when Nobara had turned her smartphone towards the always personable vampire.

Megumi wouldn’t put it into words, but Yuuji and Nobara notice easily that he seems to be quite moved by Nobara’s overall demeanor, and her easy companionship with both vampire and human partners alike.

Cyber Harmonia proves the perfect space for Megumi to tentatively mingle with the modern generation of human-vampire relationships—freed from the burdens of the covens and most elders and traditionalists. Food, drinks, treats, and games all flowed freely. People showed up in all manners of appearance: school uniforms, work uniforms, cosplay, fursuits, rugged, formal, and everything in between. People in Tudor attire conversed enthusiastically with others in Qipao and gothic lolita and lab coats and bikinis. People brought children and childers, spouses and partners, harems and polycules, cliques and gangs.

However, Megumi’s newfound grip on his emotions and control of his ensign is tested profoundly by the opening performance for the ‘eve’ half of Day 1.

“Tokyo, give it up for the Son of the Green Masque and the Velvet Widow Ensemble!”

Uncharacteristic of his companions, Yuuji and Nobara offered absolutely zero comments upon the next act that would take to the stage.

Megumi immediately finds out why when the frontman in a silver and velvet zebra-patterned fedora, rumpled brown suit, crimson necktie, shoes that could kill, and the green mask implied by the stage name turns to face the audience—revealing Gojo Satoru’s unmistakeable blue eyes.

The titular Velvet Widow Ensemble leads in with a backing track of symphonic metal, a tune Megumi doesn’t recognize, while Gojo sings in English:

Ever on and on, I continue circling

With nothing but my hate in a carousel of agony

Till slowly I forget and my heart starts vanishing

And suddenly I see that I can't break free—

I'm slipping through the cracks of a dark eternity

With nothing but my pain and the paralyzing agony

To tell me who I am, who I was

Uncertainty enveloping my mind

Till I can't break free

And maybe it's a dream; maybe nothing else is real

But it wouldn't mean a thing if I told you how I feel

So I'm tired of all the pain, all the misery inside

And I wish that I could live—feeling nothing but the night

You can tell me what to say; you can tell me where to go

But I doubt that I would care, and my heart would never know

If I make another move, there'll be no more turning back

Because everything will change and it all will fade to black.

Will tomorrow ever come? Will I make it through the night?

Will there ever be a place for the broken in the light?

Am I hurting? Am I sad? Should I stay, or should I go?

I've forgotten how to tell. Did I ever even know?

Can I take another step? I've done everything I can;

All the people that I see, I will never understand.

If I find a way to change, if I step into the light

Then I'll never be the same, and it all will fade to white…

Ever on and on, I continue circling

With nothing but my hate in a carousel of agony

Till, slowly, I forget, and my heart starts vanishing

And, suddenly, I see that I can't break free—

I'm slipping through the cracks of a dark eternity

With nothing but my pain and the paralyzing agony

To tell me who I am, who I was

Uncertainty enveloping my mind

Till I can't break free.

And maybe it's a dream; maybe nothing else is real

But it wouldn't mean a thing if I told you how I feel

So I'm tired of all the pain, all the misery inside

And I wish that I could live—feeling nothing but the night

You can tell me what to say; you can tell me where to go

But I doubt that I would care, and my heart would never know

If I make another move, there'll be no more turning back—

Because everything will change and it all will fade to black.

If I make another move, if I take another step…

Then it all would fall apart. There'd be nothing of me left.

If I'm crying in the wind, if I'm crying in the night

Will there ever be a way? Will my heart return to white?

Can you tell me who you are? Can you tell me where I am?

I've forgotten how to see; I've forgotten if I can.

If I opened up my eyes, there'd be no more going back—

'Cause I'd throw it all away and it all would fade to black.

Megumi closes his eyes and walks away—without even so much as a glance towards Yuuji and Nobara.

After a while, Yuuji finds him in a restroom, sat against a floor-to-ceiling mirror.

Instead of saying anything, Yuuji just smiles, and moves to sit down besides Megumi. He offers his arms out in a hug—which Megumi eagerly takes. He wails and sobs into Yuuji’s shoulder, he doesn’t know for how long.

Yuuji simply breathes in a deep, slow, steady rhythm and rubs Megumi’s shoulders.

Once Megumi’s tears dry up and he’d cleaned himself a little, Nobara then arrives—as if on cue.

“Megumi,” she says carefully. “Do you have it in you to sit through one last performance?”

Steeling himself, Megumi answers honestly. “One last performance,” he confirms.

Nobara smiles. She leads Megumi on by the hand—lacing her fingers through his as they weave through the sea of people. Yuuji stays behind.

Nobara speaks slowly as they walk. “You’re gonna like this one; trust me. New artist, no backers and surrounded by naysayers, but I knew from the moment I first saw her that she was meant to be a star. Hell, I was so certain that I styled her myself—no charge!”

There upon Cyber Harmonia’s biggest stage, Megumi meets a certain someone for the second time—but it feels like the first:

A human Japanese-American singer named Chastity Adams. Her long, curly black hair is adorned in gold, silver, and glitter. Her chocolate-colored skin gleams divine in the moonlight.

That girl—no, that woman from the nightclub on the eve Megumi was turned is singing now with the voice of an angel. And when her warm maplewood eyes meet Megumi’s, he knows in an instant that she remembers him, too.

Megumi’s tears flow anew. He holds Nobara’s hand in a vice grip, but Nobara only grips him back just as tightly—steady as an anchor.

Chapter 27: {26} Yuuji’s Ensign — The Lens (聖爵)

Notes:

MOOD MUSIC!

Chapter Text

So, we already know the causes and effects of Satoru’s hot girl summer. The setup + aftermath of the battles. The identity of the corpses.

However, just how the fuck did Satoru get out of *that* specific sticky situation?

Well, I’ll tell you.

First, let’s review each major combatant and why they’re there:

0) SATORU - He thinks he’s having a whirlwind romance with Suguru—first time he’s ever fallen for a human. He is addicted to Suguru’s everything: his looks, his wit, his body, and his blood. No idea that every single last one of Suguru’s assets was purposefully molded to entice him, that Suguru was raised and groomed precisely to be irresistible to him.

1) SUGURU - He was raised as a weird cult baby by “Madame Naomi” (A.K.A. Naoya, but Suguru doesn’t know that) and “The Shrew” (A.K.A. Shiu, but Suguru doesn’t know that). Naoya alone fed Suguru blood while Shiu alone got Suguru acclimated to all human delicacies and poisons. Suguru was treated basically as an ethereal demigod-esque saint by Zen’in Coven. His birth and survival was considered miraculous—beautiful vampiric vitality borne of stillborn destitution. The Gojos and Kamos had Utahime to mourn and worship, while the Zen’ins had Suguru.

From Suguru’s point of view, his relationship with Satoru is a SEDUCTION: his mission is to make the richest vampire in Japan—a literal war criminal—fall in lust and love with him so he can defraud him not just financially, but bloodily as well. In his own eyes, he is an agent of working-class Japanese vengeance.

2) TOJI - A mercenary specializing in vampire targets. His most trusted handler is, of course, none other than our much beloved South Korean-born immigrant chauffeur: Mr. Kong Shiu. Toji has no idea that this man works for Naoya. Remember: Naoya is—as far as all official paperwork says—dead since 1899. Toji grew up under the overexploitation by male Zen’in vampires AND the mysterious, seductive deceit of “Madame Naomi.”

For this job, Shiu has specifically promised that Toji shall be paid 456 billion Korean Won in exchange for Gojo Satoru’s corpse. However, this sum can only be claimed at a bank in Seoul—after the success of the job has been carefully confirmed and verified by all relevant parties.

Now… where did this money come from, exactly? Even the Zen’ins aren’t that rich. And why, specifically, does it have to be a South Korean-owned and operated bank in the city of Seoul? Well, let’s follow the paper trail a little.

This Seoulite bank where Toji is supposed to claim his money after a job well done is called Prism Development Bank. Same corporate entity that owns Prism Entertainment International—a benefactor and patron of Nobara’s work, which later went on to organize Cyber Harmonia.

Prism is quite old: a true-blooded South Korean conglomerate that cut its teeth in the battlefields of the Japanese occupation, World War 2, and of course the Korean War. The first patriarch of Prism is the same human man who raised Shoko: a Japanese-Korean ex-Catholic priest named Sanghyun—mutual friend of Satoru and Naoya as kids. Shoko knew him as “Uncle Koizumi Fujiwara.”

TLDR: Toji has been tasked with the truly wacky assignment of disposing of an overpowered vampire manchild war criminal, by said vampire’s own (legally dead) ex-childhood sweetheart, using the laundered money of Japan’s most intimately violated colony and neighbor.

And he had NO FUCKING IDEA.

But, do you know who *did* have an idea—even though he did not grasp the grittiest particulars?

2) YUUJI - The 1,000+ years old enigma. A vampire so just and fair that any human who meets him is incapable of seeing him as a predator or exploiter—regardless of whether or not they’ve been burned by other vampires in the past. A vampire so strong and committed to the well-being of humans that even a millennium of malice from the Gojo, Kamo, and Zen’in covens combined has been completely ineffective at defeating him for good. A vampire so principled and approachable that humans ask him to turn them, so they may live a second, immortal life according to their own terms. A vampire who fell in love with a human vampire hunter who refused to be turned, who died in Yuuji’s arms because Yuuji simply respected that man’s wish to pass on as a mortal and no more.

Yuuji is Sukuna’s first cousin on Sukuna’s mother’s side. A natural-born vampire that—according to Sukuna’s own ensign the Shrine—is most likely to be the first vampire in all of history to conquer the sunlight. The FIRST natural-born vampire in all of Japan.

And that is exactly what Yuuji did—in order to put an end to the carnage between Satoru, Suguru, and Toji.

At Satoru’s lowest point, after Suguru had nearly drained him dry and was subsequently going mad because of the horrible truths stored in Satoru’s blood about the Zen’in Coven wherein Suguru was raised, just when Toji thinks he has won the ultimate jackpot with the sun slowly dawning while his vampire targets are helpless to escape it—Yuuji interferes.

And Yuuji does not hold even the slightest bit of empathy, sympathy, or compassion for Toji. Because Toji is not a hunter. Toji does not kill to protect anyone or to serve justice or even out of vengeance. He only does it for money. He’s the complete inverse to the love of Yuuji’s life.

Thus, Yuuji’s verdict:

Yuuji kills Toji with his bare hands—the very picture of divine wrath against human avarice. By Toji’s blood tainting him, Yuuji at last awakens his ensign: the Lens.

Yuuji withstands the full might of the sun rising over the Sea of Japan. Any flesh or muscle or veins the sun tries to obliterate, Yuuji just regenerates right back in mere moments, as if nothing happened.

Yuuji then turns to Suguru, and at once knows that immortality has irreversibly corrupted him. Suguru is being utterly consumed by the star-crossed fates of Satoru and Naoya. Thus, Yuuji lets Suguru be annihilated by the sun. It is not death, but mercy. Freedom from the legacy of others.

At last, Yuuji turns to Satoru. He looks exactly like Naoya did all those years ago—in that fateful battle against the Fork that cost Nanami Kento’s life.

Yuuji weeps, wails, screams. They do not deserve this. This should not be happening *again*. No one should be chained to their fate or chained to their blood. Humans and vampires alike both deserve freedom.

Yuuji takes a Zen’in-made blade—a dark blade borne of stardust and molded by humanity—which has been left behind by Suguru in order to cut open his own left palm. Yuuji then lets his own blood flow down and into Satoru’s slack mouth.

Once Yuuji is certain that Satoru still lives, he then carries Satoru—making sure to shield him from the sun.

Yuuji then slowly, carefully, takes Satoru to Yuuta’s morgue.

For an autopsy, and a new lease on life.

Chapter 28: {27} a prelude to the 28th chapter

Chapter 29: {28} new moon

Chapter Text

After Megumi, Yuuji, and Nobara leave the site of Cyber Harmonia, Nobara must depart without delay for Seoul again via airplane. Megumi is sad to see her go, but she assures him that this is definitely not the last time they’ll see each other, and says that she’ll make her next appearance whenever Megumi least expects it.

Afterwards, Yuuji invites Megumi to accompany him to Aoyama Cemetery.

On their way there, Yuuji picks up a large bouquet of thorn-less bright pink roses.

Upon their arrival, Yuuji does not speak a word—simply placing his offering on the Catholic grave in front of them before turning to face the moonlight.

Megumi asks his companion no questions. He doesn’t know how long of a time he spends staring at the ornate tomb that stands before them. And yet, he is unable to weep despite the surge of sympathetic heartache.

Here lies

KENTO NANAMI

Jul. 3, 1890 – Oct. 3, 1925

A.K.A. ‘Nanamin’

Favorite Son, Beloved Brother, & Lifelong Bachelor

“Teach us to give and not to count the cost.”

—St. Ignatius of Loyola

The ocean breeze smelled sweeter when he was here.

Chapter 30: {29} Megumi v. Yasukuni && Co.

Notes:

MUSIC FOR VIBES (PT. I)

(See the end of the chapter for more notes.)

Chapter Text

SIDE A — THE HEARING

JUDGE: Please state your name for the record.

MEGUMI: Dr. Megumi Fushiguro.

JUDGE: And your aim is… to abolish Zen’in Coven in the present, future, *and* retroactively in time, in all worlds. Correct?

MEGUMI: Yes.

JUDGE: Attorney Higuruma, what right does your client have to demand such a thing?

ATTY. HIGURUMA: Your Honor, my client is the by-birthright legal heir to all assets and liabilities of the entity formerly known as Zen’in Coven. This status is validated by his birth certificate and the accompanying DNA tests, proving beyond a shadow of a doubt that he is the one and only biological son of Toji Fushiguro (neé Zen’in). His lineage is also confirmed by his manifestation of the ensign the Crypt.

COMMITTEE: Yes, we know about your client’s lineage as a human. However, his vampiric lineage is still very much in contention. Our records state that Dr. Fushiguro’s sire is a deceased vampire named Mr. Shiro Oboro, who was killed in a shootout by human singer-actress Ms. Chastity Adams. What say you?

ATTY. HIGURUMA: As confirmed by Ms. Adams’ testimony, this is indeed the case. Records signed off on by the vampire Dr. Yuuta Okkotsu also certify Dr. Fushiguro’s presumed ‘death’ and later turning.

COMMITTEE: Why, then, should Dr. Fushiguro be acknowledged as the rightful leader of Zen’in Coven? He was born a human, just like his biological father Mr. Toji, and only turned by accident via a heinous crime. It also took him well over a decade to manifest his ensign. If anything, these records show a most muddled lineage—utterly unworthy of leading one of Japan’s Big Three Vampire Covens.

ATTY. HIGURUMA: As we have previously established, most of these blood ties have been rendered null and void both legally and bloodily by the Crypt—and thus should have no bearing in any court of law.

JUDGE: That may be true, but separate records—including photos, several witness testimonies, and material evidence—attest to Dr. Fushiguro having openly professed dealings with the former leader of Gojo Coven, the vampire Dr. Gojo Satoru, over the course of several months.

COMMITTEE: Indeed. Our records show that Dr. Fushiguro only gained entry to his first Midwinter Conference through being Dr. Gojo’s ‘plus one’ at the event. Later sources also attest to Dr. Fushiguro’s status as much akin to an initiate or apprentice of Dr. Gojo’s. What say you, Dr. Fushiguro?

MEGUMI: Satoru Gojo is no mentor of mine. He is no leader, either. He is a usurper, a pretender to the leadership of Gojo Coven. To myself, he is a non-entity. He tried to kill my biological father, and then later used this very same crime in an attempt to make a loyal pawn out of me—for himself to use as a bargaining chip with the covens. He is a fraud and a traitor, and cannot be trusted by anyone. This very court’s previous decision to strip him of his Japanese citizenship is just; so is the previous decision of Yasukuni Shrine to condemn him as a *persona non grata* retroactively from the year 1888 up to the heat death of the universe.

JUDGE: Duly noted.

COMMITTEE: Even granted that, the court is duty-bound to hold you, Dr. Fushiguro, accountable for the innumerable crimes of your father, Mr. Toji.

MEGUMI: No, you are not. The vampire Toji Zen’in-Fushiguro is no father of mine. He never has been and never will be. He is completely dishonorable—possessing not even a sliver of loyalty, consideration, or compassion towards country or kin. He is a mercenary, who toys with his targets as if they are mere playthings without sentience or sapience, and he does it all in return for nothing but the shamelessly laundered fiat currency of humans. He is a tool and does not even deserve the designation of human, vampire, or monster. He is fucking *nothing* to me.

JUDGE: Thank you for the clarification. Does the Committee wish to add or elaborate upon anything else?

COMMITTEE: No. Our concerns for today have been addressed, Your Honor.

JUDGE: Attorney Higuruma, do you or your client have anything else to add or elaborate upon in regards to today’s agenda?

ATTY. HIGURUMA: No, Your Honor.

JUDGE: Very well. Court dismissed. We shall reconvene on Sunday.


SIDE B — THE HATCHET

Yuuji is waiting for Megumi and Higuruma once they exit the courthouse. He’s wearing a light, breezy outfit with no regard for the sun, paired with simple black sunglasses. He carries nothing but a large bouquet of chrysanthemums.

“You did great out there,” Yuuji says, handing the flowers to Megumi. Then, he turns to the vampire Atty. Hiromi Higuruma, and gives him a tight hug. “Thank you for doing this for me, friend.”

Higuruma scoffs. “I didn’t do it for you—or even for Dr. Fushiguro, for that matter. I did this for *myself*.”

Megumi smiles openly and proudly at his lawyer. “Thank you,” he says. “And thank you to you, too, Yuuji, for introducing us.”

“It’s no problem at all,” Yuuji says. “A good lawyer is really hard to come by these days—and besides, Hiromi here was *bored out of his mind* anyway with the usual cases and classes to teach.”

“You can say *that* again,” Higuruma mutters.

Yuuji laughs heartily at his friend.

At that moment, a long, black limousine honks at the three of them. The door then opens to reveal Ms. Nobara, accompanied by her girlfriends Ms. Yuki and Ms. Momo, but also with the new addition of Ms. Maki—radiant and smiling and nothing like when Megumi last saw her.

Nobara glares at the three men. “Can you losers get in already? I don’t have all day!”

The men promptly obey.


SIDE C — THE HELP

The seven vampires disembark at a little known bar in the hearth of Shinjuku: Klub Alexandria.

There, they are greeted by its bartender and owner: a tall, muscular vampire with an elegant manner and a steady hand, known to all of Klub Alexandria’s patrons and staff simply as Mr. Kurai’Kage.

Already there waiting for the seven are several people: Yuuta and Shoko smiling and waving in the lounge, Satoru and Naoya engrossed in their own little world at a secluded table not to be disturbed, Uraume and Mei Mei drinking quietly at the open bar, and finally, the pair of Ms. Chastity Adams and the vampire Ms. Hannah chatting animatedly beside the jukebox.

Nobara, Yuki, Momo, and Maki head straight for the lounge.

Yuuji joins Satoru and Naoya’s table.

Higuruma approaches the open bar to greet his sire, Uraume, before eagerly taking a cocktail offered by Mei Mei.

Finally, Megumi takes a seat right in front of the bartender.

Megumi sighs. “I’d say I’m sorry for taking so long, but…”

“It wouldn’t be sincere,” Sukuna completes with a smile. “Nevertheless, you needed that time, and it’s not as if our kind is in any shortage of such a thing.”

“Right,” Megumi commiserates.

“So, what’ll it be for today?” Sukuna asks.

Megumi shrugs. “I don’t know. Surprise me.”

Sukuna smiles again, this time with his fangs. “Gladly.”

For today, Sukuna serves Megumi a Cosmo that sparkles with the hint of aurora skies.

Chapter 31: {30} Oh, haven’t you heard?

Notes:

MUSIC FOR VIBES!!!

(See the end of the chapter for more notes.)

Chapter Text

WORLD NEWS: Vintage Animation Studio Founders Marry in Scotland

Mr. Z and Mx. L, vampire co-founders of the highly decorated animation studio KuroShiro + Bora (est. 1900), have finally married last Wednesday in a traditional handfasting ceremony in Glasgow. This wedding comes after well over 120 years of the couple sponsoring, patronizing, training, and employing animators from all walks of life—in order for them to be able to create their masterpieces without any worries about sustenance, shelter, or enrichment. For this reason, KuroShiro + Bora has been a beloved name in the animation industries of most countries throughout the 20th Century and beyond. The affair was intimate and tasteful, with the couple surrounded by their closest friends and associates. A source close to the couple also remarked that it rained lightly during the actual ceremony, but that even the weather could not put a dampener on the festivities. A radiant rainbow purportedly shined right through the rainfall.


FASHION: Ms. Nobara of Chioriya Boutique Officially Appoints Successor

After over 2 decades of the public wondering if the thundering seamstress planned to run her esteemed fashion house for eternity, Ms. Nobara has at last put nearly a quarter of a century’s worth of rumors to rest at a press conference following the reveal of this year’s summer collection by naming her intended successor: an independent Filipino designer based in Quezon City, the vampire Ms. Hera Magsaysay (89). Ms. Nobara has also announced her tentative retirement year to be 2040, although this is not yet finalized. When asked where she intended to retire, Ms. Nobara told interviewers, “Somewhere in the Indian Ocean where none of you fucks will ever find me.”


MUSIC: Ms. Chastity Adams Thanks Japanese Fans for Support upon Winning 3 Grammys

The critically-acclaimed singer-songwriter made sure to emphasize in her acceptance speech for Album of the Year, Artist of the Year, and Record of the Year that her core fanbase will always be her original Japanese fandom—who loved her right from the start in her underground days and faithfully stood by her for the past decade of success and strife alike. “I will never forget the people who loved my music first. You all believed in me even when nobody else did. I will always love my Japanese fandom first,” said Ms. Chastity in Nihongo upon being interviewed by our correspondents at the scene.


LOCAL NEWS: Miracle in Charity Ward 007

In what could only be described by hospital staff, onlookers, and nuns and monks at the scene as “a completely miraculous recovery,” former Robotics major at Tokyo University and Judo Black Belt Mr. Muta Kokichi woke up after being comatose for 15 years following a devastating car accident. Mr. Muta’s domestic partner, pharmacist Ms. Miwa Kasumi, told correspondents that she is “overjoyed and grateful” and that “no wait is too long for true love.” The newly awakened Mr. Muta also stated that he planned to “buy a motorbike” and “marry [his] girlfriend” as soon as he got out of the hospital.


CELEBRITIES: Demon of Heian a Bachelor No Longer?

After well over a millennium of taking no brides, bridegrooms, consorts, or even dates, the oldest living vampire in Japan, Mr. Ryomen Sukuna, was spotted yesterday at the popular, Korean-owned The Little Titan Café - Tokyo branch (est. 2013), with none other than the vampire Dr. Fushiguro Megumi—Chief Medical Examiner at the Tokyo University Hospital and plaintiff of the biggest vampire-related legal case of the century: the recently concluded ‘Megumi v. Yasukuni && Co.’ Unfortunately, neither party was willing to provide any statement for this article.

Notes:

i hope you enjoyed our time together, however brief it may have been.

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